View allAll Photos Tagged palimpsest
Parthenios Luncheonette
132 N Church St,
Rockford, IL
It seems that when the Parthenios took over this former drugstore they didn't repaint the sign, just added new neon. So, "Drugs" is now "Food" or "Parthenios." It's ugly but cool that it is a kind of neon Palimpsest. I guess a vintage sign (like ancient parchment) is sometimes cheaper to reuse than make new.
At least "soda" still makes sense.
Bad Oynhausen, 24.-27.11. 2016
Palimpsest. Gruppenausstellung in der Alten Schokoladenfabrik Bad Oynhausen.
majorca - spain 06/2011
listening to smog - palimpsest
Bill Callahan (born June 3, 1966), is an American singer-songwriter and guitarist, who has also recorded and performed under the band name Smog. Callahan began working in the lo-fi genre of underground rock, with home-made tape-albums recorded on four track tape recorders. Later he began releasing albums with the label Drag City, to which he remains signed today.
Though he was born in Maryland, Callahan's family spent a total of eight years living in Knaresborough in England's West Riding of Yorkshire, with a four year return to Maryland from 1969 to 1973. His parents worked as language analysts for the National Security Agency.
Callahan started out as a highly experimental artist, using substandard instruments and recording equipment. His early songs often nearly lacked melodic structure and were clumsily played on poorly tuned guitars (possibly influenced by Jandek, whom Callahan admired), resulting in the dissonant sounds on his self-released cassettes and debut album Sewn to the Sky. Much of his early output was instrumental, a stark contrast to the lyrical focus of his later work. Apparently, he used lo-fi techniques not primarily because of an aesthetic preference but because he didn't have any other possibility to make music. Once he signed a contract with Drag City, he also started to use recording studios and a greater variety of instruments for his records.
From 1993 to 2000, Callahan's recordings grew more and more "professional" sounding, with more instruments, and a higher sound quality. In this period he recorded two albums with the influential producer Jim O'Rourke and Tortoise's John McEntire, and collaborated with Neil Hagerty. Callahan also worked closely with his then-girlfriend Cynthia Dall in his early career, and they contributed vocals to each other's albums. After 2000's Dongs of Sevotion, Callahan began moving back to a slightly simpler instrumentation and recording style, while retaining the more consistent songwriting style he had developed over the years. This shift is apparent in albums such as Rain on Lens, Supper, and A River Ain't Too Much to Love.
Smog's songs are often based on simple, repetitive structures, consisting of a simple chord progression repeated for the duration of the entire song. His singing is characterized by his baritone voice and unemotional style of delivery. Melodically and lyrically he tends to eschew the verse-chorus approach favoured by many contemporary songwriters, preferring instead a more free-form approach relying less on melodic and lyrical repetition. Themes in Callahan's lyrics include relationships, moving, horses, teenagers, bodies of water, and more recently, politics. His generally dispassionate delivery of lyrics and dark irony often obfuscate complex emotional and lyrical twists and turns. Critics have generally characterized his music as depressing and intensely introverted, with one critic describing it as "a peep-show view into an insular world of alienation."
source: wikipedia
Remains of an "outdoor museum" built by the Civilian Conservation Corps (CCC) in 1933. The concrete enclosures originally held fish, turtles, snakes, and other creatures. The museum was only open during the summer, and so captive animals were released at the end of the season.
But apparently some animals have decided to stick around! The concrete foundation still holds water, and was teeming with frogs (Lithobates clamitans) and tadpoles when I visited.
Dona Nabata, Westside Palimpsest, presented on the billboard at Arbutus St and West 12th Ave
"Platforms: We Are Here, Live commissioned 23 Vancouver-based and xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) artists engaged in and grappling with the issues revealed by a still-unfolding global pandemic."
Ghost sign in Leeds. I do love a palimpsest! These correspond to two others I uploaded which are more faded along the side of this building: www.flickr.com/photos/bloodynora/12799251983/in/set-72157...
www.flickr.com/photos/bloodynora/12799140505/in/set-72157...
Thanks to Natdiastok Jeffrinehart and Ninianlif for textures
NinianLif
www.flickr.com/photos/beapierce/
Jeff Rinehart
www.flickr.com/photos/jeffrinehart/
Natdiastok
A nice palimpsest hidden behind a tree near Farncombe station.
Kiddies Korner
Everything for the Baby
Baby Wear . Wool . Prams . Push Chairs . Carry Cots . Nursery Goods
and under that:
J. Nugent
Debenham & Co Ltd
Estate Agents
Phone Godalming 2679
Santa Maria Antiqua, consecrated in the 6th century and located at the foot of the Palatine Hill beside the Roman Forum (originally part of the Roman emperor Domitian's palace complex of c. 81-96 C.E.), consecrated in the 6th century with paintings from the 6th, 7th, and 8th centuries
kollektie waterland 2010 wordt geopend op zondag 10 januari om 15.00 uur. WELKOM
Museum Waterland- Purmerend
Santa Maria Antiqua, consecrated in the 6th century and located at the foot of the Palatine Hill beside the Roman Forum (originally part of the Roman emperor Domitian's palace complex of c. 81-96 C.E.), consecrated in the 6th century with paintings from the 6th, 7th, and 8th centuries
Coachwork by Pininfarina
Palimpsest.
Designers on both sides of the Atlantic were attracted by the glass bubble that retained the pure shape of an open car and comfort for two passengers, but rarely with such elegance On the base of one of the 8 racing 3000 CMs, Pininfarina designed four concept cars of which this is the ultimate iteration making it all the more precious.
2.300 cc
6 in-line
Post-War Alfa-Romeo with Special Bodywork
Chantilly Arts & Elegance Richard Mille
Château de Chantilly
Chantilly
France - Frankrijk
September 2017
Palimpsest • \PAL-imp-sest\ • noun = Multiple Layers.
The Architectural History revealed when a building is destroyed, removed or altered, exposing all of the painted surfaces, wall textures, bricked in windows & doorways.
Collage with photographic drawings,materials and notes.
Flesh and Stone, The Body and the City in Western Civilization.
Richard Sennett
Humanity, An Emotional History.
Stuart Walton
Being Me, What it means to be Human.
Pete Moore
Architecture and Allegory, Peter Greenaway.
Bridget Elliott and Anthony Purdy
The Tower of London, a dominating landmark in the London Borough of Tower Hamlets, beside the northern bank of the River Thames, is a complex of buildings built over the years (architecturally described as a palimpsest) set within outer defensive walls. The Tower's primary function was as a fortress, a royal palace and a prison. It has also served as a place of execution and torture, an armoury, a treasury, a zoo, a mint, a public records office, and an observatory.
The Tower was founded in 1078 when William the Conqueror ordered the White Tower built inside the SE angle of the City walls, as much to protect the Normans from Londoners as for protection from outside invaders. Shakespeare, in Richard III, ascribed an earlier beginning, dating to Julius Caesar. The Roman origin is a myth, however, as is the story that the mortar used was tempered by the blood of beasts.
