View allAll Photos Tagged obfuscation
Obfuscated horizons... without more a sense, a mean, a way...
In a Metro station, 24/02/2008
Note: someone lets me notice something particular in the photo, it's not what it seems LOL
Play on vampire. The vampire hasObfuscate and 1 greater blood capacity. If the vampire already had Obfuscate. This makes the vampire one generation older. Cannot be played on a vampire with superior Obfuscate.
Merrilee Challiss
The works in this show, simple ink drawings, portray fractured portraits of women. The vignettes depict vacillations between clarity and obfuscation -- fragility altered by trauma, and anomalies tempered by beauty. These anatomies (which, like memories, distorted and fantastical) represent "speculative fictions" of psychological states.
~ Graffiti Obfuscate Statement;
I see 6 signs here within this picture, there may be more!..... (see below)...
Showing 'Hands Up' = I.D + Obedience.
Bull Head = Stock Market.
Treasury Gates = Gov.Tax Money.
Monarchy Logo = One Ruler.
Superman Logo = 5.Super Powers.
'CND' Logo = Make Love Not War!
Taken: 22-08-2010.
Camera: Canon.40D.
Lens: Canon. 28-135mm.
This is a selection of work from my Advanced higher sketchbook so far. I’ve pushed myself out my comfort zone in trying 2 drawings with biro pen. This isn’t normally a media I would feel confident using however I wanted to take a risk and give it a go. In my opinion they don’t have the same impact as some of my finer pieces however I’ve learned from the process and can see that I can be a lot looser with the pen work than with pencil or paint. I have also started continuations and developments of the 2 pieces in the bottom left as I thought these covered both the theme of identity and the UNCRC right to an identity. In the images, I’ve tried to portray how, if not protected, a child’s identity can be lost, bought or sold. I’ve tried to show this by obfuscating or blurring the facial features, hiding their identity and showing an alternative view.
on hardwood. A bit older specimen:
agrozoo.net/jsp/Galery_one_image.jsp?id_galery_obfuscated...
id ?
First shot i'm uploading from the D80. Though there have been plenty, i haven't the BW limit just yet, and am still workin on this whole RAW thing.. Anyways.. Taken on campus. Do you know where?
Built in 1906 and renovated circa 1930, this Renaissance Revival-style theater was designed by Claude and Starck, and features an Art Deco-style marquee and first floor front facade, and originally served as a vaudeville theater before becoming a movie theater. The building is clad in Art Moderne-style enameled metal panels on the first floor with a marquee featuring neon lights above the entrance, an Art Moderne-style ticket booth with curved corners and curved glass, and four entrance doors flanked by poster display cases. The upper portion of the building displays the original style of the facade, with painted brick cladding, limestone trim, a large five-part arched window on the second floor of the front facade above the marquee, flanked by pilasters, a cornice at the top of the second floor, blind bays on the fourth floor framed by stone trim with a large decorative cornice above, and a cornice with dentils and modillions at the top of the parapet, which obfuscates the building’s low-slope roof. The building has a footprint that bends from King Street to the stage, which sits adjacent to Doty Street, with this being very evident inside the building. The building today serves as a live performance venue, with the original wall paneling, vaulted ceiling, proscenium arch, box seats, and plaster trim on the second floor of the space being intact. The theater primarily hosts live musical acts, occasionally being used to screen televised events or movies, or being used as an event venue.
The reality is that the people who want control of your pension have already taken it. It is absolutely not relevant to the EU debate, and it is disingenuous at best for the Express to obfuscate covering up for their pals on the one hand with a questionable more-than-Eurosceptic agenda on the other.
The gold star with brass filigree goes to whoever can remember the entertainer whose catchphrase that was. Aside from my grandfather who said it whenever he drove somewhere. Obfuscation: I'm 38 and I remember.
4me4you features - ‘HISTORIES IN FLUX’.
Artist: Tim Kent
4me4you recently had the pleasure of visiting JD Malat Gallery to view "Histories in Flux," a new series of oil paintings by the acclaimed artist Tim Kent.
The paintings exhibited at JD Malat Gallery are reflections of what the artist describes as "playing with art history." These fragmented yet visually coherent compositions of vast interiors, sculptures, historical figures, and classical nudes blur, disconnect, and reshape before the viewer's eyes, critically engaging with the systemic power structures that Western art history has fortified, but which contemporary art must continuously challenge.
"Histories in Flux" presents twelve psychologically charged portraits, architectural depictions of estates, and cultural institutions that highlight key issues related to class, access, privacy, and consumption. Kent both resists and highlights the conformity inherent in traditional painting genres, attuned to contemporary issues. His work transforms and dissects Baroque and Georgian interior spaces, revealing an ominous past with its own dimensional terrain.
Kent's playful engagement with genre—specifically the nude, portraiture, interiors, and narrative painting—results in the distortion of old art historical systems, merging tradition with the contemporary. This imbues his work with subtle criticisms that sever traditional roles of authority. His grid-like fragmentations suggest an empirical reaction from the viewer, turning the once harmonious genre of chamber painting into a realm of architectural dissonance. As Kent states, “The perspective grid becomes a visual metaphor for the interconnectivity of how we construct our visual world and it’s influences across every level of existence.”
These obscured historic scene scapes challenge our understanding of history. Busts, portraits, monuments, museum spaces, and estates serve as vessels for thematic parallels deeply rooted in classism, elitism, and power dynamics. Through his portrayal of these traditional art historical archetypes, Kent exposes the controversial and often overlooked narratives woven into the fabric of art history's canon. While institutional spaces proudly showcase their collections as symbols of cultural education and progress, beneath this veneer lies a concealed tapestry of colonial dominance, imperial knowledge systems, class stratification, and labor obfuscation. Kent's compositions unearth these underlying complex networks, dismantling and deconstructing familiar symbols of tradition. By layering their veneer of opulence and allure with shadows and uncertainties, he transforms these once-celebrated spaces into stark objects that challenge viewers to confront the uncomfortable realities obscured by centuries of glorification.
Advanced Sculpture Student
Large scale (8 feet x 24 feet x 6 inches) sculpture constructed of chicken wire and plastic straws that is meant to reference the cellular structure of the human body
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I tagged along with a friend to a LARP (Live Action Role-Play) game "Chicago: Dark Requiem". The best way to describe the experience is like standing in the middle of a strange, extensive theatre performance. People gather and play their character and interact with others in character for the evening. Many have been playing the same character for upwards of 3-4 years.
The hands across the chest signifies a character who is using "obfuscate" or invisibility.
This is a title i designed in reference to the word 'obfuscation' which means miscommunication. The letters appear patchy and dispersed.
I wanted to evoke something more like loneliness and obfuscation in this one.
Not the best of settings but I actually think the slightly cluttered empty room works.
Via Boing Boing, I installed the TrackMeNot Firefox extension...and while the robustness of its search obfuscation is in question (see the addendum to the BoingBoing post), I dig it as a potentially decent way to mangle the profiling going on at any of the big search engines. Not that I have anything to hide (other than my "trees that kind of look phallic" fetish...oops), but the AOL debacle was just pretty lame and I like this concept.
Plus, I like that i've just searched for "sneaker Borg," "wonkiest deckle," and "programming twiddles."