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Am I to blame for being a Romantic and a dreamer in a life that is all materialism and stupidity? Am I to blame for having a heart, and for having been born among people interested only in comfort and in money? What stigma has passion placed on my brow? I would like to pass by sighing, and not have anyone even notice me. For when others look at me with their superior smiles, their glances sully me. For my heart and my spirit are very high, and my eyes flee from theirs to contemplate the water, the clouds, or to look into my own heart.
~ Hello, Lovely. It’s me.: Federico Garcia Lorca
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● Non-HDR-processed / Non-GND/ND-filtered
● Black Card Technique 黑卡作品
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This beautiful church was incorporated in 1923. Work was started the same year toward a new edifice and was completed in 1924. The rectory was moved north to parallel the construction, facing the lake.
L. Phillips Clarke, of Harvey and Clarke, was the architect for the new church, as he was later for the new parish hall in 1929 and for the new rectory and Sunday School rooms built later. Wilcox Bros. Inc., the contractor, built the church and also did repair work after it suffered hurricane damage in 1928.
The marble and mosaic work was done by craftsmen from Italy, who brought much of the material with them. Louis S. Clarke (whose father, C. J. Clarke, had donated the community building in which the original church group met, and whose son was the architect for the present building) made the chandeliers for the church by hand, together with the chains by which they hang, all of which he forged himself. The marble altar and the original Skinner organ were made possible by generous donations.
On February 24, 1924, the first service was held in the new church. The old church building was then used as a parish hall until it was destroyed in the hurricane of September 1928.
Some features that identify it as the original church building are the arch detail over the entrance, the screen doors, and one of the small front windows.
In May 1929 work was started on the first two units of a new parish hall. The cornerstone was laid on July 14th and work was completed in September. A choir room, kitchen quarters, and a new rectory were added in 1939. Funding for and work on the Sunday school rooms which frame the current courtyard commenced in 1948.
The collapse of the land boom in 1926, the killer hurricane in 1928, and the stock market crash of 1929 brought development to a halt in the region. Holy Trinity, holding a large debt for the new building, endured a very difficult struggle and at one point foreclosure was threatened. However, in 1938 as the depression waned, the debt was restructured and disaster was averted.
The formal consecration of the church was held on April 29, 1945, after the mortgage was retired. The event was hailed in the press as "the high point in the history of the Episcopal congregation in West Palm Beach." The consecration services were conducted by Bishop John D. Wing of the Diocese of South Florida, before a congregation that packed the building. The Rev. William S. Turner was rector at that time.
Memorials and gifts throughout the years, too numerous to detail in this limited space, have enhanced the beauty of the church. A large Skinner organ was added to the original organ in 1939, and other additions were subsequently made. The stained glass windows were installed over a period spanning sixty years, with the first window, the large rose window over the altar, being installed in 1924. The most ambitious window addition program occurred in the 1950s with the Rev. James Stirling as Rector. The most recently installed windows, in the south wall of the Baptistry, were installed in 1984.
Having originally been started with the help of Bethesda-by-the-Sea, Holy Trinity has in turn through the years helped start five other Episcopal churches in the area: St. Andrews Church, Lake Worth, St. Georges, Riviera Beach, St. Marks, Palm Beach Gardens, The Church of the Holy Spirit, West Palm Beach, and Grace Episcopal Church, West Palm Beach.
Credit for the data above is given to the following people and websites:
www.flickr.com/photos/59081381@N03/https://en.wikipedia.o...www.holytrinitywpb.org/our-history
www.flickr.com/photos/59081381@N03/
© All Rights Reserved - you may not use this image in any form without my prior permission.
Imagine how a twin living in a parallel world try to contact the other. My suggestion? magic sticky notes.
An older Housing Development Board block that reflects in a pool of water in the car park. Does an alternate reality exists on the other side?
Das Kunsthaus Zürich präsentiert einzigartige Ausstellung, die die künstlerischen und biografischen Parallelen zwischen dem chinesisch-kanadischen Maler Matthew Wong und Vincent van Gogh beleuchtet. Im Fokus stehen 40 imaginäre Landschaften und Interieurs von Matthew Wong, die erstmals in der Schweiz zu sehen sind, ergänzt durch ausgewählte Meisterwerke von Vincent van Gogh.
