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Jan. 23, 2015 - ONE Clemson Cabinet for Advancement Celebrity Panel Discussion
Friday, January 23 at 11:00am to 12:30pm at
Tillman Hall . Panelist included: CJ Spiller, Charlie Whitehurst, Dwayne Allen, Kris Benson, Rodney Williams, Ben O’Hanlan and many more….
***Setup and pre-discussion photos*****
Solar panels can be mounted on the roof, or on poles elsewhere on the property. A solar analysis by Solar Energy World will help determine which is right for you. www.solareworld.com
Aurore Belfrage, COO Your Middle East, with the investor panel consisting of (left to right) Numan Numan, Managing Director of 212; Naz Ozertugrul, Head of Turkey at Atomico; James Halliday, International Coordinator for Strategic Advancement at Koç University.
Detail from Annunciation - Gabriel.
CHURCH OF ST JOHN THE BAPTIST, CHURCH STREET
Grade II* Listed
List Entry Number: 1334670
National Grid Reference: SK 43354 74869
Detail
827/1/1 CHURCH STREET 25-FEB-66 (North side) CHURCH OF ST JOHN THE BAPTIST
II* Parish church of C13-C15, C17 chapel and chancel clerestorey, restored and enlarged 1865-69 by Sir G.G. Scott.
MATERIALS: Coursed rubble to medieval parts, and coursed squared gritstone on a rock-faced plinth to C19 parts, York stone to upper stages of tower, slate roof.
PLAN: Aisled nave with south porch, lower chancel with south chancel aisle, west tower.
EXTERIOR: The 4-stage tower is the earliest section of the building, the lower 2 stages of which are C13. It has angle buttresses and clasping south-west buttress housing the stair turret. The west doorway has 2 orders of continuous roll moulding, above which is a restored lancet window and smaller lancet in the second stage. The short upper stages are C15 in pale grey York stone, with round clock face in the south wall and 2-light Perpendicular belfry openings. The crown was added in 1681, comprising an embattled parapet and small corner pinnacles. The south aisle is at least 2 phases externally. To the right of the porch are two 2-light square-headed windows, between which is a curious diagonal buttress, and further right is a 3-light square-headed window. To the left of the porch, and integral with it, is a westward extension or rebuilding of the aisle, with cusped west window. The porch has a moulded entrance arch and triple side lancets. The re-set aisle south doorway is c1200. It has nook shafts with tentative leaf capitals, and restored moulded round arch. The 7-bay north aisle is entirely C19, with gabled buttresses. It has 2-light Decorated windows, but the 2 easternmost bays are wider. It also has 3-light east and west windows. The chancel is of the same date and has similar detail: 3-light east window and 2-light north window. There is an embattled parapet on the north wall and, not visible externally, a C17 south clerestorey of 6 triple round-headed lights. The much-restored south chapel projects forward of the nave aisle and its external details are C17. It has an embattled parapet with pinnacles, 4-light square-headed windows with round-headed lights to the right and left, tripartite mullioned window right of centre, and round-headed doorway left of centre with ribbed and studded door incorporating `1696' in iron studs. The east window is 4-light with round-headed lights.
INTERIOR: The C13 tower arch has 3 orders of chamfer, the inner order on keeled shafts. The south aisle and chapel arcades are C14 and therefore earlier than external detail suggests. The 5-bay nave arcade and 2-bay chapel arcade both have octagonal piers with double-chamfered arches. The taller C19 north arcade has piers of quatrefoil section and moulded arches. The C19 chancel arch is on semi-circular responds. Roofs are C19: in the nave and north aisle are crown-post roofs with 4-way bracing, on corbelled brackets. The chancel has a closed polygonal roof with moulded ribs. Re-set in the north-aisle wall is a re-painted late-medieval Easter Sepulchre, which has a cusped ogee arch and pinnacles incorporating crude frontal figures. Walls are plastered. The floor is stone-paved with some grave slabs and black and red tiles in the chapel, and raised floorboards below pews.
PRINCIPAL FIXTURES: The c1200 font is much restored and probably altered. It has a round bowl with a single small head at the base of the bowl, on unusually thin detached shafts and round stem. Other furnishings are C19 and C20. Benches have shaped ends and moulded arm rests. The 1869 polygonal pulpit has quatrefoil panels, on a stone base with shafts and stiff-leaf frieze. The 1915 chancel screen, in late-medieval style with painted foliage cornice and brattishing, has 1960s rood by Ludwig Kuziarz. Choir stalls and priests' stalls are similar to but slightly more elaborate than nave benches. The painted stone reredos has high-relief representations of Christ in Glory, Crucifixion and Ascension. A painted wooden reredos in the south aisle was added in 1947, with the Virgin Mary and saints. There are several monuments to the Frecheville family. In the chancel a damaged brass effigy, on a tomb chest decorated with shields in quatrefoils, is to Peter Frecheville (d 1480). Next to it is a recess with small male and female brass effigies, to Piers (d 1503) and Maud Frecheville. An incised alabaster slab on the south side of the chancel is to John Frecheville (d 1510). In the south chapel is a wall monument to Christian Lady St John (d 1653 in childbirth) with reclining female figure nursing a baby. Also in the chapel is a sarcophagus with seated putti, to John Lord Frecheville (d 1682). Behind it is an armorial stained-glass window dated 1676, by Henry Gyles of York. C14 glass fragments are in the chapel east window. There are several other stained-glass windows of the late C19 and C20, including SS Peter, John, Francis and Paul by F.S. Eden (1937) and 2 north-aisle windows by H.J. Stammers of York (1956, 1965).
SUBSIDIARY FEATURES: Lych-gate with half-hipped graded-slate roof, by P.H. Currey, c1938.
