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Africa Rising Ladies Conference with Yvonne Chaka Chaka at the House of Lords London hosted by the Rt Hon Baroness Sandip Verma with Justina Mutale
Typically I don't get to do much systems work at the new place... but when I do I am a ruthlessly efficient multi-tasker. Configuring/imaging laptops, ADPREP AD for a new domain controller, back ups of the file stores, and so-on.
The grand ex post office in Fleet Street Torquay closed c2007 but retains the name above the doorway. Still unoccupied apart from a Tesco Metro that has taken over the part of the old building to the left, just out of shot. The Post Office has moved into WHS Smith in Union Street and the twin pillar boxes from the front of the building have been removed replaced with a similar pair outside Smith's.
No new photos yet, but I keep finding old shots that I find interesting - and new to flickr - which I hope you will like!
This interior shot of the Saddle & cycle club of Chicago was produced with controlled light hidden throughout the room. This is the members only lounge and no one under 17 is admitted.
Real photo view of the U.S. Post Office in Cary, N.C.
Digital Collection:
North Carolina Postcards
Date:
1930; 1931; 1932; 1933; 1934; 1935; 1936; 1937; 1938; 1939; 1940; 1941; 1942; 1943;
1944; 1945
Location:
Cary (N.C.); Wake County (N.C.);
Collection in Repository
Durwood Barbour Collection of North Carolina Postcards (P077); collection guide available
online at www.lib.unc.edu/ncc/pcoll/77barbour/77barbour.html
On the right, the modern structure of the Greater London City Hall designed by Norman Foster and nicknamed Glass Egg or The Headlamp. This is the view from Tower Bridge.
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Nature, travel, photography: MY YOUTUBE CHANNEL
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Zu sehen ist ein Besprechungsraum des Pioneers Club OWL. Die Akustik ließ leider zu wünschen übrig, da der Raum viele verglaste Flächen hat, und man konnte einen deutlichen Hall wahrnehmen. In drei Ecken des Raumes haben wir Säulen von Akustikwürfeln platziert und getestet.
Das Ergebnis: Deutliche Verbesserung der Akustik, eine angenehme Atmosphäre und reduzierte Nachhallzeit beim Reden!
Die Zufriedenheit beim Kunden steht bei uns an oberster Stelle und deswegen freut es uns sehr, dass die nonoiz acoustic elements im Pioneers Club OWL so gut angekommen sind!
Creator: Calder, Alexander (Flamingo sculpture)
Description: Undated view of the Federal Center Plaza with Calder's 1974 sculpture "Flamingo", The Federal Center Post Office is behind it. Brubaker's annotation on the original slide mount reads "No place to sit."
Photographer: Brubaker, C. William
Date: 1973 (Flamingo sculpture)
Geographic coverage: Loop (Chicago, Ill.)
Collection: C. William Brubaker Collection (University of Illinois at Chicago)
Repository: University of Illinois at Chicago. Library. Special Collections Department
File Name: bru003_03_fF
Rights: This image may be used freely, with attribution, for research, study and educational purposes. For permission to publish, distribute, or use this image for any other purpose, please contact Special Collections and University Archives, University of Illinois at Chicago Library at lib-spec@uic.libanswers.com
For more images from the collection, visit collections.carli.illinois.edu/cdm/landingpage/collection/uic_bru...
Dominikański offices by Skanska Property Poland
Location: Wroclaw, Poland
Built: 2013-2015
Architects: Medusa Group (Bytom, Poland)
Total office area: 35 500 m2
Project include renovation of baroque Oppersdorf family Palace from 18th century.
Photo Credit: Mr Mark Diamond (SDDC)
Personnel assigned to the Military Surface Deployment and Distribution Command's Command Operations Branch plan, direct, synchronize, coordinate and monitor global surface movements and port operations through subordinate operational commands and strategic seaports. The COC maintains operational oversight of all SDDC operations 24 hours a day, 365 days a year. (U.S. Army photo by Mark Diamond, Hq. SDDC Public Affairs)
Government offices seen from Parliament House
Dated: No date
Digital ID: 12932_a012_a012X2441000056
Rights: www.records.nsw.gov.au/about-us/rights-and-permissions
We'd love to hear from you if you use our photos.
Many other photos in our collection are available to view and browse on our website using Photo Investigator.
Keep your command center operators happy, healthy and productive with Ascend Sit/Stand consoles. Ascend furniture features electric-lift legs with three programmable height settings, allowing operators to alternate between sitting and standing with the push of a button.
By changing positions throughout the day, your operators will help minimize physical stress and fatigue in their technical environment.
Pano.
Constructed c1930s, architect Edwin Lutyens. Currently disused awaiting reuse, explored internally in May 2009.
1898, W. & G. Audsley. This distinctive building fits loosely within the Classical Revival movement of the day but has a bit of an Egyptian look. The AIA guide says, "'Eclectic' was invented for stylistic collections such as this." It housed the White Star Line offices in New York; Cunard was right next door. This was where the traveling public came to book passage.
Original images shot in Dundee on my iPhone. Double exposures made in Photoshop.
