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Fabric pattern - primary stripes

I liked the darker orange at the left

Just enjoying the sacred and beautiful patterns in nature.

Garfield Park Conservatory

So I made this Steampunk pattern that could be used at Spoonflower and Hoags75 bought it, ordered fabric, and made this incredible purse out of it!!!

 

I was so excited when I woke up this morning and saw it. It feels incredible to know that somebody made something out of one of my designs!

The asymmetry of the lower tip creates the tail.

from my moleskine sketchbook

- Dedicated the book Pattern Recognition by William Gibson.

William Gibson here: www.williamgibsonbooks.com

 

All rights reserved. © copyright by Seung Kye Lee

 

- Fine art prints: www.leeseungkye.com

- Blog: seungkyelee.wordpress.com/

This was one of the Lilly flowers - the focus was not all that good, so I was having a "little play" in Picasa and quite liked the patterns and colours.

Flower Show Agri-Horticulture Garden, Alipore, Kolkata

My collection of Japanese pattern books.

ODC - REPEATING PATTERN is the topic for Monday 23 September 2019

This was my Rocky's little blanket that I used to cover him up with in the truck, it kept him calm, now it's my calming blanket to use and remind me of him.

This is a work in process, it will be a tea towel. I think red rick-rack will be the trim for the towel.

March 6, 2016

 

Dark tones of primary colors, deck paint and sea-water textures.

 

Aboard the "Grey Lady" island fast ferry to Nantucket.

Hyannis Harbor - Cape Cod

Barnstable, Massachusetts - USA

 

Photo by brucetopher

© Bruce Christopher 2016

All Rights Reserved

 

No use without permission.

Please email for usage info.

Pattern and repetition

 

© Julian Köpke

Daily Pattern Project - "Books"

 

My favorite books as a kid (and ones I still read as an adult!) are by Brian Jacques.

I absolutely LOVED the Redwall series, and made a pattern of the funny maps and the strange, black line drawings that started each chapter.

 

Memories!

 

Painter and Photoshop,

 

lindsaynohl.blogspot.com

paperbicyclecreative.blogspot.com

Opening night of the 2011 Lee County Fair, Sanford North Carolina.

This is my first pattern Design. Get it on different items on Redbubble

McDaniel Farm Park. Duluth, GA

This idea is not mine, although these stacks are. I got the idea from a site called the Rainbow Elephant. I think it is really fun to do, and easy. I will load up the instructions if anyone asks.

Best viewed large;

Made with Context Free

Patterns of Power is a series of photographs of contemporary art museum interiors. The images are tightly cropped, square close-ups of the angles, patterns and textures common in contemporary museum architecture. This series builds on a previous project - Museum Patterns - which exists online at museumpatterns.tumblr.com.

 

In a globalised world, museums distinguish themselves through increasingly novel and unlikely buildings, which are designed by star architects like Zaha Hadid and Frank Gehry. Interestingly, many of the buildings’ common features blur the line between art and architecture: walls meet at odd angles, the dominant white surfaces are interrupted by a red feature wall or rail, and material textures are introduced in the form of polished concrete and weathered steel. Museum Patterns re-presents these features as two-dimensional prints. The cropping produces flattened and abstracted images that are at odds with the three-dimensionality of the original subject. The photographs in this series also highlight slight and almost imperceptible flaws in the white-walled galleries, with each image revealing a small imperfection: a watermark on the ceiling, a messy paint job, a scuffed shoe mark, or an accidental lump in the wall.

 

Each of these flaws represents a tear in the façade of power. The white walls that typify contemporary art museums are an attempt to neutralise the space, both physically and ideologically. The Modernist notion of aesthetic autonomy can be seen as a political strategy, rather than just a philosophy towards exhibition display. The museum is a predominantly physical space, so decisions such as a gallery’s layout or wall colour subtly communicate value and power. Patterns of Power draws attention to the physicality of the museum, and by pointing out subtle physical marks of human error, I am concurrently questioning its privileged role as a creator of knowledge and promoter of dominant cultural values.

 

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