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Kodak Ektar 100 with Mamiya RB67 and Shift L 75 mm

Processed entirely in RawTherapee. There's a shedload of options in that app and the power it offers is incredible. Slightly more unwieldy than LightRoom though. But of course, it is free and for a free app it is really amazing.

Cueva de los Verdes

this image captures a fleeting moment where the cityscape of hannoverâs osterstraÃe divides itself into two mirrored worlds. the sharp reflection on the glass façade creates a striking symmetry, making it difficult to discern where reality ends and its reflection begins. the woman walking by, engrossed in her phone, seems unaware that sheâs both here and there, existing in two spaces at once. this juxtaposition of the ordinary and the abstract invites viewers to question the boundaries of perception, as the urban environment transforms into a surreal dance of light, shadow, and reflection.

Near Deepdale, Barton-upon-Humber. North Lincolnshire.

Nature’s pattern of lines

I don't do much b/w as I don't feel very confident with it. However, as I worked on this shot, it was looking too much like one I posted a couple of weeks ago and felt it needed the change.

 

Have a great week.

 

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© 2007 John Salisbury All rights reserved

In the job that I retired from parallel sometimes got complicated because of the necessary degree of precision involved. I'm glad to be retired.

The Cocoi Heron ('Ardea cocoi') is very similar in size to the Great Blue Heron. Great Blue ('Ardea herodias').

 

The Cocoi has a black cap, white neck and Grey-blue back and is striking looking, particularly when the birds are in the sun. It is found throughout South America and ranges as far north as Panama.

 

We saw them almost everywhere along waterways during our trip. The birds often took of from their perches as we approached in our boat. I was very fortunate that I got some images of this individual as it flew parallel to our boat for a few seconds.

 

Image created on Oct. 28, 2024 along a river near Porto Jofre, Matto Grosso, Brazil.

This dish is TOO RAD!

 

7 inches in diameter and a million feet of sweet!

Two E/A-18 Growlers from the U.S. Navy’s Growler Team fly in close formation against a clear blue sky at Cocoa Beach Airshow 2025. With one jet slightly ahead and above the other, their synchronized flight showcases elite coordination and tactical precision. The aircraft’s twin engines and wing-mounted weaponry highlight the power and engineering behind this striking aerial display.

 

My latest photography is now available for purchase at crsimages.pixels.com/, featuring prints, framed art, and more from my curated collections.

 

The shadow of Mauna Kea is projected by the rising sun over Hualalai, the third major volcano of Hawaii's Big Island (after Mauna Kea and Mauna Loa). I waited for the full moon so that it would set near the shadow of Mauna Kea at sunrise.

 

No major Photoshoppery or compositing is involved here.

The image + the title suggests we can meet like-minded people, but it's not easy to do so...

 

Recently Michael Raedecker works step-by-step from small to man-size canvases.

 

- First ideas and sketches result in a small painting.

- Then, using a high-quality transfer technique, this primary image is translated into a huge blow-up.

- Further paint and embroidery are applied.

 

In the end, it's hard to decipher the process. All materials blend into one structured surface. Enlarging the photo shows a lot of embroidery, or is it paint?

 

Best on Black (Explored)

Always on the lookout for a shot, I spotted this composition, Parallel lines in the green and brown fields and textures where some of the crop has been harvested, I may be wrong but I believe the crop to be feed for sheep or cattle over winter.

The tractor working was another factor in my lens being drawn here.

The galactic center of our Milky Way rises above farmland on the outskirts of Queenstown, New Zealand. I was taken to the location by one of the local astrophotographers and it was certainly a crazy night! We had to hike up what seemed like a never ending hill in the dark, and once we got to the top, we found ourselves dodging bullets from hunters on the property. Luckily they ended up spotting us, and after a friendly conversation, they continued on hunting in the opposite direction. It was so worth it though, especially having the opportunity to photograph scenes like this.

 

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copyright 2016 | Mark Gee | theartofnight.com

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