View allAll Photos Tagged overprocessed
Bearbeitet mit paint.net - Spirale
Auswahlfoto
Für "Smile on Saturday"
Thema "Over-processed" am 05.12.2020.
A "Happy Smile on Saturday" for all of you
and stay healthy.
The original was a little bland, so I applied a Photoshop Neural Filter, which added perhaps a bit too much - over-processed. Actually, I like it. For Smile On Saturday! and my POTD.
Out for a drive I spotted this old Wood Grain Storage Bin, you don't see to many of these any more and the ones you do see generaly aren't used for their original use.
Slid this one a bit trying to get a bit of an "Vintage" look.
For - Happy Slider Sunday - HSS!
An attempt at over-processing a picture - on purpose.
Luxembourg - November 2022
a place that has already been photographed a lot, but nevertheless very photogenic. The composition is basically quite simple, here I wanted to add a little touch by adding the stones in the foreground. I tried also to be close to those rocks in order to have the waterfall as the bridge higher than me.
The shutter speed is not that long to avoid a totally flat water, I wanted some motion.
Photo taken with a polarizer to remove water's reflection on the rocks and also some reflection on the leaves in the trees, which enhances the saturation 'naturally' without an overprocessed image needed afterwards of these yellow/orange tones.
Focus stack on the foreground to have those sharp also as well as the water fall.
In the early morning there was mist, I had arrived very early to be disturbed by no one, which was the case for 1-2 hours! enough to take advantage of the place and also refine the different compositions.
I hope you enjoy
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Gegen den Wind ankämpfend
The theme of group "Smile on Saturday! :-)", on Saturday July 29, is "OVER-PROCESSED PORTRAIT". For this challenge you have to take a picture of a person (no animals, plants or objects!) AND you have to edit your photo as much as possible... exaggerated editing is a must.
I believe I did meet the requirement by overprocessing the portrait. ;-)
Using a collaging process similar to the one I used to create my Abstract Collages, I combined a number of pieces from the VIsual Mashups group. Then seriously overprocessed the result using, amongst other tools, Photoshop's Liquefy.
This started out as a picture of our apple tree in bloom. I used some blur layers, a twist layer and a mosaic layer to make it look like this. Hope you have a wonderful day! HSS!
An somewhat overprocessed Sunday for me...forgive me :)
Sony A7
Vivitar Series 1 MC90/2.5
A lot of LR6 :D
Pink paeony ICM. No, really. It is (where’s your imagination?) ;)
Well, what do you do when you have loads of these wobbly camera shots? Come to that, what do you do for Sliders Sunday?
I was going to do you a painterly tractor, but it was rather a good tractor (though I say it myself) and I didn’t want to rush it. Also, I feel a bit guilty sometimes posting a painterly rendition to Sliders Sunday because the group is intended to be about overprocessing.
So I was ambling through the back catalogue and found this ICM taken in June which is part of a big collection of failures and not so failures. They’re all so abstract that I hesitate to publish some of them, even in the better ones.
But what happens if you Sliders them? Quite a lot it seems. There were some very interesting results from this one because of the strong sense of movement and depth (it’s a twist ICM of the centre of the flower).
Herewith four variants. The first is a Color Efex smash-up with solarisation and bicolour filters (etc…). The rest are Topaz Studio versions. I avoided painterly versions though there were some good possibilities there too. I like the monochrome version (which I’ll post for my 100x on Motion, as well as the fiery furnace. What about you?
I’ll post a link to the in-camera version so you can admire my dirty sensor. (I have cleaned it now ;) ).
Thank you for taking the time to look. I hope you enjoy the image. Happy Sliders Sunday and 100x :)
I'm sorry for this one. Kind of. But then again, not really. Yes, the processing is overdone, it's not really photography anymore, but it looks... interesting, at least? And it kind of suits the subject. Maybe it would fit as a cheesy movie poster, or as an album cover, something like that.
It will soon be Sliders Sunday.