In the 12th century King Richard the Lionheart enclosed the White Tower with a curtain wall and dug a moat with water from the Thames. Until Henry III employed a Dutch moat building technique, though, it didn't serve as a very effective deterrent. Henry also transformed the Tower into a major royal residence and had palatial buidings constructed within the Inner Bailey. Between 1275 and 1285, Edward I built the outer curtain wall, completely enclosing the inner wall and thus creating a concentric double defense. He filled in the pre-existing moat and built a new one around the new outer wall. The Tower continued to remain a royal residence until the time of Oliver Cromwell who demolished the old palatial buidings.
A Royal Menagerie, largely stocked with animals from Henry I's Woodstock palace, was established in the 13th century. Popular theory dates to 1235 when Henry III received a wedding gift of three leopards from Frederick II, Holy Roman Emperor. In 1264 they were moved to the Bulwark, renamed the Lion Tower. A lion skull, radiocarbon dated to 1280-1385, was found, making it the earliest known big cat in Britain. The menagerie was opened on occasion to the public during the reign of Elizabeth I, and regularly by 1804. The last of the animals were moved to the London Zoo by 1835 and most of the Lion Tower was demolished.
For much of its history, the Tower was used as a prison. Royal captives were often housed in relative comfort, but religious dissidents were subjugated to severe torture. The first prisoner, Ranulf Flambard, Bishop of Durham, was held in 1100. Lower-class criminals were usually executed by hanging at one of the public execution sites outside the Tower, but seven nobles were beheaded privately inside the Tower.
The Tower as forification became obsolete with the introduction of artillery and the moat was drained in 1830. It served as the headquarters of the Board of Ordnance until 1855, and was occasionally used as a prison. During WWI, 11 German spies were shot in the Tower. Irish rebel Roger Casement was imprisoned in 1916 and Hitler's deputy, Rudolf Hess, was interred during WWII. The last execution, a German spy, occured in 1941. Waterloo Barracks, the current location of the Crown Jewels remained in use as a base into the 1950s. In 1952 the Kray twins were held there for failing to report for national service, making them the last prisoners of the Tower.
Although no longer occupied by the Royal Family, the Tower remains a royal residence, and as such, maintains a permanent guard.
Poster for The Magnetic Fields' gig in Madrid. A palimpsest before they even played, my dear friend Shirley Simms has disappeared entirely, already. Some Larkin springs to mind:
Come to Sunny Prestatyn
Laughed the girl on the poster,
Kneeling up on the sand
In tautened white satin.
Behind her, a hunk of coast, a
Hotel with palms
Seemed to expand from her thighs and
Spread breast-lifting arms.
She was slapped up one day in March.
A couple of weeks, and her face
Was snaggle-toothed and boss-eyed;
Huge tits and a fissured crotch
Were scored well in, and the space
Between her legs held scrawls
That set her fairly astride
A tuberous cock and balls
Autographed "Titch Thomas", while
Someone had used a knife
Or something to stab right through
The moustached lips of her smile.
She was too good for this life.
Very soon, a great transverse tear
Left only a hand and some blue.
Now Fight Cancer is there.
Philip Larkin
FILE
FILE SÃO PAULO 2009
Festival Internacional de Linguagem Eletrônica
Electronic Language International Festival
FILE 10 NURBS PROTO 4KT
10 anos de FILE, 10 anos de eventos realizados na cidade de São Paulo, 10 anos de discussão sobre arte e tecnologia no Brasil.
1. NURBS (Non Uniform Rational Basis Spline) é uma técnica muito conhecida de computação gráfica para representar curvas e superfícies, e que segundo o teórico russo Lev Manovich, no texto inédito que abre o catálogo desta edição, pode ser a nova ferramenta para a teoria cultural do sec. 21 juntamente com outras ferramentas de computação gráfica e visualização de dados. Lev Manovich participará do FILE Labo Workshop, no Mezanino do Centro Cultural Fiesp - Ruth Cardoso dia 30/07, das 9h às 13h.
2. PROTO de “Protomembrana”, performance do artista catalão Marcel.lí Antunez Roca, que acontecerá na abertura do evento (27/07) e dia 29/07, no Teatro do SESI – São Paulo.
3. 4KT, a primeira transmissão transcontinental em superalta definição, que está será feita no mundo do longa-metragem “Enquanto a Noite não Chega”, com direção de Beto Souza, dia 30/07, às 19 horas, no Teatro do SESI – São Paulo.
FILE 10 Highlights
10 years of FILE, 10 years of events accomplished in the city of São Paulo, 10 years of discussions on art and technology in Brazil.
1. NURBS (Non Uniform Rational Basis Spline) is the concept developed by Russian theoretician Lev Manovich in the unpublished text that opens this edition's catalog. Lev Manovich will participate in FILE Labo Workshop, at the Mezzanine of Fiesp - Ruth Cardoso Cultural Center, on July 30, from 9 a.m. to 1 p.m.
2. PROTO from “Protomembrane”, performance by Catalan artist Marcel.lí Antúnez Roca, will happen in the event's opening (07/27) and on 07/29, at the SESI – São Paulo Theater.
3. 4KT, the first transcontinental broadcasting in super-high definition that will happen in the world of the feature film “While the Night Doesn't Come”, directed by Beto Souza, on 07/30, 7 p.m., at the SESI – São Paulo Theater.
