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note the crooked teeth in the left and right corners from the wisdom teeth that are growing in.there are also enamel filling in the front and in between fillings in the back of the bottom and top.
A recent shot from a Wedding of mine. Liking the look of the bride in the mirror, reading the note her future husband left her.
Creating a little special atmosphere around my grand piano... hope you all like it my friends =)
(Very dramatic on black)
Til DANSKE pullipmennesker! Jeg sælger dem her ... eller ikke lige dem her, men de samme som dem XD Laver dem selv (de er i pullipstørrelse) ^^ Kig i pullipklubben på face :3
Er færdig med de fleste bestillinger og regner med at få lavet resten i løbet af ugen n__n
Hav en dejlig uge ♥♥
To view more images, of Chastleton House click
"here"
Please, no group invites; thank you!
From deep in the Achieves, and reprocessed, using Photoshop CC 2021.
Chastleton House is a Jacobean country house situated at Chastleton near Moreton-in-Marsh, Oxfordshire, England. It has been owned by the National Trust since 1991 and is a Grade I listed building. It was built between 1607 and 1612, for Walter Jones, who had made his fortune from the law, although his family were originally Welsh wool merchants. The estate was bought in 1604 from Robert Catesby, although his residence was demolished to make way for the new house and no traces of the original building on this spot remain. The house is built of Cotswold stone, round a small courtyard, called the Dairy Court. The House is different from other houses of its type in several respects. It has never had a park with a long, landscaped approach such as many other houses of its era. Rather it was built within an existing settlement, Chastleton village, which provided many of the services for the house which would otherwise have been attached, such as a laundry, a fishpond and a bakehouse. Secondly, until its acquisition by the Trust in 1991, it was owned by the same family for nearly 400 years. Its treatment by the Trust was similarly unusual, with a policy of conservation rather than restoration, enabling visitors to see the house largely as it was when acquired. As a result of the Trust's approach, a large number of the rooms in the house are open to the public. Of particular note is the Long Gallery, with its barrel vaulted ceiling. No other gallery of such a length 72 feet (22 m) and date survive. Like much of the house, the Long Gallery ceiling has been subject to damage. The neglect of the roof for almost two centuries led to the failing of part of the plaster ceiling in the early 1800s, but it was not repaired until 1904-05, when two local men were engaged to make good the losses. Also of interest is the impressive Great Chamber. Designed for the entertainment of the most important guests and for the playing of music, the design scheme has its roots in Renaissance Italy and is the most impressive in the house. The setting out of the panelling shows some inspiration from the classical, as do the painted roundels around the frieze, depicting the twelve prophets of the Old Testament and the twelve Sybils or Prophetesses of Antiquity. Also in the Great Chamber are a set of Jacobite Fiat glasses engraved with the Jacobite emblems of roses, oakleaves, and a compass rose, which betray the families eighteenth-century sympathies. These probably belonged to Henry Jones IV, who was the president of the Gloucestershire Cycle Club, one of the oldest established Jacobite clubs. Other items of interest in the house include the Juxon Bible, which is said to have been used by the chaplain, Bishop Juxon, at the execution of Charles I. Juxon’s family lived locally in Long Compton until his family died out in the eighteenth century, when it is thought to have been given to John Jones II because the Jones’ were another family with Jacobite sympathies. In 1919 a number of significant tapestries were discovered at the house, and were interpreted as evidence for the establishment of a tapestry-weaving venture at the manor house of William Sheldon (d 1570) at Barcheston, near Shipston on Stour, Warwickshire. One of these tapestries is currently on display in the Middle Chamber, and another is in the permanent collection of the Victoria and Albert Museum. The Grade II listed garden at Chastleton has undergone a number of revisions since the completion of the house in 1612. There is no archaeological evidence of a garden on this site before this date: indeed, the North Garden is split by an old field boundary. There is no map or written evidence to suggest how the garden was laid out by Walter Jones in 1612, but the walls that enclose the garden are 17th century and archaeological evidence that suggests that the garden has been laid out the same way for the last 400 years. It is laid out according to the recommendation proposed by Gervase Markham in The English Husbandman (1613) – a fore court to the front of the house, with the base (or bass) court on one side, which included the stables and other farm buildings. The other two sides of the house should be composed of gardens, divided into an orchard, a kitchen garden and a best (or pleasure) garden, planted with more ornamental plants. At the time, the Forecourt at Chastleton described the entrance area below the House court (the area directly in front of the house). The House court was raised slightly above the forecourt by a small retaining wall, probably with a balustrade on top. There were likely to be few plants in the front of the house in the early 17th century, with the House Court possibly being paved or having two grass plats on each side of the central path like the Forecourt. To the east of this was the Pleasaunce or Pleasure Garden. This was the Best Garden, which was levelled, but with a viewing terrace along one side which also gave entrance to the church at the opposite end. The design of this garden is not known, but it was almost certainly surrounded by high walls with fruit trees trained against it. The Best Garden was laid out in the circular pattern we see today by Dorothy Whitmore Jones in 1833, although it is suggested that there were already box plants there. Beds were added within the circular hedge in the 1890s or 1900s and then grassed over again by 1972. During the periods of time when money came into the family the planting in this garden was always renewed. To the north are terraces, levelled from the sloping ground. There is evidence of a medieval cultivation terrace and the remnants of the old boundary wall of the garden. There was a Bowling Green on the Middle terrace and the third terrace may also have been the site of the original kitchen garden. Today, the middle terraces are the site of two croquet lawns, originally laid out by Walter Whitmore-Jones in the 1860s. His version of the rules of croquet published in The Field in 1865 became definitive, and Chastleton is considered the birthplace of croquet as a competitive sport. The Kitchen Garden as it is now was enclosed in 1847 and was formed of the existent garden and from part of the adjoining field. It was laid out as four plots on one side of a broad path and two on the other side, and the kitchen garden today has been recently rejuvenated to form this pattern as well.
