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This was one of the Lilly flowers - the focus was not all that good, so I was having a "little play" in Picasa and quite liked the patterns and colours.
It's Free Pattern Friday! Visit the Craftsy blog for our weekly roundup of fabulous free patterns, including this lovely FREE pieced block pattern!
Time for 1980s Knitting Patterns Part 2
More broad-shouldered ladies are available here: makedoandmendnovice.blogspot.com/2018/03/vintage-80s-knit...
Taking apart the other patterns caused me to have some pieces that fit together like a jigsaw... this is four separate pieces. Yet again, I think it's structurally interesting and aesthetically blah. But my mission is just to explore what can be done, and this is something that can be done. ;-)
im starting to use the open source software processing (processing.org) to create images. its a lot of fun.
this is the same as pattern 01, but just with triangles. and a different colorscheme.
I've been spending some time fixing my new pattern book. I was only showing Wedge, who helped me get the book, but I thought I'd upload it so it's not the best filmed thing. It is kind of cool though.
Mmm easy to find sections and illustrations so I know in what folder the pattern is. And the Illustrations are of course by Wedge.
I made it run faster, I don't flip through things as fast as ninja really.
*Yuzu* Raglan cocoon-ish coat sewing pattern from Waffle patterns. Available www.wafflepatterns.com/products/pdf-sewing-pattern-women-...
Shape patterns on the US Library of Congress entry. Stairs, rails, wall textures, and more to consider. My eyes keep sliding around the elements.
Patterns of Power is a series of photographs of contemporary art museum interiors. The images are tightly cropped, square close-ups of the angles, patterns and textures common in contemporary museum architecture. This series builds on a previous project - Museum Patterns - which exists online at museumpatterns.tumblr.com.
In a globalised world, museums distinguish themselves through increasingly novel and unlikely buildings, which are designed by star architects like Zaha Hadid and Frank Gehry. Interestingly, many of the buildings’ common features blur the line between art and architecture: walls meet at odd angles, the dominant white surfaces are interrupted by a red feature wall or rail, and material textures are introduced in the form of polished concrete and weathered steel. Museum Patterns re-presents these features as two-dimensional prints. The cropping produces flattened and abstracted images that are at odds with the three-dimensionality of the original subject. The photographs in this series also highlight slight and almost imperceptible flaws in the white-walled galleries, with each image revealing a small imperfection: a watermark on the ceiling, a messy paint job, a scuffed shoe mark, or an accidental lump in the wall.
Each of these flaws represents a tear in the façade of power. The white walls that typify contemporary art museums are an attempt to neutralise the space, both physically and ideologically. The Modernist notion of aesthetic autonomy can be seen as a political strategy, rather than just a philosophy towards exhibition display. The museum is a predominantly physical space, so decisions such as a gallery’s layout or wall colour subtly communicate value and power. Patterns of Power draws attention to the physicality of the museum, and by pointing out subtle physical marks of human error, I am concurrently questioning its privileged role as a creator of knowledge and promoter of dominant cultural values.
OK, who opened the can? A pattern of cans with an obvious mistake to break the mould. Lighting this with the studio lights was tricky as the camera was directly overhead - a ring flash might have helped - but this came pretty close to even lighting.
Thanks to Humphrey Hippo for the inspiration behind this pattern shot...and also to the Cafe at the airfield for loaning me a tray of Coke for the evening!
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Inspired by eilonwy77's cheese-wedge patterns, particularly this one. Drawn in InkScape.
I haven't the patience or parts to put this together myself, so I sketched it :)
Pattern of my own making
For personal use only - not for commercial sale or reproduction please.
On 14ct Aida the design is 8"x6.5"
My version was stitched on white 14ct Aida with DMC 310 and can be found in my photostream here:
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
Any employee should have the right to throttle at least one client in his working life. Then a client who wants a rainbow, an ottoman pattern and a hittite artifact to be used in the same logo and changes mind when her absurd order is ready, would get what actually she deserve. The pattern above has to be made in a very short time analysing a half picture of an ottoman decoration detail, for someone who does not deserve even a line of it.
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