INSTALAÇÕES
Abraham Manzanares (colorsound) _ Boreal Painte _ Espanha
Alexandra Dementieva_ Drama House _ Bélgica
Andreas Muxel e Martin Hesselmeier _ Capacitive Body _ Alemanha
3kta - Directed by André Rangel and Anne-Kathrin Siegel _ Graffonic _ Portugal e Alemanha
Christa Erickson _ Climate Shifts _ Estados Unidos
Daan Brinkmann _ Skinstrument _ Holanda
Blendid (Tim Olden e David Kousemaker) _ TouchMe _ Holanda
Emiliano Causa, Tarcisio Pirotta e Matías Costas _ Sensible _ Argentina
EunJoo Shin _ Vocal Trio _ Coréia do Sul
Fabiano Onça e Colméia _ Stogrepock _ Brasil
Giselle Beiguelman e Mauricio Fleury _ Suíte para Mobile Tags - Movimento #1 _ Brasil
Graziele Lautenschlaeger _ Don't Give Up! About a history that doesn't want to be told _ Brasil
Hakeem B. _ Once Upon a Time _ França
Hugues Bruyère _ Presence _ França
Jorge Luis Crowe _ Estero _ Argentina
Jörg Niehag _ samplingplong _ Alemanha
Juliana Cerqueira _ Corpo Digitalizado _ Brasil
the Demos _ Moving Mario _ China
Leo Nuñez _ Game of Life _ Argentina
Luis Felipe Carli _ Complexidade Organizada _ Brasil
He-Lin Luo _ Maelstrom _ China
Magdalena Pederin _ The Voice From the Loudspeaker _ Croácia
Marcel•lí Antúnez Roca_ Metamembrana _ Espanha
Marina Chernikova _ Urban Surfing Moscow _ Holanda
Masato Takahashi, Sho Hashimoto _ The Noses: Communication Organs _ Japão
Motomichi Nakamura _ Red Eyes _ Estados Unidos
Naomi Kaly _ Dualogue _ Estados Unidos
Nina Tommasi _ Biological Instrumentation _ Áustria
Nina Waisman; with pd programming by Marius Schebella_ Between Bodies (Tijuana), Estados Unidos
Phillip Stearns (Pixel Form) _ c. 15:33 _ Estados Unidos
Ricardo Nascimento _ Authority _ Áustria
Seokhwan Cheon _ Pondang _ Estados Unidos
Tim Coe _ Volatile Nexus _ Alemanha
Deletere // redSugar _ Augmented Reality _ França
Ebru Kurbak e Jona Hoier _ Hot & Cold Whisperer _ Áustria
Yonakani: Young ah Seong, Takuji Narumi, Tomohiro Akagawa _ Thermotaxis _ Japão
Artemis Moroni, Jônatas Manzolli, Mariana Shellard e Sidney Cunha _ AURAL _ Brasil
MÍDIA ARTE
Norberto Idiart Ritter, Rosario Lázaro Igoa, Andrew Orihuela e Cesar Funk _ La Palabra _ Brasil
A. Bill Miller _ gridworks2000-anim09 _ Estados Unidos
Jackson Marinho - Victor Valentim - Anibal Alexandre - Adriana Prado _ Autonomia Duvidosa _ Brasil
Agricola de Cologne _ SILENT CRY _ Alemanha
Agricola de Cologne _ TIMED OUT _ Alemanha
Alan Bigelow _ Deep Philosophical Questions _ Estados Unidos
Alan Bigelow _ What They Said _ Estados Unidos
Alex Hetherington _ SARAH WINCHESTER MADE ME HARDCORE _ Reino Unido
Aline X _ DVD Golpes - Uma investigação interativa _ Brasil
Alisson R. Ribeiro, Bruna Ongaro, Eric Notarnicola, Magda Martins, Marcel Melfi, Michel Adão Teixeira, Rafael Nery _ Metadoxo - O sentir e interpretar da trilogia das cores _ Brasil
Ana Genduso, Bernardo Duca, Denise Brito, Mariana Roncalli, Renan Petrecca, Robson Silva e Victor Hugo Luz _ Universo Visceral _ Brasil
André Anaya de Carvalho, Beatriz Castanho,Denisson de Sousa, Diego Gregor Martins, Fabrício Novak, Kleber Nunes Domingues e Nelson Rico Gutierres Junior _ Espaço e Movimento _ Brasil
André Sier _ Corrida Espacial #1 _ Portugal
André Sier _ Corrida Espacial #3 _ Portugal
Andrei Thomaz _ Somewhere in Time _ Brasil
Andrei Thomaz _ A caça e o caçador _ Brasil
Anibal Diniz, Colaboração de Victor Valentim na Programação Sonora _ Caixa de Dados _ Brasil
Anis _ 109 _ Estados Unidos
Antoine Schmitt _ Time Slip _ França
Audrei Carvalho _ E-poetamentos (tradução intersemiótica de poemas de Augusto de Campos) _ Brasil
Bárbara de Azevedo _ O oculto do planeta azul_ Brasil
Bárbara de Azevedo _ Substância _ Brasil
blackhole-factory e David Bickerstaff _ SONG _ Alemanha e Reino Unido
Brian Maniere _ Sandbox Project _ Estados Unidos
Brit Bunkley _ Floral _ Nova Zelândia
calin man _ _ Romênia
Carlindo da Conceição Barbosa, Guilerme Tetsuo Takei, Kauê de Oliveira Souza, Renato Michalischen, Ricardo Rodrigues Martins, Tássia Deusdará Manso e Thalyta de Almeida Barbosa _ Stickerlog - um registro da história, produção e disseminação dos stickers _ Brasil
carlo sansolo _ art conquest _ Brasil
Carlos Praude _ stratus _ Brasil
Carolien Hermans _ BODY IN BITS AND PIECES _ Holanda
casadalapa (Julio Dojscar, Pedro Noizyman e Newber) _ Bem me quer, mal me quer _ Brasil
Céline TROUILLET _ SONG N°7 _ França
Céline TROUILLET _ SONG N°8 _ França
Céline TROUILLET _ SONG N°10 _ França
Claudia Sandoval _ Living Cemetery _ Brasil
cristine de bem e canto _ cartão postal _ Brasil
cyriaco lopes _ CORRESPONDENCES _ Estados Unidos
DANIEL HANAI _ KINDER PROJEKT _ Brasil
David Muth _ Counterclockwise _ Reino Unido
David Muth _ Up And Down _ Reino Unido
Denise Agassi e Nacho Durán _ Virtual Velázquez _ Brasil
Eric Schockmel _ Syscapes # Interlude _ Luxemburgo
Fernando Velázquez, Bruno Favaretto, Francisco Lapetina _ Your life, our movie _ Brasil/Uruguai
Gabriela Canale Miola e Guilherme Baracat _ ANEMIC CINEMA, MESMO _ Brasil
Ger Ger _ Luxor 22.145 _ Alemanha
Ger Ger _ Black Balloons _ Alemanha
Ger Ger _ What the Fuck _ Alemanha
grégoire zabé _ sharedscapes - points of view on landscapes _ França
Hugo Solís _ Ojos Te Vean _ Estados Unidos
Intermedia Writing Systems: Matthew Butler e Aaron Sachs _ A Box Full of Angels _ Estados Unidos
Jorn Ebner _ (»Feuerland«) _ Alemanha
José Luis de Vicente, Irma Vilà e Bestiario _ The Atlas of Electromagnetic Space _ Espanha
Julian Konczak _ J9 _ Reino Unido
Karel Doing _ Antipode136 _ Holanda
Karla Muner e Claudio Bitencourt _ Saudade _ Brasil
lemeh42 _ Illusion for movements _ Itália
Mateus Knelsen, Felipe Szulc, Ana Claudia Pátria, Mileine Assai Ishii, Renata Nogueira de Martinez, Tânia Taura, Pamela Cardoso _ Prismática: a narratividade no Cinema e na Hipermídia em uma releitura do filme 21 Gramas _ Brasil
Michael Takeo Magruder _ Reflection (hope and reconciliation) _ Reino Unido
Michael Takeo Magruder _ Last Days…_ Reino Unido
Miguel Leal e Luís Armento _ Clouds of Clouds _ Portugal
Miriam Duarte Teixeira _ Passagens _ Brasil
miska _ windtracing _ Finlândia
miska _ kiasma cafe north _ Finlândia
miska _ longlapses: mannerheimintie south _ Finlândia
