View allAll Photos Tagged perception

codename: LILGUY

brass-plated steel and stone

24"H x 8"W x 6"D / 25 lbs

2017

A visual perception of light, depth and spatial connection between nature elements.

It's not what you look at that matters, it's what you see.

 

Henry David Thoreau

30 Days of Perception:

Grateful for grasses blowing in the evening breeze on my walk at the end of the day.

There are things known and there are things unknown, and in between are the doors of perception.

 

♫ Depeche Mode - I Want It All ♫

Details, on deviantART.

tacita dean exhibition

  

Shooting inside an urban coffee shop.

finally, a decent photo with my 450d. It focus' really well, and great dof.

 

mhm, well, i've been wanting to do a peacock feather photo for a long time, this isn't at all what i had in mind, but i liked it enough.

and the feather was a bit dodgy. :P

colours are better in safari...

In the perception of a tree we can distinguish the act of experiencing, or perceiving, from the thing experienced, or perceived.

Modelo: Evelyn Heinrich

© P E D R O • H E I N R I C H

Tryptic compiled from some ICM shots of me taken by Michele Reneau.

"Selective Perception" by artist Mr. Oreo.

Universitätsstraße, Bochum.

 

This is how I describe taking photos the old way. By closing one eye your depth perception goes away. I hold the camera out in front of me now, so I can look left and right and compose the shot instantly. I tell people, ‘What you are doing is hiding behind the camera. It covers half your face; and the bigger the camera is, the more intimidating it is to your subject.’ :-)

Bill Owens

 

HFF! HGGT! Peace Now!

 

rose 'Dick Clark', little theater rose garden, raleigh, north carolina

In this photo, does the railing of the staircase appear perfectly straight, or does it deform into an undulation, like a wave, as soon as you look at it? Is what we perceive, as individuals, objective reality, or just a subjective interpretation of it? Between different people, do we share the same vision of the world around us, or are our perceptions shaped by our unique experiences? In short, aren't there as many realities as there are individuals? Couldn't we say that the world is, in the final analysis, only what we choose to see in it?

 

Sur cette photo, le garde-corps de l’escalier semble-t-il parfaitement droit, ou se déforme-t-il en une ondulation, comme une vague, dès que votre regard se pose dessus ? Ce que nous percevons, en tant qu'individus, est-il la réalité objective, ou n’est-ce qu’une interprétation subjective de celle-ci ? Entre différentes personnes, partageons-nous la même vision du monde qui nous entoure, ou nos perceptions sont-elles façonnées par nos expériences uniques ? En somme, n’existe-t-il pas autant de réalités qu’il y a d’individus ? Ne pourrait-on pas affirmer que le monde n’est, en définitive, que ce que nous choisissons d’y voir ?

.. in following the breadcrumb trail

(Thanks to Julia Bredis)

Keys to open the doors of perception...?

Keys, better tools for the year 2025...?

-This is a mural/painting on a street, the remaining part of my previous dog photo.

 

Happy New Year to you who might see this :)

Photographers at the Olympus photographic playground in Amsterdam. The light source creates a shadow on the screen which is between me and the photographer. Through the shadow another photographer and his subject is visible.

 

At first sight the shadow looks more real than the person that creates the shadow :).

 

For me this image serves as a modern illustration of Plato's cave allegory and the perception of the freed philosopher. The philosopher can see through the shadows the reality. The image illustrates for me also that images can have different layers of interpretation.

 

Cave allegory from Wikipedia:

Plato has Socrates describe a gathering of people who have lived chained to the wall of a cave all of their lives, facing a blank wall. The people watch shadows projected on the wall from things passing in front of a fire behind them, and they begin to give names to these shadows. The shadows are as close as the prisoners get to viewing reality. He then explains how the philosopher is like a prisoner who is freed from the cave and comes to understand that the shadows on the wall do not make up reality at all, for he can perceive the true form of reality rather than the mere shadows seen by the prisoners. ...This allegory fascinated me already as a child.

Though Winter has been brutally cold and many with more snow than other areas or snow in places that don't get snow, my perception is Wisconsin had a mild Winter so far.

Pandemic street photography full of symbolism.

Movement aberration through a rolling train window.

I often like to think about our place in the universe... and scale... and relativity. For all we know, this big honking Earth of ours... teeming with what we know as lifeforms... is merely a molecule in some other, much larger structure.

 

Could be. After all, the microscopic view reveals entire worlds and civlizations invisible to our unaided eyes. And even a macro lens gives us a whole different perspective on size and scale.

 

And since I'm too tired to write today, I'll just repeat some doggerel I created as a kid, which basically says the same kind of thing (and suggests that I have changed very little in the past 30-plus years):

 

To a flea it's a four-lane highway

To an ant it's a mountain pass

To a cow it's plain delicious

To me it's a piece of grass.

 

(P.S. This is my first photo taken with my first-ever macro lens, which Husband Mike bestowed upon me for the big Four-Oh.)

   

"Reports of photographers being harassed or stopped using bogus interpretations of anti-terror legislation are on the rise. To help raise awareness of the issue and change public perceptions, BJP has begun a new campaign - and we're inviting you all to join us." from British Journal of Photography

 

For more details on the 'Not A Crime' campaign and to submit your own portrait, visit Not-A-Crime

Camera movement in the bluebell woods. I figured out that I get a much smoother movement if I keep the camera close to my face rather than holding it a little further away.

  

Some call them weeds I call them beautiful…

 

I took this shot at the Salford Quays watersports centre, these canoes were stacked up and looked interesting, and the name perception intrigued me too.

An abstract perception/impression of a local stainless steel sculpture and my shadow while photographing it.

I always try to catch the light and the moment. It`s like dancing Tango Argentino: A passion!

Saturday I danced with the light and this shot is the fusion!

 

A moment and the light as well:

Assassin's Tango:

www.youtube.com/watch?feature=player_detailpage&v=As0...

 

Canvas upon

Paint narratives

Silent partner

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