All images are copyright and should not be copied without permission,
First day of work in 2012. Offices are desperately empty. Most people are still on holidays. These chairs/sofas are also offices since we are all "smart working" now.
The size and quality of the Lancashire and Yorkshire Railway goods offices on Stanhope Street, Goole, reflect the importance of the port when they were built in 1892.
Event ID 3084
They are optical instruments that allow seeing celestial objects visible or invisible hard spot with the naked eye; such as electronic microscopes.... Also, thanks to the telescope, viewers can discover the movements of the planets, eclipses, movements of the earth and the disposition of the constellations; we can increasingly penetrate the mysteries of the universe and see the arrangement of stars, constellations and galaxies from Monastir city.
15 October 2018, Rome, Italy - (Left to right) Paola Alvarez, International Organization for Migration (IOM), Nadjirou Sall, Secretary General of ROPPA (Network of farmers and producers of West Africa), Kostas G. Stamoulis, Assistant Director-General of the Economic and Social Development Department at FAO, Mario Arvelo, Chairperson, CFS, Mark McGuire, CFS Secretary a.i, Hlamalani Ngwenya, International Development Consultant and Lecturer at the University of Free State, South Africa, Bruno Losch, Professor, Centre de cooperation international en recherche agronomique pour le développement (CIRAD), Andrea Cattaneo, Senior Economist, FAO. Committee on World Food Security CFS45 - Afternoon Session - The State of Food and Agriculture (SOFA) 2018 : Migration, Agriculture and Rural Development - Panel Discussion, FAO Headquarters (Plenary hall)
Photo credit must be given: ©FAO/Giulio Napolitano. Editorial use only. Copyright ©FAO..
{[es]
FECHA DE CONCURSO: 2010 {br}
PROMOTOR: BBK {br}
SUP. CONSTRUIDA: 2.060 m² {br}
PRESUPUESTO DE LIQUIDACIÓN MATERIAL: 1.677.500 €{br}
{La reforma de la sede de bbk en Gran Vía ofrece se acomete para adaptar el local a los nuevos criterios de funcionalidad e imagen corporativa de la entidad. Se plantea un nuevo concepto en la organización de la atención al público, basado en la atención personalizada y directa, y una nueva imagen formal basada en la utilización de recursos identitarios (un código común de materiales, colores, texturas, comunicación, etc.){br} La esquina en “chaflán” (condición geométrica obligada por el PGOU de Bilbao) de los cruces entre dos arterias principales de la ciudad, se utiliza como acceso al vestíbulo previo, elemento articulador entre el espacio público urbano y el espacio privado interior, y como elemento de primera expresión formal que evidencia la presencia de la sede corporativa.{br} La propuesta pretende alcanzar una mayor transparencia y continuidad de la relación interior – exterior, reorientando perspectivas en base a una “directriz diagonal” como eje principal de coordenadas de soporte del trazado de los espacios dinámicos de circulación, en los que se concentran los mayores tránsitos y que enlazan, de forma directa, los accesos con las escaleras, los ascensores y el pasillo de circulación hacia las áreas de atención comercial personalizada y las áreas de mostrador y ventanillo, ubicadas al fondo del local para reducir y minimizara su protagonismo.{br} Estos nuevos ejes de coordenadas son plenamente compatibles con los ejes ortogonales, paralelos a fachadas, que dan soporte a la organización geométrica de las áreas de trabajo, entendidas como espacios que tienen un carácter fundamentalmente estático. Se establece, por tanto, una relación clara e inequívoca entre áreas de circulación y “eje diagonal” por un lado y entre espacios de trabajo y “ejes ortogonales” por otro. Superficies dinámicas y superficies estáticas forman, sin embargo, una única unidad espacial continua, diáfana y transparente, en la que las diferentes orientaciones se manifiestan tan solo por la disposición diagonal de las escaleras de entrada y las referencias oblicuas y ortogonales de la geometría del sistema de techos, pavimentos, e iluminación.{br} Los elementos identitarios (materiales, colores, mobiliario etc.) se complementan con elementos singulares específicos.{br} La “caja viva”, consistente en un volumen prismático acristalado, instalado como envolvente de cajeros automáticos, simboliza el dinamismo de la entidad, es capaz de exponer imágenes cambiantes de luz retroproyectada y constituye el reclamo y recurso principal de comunicación. La programación de imágenes, logos, lemas, mosaicos de luz, etc. es absolutamente versátil, evolucionable y capaz de responder a nuevas necesidades de campañas de imagen, publicidad, ofertas, ocio, información, etc., permanentemente actualizadas.{br} La “cinta dinámica” es un elemento de mobiliario que se ubica en las zonas de espera próximas a los puestos de atención personalizada. Se trata de un elemento lineal que ordena los pasillos y que aparece siempre presente entre los pilares de las zonas estanciales. Constituye una referencia constante y ofrece la posibilidad de conformar un asiento, un nicho publicitario o un hueco de paso transversal.} {br}
{FOTOS: Nº1,Nº2,Nº3,Nº4,Nº5{br}
IMB ARQUITECTOS}{br}
}
{[en]