nano _ Face Invader _ Estados Unidos
Nick Briz _ an-uh-mit data _ Estados Unidos
olaconmuchospeces _ Cajas _ Argentina
osvaldo cibils _ caracolaplysia _ Itália
Pedro Talarico Lacerda e grupo Akronon (Silvio Ferraz, Rogério Costa e Edson Ezequiel) _ Espaços _ Brasil
Perry Bard _ Man With A Movie Camera:The Global Remake _ Estados Unidos
Peter Horvath _ Boulevard _ Canadá
rachelmauricio castro _ leleXZoom _ Brasil
rachelmauricio castro _ Xx**xX _ Brasil
rachelmauricio castro _ ¬¬ 7 ¬¬ _ Brasil
Regina Pinto _ Café com Pão _ Brasil
Richard O'Sullivan _ Fragments of the Los Angeles River _ Reino Unido
Richard O'Sullivan _ Femdale, Western Canyon, Los Angeles _ Reino Unido
Richard O'Sullivan _ Palimpsest _ Reino Unido
Richard O'Sullivan _ The Other Image _ Reino Unido
Richard O'Sullivan _ Transit _ Reino Unido
Richard O'Sullivan _ Present Tense _ Reino Unido
Roderick Coover _ Unknown Territories _ Estados Unidos
Rodrigo Assis o, Daniel Pitorri e Karen Mota _ Construção e Desconstrução _ Brasil
Roni Ribeiro _ Apólogo _ Brasil
Same _ "The Way North" _ Estados Unidos
simon welch _ Final Call _ França
simon welch _ Tam Tam _ França
simon welch _ Flotsum _ França
Stefan Linecker _ nettime _ Áustria
Stuart Pound _ Speech _ Reino Unido
Stuart Pound _ The crying of the forest _ Reino Unido
Stuart Pound _ Retro disk chunter _ Reino Unido
susanne berkenheger _ movement-for-account-corpses.de _ Alemanha
Vanessa Louzon _ Ordinary Show _ Reino Unido
Yara Rondon Guasque Araujo, Fabian Antunes Silva, Silvia Guadagnini e Hermes Renato Hildebrand _ Visualização do Manguezal Ratones _ Brasil
Zach Blas _ Queer Technologies _ Estados Unidos
GAME
Andrei Thomaz _ Labirintos Invisíveis _ Brasil
Cavalo Voador - Fabrício Fava, JJ Marreiro e Daniel Valente _ Pranayama _ Brasil
Chris Basmajian _ Attention Hog _ Estados Unidos
Daniel Ferreira _ Nibballs _ Brasil
Fernando Chamis _ Surfínia _ Brasil
Josh Fishburn _ Survive/Progress _ Estados Unidos
Personal Cinema & the Erasers _ Folded in _ Grécia
Picolargo Software _ Guerra no Sertão _ Brasil
INOVAÇÃO
C.E.S.A.R _ Centro de Estudos e Sistemas Avançados do Recife _ Brasil
Cietec _ Centro Incubador de Empresas Tecnológicas _ Brasil
FINEP _ Financiadora de Estudos e Projetos _ Brasil
INATEL _ Instituto Nacional de Telecomunicações _ Brasil
SENAI _ Inovação tecnológica _ Brasil
HIPERSÔNICA PERFORMANCE
*spark _ rbn_esc____av _ Reino Unido
Author & Punisher _ Dub Machines (nextGen of Drone Machines) _ Estados Unidos
blackhole-factory / Elke Utermoehlen and Martin Slawig _ RESTMETALL _ Alemanha
D-Fuse / Michael Faulkner, Matthias Kispert _ Particle _ Reino Unido
Het vleesgeworden videowoord (The videoword made flesh): Albert van Abbe, Roel Dijcks, Wim-Jan Smits, Ties van de Ven _ A/V Scaping series _ Holanda
Mesa de Luz. Integrantes: Hieronimus do Vale, Marta Mencarini e Tomás Sefenin _ Mesa de Luz: Cotidiano _ Brasil
Playboy's Bend _ The playboy's Bend show _ Bélgica
Sadmb _ Cubie _ Japão
Tetsu Kondo _ Dendraw _ Japão
Vj Motomichi _ "No Rules, No Boundaries" Motomichi Nakamura's live video mixing _ Estados Unidos
Yroyto _ EILE _ França
Marcel•lí Antúnez Roca _ Protomembrana _ Espanha
Emotic _ RAW _ Espanha
HIPERÔNICA SCREENING
ATZ119 - Laurent Antonczak, Patricia Burgetsmaier, James Hayday _ Hamster Squaredance _ Nova Zelândia
Bret Battey _ Sinus Aestum _ Reino Unido
David Sullivan _ sunset refinery _ Estados Unidos
Jen-Kuang Chang _ OM _ Estados Unidos
Jen-Kuang Chang _ Drishti III _ Estados Unidos
Joao Vasco Paiva _ wide rothko _ Hong Kong
Marcela Pavia & LeoNilde Varabba _ Dancing around the One _ Itália
Max Jacob _ Risonanze _ Itália
Michal Levy _ One _ Estados Unidos
Nigel Power _ Becoming: Sao Paulo _ Tailândia
Sebastian Blank _ A Dialogue between Art and Society I-III _ Alemanha
soundsthatmatter _ illzeno _ Brasil
soundsthatmatter _ cKtroos _ Brasil
soundsthatmatter _ bismust-jet _ Brasil
Tammy Renee Brackett _ teXt _ Estados Unidos
Telcosystems: Lucas van der Velden | Gideon Kiers | David Kiers _ Semaphore _ Holanda
Timothy Weaver _ Biological Narrative #9: manuMindo _ Estados Unidos
VJ ELetro-I-Man _ Proyecto Representa Corisco _ Espanha
zabara _ Elm _ Rússia
HIPERSÔNICA PARTICIPANTES
Agricola de Cologne _ SoundLAB VI - soundPOOL _ Alemanha
Anaracecar _ Essential Slime _ Estados Unidos
Brian Maniere _ Sleepless _ Estados Unidos
CONCÍLIO - DANIEL GAZANA _ CONCÍLIO _ Brasil
Jen-Kuang Chang _ Karma _ Estados Unidos
Kunkuni Mix Project: Rosa Apablaza & Federico Duret _ Busco trabajo urgente _ Holanda
Melanie Menard _ Mathematically Generated Seascape _ Reino Unido
Panayiotis KOKORAS _ Waltz at the edge of Lorros _ Grécia
Ricardo Dal Farra _ Memorias _ Canadá
Ricardo Dal Farra _ On the Liquid Edge _ Canadá
Rune Søchting _ Sound performance _ Dinamarca
Scant Intone _ Scant Intone _ Canadá
SIMPLE.NORMAL _ Imagenabilis _ Brasil
Tablet Visual Music _ Tablet Visual Music _ Brasil
Tetsu Kondo _ Dendraw _ Japão
Victor Valentim _ Semisfera - Para Sons Eletroacústicos _ Brasil
zabara _ Elm _ Rússia
CINEMA DOCUMENTA
Cadu Porto Oliveira _ CONECTION _ Brasil
Dominic Gagnon _ RIP IN PIECES AMERICA _ Canadá
Hans Fjellestad _ MOOG _ Estados Unidos
Joe Hiscott _ THE TELEPHONE EULOGIES _ Canadá
Joesér Alvarez & Coletivo Madeirista _ INVENTÁRIO DAS SOMBRAS _ Brasil
Laurent Lemonnier _ MONGOLIA EXPEDISOUND _ França / Mongólia
Mike Mills _ AIR: EATING SLEEPING WAITING AND PLAYING _ Estados Unidos
Reynald Weidenaar _ MAGIC MUSIC FROM TELHARMONIUM _ Estados Unidos
Scott Hessels _ NINE LIVES _ Singapura
Simon Power _ TECHNOMANIA _ Reino Unido
MAQUINEMA
"Land of Illusion" in Second Life: Lily & Honglei _ Land of Illusion _ Estados Unidos
J. Joshua Diltz _ Mercy of the Sea _ Estados Unidos
Pineapple Pictures: Kate Fosk and Michael R. Joyce _ Revenge _ Estados Unidos e Reino Unido
Lainy Voom _ GIW (from The Path) _ Reino Unido
Lainy Voom _ The Dumb Man _ Reino Unido
Nebulosus Severine _ Spiral Walcher _ Estados Unidos
Piotr Kopik _ Psychosomatic Rebuilders Animation #000 _ Polônia
Tony Bannan _ Dark Previz _ Austrália
This detail from the Palimpsest is a digitally enhanced image of the beginning of Archimedes' Method, a treatises which survives uniquely in the Palimpsest. Archimedes wrote the Method as a Letter to Eratosthenes, and it begins "Archimedes to Eratosthenes Greeting"
