View allAll Photos Tagged painterly

Paekakariki, N.Z.

Contax IIa

Carl Zeiss Biogon 21mm f4.5

Ilford FP4 125 film

Pfingsttulpe...

(gibt's nicht? gibt's doch!)

While walking around Van Courtland Park Lake, I met Kim Power, a friendly and gifted painter, painting my favorite tree by the lake.

 

For more information about Kim:

kimpower.net/resume/

digital art

 

I used two elements to create this.

 

We recently had new windows installed and hadn't replaced the blinds or curtains yet. I noticed that after dark a light on a building across the way caused the pebbled, frosted window in the bathroom to sparkle. It also had some silhouettes of tree branches on it. So I took several photos and used one for my background, turned sideways, & cloned the sparkly parts to hide the tree silhouettes.

 

I was playing with a new app on my iPad called Flame Painter. I used one of the abstract images I created as an overlay over the window photo. It has a black background which hides much of the window, but leaves a hint of the sparkly effect.

Painterly effect made using Jixipix Impresso.

Sigma 35mm

f/8 and ISO 50

 

step by step, no rush... inspired by Kathleen Clemons work

Nikon F100

Yongnuo 40mm 2.8

Ektar 100

After a struggling time looking for inspiration in seemingly promising woodlands near Pig Bush in New Forest, I came upon a small pond with patches of surface plants and some painterly tree reflections.

Apps: Snapseed, Glaze, Superimpose, iColorama

Newport Beach - Strawberry Farm Concours

 

Touch L for best view

Painter Rembrand plein Amsterdam.

 

Camera: FED II

Film: Kodak BW400CN

Developed: Arista C-41 Kit

Painterly rendering of bicyclists, Coconut Grove, Florida

A Metra scoot passes a heavily vandalized van west of downtown Chicago on a wonderful gloomy evening.

  

Another landscape photo enhanced using texture. The very same landscape to be honest, but with more zoom. I'm generally not a big fan of textures since I like clear details, but there are exceptions. For instance, I'm pretty satisfied with this one. I think the secret is to make the texture seem like a natural element in the composition, and not just some added effect pasted over it.

 

Part I – Part II

“A painter should begin every canvas with a wash of black, because all things in nature are dark except where exposed by the light.”

― Leonardo da Vinci

 

Taken a few decades ago with my analog Pentax gear, in downtown Lost Angeles.

Place des artistes, Montmartre - Paris, France

Strange things have been happening lately, maybe I shouldn't have used the gravestone as a bike rack.

Canon new F-1

New FD 50mm/f=1.4

Kodak T-Max 400

T-max developer

EPSON ES-10000G

 

He is a painter who draw abstract painting with oil color. This day was the first day of his solo exhibition in Tokyo. When I went to see it, there were some people coming to the gallery, and they had held an opening reception.

 

渡辺伸氏は油絵の具で抽象画を描く画家です。この日は氏の個展の初日でした。私が見に行った時、数名の来場者がいて、オープニングレセプションが行われていました。

 

November 2 2019, Gallery Satoru in Tokyo

Apps: Brushstroke, iColorama, Fragment

Test shot with a reversed Tominon 35mm f4.5 copy lens

 

I liked the brooding sky and the soft tones and contours.

Apps: Snapseed, Glaze, Superimpose, iColorama

ODC2 - Our Daily Challenge - Object describing your personality

 

Your visits, comments, faves, suggestions, hints and tips are always greatly appreciated. Thank you for stopping by and have a great Friday Flickr Friends.

Beyond Layers - Day 10. I mostly followed Kim's recipe, with some tweaking afterwards.

 

The lonely boats were spotted whilst on holiday on the west coast of Scotland last year.

 

Seeing it here, I'm hoping it's not too dark and am trying to convince myself it's 'dramatic' !

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