View allAll Photos Tagged painterly
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Strobist: One gelled canon 430EXll camera lower left bounced off wall, Yongnuo Triggers. I had the chance to hang out with Cesar today. He showed me his studio, new work and where he makes the magic happen. I left Chicago feeling hungry and inspired.
Tile a solarized canna embellished with a butterfly brush stamped on and the background created with a Flaming pear filter and then photoshoped...I had just color calibrated monitor and made a print on matt paper heavyweight...was a nice match....
The things that happen with film, I don't know what here but I like it. It's serendipitous. Two shots overlaid at ninety degrees on a badly smeared 35mm negative film meant that I had to bring the flatbed scanner to the rescue.
Boating scene on lake Leman in Switzerland in the summer of 1983.
Details best viewed in Original Size.
The Coronation of Napoleon (Le Sacre de Napoléon) is a painting completed in 1807 by Jacques-Louis David, the official painter of Napoleon, depicting the coronation of Napoleon at Notre-Dame de Paris. The oil painting has imposing dimensions – it is almost 33 feet (10m) wide by a little over 20 feet (6m) tall. The original is, as of this writing, on display at the Louvre Museum in Paris. The work was commissioned by Napoleon in September 1804, and Jacques-Louis David started work on it on 21 December 1805 in the former chapel of the College of Cluny, near the Sorbonne, which served as a workshop. Assisted by his student Georges Rouget, he put the finishing touches in January 1808. The painting remained the property of David until 1819, when it was transferred to the Royal Museums, where it was stored in the reserves until 1837. Then, it was installed in the Chamber Sacre of the museum of the historical Palace of Versailles on the orders of King Louis-Philippe. In 1889, the painting was transferred from Versailles to the Louvre. David was commissioned by American entrepreneurs to paint a full size replica, in 1808, immediately after the release of the original. He began work that year, painting it from memory, but didn't finish until 1822, during his exile in Brussels. The replica was eventually returned to France in 1947, to the original's place in the Palace of Versailles. This photograph is of that replica.
Additional information on the Coronation of Napoleon (Versailles) may be found at Wikipedia.
There was a wedding in the gallery and this girl full of life and fun and in that shiny twirly dress and lovely flowers in her hair and hands just stole the show.
Csaba Fürjesi Hungarian painter at the curtyard of Hallein paper factory. The factory become bankrupt in 2009. Hungarian painter Csaba Fürjesi set a project to visualize the memories of the factory. Read it here in German: csabafurjesi.com/werk-genau/
1 of 2 for today. Best seen in large size view.
"There are three kinds of men. The one that learns by reading. The few who learns by observation. The rest of them have to pee on the electric fence for themselves." ~Will Rogers (A friend Bruce Biddle posted this on Facebook. It's great.)
Let's fly, but with what? #38
RetROmania #283
Handpainted 1983 postcard from Romania, featuring
ANTONOV AN-24 / Антонов AH-24 [YR-BMD] + another AN-24 taking off at the Bãneasa Airport of Bucharest
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Painterly looking from an original photo I took at the Oregon Zoo in Portland, Oregon in 2006.
(zootrainoregonzooprob2006sonymavica_DAP_Starry)
A painting-like result from this radio-active Super-Multi-Coated Takumar 50/1.4. (Contrast boost and some other PP but no filters).
Youthful warrior advancing to attack. With spear couched, shield (seen edgewise) advanced on left arm, he steps forward cautiously to right; he has helmet with nasal and raised cheekpieces, and a sword hanging, at his side by a cross-belt. He is nude, with long wavy hair falling on shoulders. On right is an imitation inscription. On the crown of his helmet a row of dots. In front of his shield is an accidental (?) splash of purple.
Museum Cat Nom.: 1867,0508.1055
CARC: www.beazley.ox.ac.uk.
Attic red-figured neck-amphora.
(height 31,75 cm)
Attributed to the Alkimachos Painter by Beazley
Approx. 470 – 460 BC.
From Nola, Napoli
London, The British Museum