Learn more at the Archimedes Palimpsest Project Website:
I have put together my collection of paraphrases of the works of the fourteenth century Welsh poet Dafydd ap Gwilym. It contains 52 poems by Dafydd, and an elegy by Iolo Goch, and also features some of the illustrations I have used when I have been uploading the poems to Flickr. I'm not expecting Dafydd to suddenly depart because the book is (sort of) 'out'; I suspect there will have to be a second edition some time in the future. My big thanks to everyone who has encouraged me in this project over the past five years.
The whole collection can be seen here:
www.scribd.com/doc/29424634/Dafydd-ap-Gwilym-Paraphrases-...
Here is the revised Preface to the book:
Preface
by Giles Watson
Dafydd ap Gwilym was an extraordinarily skilled poet, but he remains little known outside his native Wales. This is not because he wrote in the fourteenth century, for Chaucer was his contemporary. He is comparatively obscure because he wrote in Welsh, but it is also true that he achieved the greatest heights of artistry for the same reason. Whilst his poetry was not as ambitious in scope as Chaucer’s, it presented a greater technical challenge. He wrote in cywyddau, couplets of seven syllables each, but the lines themselves were also given cynghanedd (harmony): complex sequences of alliterations, assonances and half-rhymes . No living language is as perfect for such treatment as Welsh. The effect is mesmeric, frequently with the force of an incantation, and must have been more so with a harp accompaniment: an instrument with which Dafydd himself was proficient. It is also an effect which is virtually impossible to achieve in English translations.
The poems contained in this booklet are not translations. Readers will find excellent and exact prose renderings of Dafydd’s best poems in Rachel Bromwich’s scholarly and sensitive Dafydd ap Gwilym: A Selection of Poems, Helen Fulton’s Dafydd ap Gwilym: Apocrypha, and in Kenneth Hurlstone Jackson’s Celtic Miscellany . Indeed, I am not qualified to offer any sort of translation, since I am not a Welsh-speaker. My sole justification for writing these paraphrases is that I have felt an affinity with Dafydd ever since I bought a copy of Bromwich’s translations, the day after my parents and I were almost swept away by a flood during a visit to Beddgelert in North Wales. Dafydd was, and remains, an authority on the only two subjects which Robert Graves was prepared to accept as the true matter of poetry: love and nature. Brought up in the Christianised culture of mediaeval Wales, he did not forget his country’s pagan roots, and referred to the heroes and cosmology of the Mabinogion with the same reverence he demonstrated for God, Mary (transliterated in my paraphrases as Mair) and the saints. He was also emotionally honest to the point of blasphemy: invoking saints for assistance in illicit love affairs, and freely admitting that nothing he encountered in Church was quite as vibrant as the greenwood. Finally, he was a poet who cared passionately about cadence, as all poets should. I have tried, if not to restore, then at least to emulate Dafydd’s cadences, although at times I have found it necessary to jettison his strict seven-syllable lines (let alone the cynghanedd) in order to achieve a reasonable balance of metre and meaning . I have taken considerable liberties, but have not, I hope, subverted his overall intentions.
Dafydd invented, followed, and flouted a range of conventions, and these are roughly reflected by the section headings of this collection. First, there are the poems in which the speaker claims to have constructed an abode in the greenwood, suitable for clandestine trysting with his beloved. The covert nature of the assignation is nearly always necessitated by the fact that the beloved is married to someone else – a cuckold who is commonly named Eiddig – or because the speaker has not met the approval of the girl’s father. Often, it seems, this background is mere scaffolding on which to hang a poem in praise of nature, and in one case, (‘The Wounded Thorn’), Eiddig plays an active part in destroying the greenwood trysting-tree. It seems very likely, however, that Dafydd was also writing from personal experience, and it is easy to believe that the two named lovers in his poems – the dark-haired Dyddgu and the blonde-haired Morfudd – really existed. We have it on Dafydd’s authority that he first met Morfudd at a mystery play in Bangor Cathedral, but despite his ceaseless protestations of love, it seems that she married another, and that her husband was violent towards her. Dafydd made verse appeals for the approval of Dyddgu’s father, but does not appear to have received it. In addition to these two, whose names were almost certainly appropriated by other, later poets, Dafydd also expresses his affection for certain nuns, and thereby inaugurates another enduring tradition.
The llatai convention was invented by Dafydd himself, and is the main subject of a number of his poems, some of which testify to his skills as an observer of nature. These involve the poet addressing an animal, or even an elemental force such as the wind, with a request to carry a message to his beloved. One at least one occasion, Dafydd receives a llatai from his lover – as opposed to sending one out himself – and in one case, the llatai is revealed in a dream. These poems have their own peculiar magic, and are undoubtedly rooted in the shape-shiftings of Welsh mythology. For this reason, I have included Dafydd’s poem about that archetypal shape-shifter, Blodeuwedd, in the section on love-messengers. The sympathetic tone of this poem is in marked contrast with another poem on ‘The Owl’, which introduces some of the love messengers who are cursed by Dafydd for bringing bad news. Not only mammals and birds serve as love-messengers; the elements and heavenly bodies do so too, and again, sometimes they are blessed, and sometimes cursed, by Dafydd.
