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Here is the advanced research machinery that Brandon and Colby are using to learn real-time control of the parallel port on a Linux box using RT-Linux
Attending nursing school in the middle of downtown Portland has certainly enhanced my parallel parking skills, but this one has got to deserve some sort of award. I couldn't believe it myself, when I got out of my car, so I had to take a photo for posterity. (And then I silently implored the parking fairy to have one of the other cars leave before I needed to, because I honestly couldn't see how I'd be able to ever get back OUT of the spot I'd just gotten into!)
WPC 2008, Evian, October 6 - K. Shankar Bajpai, Indian civil servant and diplomat; Sergey Karaganov, Russian political analyst; Jacques Lesourne, French industrialist and economist; Maïté Jauréguy-Naudin, Program Manager of the “Energy” program at Ifri; William Ramsay, Director of the Ifri "European Governance and Geopolitics of Energy program; Bernard Guetta, France Inter
Screening of Harun Farocki's Parallel I-IV
Courtesy of Harun Farocki GbR
KAM WORKSHOPS 2015
ARTIFICIAL NATURES
Chania, 21.8.2015
August 13, 2011
225/365
This is one of those place I walk by almost every day but I saw it in a new way today. I like the lines created by the pipes. I was originally thinking of waiting for a shady day with no shadows, but decided I like the extra lines created by the shadows. This is a shot I would typically make B&W, but I liked the green colour of the wall.
Screening of Harun Farocki's Parallel I-IV
Courtesy of Harun Farocki GbR
KAM WORKSHOPS 2015
ARTIFICIAL NATURES
Chania, 21.8.2015
Parallel Times (Blondie tribute) performing at North Walsham Live Aid 2018, an annual music event and charity rock memorabilia auction at North Walsham Community Centre. (c)John Newstead
Screening of Harun Farocki's Parallel I-IV
Courtesy of Harun Farocki GbR
KAM WORKSHOPS 2015
ARTIFICIAL NATURES
Chania, 21.8.2015
Series Introduction: "Parallel Vintage"
In a world of relentless complexity, we often find ourselves turning to the past—not as it was, but as we wish it could have been. Nostalgia is the quiet rebellion of the soul, a longing for simplicity, for the tactile warmth of a time untouched by the frenetic pace of modernity. Yet what if the past we yearn for was never ours to begin with?
This series, "Parallel Vintage", explores that very idea. Through the lens of AI, we step into a realm where vintage is not a memory, but a reimagining—a delicate fusion of early 1900s charm and subtle retro-futurism. These images are not snapshots of history, but fragments of an alternate timeline: a world where sepia tones, hand-tinted hues, and the soft haze of old postcards meet the quiet wonder of what might have been. Here, the grain of film and the brushstroke of watercolor do not preserve the past; they invent it.
AI liberates longing. It does not recreate reality—it reveals the realities we never knew we missed.
Series Introduction: "Parallel Vintage"
In a world of relentless complexity, we often find ourselves turning to the past—not as it was, but as we wish it could have been. Nostalgia is the quiet rebellion of the soul, a longing for simplicity, for the tactile warmth of a time untouched by the frenetic pace of modernity. Yet what if the past we yearn for was never ours to begin with?
This series, "Parallel Vintage", explores that very idea. Through the lens of AI, we step into a realm where vintage is not a memory, but a reimagining—a delicate fusion of early 1900s charm and subtle retro-futurism. These images are not snapshots of history, but fragments of an alternate timeline: a world where sepia tones, hand-tinted hues, and the soft haze of old postcards meet the quiet wonder of what might have been. Here, the grain of film and the brushstroke of watercolor do not preserve the past; they invent it.
AI liberates longing. It does not recreate reality—it reveals the realities we never knew we missed.
WPC 2013, Monaco, December 14 - Jean-Claude Trichet, Former President of the European Central Bank and Honorary Governor of Banque de France; Jeffry Frieden, Professor of Government at Harvard University; John Lipsky, Distinguished Visiting Scholar of International Economics at Johns Hopkins University’s Paul H. Nitze School of Advanced International Studies (SAIS)
im always being inspired by other peoples photography and techniques... i saw something kinda like this in a mag the other day so i decided to attempt.
Серия Фотографий из коллекции моего деда - Александра Нудлера (в Советское время одного из немногих стерео-фотографов страны).
These are some stereo photos from my grand-father Alexander Nudler's collection (he was one of few stereo-photographers in former Soviet Union)
Screening of Harun Farocki's Parallel I-IV
Courtesy of Harun Farocki GbR
KAM WORKSHOPS 2015
ARTIFICIAL NATURES
Chania, 21.8.2015
Series Introduction: "Parallel Vintage"
In a world of relentless complexity, we often find ourselves turning to the past—not as it was, but as we wish it could have been. Nostalgia is the quiet rebellion of the soul, a longing for simplicity, for the tactile warmth of a time untouched by the frenetic pace of modernity. Yet what if the past we yearn for was never ours to begin with?
This series, "Parallel Vintage", explores that very idea. Through the lens of AI, we step into a realm where vintage is not a memory, but a reimagining—a delicate fusion of early 1900s charm and subtle retro-futurism. These images are not snapshots of history, but fragments of an alternate timeline: a world where sepia tones, hand-tinted hues, and the soft haze of old postcards meet the quiet wonder of what might have been. Here, the grain of film and the brushstroke of watercolor do not preserve the past; they invent it.
AI liberates longing. It does not recreate reality—it reveals the realities we never knew we missed.
Screening of Harun Farocki's Parallel I-IV
Courtesy of Harun Farocki GbR
KAM WORKSHOPS 2015
ARTIFICIAL NATURES
Chania, 21.8.2015
Series Introduction: "Parallel Vintage"
In a world of relentless complexity, we often find ourselves turning to the past—not as it was, but as we wish it could have been. Nostalgia is the quiet rebellion of the soul, a longing for simplicity, for the tactile warmth of a time untouched by the frenetic pace of modernity. Yet what if the past we yearn for was never ours to begin with?
This series, "Parallel Vintage", explores that very idea. Through the lens of AI, we step into a realm where vintage is not a memory, but a reimagining—a delicate fusion of early 1900s charm and subtle retro-futurism. These images are not snapshots of history, but fragments of an alternate timeline: a world where sepia tones, hand-tinted hues, and the soft haze of old postcards meet the quiet wonder of what might have been. Here, the grain of film and the brushstroke of watercolor do not preserve the past; they invent it.
AI liberates longing. It does not recreate reality—it reveals the realities we never knew we missed.