COMPETITION DATE: 2010 {br}
CLIENT: BBK{br}
SURFACE 2.060 m² {br}
MATERIAL BUDGET SETTLEMENT: 1.677.500 €{br}
{The reform of the BBK headquarters in Gran Via offers is done to adapt the premises to the new criteria of functionality and corporate identity of the entity. We propose a new concept in the organization of care to the public, based on personal attention and direct, and a new image-based formal resource use identity (a common code of materials, colors, textures, communication, etc.). The corner "chamfer" (geometric condition required by the General Plan of Bilbao) from crosses between two main arteries of the city, is used as prior access to the lobby, the element between the urban public space and private space within, and as element first formal expression showed the presence of corporate headquarters.{br} The proposal seeks to achieve greater transparency and continuity of the interior - exterior, redirecting perspectives based on a "guideline diagonal" as the principal axis coordinate support dynamic layout of the space of movement, which concentrate the largest transit and that link, directly, access with stairs, elevators and the corridor of movement to the areas of commercial attention and counter areas and small window located at the back of the room to reduce its prominence and minimizarar.{br} These new coordinate axes are fully compatible with the orthogonal axes parallel to walls, which support the geometric organization of work areas, defined as spaces that have an essentially static. It thus establishes a clear and unambiguous relationship between traffic areas and "diagonal axis" on one hand and between workspaces and "orthogonal axes" by another. Dynamic and static surfaces are surfaces, however, a single continuous spatial unit, clear and transparent, in which the different orientations are manifested only by the diagonal arrangement of the stairs and the reference input and orthogonal oblique geometry of the system roofing, flooring, and lighting.{br} Identity elements (materials, colors, furniture etc.) Are complemented by specific unique elements.{br} The "living box" consisting of a glass prism, installed as ATM surround, symbolizes the dynamism of the entity is able to display images and changing light Rear Projection claim is the primary communication and resource. The programming of images, logos, slogans, mosaics of light, etc.. is quite versatile, evolvable and able to respond to new needs of image campaigns, advertising, luxury, entertainment, information, etc.., constantly updated.{br} The "dynamic ribbon" is an item of furniture that sits in the waiting area next to the posts of personalized attention. This is a linear ordering corridors and is always present among the pillars of hospitality towards areas. Is a constant reference and offers the possibility of forming a seat, a niche advertising or transverse passage hole.} {br}
{PHOTOS: Nº1,Nº2,Nº3,Nº4,Nº5{br}
IMB ARQUITECTOS}{br}
}
{[eus]
LEHIAKETA DATA: 2010-ean {br}
SUSTATZAILEA: BBK{br}
AZALERA: 2.060 m² {br}
LIKIDAZIO MATERIALAREN AURREKONTUA: 1.677.500 €{br}
{BBK –ren egoitzaren erreforma, irudia eta behar funtzionalak eguneratzeko beharrean burutu da. Jendaurreko arretaren kontzeptua aldatzen egin da, orain arreta pertsonala eta zuzenekoa da. Bestalde, BBk-ren irudia aldatu nahi da, bai altzari, kolore, textura eta komunikazioan.{br} Iskina alakan, Hiri-antolaketak agintzen duenez. Beraz, atari bezala erabiltzen da, non kalea eta barenko ezpaio artikulatzeko balio duena.{br} Proposamenaren helburua kanpoko eta barruko ezpaioen elkararteko harremana estutzea da, horretarako ardatz diagonal baten bidez , bertan batzen baitira zirkulazioen iblibide gehienak eta zuzen zuzennean konektatzen dute igogailu, eskailera, eta korredoreekin. Hauek, arreta komertzial eta erakusmahaietara abiatzen dira, lokalaren bukaeran kokatuta daudelarik, beraien inpaktua gutxitzeko.{br} Ardatz berri hauek bateragarriak geometria ortogonalarekin, fatxadarekiko paraleloak, eta lantokia antolatzen dutenak. Beraz, harreman nabarmen eta argi bat ezartzen da, zirkulazio area “ardatz diagonalak” eta lan areak ”ardatz ortogonalak”.{br} Irudia ematen duten elementuak ( materialak, koloreak, altzariak, etb) bateragartzen dira elementu berziekin.{br} “caja viva” beirako volumen prismáatiko bat da, kutxen estaldura bezala. Volumen hau egoitzaren ikur bilakatzen da, irudiekin, erakrgarri izatea, komunikazio baliabide ere bai.{br} “cinta dinámica” altzri jarrai bat da eta itxoin ezpaioetan kokatzen da. Elementu zuzen honek korridoreak antolatu eta zutabe artean beti agertzen da.} {br}
{ARGAZKIAK: 1.zkia, 2. zkia, 3. zkia, 4. zkia, 5. zkia {br}
IMB ARQUITECTOS}{br}
}
The Olympic Theater was built as a Sokol Slavsky Community Organization for the Czech population. Cicero had a growing Czech population and the Olympic had an auditorium, ballroom, gym, and pool. It was very popular for a long time and even into the mid 90's the Olympic would show movies and shows. It closed for a few years in the late 90's but opened again for concerts and plays. Sadly a small roof fire occurred in 2018 and it has not opened since. The fire damaged a restaurant, offices, a dental office and the Olympic Theater