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SUMMER DESIGN WORKSHOP - ZEROUNDICIPIU' Associazione culturale per l'architettura contemporanea. OBJECTIVES Those who will take part in the workshop will be pushed to deepen, both practically and theoretically, a “modern” design philosophy, where such term indicates, as written by Jean Baudrillard, a research attitude that aims to find value out of crisis. If value is here defined by the leak of electric energy, then the tools through which value can be created will be defined as ideas capable of leading to a coherent design starting from a catalogue of construction materials, whose characteristics (physical, constructive, economic, structural etc.) will constitute the funding criterion of any architectonical configuration. At the apex of a historical phase in which the logics of construction have been subordinated to those of the tools of architecture – as well exemplified by the abuse of diagrammatical narration and digital design (parametrical and non-parametrical): representation systems whose internal coherence is too often raised as justification of otherwise inconsistent design choices – we find it necessary to return to the exploration of the poetical potential of the materials of architecture, aiming to the synthesis of a specific design attitude, capable of complementing the actual tendencies linked to the development of new technologies. Quoting Mies van der Rohe: «When I begin, I don’t think at the form: I think at the correct way of using the materials. Then I accept the result». - Dates: from the 17th to the 23rd of June, 2012. - Tutors: Grainne Hassett, Antonio Ravalli, Simone Sfriso, René van Zuuk, Ignacio Vicens
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Objective 3: Composition Techniques
1. Rule of Thirds: the main focal point is on x-axis of the rule of thirds. The eye is drawn to the focal point because the rest of the image doesn't compete.
2. Perspective and depth: the weed/flower is in my hand making it look bigger.
4. Backgrounds: The background is blurred out and simple to draw your eye to the object in focus.
5. Leading Lines: The fingers leads the eye to the object of focus.
11. Space and/or Space to Move: left room so that the pedals could fly away in the wind.
Objective 4: Lighting (side, back, soft, hard, fill)
Types of lighting and how they contribute to the image:
Back lighting: makes the object of focus brighter
Objective 6: Critique
Analyse your photograph for strengths and areas for improvement
Strength: the perspective and depth because makes the object stand out more.
Area for growth: lighting because it washes out the textures
Objective 7: Photographic Styles (ex. portrait, landscape, etc.)
Type/style of photography:
The camera mode (P, Tv, Av, M): AV
f stop used: 5.6
shutter speed used: 1/640
ISO used: 100
Exposure compensation: 100
Focal length: 55.0
The main objective of the Spring Fair 2019 is to open the gates of international market for domestic handicrafts manufacturers by exhibiting their products to international clients. The event will be graced by wholesalers, franchises, distributors, fashion designers and retailers who may offer a contract for the export of a particular product.
Types of Products Displayed
The Spring Fair 2019 will host products such as,
1.Furniture and Furniture Accessories.
2.Fashion Jewellery & Accessories.
3.House ware.
4.Bathroom Accessories.
5.Gifts & Decorative.
6.Christmas & Festive Decors.
7.Carpets & Rugs.
8.Garden Decorative.
9.Incense Sticks, Candles, and Aromatics.
10.Lamps & Lighting.
11.Home Textiles.
12.Leather Goods & Bags.
13.Natural Fibre and Eco-Friendly Products.
For More Visit Here www.epch.in
Slide from Games, Girls and Coding Presentation on March 12th at 7 pm ET
ISTE Games & Sims Network
Inevitable Instructors
Touch the Art, Smell the Art, Move like the Art. . .
The current exhibition at the MU Gallery explores 17 different ways to experience art and artifacts. The show features some of the most recognizable names in contemporary art like:
Andy Warhol
Pablo Picasso
Judy Chicago
And Salvador Dali
I took this picture a while ago. My city in Japan was much warmer than in Wisconsin so this was my first time to see icy tree such as this photo. It was so beautiful. I don't like the position of this tree.17
Friends Shari and Anna... with my friend Jo's two fingers invading just as the camera flashed the picture.
Taken at Andrey's party 10/17/08
Taken by Kiku
1. The objective was to capture images from either a "birds" or "worms" point of view.
2. My subject is my new nephew Ryder playing with his toy tractors.
3. My approach was to simply capture his childhood joy in his toys because so many of these moments go to waste.
The overall protection objective in Uganda is to ensure that refugees and asylum-seekers have access to territorial asylum, fair and swift asylum procedures as well as full enjoyment of their rights It remains crucial for partners to continue strengthening the capacity of government institutions to respond to emergencies, supporting improvements in registration and the asylum system whilst continuing provision of life-saving services, monitoring and mitigation of protection risks. The response will continue to place a special emphasis on persons with specific needs, ensuring that they have equal access to protection assistance and the opportunity to participate in community self-management and decision-making. Promoting peaceful coexistence among communities remains a key priority as well as the provision of psychosocial support for individuals carrying trauma.
Diana Umuhozi, a 21-year-old refugee from the DR Congo, fled to Uganda in 2009 to escape conflict and find safety. After losing her father in the war, her mother took on the burden of caring for the family. Despite these hardships, Diana found solace in Uganda's robust legal framework, which ensures refugees have access to basic rights, including movement, employment, education, and healthcare.
Thanks to the collaboration between UNHCR and the Ugandan government, Diana received an individual Attestation Number a crucial identification document that allows refugees to access services such as healthcare, education and employment. As a result of her experiences, Diana was given counselling, helping her to deal with her father’s passing, and the conflict she had experienced.
The ILO, through its partner AVSI Foundation, addressed gender-specific needs in employment services by conducting a mobile mission in the Juru zone of the Nakivale Refugee Settlement. This initiative reached communities unable to access the Job Center in the Base Camp zone. Diana learned about these opportunities through AVSI's community drive.
Diana participated in a six-week hairdressing training program facilitated by the ILO. After completing the training, she started her own business with the help of a start-up kit provided by the ILO. This kit included essential items such as a salon mirror, hair products, a solar panel, and other salon equipment. With these resources, Diana began earning UGX 80,000 weekly, which allowed her to support her mother and aunt by covering food and medical expenses.
DIana has become a role model in the settlement, demonstrating the power of women's inclusion and empowerment. She actively engages in activities that create pathways for the protection and inclusion of other girls and boys in refugee communities. Her resilience and success inspire many girls, who often seek her guidance in hairdressing.
DIana's story highlights the impact of the ILO and UNHCR's efforts in providing protection and opportunities for refugees, fostering an environment of peaceful coexistence and empowerment.
Diana's journey signifies the impact of concerted efforts by UNHCR, and ILO, in enhancing protection and inclusion for refugees. Her story illustrates the transformative power of inclusive policies, legal frameworks, and advocacy in ensuring the dignity, rights, and participation of refugee communities in creating a future of resilience and equality beyond borders. The skills and start up kits that Diana received from AVSI and ILO have helped her provide for her needs, support her family and she feels empowered enough to stand on her own within the country of asylum and beyond.