Hey guys, it's my birthdayyy! I know I'm essentially nonexistent, and my 365 has completely fallen apart, and I've basically given up on photography and myself, but WHO CARES 'CAUSE I'M EIGHTEEEEENNNNN

 

This is Rachel, you all know her(: I spent the day getting ready for prom and hanging out with some friends and things :D I hope you all are well, I'll try to motivate myself to take photos soon! I love all of you a lot, even if I'm bad at showing it <3

Taken and originally posted in 2012.

 

Badminton without a net. A guy prepares to hit a shuttlecock over a nonexistent net on Lighthouse Beach in Chatham on Cape Cod.

1/100 Elyn Kshatriya

1/100 Elyn Gatling Guns x 4

Custom decals laid out by Dade W. Bell and printed by Samuel.

Custom mixed paint scheme with 12 layers of paint for both candy purple colors.

Paints are Gaia, Gunze, Vallejo, and Citadel.

 

This project took FOREVER and I frankly stopped keeping track of the hours once I hit 150. This is mainly due to all of the paint layers required to give the proper shading and depth I was after. Plus the fact that I'm a slow builder. lol Note that I also went with my concept of painting the frame in a lighter color than the armor. We often see MS frames painted in dark and/ or metallic colors, but I thought it would look much more interesting if the frame was a light color contrasted with the darker "candy purple" armor (kinda like my Ple Qubeley). Also note how I went farther with the idea of making the finish matte. I think this adds an interesting appearance to the candy surface and is actually more realistic and less toy-like than the usual gloss finish seen on candy colors (contrast with my Ple Qubeley...).

 

The pictures truly don't do the real thing justice and I'll try to take better photos (and a video) with my D5100 outside when it cools down in the fall... Until then, I think these pics will suffice.

 

With this project done, I'm done building Kshatriyas. Too much of my life has been taken up with these things and it's time to move on. Still, I'm the "Ple Guy" so I had to at least make this one. ;-) (Wink) As for how Ple could end up piloting the Kshatriya, below is the story file I created to go on the base when I have a custom label printed later...

 

An Alternate Timeline...

In the original events of ZZ Gundam, Elpeo Ple sacrificed herself to protect Judau Ashta from the Psycho Gundam Mk-II piloted by her clone, Ple Two. However, in this alternate timeline, Glemy Toto’s attempts to clone Ple failed... and as a result, Ple didn’t die at the hands of her now-nonexistent clone. Thus, the “butterfly effect” of the changed timeline allowed Ple to survive the First Neo-Zeon War.

With the First Neo Zeon War over, Ple headed to Jupiter with Judau and Roux, but eventually grew bored with her relatively peaceful life (not to mention her “third-wheel” status with her friends), and decided to return to the Earth Sphere. During the long voyage home, she was disappointed to find that she missed the events of the Second Neo-Zeon War (Char’s Counterattack), and vowed to never miss out on any further action.

So when Ple heard about Full Frontal’s group of Neo-Zeon remnants, The Sleeves, she joined them without hesitation (and received the customized purple Kshatriya for her personal MS). This was because of a longing for excitement more than any kind of belief in Neo-Zeon ideology, and the battlefield was once again filled with the giddy shout of, “Purupurupurupuru!”. However, she quickly switched sides when she discovered that Frontal was merely using her as a “test” against the Unicorn Gundam’s NT-D system (her ability to defeat her own NT-D-controlled funnels and fight the Unicorn to a standstill is a significant departure from the original timeline).

Being a natural Newtype and not subject to the side-effects of the Cyber-Newtype process (complicated by the horrible events of childhood), Ple was able to avoid most of the unfortunate, and ultimately fatal, events that befell her clone, Marida Cruz (Ple Twelve), in the original timeline. As a result, she and the Kshatriya were able to survive the Third Neo-Zeon war relatively unharmed... a feat for which she rewarded herself with a nice, long bubble bath.

Phottix recently came out with a new remote that uses 2.4GHz wireless. The Phottix Plato. It's a little pricier (~$45) but from first glance, I can see a couple of advantages over the Cleon.