Perhaps it is not surprising - given that the illicit nature of Dafydd’s love affairs required him to hold his trysts in the cover of the greenwood - that Dafydd wrote a number of poems in which he extolled the virtues of the summer months, and scorned the winter. Some of these poems extol a natural spirituality which is refreshing in its simplicity. These are balanced by more introspective poems in which Dafydd either argues with himself (or, in one notorious case, a part of his anatomy), or becomes embroiled in a disputation with a friar. Here, honesty is combined with a humorous self-irony which modern readers ought to find endearing. Finally, there are the poems in which Dafydd extols the virtues of powerful men; the two examples I have included here are elegies, and it seemed fitting to round off the collection with my own deliberately loose paraphrase of Iolo Goch’s elegy to Dafydd himself.
Much paper has been wasted – and much academic energy fruitlessly expended – in debating which poems attributed to Dafydd ap Gwilym by the manuscripts ought actually to belong to the ‘canon’. Although I have mentioned some of these controversies in my notes at the end of each poem, my opinions are based on instinct alone. It is certainly true that other poets passed their work off as Dafydd’s own, but the mediaeval notion of authorship was not as fixed as ours, and the criteria by which I have made my selection are not scientific. There are, however, certain features which, whilst they cannot be said to constitute litmus tests for Dafydd’s authorship, would certainly help to earn Dafydd’s own stamp of approval. They are: a refusal to allow the strictures of any moral or religious code to impede poetic sympathy for a person who is in love, a selfless and unswerving devotion to beauty, a preference for the natural over the artificial, an acute skill for the close observation of nature, and most importantly, a generous helping of self-irony. There is nothing surprising or unique in this. These are, in fact, the most fundamental characteristics of any poet who deserves the name. What is unique is Dafydd’s distinctive voice. I cannot begin to explain how it sounds, but I know it when I hear it, and if these paraphrases can catch even some of his inflexions, they will have done their duty.
FILE
FILE SÃO PAULO 2009
Festival Internacional de Linguagem Eletrônica
Electronic Language International Festival
FILE 10 NURBS PROTO 4KT
10 anos de FILE, 10 anos de eventos realizados na cidade de São Paulo, 10 anos de discussão sobre arte e tecnologia no Brasil.
1. NURBS (Non Uniform Rational Basis Spline) é uma técnica muito conhecida de computação gráfica para representar curvas e superfícies, e que segundo o teórico russo Lev Manovich, no texto inédito que abre o catálogo desta edição, pode ser a nova ferramenta para a teoria cultural do sec. 21 juntamente com outras ferramentas de computação gráfica e visualização de dados. Lev Manovich participará do FILE Labo Workshop, no Mezanino do Centro Cultural Fiesp - Ruth Cardoso dia 30/07, das 9h às 13h.
2. PROTO de “Protomembrana”, performance do artista catalão Marcel.lí Antunez Roca, que acontecerá na abertura do evento (27/07) e dia 29/07, no Teatro do SESI – São Paulo.
3. 4KT, a primeira transmissão transcontinental em superalta definição, que está será feita no mundo do longa-metragem “Enquanto a Noite não Chega”, com direção de Beto Souza, dia 30/07, às 19 horas, no Teatro do SESI – São Paulo.
FILE 10 Highlights
10 years of FILE, 10 years of events accomplished in the city of São Paulo, 10 years of discussions on art and technology in Brazil.
1. NURBS (Non Uniform Rational Basis Spline) is the concept developed by Russian theoretician Lev Manovich in the unpublished text that opens this edition's catalog. Lev Manovich will participate in FILE Labo Workshop, at the Mezzanine of Fiesp - Ruth Cardoso Cultural Center, on July 30, from 9 a.m. to 1 p.m.
2. PROTO from “Protomembrane”, performance by Catalan artist Marcel.lí Antúnez Roca, will happen in the event's opening (07/27) and on 07/29, at the SESI – São Paulo Theater.
3. 4KT, the first transcontinental broadcasting in super-high definition that will happen in the world of the feature film “While the Night Doesn't Come”, directed by Beto Souza, on 07/30, 7 p.m., at the SESI – São Paulo Theater.
INSTALAÇÕES
Abraham Manzanares (colorsound) _ Boreal Painte _ Espanha
Alexandra Dementieva_ Drama House _ Bélgica
Andreas Muxel e Martin Hesselmeier _ Capacitive Body _ Alemanha
3kta - Directed by André Rangel and Anne-Kathrin Siegel _ Graffonic _ Portugal e Alemanha
Christa Erickson _ Climate Shifts _ Estados Unidos
Daan Brinkmann _ Skinstrument _ Holanda
Blendid (Tim Olden e David Kousemaker) _ TouchMe _ Holanda
Emiliano Causa, Tarcisio Pirotta e Matías Costas _ Sensible _ Argentina
EunJoo Shin _ Vocal Trio _ Coréia do Sul
Fabiano Onça e Colméia _ Stogrepock _ Brasil
Giselle Beiguelman e Mauricio Fleury _ Suíte para Mobile Tags - Movimento #1 _ Brasil
Graziele Lautenschlaeger _ Don't Give Up! About a history that doesn't want to be told _ Brasil
Hakeem B. _ Once Upon a Time _ França
Hugues Bruyère _ Presence _ França
Jorge Luis Crowe _ Estero _ Argentina
Jörg Niehag _ samplingplong _ Alemanha
Juliana Cerqueira _ Corpo Digitalizado _ Brasil
the Demos _ Moving Mario _ China
Leo Nuñez _ Game of Life _ Argentina
Luis Felipe Carli _ Complexidade Organizada _ Brasil
He-Lin Luo _ Maelstrom _ China
Magdalena Pederin _ The Voice From the Loudspeaker _ Croácia
