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Overlapping Aerial Photography, Badlands National Park/Buffalo Gap National Grassland and Vicinity (7/12-7/21, 2004)
Target's Halloween display hovering above their Christmas aisle. Holidays (that are two months apart, no less) should not collide with one another.
I don't know what went wrong but all of the photos in this film seem to be over lapping each other and I can't figure out why but it looks kinda trippy so I uploaded them anyway
This large scale piece (height: 180cm, width: 150cm) incorporates collage, graphite, writing and painting.
Overlapping Aerial Photography, Badlands National Park/Buffalo Gap National Grassland and Vicinity (7/12-7/21, 2004)
130 College-Ave
Construction Date: 1922
Architect/Designer:
Architectural Style:
Original Use:
Brief description of the site or the structure and any major alternations from its original condition:
A California bungalow with a rectangular shape, characterized by exterior wall material of stucco on the front facing section and overlapping wood boards on the remainder. It has a low gable, asphalt shingled roof with a gable dormer. The wood panel door has four square panes at the top. The windows are sash and transom with the sash part being divided into three parallel pane sections.
Historical and/or architectural importance:
The first occupant was C. B. English, Billiard parlor owner.
Books, documents, survey, personal interviews and their dates:
This intricate composition intertwines abstract architectural forms to depict overlapping city structures that blur the line between real and imagined.
Inspired by the work of Joåo Oliveira, I wanted to create an image that suggested but disguised, an object's identity within this thin set of triangular ribbons. The Photograph I took shows lots of sweeping, diagonal and curved forms which really contrasts and compliments the triangular shape that houses it.
To compliment the very complex pattern of the main feature, further, I decided that a relatively plain background would work well. To enliven the image, I added some random particles using custom brushes and blur filters to, also, add a depth and movement to the composition.
I applied a radial gradient in the background to subtly bring the focus to the centre, as if in a very faint spotlight. I wanted to create the illusion of a third dimension within the shape itself, so, using the dodge and burn tools, I carefully suggested that areas overlapped at some points, rather than just joining the image together. This creates more confusion to the photograph in the background by making the original lighting unbalanced.
What I really loved about this design was the two extremes of complexity and simplicity and the contrast between them.