 

[0] Digital encoding gives you a more discrete signal and helps to avoid misfires.

 

[1] Smart codes rolls the codes automatically to avoid contention with other remotes or RF signals.

 

[2] Two-way communications between receiver and transmitter confirms you are within range or not. It also seems to have a longer range.

 

[3] Interchangeable end-cords allows you to use the same remote on various cameras simply by replacing the connecting cord. For instance, use the N8 cord for the D300 and the N6 cord for the D80.

 

[4] Uses more common batteries rather than the expensive "exotic" ones the Cleon uses.

 

[5] Slicker looking construction.

 

So... I decided to get one. Tonight I came home from a business trip and found my Plato sitting in my mailbox. There were three items in the package... well five if you count the two double-packs of AAA batteries.

 

[0] Transmitter

[1[ Receiver

[3] Cable

 

Both the transmitter and receiver take common AAA batteries. This is a great improvement over some of the older Phottix and Cactus wireless remotes that took a combination of CR2 and type-N... both of which are rather expensive. There was also a single instruction sheet which was as expected written in Engrish although admittedly it's not as bad as some other products I've seen. There was however one glaring error which I will go into about later.

 

After installing the batteries, both the transmitter and receivers immediately power up. Shutting each of them down requires a push of their power/select button for about 3 seconds. Both have an auto-poweroff feature that shuts them off after an hour of inactivity.

 

Unlike previous Phottix RF remotes, this one uses rolling codes instead of choosing from amongst preset frequencies. So instead of flipping DIP switches on each device to match one another, the transmitter and receivers must be paired like bluetooth devices. The set comes pre-synced to one another from the factory but you can reset the code by resyncing them. This is accomplished by first turning on the receiver and transmitter. The transmitters picks a code. Then on the receiver, you set it to learning mode by tapping the power button five times. On the transmitter, you push the shutter release button and the two are now synced. You can sync as many as 16 million receivers to the same transmitter. The remote uses the 2.4GHz band which can get congested so in certain environments, it may take a while for the pair to negotiate with one another. But once paired the likelihood of misfires or inadvertent triggers is nearly nonexistent. There are two status LEDs on the transmitter. Half-pressing the shutter release button will confirm that you're in range by lighting them both green as well as passing a half-press action to the camera which should respond in kind (ie. activate AF and VR) depending on how the camera is configured.

 

The transmitter and receiver are make and model agnostic. The vendor specific interface is handled by the cable. In my case, I am using the N8 cable for the D200 and D300. One end of the cable plugs into the camera and the other end is a simple three-contact 3.5mm "headphone" style plug which can be plugged into the receiver or the transmitter. When plugged into the receiver, the transmitter is in wireless mode. If however you wish to trigger things via a wired remote, you can plug the cable into the transmitter directly. All functions are the same in either mode. Note that the instruction sheet says that it is the receiver that can be used for wired triggering operations but this is in fact incorrect.

 

The transmitter has two buttons. The big button is the shutter release. The smaller button is the mode select and power button. Holding down this button for about 3 seconds powers the transmitter on or off. There is a series of LEDs that indicate which type of triggering mode you've selected. The following modes are supported:

 

[] Single - Pressing the shutter release acts like a single press of your camera's shutter release.

 

[] 2s Delay - Pressing the shutter release button invokes a 2-second delay before a single release signal is sent.

 

[] Continuous - Pressing the shutter release button once will cause the remote to trigger five individual releases. Holding down the button will act like holding down the shutter release on your camera. The camera's behaviour will be governed by the drive-mode in such a case.

 

[] Bulb - Pressing the button once is the same as holding down the shutter release on the camera. Press it again to release. This is intended to be used with the bulb shutter-speed setting but if combined with any other shutter speed will act like a press once to activate and press again to release so for instance, if you are in AF-C and don't have bulb set for the shutter-speed, your camera will continue shooting until you tap the button again.

 

Again, half-press operation is supported and in wireless mode, the two status LEDs at the top will turn green to confirm transmitter-to-receiver signal reception. A full press will turn the two LEDs red. In wired mode only LED #1 will show status.

