View allAll Photos Tagged painterly
Using a combination of Topaz Labs Impression, hand sketching and masking - this flower has a rather painterly look. I love the colours and marks.
Part of a new page on my site dedicated to 'Portraits of Painters' jonathandy.com/PORTRAITS-OF-PAINTERS
Long exposure with three manual flashes, one per figure.
Created using the NEW Version 6.1 of MidJourney.
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Canonet QL17 Giii, Ferrania P30 Alpha (at ISO 50)
Rodinal 1+50 for 10 minutes. 30 secs initial inversions then 10 secs per min after.
Scanned with the Pakon using TLX_ClientDemo software. Contrast pulled all the way to zero before export. Adjusted in Photoshop.
Still an incredibly contrasty film. To me it's not worth all the trouble trying to get a usable image from it. Perhaps stand developing is the only way. Maybe someday I'll try it...
Frank Duveneck (1848-1919), painter, was born Frank Decker in Covington, Kentucky, the son of Bernard Decker, a cobbler, and Katherine Siemers; they were both German immigrants. Bernard Decker died of cholera in 1849 before Frank was a year old, and his seventeen-year-old widow married Joseph Duveneck, a grocer from Cincinnati, Ohio, and also a German immigrant, within a few months. Frank did not discover until he was an adult that Joseph Duveneck was not his biological father.
By the age of fifteen Frank had begun the study of art under the tutelage of a local painter, Johann Schmitt and had been apprenticed to a German firm of church decorators In 1870 he enrolled in Munich's Bavarian Royal Academy. There he won prizes and acclaim for his painting and was drawn into the circle of German Realist painter Wilhelm Leibl. His Whistling Boy (1871, Cincinnati Museum of Art) is characteristic of the broadly brushed, dark-toned works that dominated his painting style into the mid-1880s.
A charismatic teacher, Duveneck in early 1878 began instructing a group of young American art students who had come to Munich to acquire European art training. Known as the "Duveneck Boys," the students were drawn to Duveneck's bravura and compelling teaching methods.
In 1879 Elizabeth Boott, an artist and an expatriate from Boston, encouraged Duveneck to relocate his "school" to Italy. For the next two years he divided his time between Florence and Venice. In 1886 Duveneck married Elizabeth Boott; they had one son. His wife died suddenly of pneumonia in Paris in the spring of 1888; Duveneck was inconsolable. After returning from Italy to America, he gave some attention to sculpture, and modelled a fine monument to his wife, now in the English cemetery in Florence. He lived in Covington until his death in 1919 and taught at the Art Academy of Cincinnati, His last large-scale production, completed in 1910, was a series of murals for the new Catholic cathedral in Covington, Kentucky.
His work can be seen at the Metropolitan Museum of Art in New York City, the National Gallery of Art in Washington, DC, the Cincinnati Art Museum, the Richmond Art Museum and the Kenton County Library in Covington, Ky.
Duveneck is buried at Mother of God Cemetery, Madison Avenue and 26th Street, Covington, Kenton County. The memorial is by artist Clement Barnhorn. Rendered in pink granite, the crypt stands above-ground, flanked at each of its four corners by a bronze angel with outstretched wings. Each Memorial Day since 1923, members of the Cincinnati Art Club meet at the artist's grave for a brief service to remember him and all of their deceased members.
Duveneck statue in Covington KY
en.wikipedia.org/wiki/Frank_Duveneck
www.tfaoi.com/aa/2aa/2aa572.htm
www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=7199468
www.ulib.iupui.edu/kade/springer/Ch2/ch2_p4.html
Miguel Valinas is an architect, visionary, talented and laid back painter who enjoys life. Shot for Living Magazine.
The first set of waterfalls on Painter Creek. A much larger waterfall is just downstream from this one. This one is located just off the road, but a tricky climb down the steep embankment is needed to get to creek level.
Sugar Grove, Ohio.
Testing the bokeh of a Nikon 200mm f/4 AI manual focus lens, with aperture closed down one stop to f/5.6. The boken effect is quite painterly.
One of three images in a row, taken last February at the Arizona-Sonora Desert Museum. There were at least 10 or 12 artists out on this sunny day painting "en plein air", a marvelous way to see and enjoy the best of vibrant color. This wood easel was a very fine support for this artist using oil paints.
This photo was taken in Taman Gantung Temple, Bali, which is a Hindu temple. But this painter is painting Budha...
Rue Amelot (75011) #paris #graffiti #streetart #parisstreetart #TheloniousMonk #ArtisteOuvrier
63 Likes on Instagram
1 Comments on Instagram:
zapata_painter: Magnifique travail de #ArtisteOuvrier
This red-figured amphora is attributed to the “Kleophrades Painter”: an anonymous red-figure Athenian vase painter, who was active from approximately 510 – 470 BC. The name “Kleophrades painter” arises from a potter's inscription “Kleophrades” on a cup now in Paris
Red figured Attic Amphora.
c. 500-490 BC.
Munich. Antikensammlungen
Artista di strada.
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The street artists and painters, are the people most photographed by tourists.
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