Marcel•lí Antúnez Roca_ Metamembrana _ Espanha
Marina Chernikova _ Urban Surfing Moscow _ Holanda
Masato Takahashi, Sho Hashimoto _ The Noses: Communication Organs _ Japão
Motomichi Nakamura _ Red Eyes _ Estados Unidos
Naomi Kaly _ Dualogue _ Estados Unidos
Nina Tommasi _ Biological Instrumentation _ Áustria
Nina Waisman; with pd programming by Marius Schebella_ Between Bodies (Tijuana), Estados Unidos
Phillip Stearns (Pixel Form) _ c. 15:33 _ Estados Unidos
Ricardo Nascimento _ Authority _ Áustria
Seokhwan Cheon _ Pondang _ Estados Unidos
Tim Coe _ Volatile Nexus _ Alemanha
Deletere // redSugar _ Augmented Reality _ França
Ebru Kurbak e Jona Hoier _ Hot & Cold Whisperer _ Áustria
Yonakani: Young ah Seong, Takuji Narumi, Tomohiro Akagawa _ Thermotaxis _ Japão
Artemis Moroni, Jônatas Manzolli, Mariana Shellard e Sidney Cunha _ AURAL _ Brasil
MÍDIA ARTE
Norberto Idiart Ritter, Rosario Lázaro Igoa, Andrew Orihuela e Cesar Funk _ La Palabra _ Brasil
A. Bill Miller _ gridworks2000-anim09 _ Estados Unidos
Jackson Marinho - Victor Valentim - Anibal Alexandre - Adriana Prado _ Autonomia Duvidosa _ Brasil
Agricola de Cologne _ SILENT CRY _ Alemanha
Agricola de Cologne _ TIMED OUT _ Alemanha
Alan Bigelow _ Deep Philosophical Questions _ Estados Unidos
Alan Bigelow _ What They Said _ Estados Unidos
Alex Hetherington _ SARAH WINCHESTER MADE ME HARDCORE _ Reino Unido
Aline X _ DVD Golpes - Uma investigação interativa _ Brasil
Alisson R. Ribeiro, Bruna Ongaro, Eric Notarnicola, Magda Martins, Marcel Melfi, Michel Adão Teixeira, Rafael Nery _ Metadoxo - O sentir e interpretar da trilogia das cores _ Brasil
Ana Genduso, Bernardo Duca, Denise Brito, Mariana Roncalli, Renan Petrecca, Robson Silva e Victor Hugo Luz _ Universo Visceral _ Brasil
André Anaya de Carvalho, Beatriz Castanho,Denisson de Sousa, Diego Gregor Martins, Fabrício Novak, Kleber Nunes Domingues e Nelson Rico Gutierres Junior _ Espaço e Movimento _ Brasil
André Sier _ Corrida Espacial #1 _ Portugal
André Sier _ Corrida Espacial #3 _ Portugal
Andrei Thomaz _ Somewhere in Time _ Brasil
Andrei Thomaz _ A caça e o caçador _ Brasil
Anibal Diniz, Colaboração de Victor Valentim na Programação Sonora _ Caixa de Dados _ Brasil
Anis _ 109 _ Estados Unidos
Antoine Schmitt _ Time Slip _ França
Audrei Carvalho _ E-poetamentos (tradução intersemiótica de poemas de Augusto de Campos) _ Brasil
Bárbara de Azevedo _ O oculto do planeta azul_ Brasil
Bárbara de Azevedo _ Substância _ Brasil
blackhole-factory e David Bickerstaff _ SONG _ Alemanha e Reino Unido
Brian Maniere _ Sandbox Project _ Estados Unidos
Brit Bunkley _ Floral _ Nova Zelândia
calin man _ _ Romênia
Carlindo da Conceição Barbosa, Guilerme Tetsuo Takei, Kauê de Oliveira Souza, Renato Michalischen, Ricardo Rodrigues Martins, Tássia Deusdará Manso e Thalyta de Almeida Barbosa _ Stickerlog - um registro da história, produção e disseminação dos stickers _ Brasil
carlo sansolo _ art conquest _ Brasil
Carlos Praude _ stratus _ Brasil
Carolien Hermans _ BODY IN BITS AND PIECES _ Holanda
casadalapa (Julio Dojscar, Pedro Noizyman e Newber) _ Bem me quer, mal me quer _ Brasil
Céline TROUILLET _ SONG N°7 _ França
Céline TROUILLET _ SONG N°8 _ França
Céline TROUILLET _ SONG N°10 _ França
Claudia Sandoval _ Living Cemetery _ Brasil
cristine de bem e canto _ cartão postal _ Brasil
cyriaco lopes _ CORRESPONDENCES _ Estados Unidos
DANIEL HANAI _ KINDER PROJEKT _ Brasil
David Muth _ Counterclockwise _ Reino Unido
David Muth _ Up And Down _ Reino Unido
Denise Agassi e Nacho Durán _ Virtual Velázquez _ Brasil
Eric Schockmel _ Syscapes # Interlude _ Luxemburgo
Fernando Velázquez, Bruno Favaretto, Francisco Lapetina _ Your life, our movie _ Brasil/Uruguai
Gabriela Canale Miola e Guilherme Baracat _ ANEMIC CINEMA, MESMO _ Brasil
Ger Ger _ Luxor 22.145 _ Alemanha
Ger Ger _ Black Balloons _ Alemanha
Ger Ger _ What the Fuck _ Alemanha
grégoire zabé _ sharedscapes - points of view on landscapes _ França
Hugo Solís _ Ojos Te Vean _ Estados Unidos
Intermedia Writing Systems: Matthew Butler e Aaron Sachs _ A Box Full of Angels _ Estados Unidos
Jorn Ebner _ (»Feuerland«) _ Alemanha
José Luis de Vicente, Irma Vilà e Bestiario _ The Atlas of Electromagnetic Space _ Espanha
Julian Konczak _ J9 _ Reino Unido
Karel Doing _ Antipode136 _ Holanda
Karla Muner e Claudio Bitencourt _ Saudade _ Brasil
lemeh42 _ Illusion for movements _ Itália
Mateus Knelsen, Felipe Szulc, Ana Claudia Pátria, Mileine Assai Ishii, Renata Nogueira de Martinez, Tânia Taura, Pamela Cardoso _ Prismática: a narratividade no Cinema e na Hipermídia em uma releitura do filme 21 Gramas _ Brasil
Michael Takeo Magruder _ Reflection (hope and reconciliation) _ Reino Unido
Michael Takeo Magruder _ Last Days…_ Reino Unido
Miguel Leal e Luís Armento _ Clouds of Clouds _ Portugal
Miriam Duarte Teixeira _ Passagens _ Brasil
miska _ windtracing _ Finlândia
miska _ kiasma cafe north _ Finlândia
miska _ longlapses: mannerheimintie south _ Finlândia
nano _ Face Invader _ Estados Unidos
Nick Briz _ an-uh-mit data _ Estados Unidos
olaconmuchospeces _ Cajas _ Argentina
osvaldo cibils _ caracolaplysia _ Itália
Pedro Talarico Lacerda e grupo Akronon (Silvio Ferraz, Rogério Costa e Edson Ezequiel) _ Espaços _ Brasil
Perry Bard _ Man With A Movie Camera:The Global Remake _ Estados Unidos
Peter Horvath _ Boulevard _ Canadá
rachelmauricio castro _ leleXZoom _ Brasil
rachelmauricio castro _ Xx**xX _ Brasil
rachelmauricio castro _ ¬¬ 7 ¬¬ _ Brasil
Regina Pinto _ Café com Pão _ Brasil