 

The receiver has a single button for on/off and learning mode selection. There are also two LEDs. In normal operation, the left most LED will repeatedly flash red to indicate that the unit is on and ready. The right LED will turn green when it receives a trigger signal from the transmitter. Putting the receiver into learning mode causes the right LED to flash rapidly. The receiver also has a hot-shoe mount so it can be conveniently secured to the flash shoe.

 

All in all, I'm pretty happy with this remote. It's certainly a nice improvement over the older Cleon and would highly recommend it over the Cleon line even though it's about $10 more expensive.

The structure was designed with the help of science fiction writer Ray Bradbury, who also helped write the original storyline for the attraction

The term 'Spaceship Earth' was coined by Buckminster Fuller,who also developed the structural mathematics of the geodesic dome.

 

The structure

 

Close-up of Spaceship Earth's Alucobond tiles

The structure is similar in texture to the United States pavilion from Expo 67 in Montreal, but unlike that structure, Spaceship Earth is a complete sphere, supported on legs. The structure's exterior is comparable to that of a large golf ball.

 

Geometrically, Spaceship Earth is a derivative of a pentakis dodecahedron, with each of the 60 isosceles triangle faces divided into 16 smaller equilateral triangles (with a bit of fudging to make it rounder). Each of those 960 flat panels is sub-divided into four triangles, each of which is divided into three isosceles triangles to form each point. In theory, there are 11,520 total isosceles triangles forming 3840 points. In reality, some of those triangles are partially or fully nonexistent due to supports and doors; there are actually only 11,324 of them, with 954 partial or full flat panels.

The appearance of being a monolithic sphere is an architectural goal that was achieved through a structural trick. Spaceship Earth's is in fact two structural domes. Six legs are supported on pile groups that are driven up to 160 feet into Central Florida's soft earth. Those legs support a steel box-shaped ring at the sphere's perimeter, at about 30 degrees south latitude in earth-terms. The upper structural dome sits on this ring. A grid of trusses inside the ring supports the two helical structures of the ride and show system. Below the ring, a second dome is hung from the bottom, completing the spherical shape. The ring and trusses form a table-like structure which separates the upper dome from the lower. Supported by and about three feet off of the structural domes is a cladding sphere to which the shiny Alucobond panels and drainage system are mounted.

The cladding was designed so that when it rains, no water pours off the sides onto the ground. (All water is "absorbed" through one inch gaps in the facets and is collected in a gutter system - and finally channeled into the World Showcase Lagoon.)

Snakes are elongated, limbless, carnivorous reptiles of the suborder Serpentes Like all other squamates, snakes are ectothermic, amniote vertebrates covered in overlapping scales. Many species of snakes have skulls with several more joints than their lizard ancestors, enabling them to swallow prey much larger than their heads (cranial kinesis). To accommodate their narrow bodies, snakes' paired organs (such as kidneys) appear one in front of the other instead of side by side, and most have only one functional lung. Some species retain a pelvic girdle with a pair of vestigial claws on either side of the cloaca. Lizards have independently evolved elongate bodies without limbs or with greatly reduced limbs at least twenty-five times via convergent evolution, leading to many lineages of legless lizards. These resemble snakes, but several common groups of legless lizards have eyelids and external ears, which snakes lack, although this rule is not universal (see Amphisbaenia, Dibamidae, and Pygopodidae).

 

Living snakes are found on every continent except Antarctica, and on most smaller land masses; exceptions include some large islands, such as Ireland, Iceland, Greenland, the Hawaiian archipelago, and the islands of New Zealand, as well as many small islands of the Atlantic and central Pacific oceans. Additionally, sea snakes are widespread throughout the Indian and Pacific oceans. Around thirty families are currently recognized, comprising about 520 genera and about 3,900 species. They range in size from the tiny, 10.4 cm-long (4.1 in) Barbados threadsnake to the reticulated python of 6.95 meters (22.8 ft) in length. The fossil species Titanoboa cerrejonensis was 12.8 meters (42 ft) long. Snakes are thought to have evolved from either burrowing or aquatic lizards, perhaps during the Jurassic period, with the earliest known fossils dating to between 143 and 167 Ma ago. The diversity of modern snakes appeared during the Paleocene epoch (c. 66 to 56 Ma ago, after the Cretaceous–Paleogene extinction event). The oldest preserved descriptions of snakes can be found in the Brooklyn Papyrus.

