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4me4you features “it won’t last forever”..
Artist: Jess Cochrane.
4me4you recently had the opportunity to visit Gillian Jason Gallery, where the artist Jess Cochrane presented her exhibition titled “it won’t last forever”..
In her work, Jess Cochrane explores themes of connectivity and friendship, drawing from personal experiences to create compositions that resonate deeply with viewers. Her paintings depict familiar, relatable scenes, capturing the joy and intimacy of shared moments. Through the dynamic movement of her brushstrokes, Cochrane conveys a sense of spontaneity and natural ease.
"I am not trying to make ‘loud’ works," Cochrane explains. "Nothing in the way I work has any element of overthinking; I allow everything to come naturally. That’s why I am drawn to leisure scenes: they are peaceful, natural moments, not forced or artificial."
Her exhibition It Won’t Last Forever reflects on our impulse to freeze fleeting moments, especially through digital photography and social media, as we attempt to immortalise them. Cochrane touches on consumerist habits and the passage of time, highlighting the transient nature of both moments and objects. Her compositions often include subtle details of personal indulgence—like food, drinks, or cigarettes—while her still lifes feature objects of consumption, such as a bowl of tangerines or a burning candle.
To explore these ideas, Cochrane participates in the same digital cycle, using reference images taken on her phone, which she then brings to life through paint. This interplay between the physical and digital worlds is central to her art, offering a pause from the constant digital presence and grounding the viewer in the present moment. Her brushwork captures the immediacy of the 'now', showcasing the unique power of paint over digital imagery.
"Paint has far more power than an iPhone," Cochrane notes. "There is a lot of familiarity in the act of capturing per se, but there’s something joyous and special about being able to take a moment and honour it through paint."
Cochrane’s figurative scenes often include phones, symbolising both their role in preserving special moments and their tendency to pull us away from the present. Her still life compositions further explore digital consumption and the excess of photo-taking, intentionally composed to mimic the stiffness of Instagram’s square format.
In a nod to modern technology's flaws, Cochrane incorporates the distortions caused by phone cameras into her paintings, subtly commenting on how technology distorts our perception of reality. This recalls the work of Cézanne, who prioritised composition over proportion—particularly evident in Cochrane’s bathing scenes—and whose influence can be seen in her approach.
It Won't Last Forever is a poignant meditation on memory, technology, and human experience. Melding the influence of Impressionist masters with modern consumerism and digital culture, Cochrane offers a profound commentary on the ephemeral nature of contemporary life. Her work also draws from Australian artist Grace Cossington Smith, who, like Cochrane, found inspiration in Impressionism, forming a sentimental connection between their artistic and personal journeys.
Through her nuanced brushwork, Cochrane captures the fleeting beauty of everyday moments, encouraging viewers to reflect on the impact of technology on our lives. In doing so, she not only honours the tradition of painting but redefines its relevance in today’s fast-paced, digital world.
4me4you features “it won’t last forever”..
Artist: Jess Cochrane.
4me4you recently had the opportunity to visit Gillian Jason Gallery, where the artist Jess Cochrane presented her exhibition titled “it won’t last forever”..
In her work, Jess Cochrane explores themes of connectivity and friendship, drawing from personal experiences to create compositions that resonate deeply with viewers. Her paintings depict familiar, relatable scenes, capturing the joy and intimacy of shared moments. Through the dynamic movement of her brushstrokes, Cochrane conveys a sense of spontaneity and natural ease.
"I am not trying to make ‘loud’ works," Cochrane explains. "Nothing in the way I work has any element of overthinking; I allow everything to come naturally. That’s why I am drawn to leisure scenes: they are peaceful, natural moments, not forced or artificial."
Her exhibition It Won’t Last Forever reflects on our impulse to freeze fleeting moments, especially through digital photography and social media, as we attempt to immortalise them. Cochrane touches on consumerist habits and the passage of time, highlighting the transient nature of both moments and objects. Her compositions often include subtle details of personal indulgence—like food, drinks, or cigarettes—while her still lifes feature objects of consumption, such as a bowl of tangerines or a burning candle.
To explore these ideas, Cochrane participates in the same digital cycle, using reference images taken on her phone, which she then brings to life through paint. This interplay between the physical and digital worlds is central to her art, offering a pause from the constant digital presence and grounding the viewer in the present moment. Her brushwork captures the immediacy of the 'now', showcasing the unique power of paint over digital imagery.
"Paint has far more power than an iPhone," Cochrane notes. "There is a lot of familiarity in the act of capturing per se, but there’s something joyous and special about being able to take a moment and honour it through paint."
Cochrane’s figurative scenes often include phones, symbolising both their role in preserving special moments and their tendency to pull us away from the present. Her still life compositions further explore digital consumption and the excess of photo-taking, intentionally composed to mimic the stiffness of Instagram’s square format.
In a nod to modern technology's flaws, Cochrane incorporates the distortions caused by phone cameras into her paintings, subtly commenting on how technology distorts our perception of reality. This recalls the work of Cézanne, who prioritised composition over proportion—particularly evident in Cochrane’s bathing scenes—and whose influence can be seen in her approach.
It Won't Last Forever is a poignant meditation on memory, technology, and human experience. Melding the influence of Impressionist masters with modern consumerism and digital culture, Cochrane offers a profound commentary on the ephemeral nature of contemporary life. Her work also draws from Australian artist Grace Cossington Smith, who, like Cochrane, found inspiration in Impressionism, forming a sentimental connection between their artistic and personal journeys.
Through her nuanced brushwork, Cochrane captures the fleeting beauty of everyday moments, encouraging viewers to reflect on the impact of technology on our lives. In doing so, she not only honours the tradition of painting but redefines its relevance in today’s fast-paced, digital world.
The strongest emotion but also the darkest.💬🌑 #quotes #lifequotes #l4l #f4f #overthinking - leah_stundon
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My services include a high-quality artwork, 3D mockup, unlimited revisions, unique and original ideas.
As a professional, I will do just as requested in my own way. There is no need to overthink, you tell me what to do, and it will be done.
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December 5, 2008. I've noticed that the first picture of a set that I take is quite often the one that ends up being the best. Or at least the one that I end up posting. Is that because it is the most pure? The closest to the original idea? Sometimes I wonder if I overthink the shot...
Overthinking là gì? 5 cách giúp bạn ngừng suy nghĩ quá nhiều
Xem thêm: www.kotex.com.vn/cam-nang-ban-gai/tinh-yeu--gioi-tinh/ove...
Are you missing out on massive wins because you're waiting for the "perfect" setup?
In this video, I’m breaking down why overthinking is the biggest enemy of a trader. If your strategy gives you the green light, don't hesitate—trust your rules and pull the trigger!
This photo was captured while we talked and tried to make her feel more comfortable and not overthink the positions she was in.
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This was my first attempt at creating a model poster. I did enjoy it. However, I hard a very hard time deciding to add the white writing or taking it out and making more space, I was overthinking this quite a lot that I ended up spelling the word Fragrance wrong. However, this has also made me re check every detail I may have missed and make something perfect.
Over thing, the art of creating problems that weren't even there. Love this quote because it's so true.
I am not someone who an easily process information in my head. In order for me to fully understand something or come up with an idea, I need to say my thoughts out loud. I am more comfortable when I am talking to an actual person face to face, but since social distancing has happened that is not really an option. Trying to process information internally causes me to overthink and stress out on a lot of things. I consider my brain and my thoughts to be pretty sensitive. My outlet to calm my mind is to read my bible. When I read my bible I am reminded of God's truth and peace, and I am able to calm down and refocus myself.