Richard O'Sullivan _ Fragments of the Los Angeles River _ Reino Unido
Richard O'Sullivan _ Femdale, Western Canyon, Los Angeles _ Reino Unido
Richard O'Sullivan _ Palimpsest _ Reino Unido
Richard O'Sullivan _ The Other Image _ Reino Unido
Richard O'Sullivan _ Transit _ Reino Unido
Richard O'Sullivan _ Present Tense _ Reino Unido
Roderick Coover _ Unknown Territories _ Estados Unidos
Rodrigo Assis o, Daniel Pitorri e Karen Mota _ Construção e Desconstrução _ Brasil
Roni Ribeiro _ Apólogo _ Brasil
Same _ "The Way North" _ Estados Unidos
simon welch _ Final Call _ França
simon welch _ Tam Tam _ França
simon welch _ Flotsum _ França
Stefan Linecker _ nettime _ Áustria
Stuart Pound _ Speech _ Reino Unido
Stuart Pound _ The crying of the forest _ Reino Unido
Stuart Pound _ Retro disk chunter _ Reino Unido
susanne berkenheger _ movement-for-account-corpses.de _ Alemanha
Vanessa Louzon _ Ordinary Show _ Reino Unido
Yara Rondon Guasque Araujo, Fabian Antunes Silva, Silvia Guadagnini e Hermes Renato Hildebrand _ Visualização do Manguezal Ratones _ Brasil
Zach Blas _ Queer Technologies _ Estados Unidos
GAME
Andrei Thomaz _ Labirintos Invisíveis _ Brasil
Cavalo Voador - Fabrício Fava, JJ Marreiro e Daniel Valente _ Pranayama _ Brasil
Chris Basmajian _ Attention Hog _ Estados Unidos
Daniel Ferreira _ Nibballs _ Brasil
Fernando Chamis _ Surfínia _ Brasil
Josh Fishburn _ Survive/Progress _ Estados Unidos
Personal Cinema & the Erasers _ Folded in _ Grécia
Picolargo Software _ Guerra no Sertão _ Brasil
INOVAÇÃO
C.E.S.A.R _ Centro de Estudos e Sistemas Avançados do Recife _ Brasil
Cietec _ Centro Incubador de Empresas Tecnológicas _ Brasil
FINEP _ Financiadora de Estudos e Projetos _ Brasil
INATEL _ Instituto Nacional de Telecomunicações _ Brasil
SENAI _ Inovação tecnológica _ Brasil
HIPERSÔNICA PERFORMANCE
*spark _ rbn_esc____av _ Reino Unido
Author & Punisher _ Dub Machines (nextGen of Drone Machines) _ Estados Unidos
blackhole-factory / Elke Utermoehlen and Martin Slawig _ RESTMETALL _ Alemanha
D-Fuse / Michael Faulkner, Matthias Kispert _ Particle _ Reino Unido
Het vleesgeworden videowoord (The videoword made flesh): Albert van Abbe, Roel Dijcks, Wim-Jan Smits, Ties van de Ven _ A/V Scaping series _ Holanda
Mesa de Luz. Integrantes: Hieronimus do Vale, Marta Mencarini e Tomás Sefenin _ Mesa de Luz: Cotidiano _ Brasil
Playboy's Bend _ The playboy's Bend show _ Bélgica
Sadmb _ Cubie _ Japão
Tetsu Kondo _ Dendraw _ Japão
Vj Motomichi _ "No Rules, No Boundaries" Motomichi Nakamura's live video mixing _ Estados Unidos
Yroyto _ EILE _ França
Marcel•lí Antúnez Roca _ Protomembrana _ Espanha
Emotic _ RAW _ Espanha
HIPERÔNICA SCREENING
ATZ119 - Laurent Antonczak, Patricia Burgetsmaier, James Hayday _ Hamster Squaredance _ Nova Zelândia
Bret Battey _ Sinus Aestum _ Reino Unido
David Sullivan _ sunset refinery _ Estados Unidos
Jen-Kuang Chang _ OM _ Estados Unidos
Jen-Kuang Chang _ Drishti III _ Estados Unidos
Joao Vasco Paiva _ wide rothko _ Hong Kong
Marcela Pavia & LeoNilde Varabba _ Dancing around the One _ Itália
Max Jacob _ Risonanze _ Itália
Michal Levy _ One _ Estados Unidos
Nigel Power _ Becoming: Sao Paulo _ Tailândia
Sebastian Blank _ A Dialogue between Art and Society I-III _ Alemanha
soundsthatmatter _ illzeno _ Brasil
soundsthatmatter _ cKtroos _ Brasil
soundsthatmatter _ bismust-jet _ Brasil
Tammy Renee Brackett _ teXt _ Estados Unidos
Telcosystems: Lucas van der Velden | Gideon Kiers | David Kiers _ Semaphore _ Holanda
Timothy Weaver _ Biological Narrative #9: manuMindo _ Estados Unidos
VJ ELetro-I-Man _ Proyecto Representa Corisco _ Espanha
zabara _ Elm _ Rússia
HIPERSÔNICA PARTICIPANTES
Agricola de Cologne _ SoundLAB VI - soundPOOL _ Alemanha
Anaracecar _ Essential Slime _ Estados Unidos
Brian Maniere _ Sleepless _ Estados Unidos
CONCÍLIO - DANIEL GAZANA _ CONCÍLIO _ Brasil
Jen-Kuang Chang _ Karma _ Estados Unidos
Kunkuni Mix Project: Rosa Apablaza & Federico Duret _ Busco trabajo urgente _ Holanda
Melanie Menard _ Mathematically Generated Seascape _ Reino Unido
Panayiotis KOKORAS _ Waltz at the edge of Lorros _ Grécia
Ricardo Dal Farra _ Memorias _ Canadá
Ricardo Dal Farra _ On the Liquid Edge _ Canadá
Rune Søchting _ Sound performance _ Dinamarca
Scant Intone _ Scant Intone _ Canadá
SIMPLE.NORMAL _ Imagenabilis _ Brasil
Tablet Visual Music _ Tablet Visual Music _ Brasil
Tetsu Kondo _ Dendraw _ Japão
Victor Valentim _ Semisfera - Para Sons Eletroacústicos _ Brasil
zabara _ Elm _ Rússia
CINEMA DOCUMENTA
Cadu Porto Oliveira _ CONECTION _ Brasil
Dominic Gagnon _ RIP IN PIECES AMERICA _ Canadá
Hans Fjellestad _ MOOG _ Estados Unidos
Joe Hiscott _ THE TELEPHONE EULOGIES _ Canadá
Joesér Alvarez & Coletivo Madeirista _ INVENTÁRIO DAS SOMBRAS _ Brasil
Laurent Lemonnier _ MONGOLIA EXPEDISOUND _ França / Mongólia
Mike Mills _ AIR: EATING SLEEPING WAITING AND PLAYING _ Estados Unidos
Reynald Weidenaar _ MAGIC MUSIC FROM TELHARMONIUM _ Estados Unidos
Scott Hessels _ NINE LIVES _ Singapura
Simon Power _ TECHNOMANIA _ Reino Unido
MAQUINEMA
"Land of Illusion" in Second Life: Lily & Honglei _ Land of Illusion _ Estados Unidos
J. Joshua Diltz _ Mercy of the Sea _ Estados Unidos
Pineapple Pictures: Kate Fosk and Michael R. Joyce _ Revenge _ Estados Unidos e Reino Unido
Lainy Voom _ GIW (from The Path) _ Reino Unido
Lainy Voom _ The Dumb Man _ Reino Unido
Nebulosus Severine _ Spiral Walcher _ Estados Unidos
Piotr Kopik _ Psychosomatic Rebuilders Animation #000 _ Polônia
Tony Bannan _ Dark Previz _ Austrália