View allAll Photos Tagged pendantlamp
The delightful Hebden Bridge station, beautifully retro but not treated like a museum piece - just as it should be.
I couldn't resist making a feature of the pendant lamp.
Trains weren't invited.
1.04pm, 1st December 2022
industrial pendant lamp, gezien in Oyfo techniekmuseum Hengelo.
For once, the machines are put to work especially for the Oyfo photography students. An industrial hanging lamp was also turned on, an unimaginable amount of light
Oyfo technology museum Hengelo
Actually it is the reflection, in late afternoon, of a pendant lamp on the window's glass... The impression of a blurred image on either size of the lamp is actually a deformation by the glass. This can be verified by closer look, as the lines that form the skeleton run all around the paper lamp drawing the real size of it!
- En plein air ou ...
En fait, c’est le reflet, en fin d’après-midi, d’une lampe à suspension sur la vitre de la fenêtre ... L’impression d’une image floue sur l’un ou l’autre coté de la lampe est en réalité une déformation par la vitre. Cela peut être vérifié en regardant de plus près, car les lignes qui forment le squelette tout autour de la lampe en papier en dessinent la taille réelle!
IKEA RIMFROST Pendant Lamp.
I love this processing, romantic and imaginative......
Tomorrow is my birthday and I will have a break, see U all on 31st.
Cheers :D
industrial pendant lamp, gezien in Oyfo techniekmuseum Hengelo.
For once, the machines are put to work especially for the Oyfo photography students. An industrial hanging lamp was also turned on, an unimaginable amount of light
Oyfo technology museum Hengelo
See more: www.oyfotechniekmuseum.nl/
We created a warm industrial reclaimed set for this round of N21.
All crate's Creations are 100% Original Mesh and Created
by Us with Care and Attention.
Copy/Mod/No Transfer
PG & Adult Versions Avaiable
All items Sold Separately and Full Set Options
N21 opens today at 5PM SLT
Lyft: N21
*this is a piece I made in the late 80's.
It uses a processes like anti-clastic forming, forging, fabrication techniques.
Simple white and red, but do you know what's that?
Sometimes, simple maybe difficult.
This is a IKEA MELODI Pendant Lamp on a red background.
this beautiful arrangement i saw in a penthouse in calle alcala in madrid. i loved the light style of the green and the lamp and the play of shadows
The Basilica of St. Peter and St. Paul.
While the unseen storm rages outside.
en.wikipedia.org/wiki/Basilica_of_St._Peter_and_St._Paul,...
www.prague.eu/en/object/places/14/basilica-of-sts-peter-a...
SLS nylon lamp, 3d printed by shapeways, generated in processing using reaction diffusion for our exhibit at Rare Device in September/October
more info: n-e-r-v-o-u-s.com/blog/?p=541
Edwardian arcade (1909) in posh London.
Maille is a French Celtic corruption of my Co.Mayo, Irish surname, O'Malley.
LR2110
in addition to getting that photo from the ceramicist, I just received a big box from shapeways with the first Reaction lamp in it! I will take proper pictures later... I haven't even fabricated the part that holds the bulb yet but I got so excited I had to test it out
still in the bubble wrap, packing peanut miasma
In Lisa Pomerantz's Chelsea apartment, the dining room doubles as a library. Berkeley extension table by Scott Jordan furniture. Wishbone chairs by Hans J. Wegner. Metamorphosis Pendant 3-M light by Collura & Co.
Interior design by Peter Pawlak. Photo by Joshua McHugh, Elle Decor, Jan/Feb 2008.
~ new prints for our wishes corner
~ blogged here & here
~ participating in Diva and dreams 's August {photo challenge}
~ you can vote for this dyptich {here} . Thank you dearly for you support :)
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The redesigned kitchen of Anne Turner's Birmingham, Alabama home. Walls and upper cabinets are Farrow & Ball Lime White. Lower cabinets are Farrow & Ball Mouse's Back. Window sashes are Farrow & Ball Stoney Ground.
Hardware: Restoration Hardware, Ephram 6" pulls
Countertops: Black honed granite, Dupont at Lowes; walnut butcher block, AWP Butcher Block
Appliances: Kenmore Pro, Sears
Subway tile (backsplash): 'Capriccio' in antique white (it has a wavy finish), Ann Saks
Pendants: 'Harmon' pendant in dark brass, Restoration Hardware
Floors: 2 1/4-inch White Oak Select stained with half formula of Special Walnut, Lumber Liquidators
Faucet: Price Pfister
Photo by Erica G. Dines, Cottage Living.
Flooded with light from three full length windows, the Billilla dining room, built at part of the original 1878 house, is an elegant and impressive space.
