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What if you could test anything without ruining the stability of your computer, even new operating systems without buying new hardware almost for free? The only cost is if you need to buy Microsoft Windows. Well, now you can. Udemy is a provider of online courses for those who are interested in online learning or run an online business. I teach online courses with Udemy, and this is my newest course on VirtualBox. In this course you'll learn how to use VirtualBox step by step. Visit ift.tt/1AIJgAz for a special launch coupon (you can get my udemy course for FREE for a limited time!) Credits: This video may use these sounds from freesound: * whoosh.wav by Benboncan (ift.tt/1A61kTB ) Music used: Exigence by Aaron Spencer ift.tt/1wC0MBf Licensed under Creative Commons Attribution 4.0 International (ift.tt/1iwynXF) All the socials: Website: overthink.io Udemy: ift.tt/1A61kTF Google+ ift.tt/1AlxrSx Twitter: ift.tt/1Czc3YV Facebook: ift.tt/1AlxuxN Pinterest: ift.tt/1AlxrSB ift.tt/1wC0MBl
A garden wall that's more interesting than it needs to be. Designed to look a bit like a limekiln, or am I overthinking things?
"We are dying from overthinking. We are slowly killing ourselves by thinking about everything. Think. Think. Think. You can never trust the human mind anyway. It's a death trap."
- Anthony Hopkins.
Photo: Getty Images
If you’re an anxious person, you’ve probably been told your whole life not to worry so much—to “stop overthinking things” and “just relax.” By now, you’ve perhaps just given up on trying to feel better and resigned yourself to the idea that there’s just something wrong w...
fashionlifestyle.org/3-common-anxiety-traps-and-how-to-av...
This is my friend, Elif. She is studying for the university exam, YGS. It seems that she is upset and tired of this work. Sometimes we forget to listen ourselves and see what we are really capable of. We overthink about the obstacles and try to exceed by not finding hope on ourselves but millions of worksheets, full of questions measuring our memories. It makes us stressed and unhappy Whereas we should live the best moments in ourlives hopefully, we become stickted to those school works. Hope becomes hidden on those papers.
Arkady Lifshits
When you love someone who constantly overthinks, you are loving someone who’s mind plays tricks on them. You are loving someone who can’t help the way that they think. Who can’t help how much they think.
Someone who over thinks is someone who is always going to have questions.... - #Stories
quotesstory.com/stories/this-is-how-you-love-someone-who-...
LES POSSIBILITÉS DE LA VIE…
Par Bernard Bujold-
Dans la vie tout est possible! Il faut prendre en considération la chance et le temps...
1. Les Canadiens peuvent gagner la Coupe Stanley car la chance est de leur côté.
La chance c'est très puissant et ça ne s'explique pas.
Et au hockey, la chance du moment est décisive car les équipes jouent dans une période de temps très courte.
Les autres équipes sont meilleures sur la glace que les Canadiens, mais elles ont la malchance de leur côté...
2. Christine Fréchette peut gagner l’élection, mais ce ne sera pas de la chance. Ce sera de la dynamique de séduction.
Contrairement au hockey, la politique ne repose pas sur la chance, mais sur le temps entre la campagne de séduction et la décision du vote.
La politique c'est comme une demande en mariage. Le demandeur doit être assez convaincant pour que l'autre personne dise oui sans trop y penser...
Si l’on a trop de temps avant la signature du mariage, la personne que l'on demande en mariage va réfléchir à la demande et elle peut changer d’idée; pas assez de temps et elle ne va pas accepter de se marier sans savoir si les autres prétendants proposent une meilleure option!
Fréchette a du talent, c'est certain et même si elle n’est pas inspirante, elle a des possibilités car il reste juste assez de temps dans la course d'ici le 5 octobre pour prendre le devant cet été et conserver la première place juste pour le vote...
S'il y avait un an avant les élections, ce serait trop long, mais 4 mois c'est un parfait délai...
Le problème des autres chefs c'est qu'ils n'ont pas de carte nouvelle pour faire exploser leur énergie et se propulser.
La question: est-ce que Fréchette a un vrai momentum avec d'autres cartes nouvelles de propulsion prêtes à être dévoilées dans les prochaines semaines, ou est-ce qu'elle va plafonner troisième ?
Un élément favorisant les deux autres chefs en tête est celui des candidats dans les circonscriptions.
Fréchette est efficace comme chef, mais elle ne recrute aucun candidat ou candidate vedette.
À suivre...
VOIR SONDAGE JOURNAL DE MONTRÉAL
THE POSSIBILITIES OF LIFE…
By Bernard Bujold-
In life, anything is possible! You have to take luck and timing into account...
1. The Canadiens can win the Stanley Cup because luck is on their side.
Luck is very powerful and cannot be explained.
And in hockey, luck in the moment is decisive because teams play in a very short period of time.
The other teams are better on the ice than the Canadiens, but they have bad luck on their side...
2. Christine Fréchette can win the election, but it won’t be luck. It will be the power of persuasion.
Unlike hockey, politics doesn’t rely on luck, but on the time between the campaign to win people over and the decision to vote.