 

Most species of snake are nonvenomous and those that have venom use it primarily to kill and subdue prey rather than for self-defense. Some possess venom that is potent enough to cause painful injury or death to humans. Nonvenomous snakes either swallow prey alive or kill by constriction.

 

Etymology

The English word snake comes from Old English snaca, itself from Proto-Germanic *snak-an- (cf. Germanic Schnake 'ring snake', Swedish snok 'grass snake'), from Proto-Indo-European root *(s)nēg-o- 'to crawl to creep', which also gave sneak as well as Sanskrit nāgá 'snake'. The word ousted adder, as adder went on to narrow in meaning, though in Old English næddre was the general word for snake. The other term, serpent, is from French, ultimately from Indo-European *serp- 'to creep', which also gave Ancient Greek ἕρπω (hérpō) 'I crawl' and Sanskrit sarpá ‘snake’.

 

The fossil record of snakes is relatively poor because snake skeletons are typically small and fragile making fossilization uncommon. Fossils readily identifiable as snakes (though often retaining hind limbs) first appear in the fossil record during the Cretaceous period. The earliest known true snake fossils (members of the crown group Serpentes) come from the marine simoliophiids, the oldest of which is the Late Cretaceous (Cenomanian age) Haasiophis terrasanctus from the West Bank, dated to between 112 and 94 million years old.

 

Based on comparative anatomy, there is consensus that snakes descended from lizards. Pythons and boas—primitive groups among modern snakes—have vestigial hind limbs: tiny, clawed digits known as anal spurs, which are used to grasp during mating The families Leptotyphlopidae and Typhlopidae also possess remnants of the pelvic girdle, appearing as horny projections when visible.

 

Front limbs are nonexistent in all known snakes. This is caused by the evolution of their Hox genes, controlling limb morphogenesis. The axial skeleton of the snakes' common ancestor, like most other tetrapods, had regional specializations consisting of cervical (neck), thoracic (chest), lumbar (lower back), sacral (pelvic), and caudal (tail) vertebrae. Early in snake evolution, the Hox gene expression in the axial skeleton responsible for the development of the thorax became dominant. As a result, the vertebrae anterior to the hindlimb buds (when present) all have the same thoracic-like identity (except from the atlas, axis, and 1–3 neck vertebrae). In other words, most of a snake's skeleton is an extremely extended thorax. Ribs are found exclusively on the thoracic vertebrae. Neck, lumbar and pelvic vertebrae are very reduced in number (only 2–10 lumbar and pelvic vertebrae are present), while only a short tail remains of the caudal vertebrae. However, the tail is still long enough to be of important use in many species, and is modified in some aquatic and tree-dwelling species.

 

Many modern snake groups originated during the Paleocene, alongside the adaptive radiation of mammals following the extinction of (non-avian) dinosaurs. The expansion of grasslands in North America also led to an explosive radiation among snakes. Previously, snakes were a minor component of the North American fauna, but during the Miocene, the number of species and their prevalence increased dramatically with the first appearances of vipers and elapids in North America and the significant diversification of Colubridae (including the origin of many modern genera such as Nerodia, Lampropeltis, Pituophis, and Pantherophis).

 

Fossils

There is fossil evidence to suggest that snakes may have evolved from burrowing lizards, during the Cretaceous Period. An early fossil snake relative, Najash rionegrina, was a two-legged burrowing animal with a sacrum, and was fully terrestrial. One extant analog of these putative ancestors is the earless monitor Lanthanotus of Borneo (though it also is semiaquatic). Subterranean species evolved bodies streamlined for burrowing, and eventually lost their limbs. According to this hypothesis, features such as the transparent, fused eyelids (brille) and loss of external ears evolved to cope with fossorial difficulties, such as scratched corneas and dirt in the ears. Some primitive snakes are known to have possessed hindlimbs, but their pelvic bones lacked a direct connection to the vertebrae. These include fossil species like Haasiophis, Pachyrhachis and Eupodophis, which are slightly older than Najash.