Matthew Wong malte dynamisch und farbintensiv, wobei sein Schwerpunkt auf Landschaften von expressiv-lyrischer Kraft lag. Als Autodidakt kam er erst mit 27 Jahren zur Kunst, schuf jedoch in nur acht Jahren ein beeindruckendes Œuvre. Wongs Werke sind stark von der euro-amerikanischen und chinesischen Kunst beeinflusst. Er bezog Anregungen von Künstlern wie Vincent van Gogh, Henri Matisse, Shitao, Gustav Klimt, Yayoi Kusama und Alex Katz. Trotz vieler stilistischer Anspielungen bleiben seine imaginären Landschaften und Interieurs ausserordentlich persönlich und originell.
Van Gogh ist in Wongs ausdrucksstarkem Farbgebrauch und Malstil als Vorbild besonders präsent. Beide Künstler brachten ihre emotionalen Zustände direkt und ungefiltert in ihren Werken zum Ausdruck. Ihre Lebensgeschichten weisen auffällige Parallelen auf: Beide litten unter psychischen Herausforderungen und nahmen sich letztlich das Leben. Wong, der an Depression, Tourette-Syndrom und Autismus litt, starb 2019 mit 35 Jahren. Van Gogh, der unter psychotischen Anfällen und Halluzinationen litt, beging 1890 im Alter von 37 Jahren Suizid.
Nur noch bis zum 26. Januar 2025!
Unusual Tales / Heft-Reihe
The Primitive Parallel
cover: Bill Montes, Ernie Bache
- The Black Cat
(art: Rocco "Rocke" Mastroserio)
- The Telegram
(art: Charles Nicholas, Vince Alascia)
- Up Yonder Glen
(art: Bill Molno)
- The Primitive Parallel
(art: Charles Nicholas, Vince Alascia)
Charlton / USA 1963
Reprint: Comic-Club NK 2010
ex libris MTP
A quiet urban scene where different lives briefly intersect. A parent and child, a remote worker, and a solitary figure occupy separate corners of the frame, connected only by the shared architecture and afternoon light.
CN's Kingston sub parallels highway 20 in Montreal for quite awhile (CP's Vaudreuil sub as well) and here CN 327 with CSXT 3181 leading is heading west on the south track of the Kingston sub after crossing over.
From a trip in June to Österlen. This is apple growing country and a lot of new orchards have been planted over the last years. All of them are pretty well fenced so really difficult to get up close or avoid the fence. This is taken from cross the road with a 250mm lens to get some compression of the view.
Two separate images.
Minolta X-700 and Bell & Howell 28mm f2.8 lens
Did you hear .... Digital photography is only a fad !!!!
Macro photography taken at Pulau Ubin Singapore.
Be transported back in time to 1960s Singapore as you embark on a trip to Pulau Ubin. Shaped like a boomerang, this 1,020-hectare island is home to Singapore’s last village or kampongs, as well as the Chek Jawa Wetlands, one of Singapore’s richest ecosystems.*
*https://www.nparks.gov.sg/gardens-parks-and-nature/parks-and-nature-reserves/pulau-ubin-and-chek-jawa
Running parallel to the China Rail main line, SY 0407 hurries its train towards the washery at Didao on the Jixi Coal Railway.
Parallel Leaf Venation in Sweet Autumn Clematis (Clementis terniflora var. mandshurica)
Parallel venation is a leaf vein pattern where veins run parallel to each other from the base to the tip of the leaf, typically in monocot plants.
Bodyscape details with Ada. I love exploring this style of almost abstract views of the body. It is especially wonderful to work with this woman, she is a bit of a contortionist, able to twist herself into the most unlikely shapes! (Not that you can tell in this image.)
Parallel landings at Minneapolis/St. Paul International Airport as a Southwest Airlines Boeing 737-700 is on final for Runway 12R and a Delta Airlines MD-90 turns final for Runway 12L
another story of shadows, they live just like us ! they talk, laugh, cry and even fall in love! you just need to see them
Parallel departures-nearly. The acceleration ability of Wolverhampton-bound Midland Metro 'T69' Tram No. 16 is more than a match for ex-GWR "Castle' No. 5043 'Earl of Mount Edgcumbe as it restarts Vintage Trains 'Welsh Marches Express' 1Z54 Tyseley Warwick Road - Hereford from Birmingham Snow Hill on 28th September 2013. The charter is unusually using platform 2 which actually provides an easier exit than that from platform 1 (normally used for through workings). Copyright Photograph John Whitehouse - all rights reserved