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The branches and leaves of this giant tree sort themselves out so each has it's own space. I noticed this pattern in the trees overhead while lying on my back listening to music in the park in Devonport, New Zealand.
75 Likes on Instagram
2 Comments on Instagram:
pammy2726: Looked like paper wasp nest!!
youarebrave: Wow! That's some awesome pattern / texture by Mother Nature. Great capture @flowerpress
Location: near Narechenski bani village, Rhodope Mountains.
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Местоположение: близо до с. Нареченски бани в Родопите.
ODC - REPEATING PATTERN is the topic for Monday 23 September 2019
This was my Rocky's little blanket that I used to cover him up with in the truck, it kept him calm, now it's my calming blanket to use and remind me of him.
mother's day present! took 5 skeins of blue sky alpacas' suri merino alpaca/merino blend in colorway cloud. or sky. or something light blue :P the pattern is called cozy and it is very much so.....
My crochet pattern with all the information to make five different dwarves, with various accessories and weapons, is available in my Etsy shop: www.etsy.com/uk/listing/245562719/dwarf-fantasy-amigurumi...
A simple embroidery pattern of concentric cirlces designed for practicing embroidery stitches. Blogged & free pattern here.
This idea is not mine, although these stacks are. I got the idea from a site called the Rainbow Elephant. I think it is really fun to do, and easy. I will load up the instructions if anyone asks.
Patterns of Power is a series of photographs of contemporary art museum interiors. The images are tightly cropped, square close-ups of the angles, patterns and textures common in contemporary museum architecture. This series builds on a previous project - Museum Patterns - which exists online at museumpatterns.tumblr.com.
In a globalised world, museums distinguish themselves through increasingly novel and unlikely buildings, which are designed by star architects like Zaha Hadid and Frank Gehry. Interestingly, many of the buildings’ common features blur the line between art and architecture: walls meet at odd angles, the dominant white surfaces are interrupted by a red feature wall or rail, and material textures are introduced in the form of polished concrete and weathered steel. Museum Patterns re-presents these features as two-dimensional prints. The cropping produces flattened and abstracted images that are at odds with the three-dimensionality of the original subject. The photographs in this series also highlight slight and almost imperceptible flaws in the white-walled galleries, with each image revealing a small imperfection: a watermark on the ceiling, a messy paint job, a scuffed shoe mark, or an accidental lump in the wall.
Each of these flaws represents a tear in the façade of power. The white walls that typify contemporary art museums are an attempt to neutralise the space, both physically and ideologically. The Modernist notion of aesthetic autonomy can be seen as a political strategy, rather than just a philosophy towards exhibition display. The museum is a predominantly physical space, so decisions such as a gallery’s layout or wall colour subtly communicate value and power. Patterns of Power draws attention to the physicality of the museum, and by pointing out subtle physical marks of human error, I am concurrently questioning its privileged role as a creator of knowledge and promoter of dominant cultural values.