Politics is like a marriage proposal. The suitor must be convincing enough for the other person to say yes without giving it too much thought...
If there’s too much time before the wedding, the person being proposed to will overthink the proposal and might change their mind; not enough time, and they won’t agree to marry without knowing if other suitors are offering a better option!
Fréchette has talent, that’s for sure, and even if she isn’t inspiring, she has a possibility because there’s just enough time left in the race between now and October 5 to take the lead this summer and hold onto first place just in time for the vote...
If it were a year before the election, that would be too long, but four months is the perfect timeframe...
The problem with the other leaders is that they don’t have any new cards to unleash their energy and propel themselves forward.
The question: does Fréchette have real momentum with other new cards ready to be unveiled in the coming weeks, or will she plateau in third place?
One factor favoring the other two frontrunners is the candidates in the ridings.
Fréchette is effective as a leader, but she isn’t recruiting any star candidates.
To be continued...
SEE SURVEY JOURNAL DE MONTRÉAL
Sad Love Quotes :
QUOTATION – Image :
Quotes Of the day – Life Quote
Yeah that's my problem, overthink too much and I don't like it. So what I do is just listen to music or do some hobbies and not think about it.
Sharing is Caring
- #Love
quotestime.net/sad-love-quotes-yeah-thats-my-problem-over...
4me4you features “it won’t last forever”..
Artist: Jess Cochrane.
4me4you recently had the opportunity to visit Gillian Jason Gallery, where the artist Jess Cochrane presented her exhibition titled “it won’t last forever”..
In her work, Jess Cochrane explores themes of connectivity and friendship, drawing from personal experiences to create compositions that resonate deeply with viewers. Her paintings depict familiar, relatable scenes, capturing the joy and intimacy of shared moments. Through the dynamic movement of her brushstrokes, Cochrane conveys a sense of spontaneity and natural ease.
"I am not trying to make ‘loud’ works," Cochrane explains. "Nothing in the way I work has any element of overthinking; I allow everything to come naturally. That’s why I am drawn to leisure scenes: they are peaceful, natural moments, not forced or artificial."
Her exhibition It Won’t Last Forever reflects on our impulse to freeze fleeting moments, especially through digital photography and social media, as we attempt to immortalise them. Cochrane touches on consumerist habits and the passage of time, highlighting the transient nature of both moments and objects. Her compositions often include subtle details of personal indulgence—like food, drinks, or cigarettes—while her still lifes feature objects of consumption, such as a bowl of tangerines or a burning candle.
To explore these ideas, Cochrane participates in the same digital cycle, using reference images taken on her phone, which she then brings to life through paint. This interplay between the physical and digital worlds is central to her art, offering a pause from the constant digital presence and grounding the viewer in the present moment. Her brushwork captures the immediacy of the 'now', showcasing the unique power of paint over digital imagery.
"Paint has far more power than an iPhone," Cochrane notes. "There is a lot of familiarity in the act of capturing per se, but there’s something joyous and special about being able to take a moment and honour it through paint."
Cochrane’s figurative scenes often include phones, symbolising both their role in preserving special moments and their tendency to pull us away from the present. Her still life compositions further explore digital consumption and the excess of photo-taking, intentionally composed to mimic the stiffness of Instagram’s square format.
In a nod to modern technology's flaws, Cochrane incorporates the distortions caused by phone cameras into her paintings, subtly commenting on how technology distorts our perception of reality. This recalls the work of Cézanne, who prioritised composition over proportion—particularly evident in Cochrane’s bathing scenes—and whose influence can be seen in her approach.
It Won't Last Forever is a poignant meditation on memory, technology, and human experience. Melding the influence of Impressionist masters with modern consumerism and digital culture, Cochrane offers a profound commentary on the ephemeral nature of contemporary life. Her work also draws from Australian artist Grace Cossington Smith, who, like Cochrane, found inspiration in Impressionism, forming a sentimental connection between their artistic and personal journeys.
Through her nuanced brushwork, Cochrane captures the fleeting beauty of everyday moments, encouraging viewers to reflect on the impact of technology on our lives. In doing so, she not only honours the tradition of painting but redefines its relevance in today’s fast-paced, digital world.
4me4you features “it won’t last forever”..
Artist: Jess Cochrane.
4me4you recently had the opportunity to visit Gillian Jason Gallery, where the artist Jess Cochrane presented her exhibition titled “it won’t last forever”..
In her work, Jess Cochrane explores themes of connectivity and friendship, drawing from personal experiences to create compositions that resonate deeply with viewers. Her paintings depict familiar, relatable scenes, capturing the joy and intimacy of shared moments. Through the dynamic movement of her brushstrokes, Cochrane conveys a sense of spontaneity and natural ease.
"I am not trying to make ‘loud’ works," Cochrane explains. "Nothing in the way I work has any element of overthinking; I allow everything to come naturally. That’s why I am drawn to leisure scenes: they are peaceful, natural moments, not forced or artificial."