As one of the showpiece main rooms of the mansion when guests came to be entertained, the dining room, adjoining the billiard room, is not only elegantly proportioned, but also elegantly appointed.
As the Colony of Victoria had no European history before white settlement, it was not unusual for wealthy landowners to decorate their homes in the styles of the great houses of Britain. This is evident in the Jacobean or Baronial style dining room.
The ceiling of the drawing room is decorated with ornate stylised Jacobean mouldings, whulst an impressive burnished copper chandelier is suspended in the middle of the room.
Like most of the house, the dining room was redecorated as part of the 1907 renovation of Billilla, and it features an Art Nouveau fireplace with stylised floral inset tiles.
Although not original, the room is papered in a rich and dramatic russet and gold patterned wallpaper in an Art Nouveau style, and you could easily imagine the original papers being equally as ornate and striking.
Built in High Victorian style in 1878 for successful gold miner Robert Wright, Billilla mansion was originally a thirteen room mansion erected on seven and a half acres of land.
When economic boom turned to bust in the 1880s, the property was purchased in 1888 by wealthy New South Wales pastoralist William Weatherly who named it Billilla after his land holdings and established a home there for his wife Jeannie and their children Violet, Gladys and Lionel.
The house was substantially altered by architect Walter Richmond Butler in 1907, extending the house beyond its original thirteen rooms and adding the Art Nouveau façade seen today.
After William Weatherly's death in 1914, his wife, who was much younger, remained living there until her own death in 1933. She bequeathed the property to her daughter, Violet, who maintained the home with reduced staff until her own death in 1972.
The property was purchased in 1973 by the Bayside Council who subsequently used Billilla as a historical house with guided tours, a wedding and events venue, a school and finally in 2009 as an artist's precinct in the property's outbuildings. Billilla is a beautiful heritage property retaining many of its original features thanks to its long private ownership still incorporating a stately formal garden and the magnificent historic house.
Billilla, at 26 Halifax Street, Brighton, is one of Melbourne’s few remaining significant homesteads, built on land which had originally been owned by Nicholas Were. The house has a mixture of architectural styles, featuring a Victorian design with Art Nouveau features and has exquisite formal gardens, which retain much of their original Nineteenth Century layout.
Billilla retains many original Victorian elements and a number of outbuildings still stand to the rear of the property including the butler’s quarters, dairy, meat house, stable garden store and coach house.
Billilla was opened to the general public as part of the Melbourne Open House weekend 2022.
Billilla was used as a backdrop in the 1980 Australian Channel 10 miniseries adaptation of Sumner Locke Elliott's "Water Under the Bridge". It was used at the Sydney harbourside home of Luigi, Honor and Carrie Mazzini.
Taken with a Polaroid 600 Business Edition using the close-up lens. I covered the flash since there seemed to be good natural light from the windows. The pinkish hue is on the real photo (I think it might be from a red light on the camera).
I cropped this one because I couldn't get the frame to come out well in Photoshop.
Read more about the paint color, Elmira White, here: moorebenjamin.wordpress.com/2011/10/06/elmira-white/
Scoop Back Chairs, Tripod Table, Industrial Pendant from West Elm. Photo from westelm.com.
I'm salivating: What a perfect balance between classic architectural details (egg-and-dart molding, wainscoting, that parquet floor) and modern touches (the X dining table, benches, and colorful wing chair; that over-sized pendant). The drapes and raffia Roman shades warm things up, too -- and those butter-colored walls are just lovely.
Brooklyn townhouse dining room designed by Tom Scheerer; photo from tomscheerer.com.
"Nova" pedestal table, $1,300, from Crate & Barrel. Benninghoff & Weigel "Sloan" chairs, $530 each, from Ligne Roset.
Photo by Kirsten Strecker, Domino, October 2005.
When Scott Currie bought his 1899 Southampton home, the kitchen had a dark tile floor and an acoustic-tile ceiling. The remodeled space features white subway tile, a stainless steel Viking range and oven, and a Rohl apron sink (Original Single-Bowl Fireclay model, rohlhome.com) with Georgian Kitchen brass sink fittings by Samuel Heath & Sons.
Photo by Roger Davies, Elle Décor, July/August 2009.
Kuchnia w jednym kolorze
Płytki ceramiczne, szkło, metal, a może materiał w dokładnie takim samym dekorze jak blat czy szafki kuchenne? Decyzja o tym jaki materiał znajdzie się na kuchennych ścianach między dolnymi i górnymi szafkami, wbrew pozorom nie musi być trudna – nawet gdy zależy nam...
Created by Alessandra Fabre Repetto and included in the All Things Paper post: "9 Paper Artists Whose Work Honors the Earth" www.allthingspaper.net/2022/04/eco-friendly-paper-art.html