So much can be achieved with digital processing! A dull, gray puddle with so faint an oil slick is transformed into a fantasy image. Companion piece to the adjacent photo on my page, "Stars and Nebulae." An overprocessed photograph, but a photograph, nonetheless, it remains!
This is a set of three variations based on a single image. The original is an in-camera multiple exposure of two ICMs of the same tree branches, taken early this year. The camera blend mode was Lighten which erases parts of the dark branches giving it a glitchy feel.
The three versions are progressions. The monochrome one is a straight edit using Nik Silver Efex to convert to B&W. I rather liked the intermittent patterns this produced.
The second is the same but this time tinkering in Silver Efex with toning and inverting the Curves graph (in the film attributes) to give it a blue negative look. The effect was quite different to the plain edit, like a moonlit scene.
The third version was an over-mangle for Sliders Sunday today. Version 2 was processed in Nik Color Efex using a bit of solarisation and a Bicolor filter to reintroduce some colours. Then I decided to try mangling some more, so I duplicated the layer, flipped the copy horizontally and then blended the two layers with Pin Light. (I’ve rarely used Pin Light before so it was a novelty for me, though the best of the blend modes in this instance). Finally, a bit of tinkering with the colour and brightness, and a run-through with Topaz Denoise AI to get rid of some of the noise overprocessing introduced.
The end result strikes me as being a bit sinister though that was not my intention.
Thank you for taking the time to look. I hope you enjoy the images. Happy Sliders Sunday :)
A photo of a sculpture with a photo of some yarrow or some other yellow-y goodness. Hope you have a wonderful day. HSS!
you know autumn's here when you're grabbing a jacket on the way out the door, wearing closed-toed shoes instead of flipflops.
socks, however, are my sworn enemy, and you may not see those til january. seriously.
The lens used is an Enna Werk München Correlar 1:2.9 f=8cm triplet from a Dacora Digna 6x6 camera (1954). Photo taken at f/5.6 with front element focus set to 4 m (focused with an Asahi Pentax M42 helicoid extension tube).
The image is less overprocessed than it looks; sunlight through a thin cloud cover and the reflections on the leaves made for an interesting effect that is enhanced by a B&W conversion using only the green and blue channels in Photoshop’s channel mixer.
This started as a glorious but cliche sunset photo from a cruise that Mister and I just got back from....I don't remember everything I did to it in Photoshop but I really like the result. Hope you have a wonderful day. HSS!
I dug deep into the archives for a shot of a dahlia that I took in the spring and then did way too much with it to get this. HSS!
Or "A Tree Grows in Brooklyn"
Just a quiet street that most people don't know about.
Explore Jan 15, 2008 #340
Driving home in the rain, I thought the yellows and blues looked really nice together on the misty highway. I snapped a couple iPhone shots without looking at my phone screen - safety first! - so the sparkly stardust effect around the lights was a cool surprise when I got home. The downside was blur and noise from the conditions, so I just rolled with it and overprocessed the image for this painting-like effect.
Youtube is currently sponsoring a project called "It Gets Better," and it has to do with the recent influx of suicides across the nation over the past few weeks. This is as much as I can do for the project.
Overprocessing for the win?
Explored
I had a lot of fun with this and couldn't decide which Overprocessed photo to submit.
This is a composite of The River Street Inn in Savannah, Georgia; portraits of Marilyn Monroe and James Dean from the Malt Shoppe in Stowe, Vt, a faceless mannequin from Stowe; and the cover album portrait of Joni Mitchell taken in the Woodstock Museum in Bethel, NY.
The Skeleton, guarding the Exit, was shot at Industry City in Brooklyn around Halloween.
I played around with Hue and Saturation, and applied a mild Watercolor effect. It was nice to let my imagination run wild without regard to proper color, detail, or exposure.
You can compare this with the original photo directly to the right in my "Overprocessed" Album:
www.flickr.com/photos/dionepsoc/albums/72157717147025056
HSoS!!