HISTORY: The earliest surviving features of the church are the c1200 south doorway and possibly the font. The tower is C13. In the C14 the south aisle and a south chapel were added. The church was altered in the C15 by the heightening of the tower, and then by rebuilding the outer walls of the south aisle. In the latter half of the C17 the chapel walls were rebuilt (window dated 1676), chancel clerestorey was added, and the crown was added to the tower in 1681. The church was restored and enlarged in 1865-69 at a cost of over £6000. The architect was Sir George Gilbert Scott (1811-78), one of the most successful and prolific C19 church architects. Scott added in the north aisle in his favoured c1300 style, rebuilt the chancel in similar style, added the present porch and rebuilt the adjoining part of the south aisle.
SOURCES: Johnson, D., Visitors Guide, St John the Baptist Church (2008). Pevsner, N., (revised E. Williamson), The Buildings of England: Derbyshire (1978), 326-27.
REASONS FOR DESIGNATION: The church of St John the Baptist, Staveley, Derby, is designated at Grade II* for the following principal reasons:
*It is a substantial medieval village church with substantial early fabric, including c1200 doorway, C13-C15 tower, and C14-C17 aisle and chapel.
*It has medieval interior features of special interest, including the font and the rare (but re-sited) Easter Sepulchre.
*It has several notable features connected with the Frecheville family, especially the C15-C17 monuments and C17 armorial window.
*The church stands next to the early C17 former Staveley Hall, seat of the Frecheville family.
Two of the panels I designed and made for Devall's Funeral Directors in Attleborough, Nuneaton, shown against the French doors in my kitchen, prior to delivery.
The sequence of seven seperate panels are intended as artificially lit installations to provide focus in otherwise windowless chapels of rest, thus this was a rare opportunity to capture the colours in more enhancing natural light prior to final installation.
Here is something different, we installed Mastic Cedar discovery panels in the peak of this home. The look of wood cedar siding with no maintenance.
Transparent panels on one side: see that the angle between the square panels is at the Geomag limit.
♂ Marco
Fur: Tonkinese - Blue Mink
Eyes: Light Wash (Shape: Mysterious | Pupil: Small)
Shade: Twinkle
Tail: Fussy
Ears: Pointed Soft Fold
Whiskers: Latte (Shape: Fussy)
Size: 17 cm (6.6 inch)
Owner: DavisRay Resident
This week as an homage to Valentine's day, our theme is romantic novel covers!
*** The paintings are now available for sale at the auction venue. To buy just click on the painting itself. ***
Nino Heartsdale's KittyCatS! Auction
DATE: Saturday 13th February, 10.30 am SLT
VENUE: ScratchN Post Too maps.secondlife.com/secondlife/ScratchN%20Post%20Too/127/...
Botones de luces, manómetros de depósito de control y de frenos, la corneta (o silbato) y la campana (que sonaba como cencerro)
Douglas Berman, CFH Director of Policy & Government Relations, Aviva Goldstein, Public Health & Non-Profit Consultant, Anne Marie Costello, Director, Bureau of NYC Compliance and Customer Service, Division of Coverage and Enrollment, New York State Department of Health - Panel Discussion 'Presumptive Medicaid Eligibility for Homeless Adults'
2015 Woodstock Film Festival Women in Film and Media PANEL:
Enough, Already! Changing the Status of
Women in Film and Television with Amy Hobby, Rose McGowan, Leah Meyerhoff, Rachel Watanabe-Batton, and moderator Alexis Alexanian. Photo by Anjali Bermain
Curious babies and toddlers can press their hand to this heat sensitive panel and watch the colors change!
(Toys that allow a child to manipulate it with fingers and hands can be categorized as a manipulative. Manipulatives involve coordinating the eye to what the hands are needed to do, stimulating fine motor development.)
A panel successful Hudson Valley professionals discussed United States business standards and practices for international students visiting Mount Saint Mary College on January 14, 2016. Moderated by Moira Tolan, Mount business professor and coordinator of the MBA program, the panel consisted of Francis Navarra, Cornwall, N.Y. Town Justice and visiting professor of Law at the School of Business, MSMC; Cathy Collins, executive director for Habitat for Humanity of Greater Newburgh, N.Y.; and Gary Schuster, senior counsel at Jacobowitzs and Gubits Law Firm, LLP, in Montgomery, N.Y.
This panel represents the "Plastification of the Creative Power by Union with Plastic Tradition of the South."
Rivera merges the culture and plastic arts of the South, with the industrial arts of the North in this dual-faced incarnation of the Aztec god Coatlicue.
The man carving a wood sculpture of a ram is Dudley C. Carter, a friend of Rivera. The ram became the mascot of City College.
Jérôme Lascombe, Sarah Dines, Molly Flatt, Jim Richardson, Monique Mulder and Axel Zimmer discuss their diverse experiences in dealing with social media
In its previous life, it has already clocked thousands of office hours. Enough now, the standard office life is over!
Post & Panel systems, using our Monopost section, with a single leg and (invisible) internal support
La Ventana de Colores decora este salón con trazos estampados artesanalmente y varillas de madera pintadas sobre un panel japonés confeccionado con un tejido técnico de su colección.
Este diseño también es realizable sobre estor enrollable.
Todas nuestras colecciones de paneles japoneses, estores y mucho más en www.laventanadecolores.es/
Industrial Electrical Panel - Close view to a rusted and no longer cared for but still standing vintage electrical panel and tubing. This electrical circuit panel is from the early 1900"s.
Image © 2012 Susan Candelario / SDC Photography, All Rights Reserved. The image is protected by U.S. and International copyright laws, and is not to be downloaded or reproduced in any way without written permission.
Susan Candelario artists website to purchase Fine Art Prints If you would like to use this image for any purpose, please visit my site and contact me with any questions you may have. Thank You.