View allAll Photos Tagged palimpsest
I wasn't sure how well my photos would come out, considering I wasn't wearing glasses and had a mask on!
Pour sa sortie de résidence au Cube, Sylvain Daniel présente une étape de travail de sa nouvelle création alliant photographie, traitement numérique et musique live.
Taken near Les Halles in Paris. Unfortunately I flicked some setting on the camera so the color is off. Anyway, there were three or four ads on this wall that I could see. Camera loses a lot of the detail.
Pour sa sortie de résidence au Cube, Sylvain Daniel présente une étape de travail de sa nouvelle création alliant photographie, traitement numérique et musique live.
These photos are a selection of the ones I used in my Palimpsest project. I styled my friends clothes, make-up and environment to create the appearance of a 50's housewife - I wanted to create a strong sense of character in these photos and work with the whole environment in order to do so. I then used these photos layered with 50's adverts to create my final piece for this project.
PALIMPSESTO, proyecto de la violoncellista Julia Martín Arias para LE PASQUIN POÉTICO 2016 que tuvo lugar en el Palacio del Conde Luna el 10 de junio´16.
PALIMPSESTO, proyecto de la violoncellista Julia Martín Arias para LE PASQUIN POÉTICO 2016 que tuvo lugar en el Palacio del Conde Luna el 10 de junio´16.
The Working Group on Slavery and Visual Culture is pleased to announce the launch of its second digital exhibit, Palimpsests: Visual Idioms of Enslavement in the Nineteenth Century and their Afterlives, soon to be available on the digital platform The Visual Afterlives of Slavery. This collaborative exhibit unearthed various modes in which nineteenth-century visual idioms of enslavement endure in present-day constructions of Blackness as a site for policing, discipline, labor, desire, love, death, and/or pity, as well as the challenged responses offered by contemporary artists across the Americas to that legacy. The conceptual figure that organized this exploration is the palimpsest—the idea of a primary inscription that both persists and is disfigured underneath the surface of a new one.
Photos by Abel Arciniega
Installation view of Palimpsest by Ursula Handleigh
Harbourfront Centre
January 23 - June 19, 2016
Photography: Tom Bilenkey
Curated by Amy Skodak, MA candidate
Exhibition: May 30 – June 20, 2024
Reception: Thursday, May 30 from 5-7PM
Cohen Commons
Work by:
Jessica Joyce and Rylee Rumble
Chloe Serenko
SiHyun Vision Kim
Anna Riberdy
Danielle Petti
Temporal Palimpsests explores personal memory and collective understandings of time as layered. It questions how palimpsest as metaphor and methodology communicates temporal relationships.
The term palimpsest describes the visible traces that remain after a manuscript has been recycled by erasing and writing over the original text. It is derived from the Latin word, palimpsestus, meaning “parchment cleaned for reuse.” In the seventeenth century, palimpsests spurred intrigue at the possibility of uncovering hidden texts. Metaphorically ,the palimpsest presents a lens through which to understand time as a layering of experiences and voices that shape the story of a culture, landscape or individual. As a methodology in art, the palimpsest allows for a visual rendering of these layered encounters.
The exhibit showcases the work of artists from the Department of Visual Arts at Western University who address themes such as memory, the passage of time, the impacts of time, and the cataloging of time. Through repurposing material and in multi-media installation, these artists reimagine the palimpsest.
© 2024; Department of Visual Arts; Western University
Curated by Amy Skodak, MA candidate
Exhibition: May 30 – June 20, 2024
Reception: Thursday, May 30 from 5-7PM
Cohen Commons
Work by:
Jessica Joyce and Rylee Rumble
Chloe Serenko
SiHyun Vision Kim
Anna Riberdy
Danielle Petti
Temporal Palimpsests explores personal memory and collective understandings of time as layered. It questions how palimpsest as metaphor and methodology communicates temporal relationships.
The term palimpsest describes the visible traces that remain after a manuscript has been recycled by erasing and writing over the original text. It is derived from the Latin word, palimpsestus, meaning “parchment cleaned for reuse.” In the seventeenth century, palimpsests spurred intrigue at the possibility of uncovering hidden texts. Metaphorically ,the palimpsest presents a lens through which to understand time as a layering of experiences and voices that shape the story of a culture, landscape or individual. As a methodology in art, the palimpsest allows for a visual rendering of these layered encounters.
The exhibit showcases the work of artists from the Department of Visual Arts at Western University who address themes such as memory, the passage of time, the impacts of time, and the cataloging of time. Through repurposing material and in multi-media installation, these artists reimagine the palimpsest.
© 2024; Department of Visual Arts; Western University
Curated by Amy Skodak, MA candidate
Exhibition: May 30 – June 20, 2024
Reception: Thursday, May 30 from 5-7PM
Cohen Commons
Work by:
Jessica Joyce and Rylee Rumble
Chloe Serenko
SiHyun Vision Kim
Anna Riberdy
Danielle Petti
Temporal Palimpsests explores personal memory and collective understandings of time as layered. It questions how palimpsest as metaphor and methodology communicates temporal relationships.
The term palimpsest describes the visible traces that remain after a manuscript has been recycled by erasing and writing over the original text. It is derived from the Latin word, palimpsestus, meaning “parchment cleaned for reuse.” In the seventeenth century, palimpsests spurred intrigue at the possibility of uncovering hidden texts. Metaphorically ,the palimpsest presents a lens through which to understand time as a layering of experiences and voices that shape the story of a culture, landscape or individual. As a methodology in art, the palimpsest allows for a visual rendering of these layered encounters.
The exhibit showcases the work of artists from the Department of Visual Arts at Western University who address themes such as memory, the passage of time, the impacts of time, and the cataloging of time. Through repurposing material and in multi-media installation, these artists reimagine the palimpsest.
© 2024; Department of Visual Arts; Western University
Curated by Amy Skodak, MA candidate
Exhibition: May 30 – June 20, 2024
Reception: Thursday, May 30 from 5-7PM
Cohen Commons
Work by:
Jessica Joyce and Rylee Rumble
Chloe Serenko
SiHyun Vision Kim
Anna Riberdy
Danielle Petti
Temporal Palimpsests explores personal memory and collective understandings of time as layered. It questions how palimpsest as metaphor and methodology communicates temporal relationships.
The term palimpsest describes the visible traces that remain after a manuscript has been recycled by erasing and writing over the original text. It is derived from the Latin word, palimpsestus, meaning “parchment cleaned for reuse.” In the seventeenth century, palimpsests spurred intrigue at the possibility of uncovering hidden texts. Metaphorically ,the palimpsest presents a lens through which to understand time as a layering of experiences and voices that shape the story of a culture, landscape or individual. As a methodology in art, the palimpsest allows for a visual rendering of these layered encounters.
The exhibit showcases the work of artists from the Department of Visual Arts at Western University who address themes such as memory, the passage of time, the impacts of time, and the cataloging of time. Through repurposing material and in multi-media installation, these artists reimagine the palimpsest.
© 2024; Department of Visual Arts; Western University