From Wikipedia, the free encyclopedia
1. Goals - I believe it is important to always have goals in life, even if you just have one. My current goals are: Breast feed for 6 months, drive on the highway, get in good shape, pay off car, receive associates degree, fix my teeth.
2. Car Payments - I have to keep track of our car payments to make sure we make them on time.
3. College Grades - I strive to make all A's. This section helps me get an overview of my grades.
4. Weight loss - Track my weight & gym time
5. Bible Study - I write down how many chapters I read in a day.
Here's a rare pair of 1950s vintage panties by Vanity Fair from the highly collectible Vantees line of their Extra Soft vintage 100% Nylon and totally sheer and kitten soft floral embroidered chiffon full front panel with darling delicate little double chiffon ruffles surrounding each leg opening... extra high waist pin up girl underwear... sweet and adorable... girl nextdoor panties! :)
Many more pictures are available, if you like... just shoot me a note! :)
Please see my profile for details! :D
An upclose picture I originally took of some piano music, I photoshopped it to make it look more dramatic.
Music Note Bokeh, Mal Maison, Oxford. 7th February 2011.
chronicwanderlust.tumblr.com/post/3168930999/this-is-my-f...
ownimusic.com/2011/02/14/le-modele-beezik-decortique/
www.choonz.com/2011/02/streaming-your-music-at-home-for-f...
The old 10-franc “Voltaire” note was in circulation in France between the beginning of 1964 and the end of 1973. It is the note I’ve always liked best, æsthetically.
Together with some solid silver 10-franc and 50-franc coins from the 1960s and 70s.
This is dedicated to my friend BossBob50. Check out his CD cover set: www.flickr.com/photos/bossbob50/sets/72157607782882854/
AND don't miss this take off on my pic above:
www.flickr.com/photos/bossbob50/5997870813/
I suppose this could be the cover of a Blue Note issue, one of those classic jazz albums produced by the creative people at Blue Note Records back in the hard bop days. At least that's what it reminded me of when I was getting into this. Perhaps something by their main tenor man Hank Mobley or their brilliant trumpeter Lee Morgan ... ?
The death-bed of a day, how beautiful!~ Philip James Bailey
Sunday muzak anyone?
OR...........
Little Wing =)
In 1986 when I was working on my Autographs project, I was able to contact Elizabeth Taylor, through her agent, and she was gracious enough to autograph this drawing that I did of her. I didn't meet her, but I was very pleased she liked the drawing enough to sign it. Also, I think it was because of her signing this drawing that got Michael Jackson to take notice of my work. They were great friends, and when I contacted his office to sign a drawing, he eventually saw this drawing and he agreed to sign the drawing I did of him. Which led to Michael hiring me to illustrate his coloring book, Moonwalker - The Coloring Book.
My Autographs project was something I came up with and worked on during the 1980s and early 1990s. I would do a drawing of a famous person and search them out to see if they would autograph it. I met many of them. Some of the people who signed my drawings were; President Ronald Reagan and his wife, Nancy Reagan (this was when he was President and my drawing was in the Oval Office in the White House!), Andy Warhol, Al Hirschfeld, David Levine, Liza Minnelli, Stephen Sondheim, Spike Lee, Paloma Picasso (I have a signed Picasso!), Lucille Ball, Jeremy Irons, Bernadette Peters, Mandy Patinkin, Mikhail Baryshnikov, Malcom Forbes, The Eurythmics (Annie Lennox and Dave Stewart) and Molly Ringwald to name a few.
I also had a number of rejections; Jacqueline Onassis, Bette Midler, Yoko Ono, Donald Trump, Katherine Hepburn (who wrote me a wonderful note - which she signed - so I got my autograph) and Jerry Seinfeld. There were some others. But, most of the people I contacted autographed their drawings.
It was a great project, I just did it for myself and I had a lot of fun. Meeting many of these people was a thrill!! I would have loved to have met Elizabeth Taylor in person, just to look into those beautiful violet eyes of hers!!