Her exhibition It Won’t Last Forever reflects on our impulse to freeze fleeting moments, especially through digital photography and social media, as we attempt to immortalise them. Cochrane touches on consumerist habits and the passage of time, highlighting the transient nature of both moments and objects. Her compositions often include subtle details of personal indulgence—like food, drinks, or cigarettes—while her still lifes feature objects of consumption, such as a bowl of tangerines or a burning candle.
To explore these ideas, Cochrane participates in the same digital cycle, using reference images taken on her phone, which she then brings to life through paint. This interplay between the physical and digital worlds is central to her art, offering a pause from the constant digital presence and grounding the viewer in the present moment. Her brushwork captures the immediacy of the 'now', showcasing the unique power of paint over digital imagery.
"Paint has far more power than an iPhone," Cochrane notes. "There is a lot of familiarity in the act of capturing per se, but there’s something joyous and special about being able to take a moment and honour it through paint."
Cochrane’s figurative scenes often include phones, symbolising both their role in preserving special moments and their tendency to pull us away from the present. Her still life compositions further explore digital consumption and the excess of photo-taking, intentionally composed to mimic the stiffness of Instagram’s square format.
In a nod to modern technology's flaws, Cochrane incorporates the distortions caused by phone cameras into her paintings, subtly commenting on how technology distorts our perception of reality. This recalls the work of Cézanne, who prioritised composition over proportion—particularly evident in Cochrane’s bathing scenes—and whose influence can be seen in her approach.
It Won't Last Forever is a poignant meditation on memory, technology, and human experience. Melding the influence of Impressionist masters with modern consumerism and digital culture, Cochrane offers a profound commentary on the ephemeral nature of contemporary life. Her work also draws from Australian artist Grace Cossington Smith, who, like Cochrane, found inspiration in Impressionism, forming a sentimental connection between their artistic and personal journeys.
Through her nuanced brushwork, Cochrane captures the fleeting beauty of everyday moments, encouraging viewers to reflect on the impact of technology on our lives. In doing so, she not only honours the tradition of painting but redefines its relevance in today’s fast-paced, digital world.
4me4you features “it won’t last forever”..
Artist: Jess Cochrane.
4me4you recently had the opportunity to visit Gillian Jason Gallery, where the artist Jess Cochrane presented her exhibition titled “it won’t last forever”..
In her work, Jess Cochrane explores themes of connectivity and friendship, drawing from personal experiences to create compositions that resonate deeply with viewers. Her paintings depict familiar, relatable scenes, capturing the joy and intimacy of shared moments. Through the dynamic movement of her brushstrokes, Cochrane conveys a sense of spontaneity and natural ease.
"I am not trying to make ‘loud’ works," Cochrane explains. "Nothing in the way I work has any element of overthinking; I allow everything to come naturally. That’s why I am drawn to leisure scenes: they are peaceful, natural moments, not forced or artificial."
Her exhibition It Won’t Last Forever reflects on our impulse to freeze fleeting moments, especially through digital photography and social media, as we attempt to immortalise them. Cochrane touches on consumerist habits and the passage of time, highlighting the transient nature of both moments and objects. Her compositions often include subtle details of personal indulgence—like food, drinks, or cigarettes—while her still lifes feature objects of consumption, such as a bowl of tangerines or a burning candle.
To explore these ideas, Cochrane participates in the same digital cycle, using reference images taken on her phone, which she then brings to life through paint. This interplay between the physical and digital worlds is central to her art, offering a pause from the constant digital presence and grounding the viewer in the present moment. Her brushwork captures the immediacy of the 'now', showcasing the unique power of paint over digital imagery.
"Paint has far more power than an iPhone," Cochrane notes. "There is a lot of familiarity in the act of capturing per se, but there’s something joyous and special about being able to take a moment and honour it through paint."
Cochrane’s figurative scenes often include phones, symbolising both their role in preserving special moments and their tendency to pull us away from the present. Her still life compositions further explore digital consumption and the excess of photo-taking, intentionally composed to mimic the stiffness of Instagram’s square format.
In a nod to modern technology's flaws, Cochrane incorporates the distortions caused by phone cameras into her paintings, subtly commenting on how technology distorts our perception of reality. This recalls the work of Cézanne, who prioritised composition over proportion—particularly evident in Cochrane’s bathing scenes—and whose influence can be seen in her approach.
It Won't Last Forever is a poignant meditation on memory, technology, and human experience. Melding the influence of Impressionist masters with modern consumerism and digital culture, Cochrane offers a profound commentary on the ephemeral nature of contemporary life. Her work also draws from Australian artist Grace Cossington Smith, who, like Cochrane, found inspiration in Impressionism, forming a sentimental connection between their artistic and personal journeys.
Through her nuanced brushwork, Cochrane captures the fleeting beauty of everyday moments, encouraging viewers to reflect on the impact of technology on our lives. In doing so, she not only honours the tradition of painting but redefines its relevance in today’s fast-paced, digital world.
The strongest emotion but also the darkest.💬🌑 #quotes #lifequotes #l4l #f4f #overthinking - leah_stundon
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