 

This hypothesis was strengthened in 2015 by the discovery of a 113-million-year-old fossil of a four-legged snake in Brazil that has been named Tetrapodophis amplectus. It has many snake-like features, is adapted for burrowing and its stomach indicates that it was preying on other animals. It is currently uncertain if Tetrapodophis is a snake or another species, in the squamate order, as a snake-like body has independently evolved at least 26 times. Tetrapodophis does not have distinctive snake features in its spine and skull. A study in 2021 places the animal in a group of extinct marine lizards from the Cretaceous period known as dolichosaurs and not directly related to snakes.

 

An alternative hypothesis, based on morphology, suggests the ancestors of snakes were related to mosasaurs—extinct aquatic reptiles from the Cretaceous—forming the clade Pythonomorpha. According to this hypothesis, the fused, transparent eyelids of snakes are thought to have evolved to combat marine conditions (corneal water loss through osmosis), and the external ears were lost through disuse in an aquatic environment. This ultimately led to an animal similar to today's sea snakes. In the Late Cretaceous, snakes recolonized land, and continued to diversify into today's snakes. Fossilized snake remains are known from early Late Cretaceous marine sediments, which is consistent with this hypothesis; particularly so, as they are older than the terrestrial Najash rionegrina. Similar skull structure, reduced or absent limbs, and other anatomical features found in both mosasaurs and snakes lead to a positive cladistical correlation, although some of these features are shared with varanids.

 

Genetic studies in recent years have indicated snakes are not as closely related to monitor lizards as was once believed—and therefore not to mosasaurs, the proposed ancestor in the aquatic scenario of their evolution. However, more evidence links mosasaurs to snakes than to varanids. Fragmented remains found from the Jurassic and Early Cretaceous indicate deeper fossil records for these groups, which may potentially refute either hypothesis.

 

Genetic basis of snake evolution

Main article: Limb development

Both fossils and phylogenetic studies demonstrate that snakes evolved from lizards, hence the question became which genetic changes led to limb loss in the snake ancestor. Limb loss is actually very common in extant reptiles and has happened dozens of times within skinks, anguids, and other lizards.

 

In 2016, two studies reported that limb loss in snakes is associated with DNA mutations in the Zone of Polarizing Activity Regulatory Sequence (ZRS), a regulatory region of the sonic hedgehog gene which is critically required for limb development. More advanced snakes have no remnants of limbs, but basal snakes such as pythons and boas do have traces of highly reduced, vestigial hind limbs. Python embryos even have fully developed hind limb buds, but their later development is stopped by the DNA mutations in the ZRS.

 

Distribution

There are about 3,900 species of snakes, ranging as far northward as the Arctic Circle in Scandinavia and southward through Australia. Snakes can be found on every continent except Antarctica, as well as in the sea, and as high as 16,000 feet (4,900 m) in the Himalayan Mountains of Asia. There are numerous islands from which snakes are absent, such as Ireland, Iceland, and New Zealand (although New Zealand's northern waters are infrequently visited by the yellow-bellied sea snake and the banded sea krait).

 

Taxonomy

All modern snakes are grouped within the suborder Serpentes in Linnean taxonomy, part of the order Squamata, though their precise placement within squamates remains controversial.

 

The two infraorders of Serpentes are Alethinophidia and Scolecophidia. This separation is based on morphological characteristics and mitochondrial DNA sequence similarity. Alethinophidia is sometimes split into Henophidia and Caenophidia, with the latter consisting of "colubroid" snakes (colubrids, vipers, elapids, hydrophiids, and atractaspids) and acrochordids, while the other alethinophidian families comprise Henophidia. While not extant today, the Madtsoiidae, a family of giant, primitive, python-like snakes, was around until 50,000 years ago in Australia, represented by genera such as Wonambi.

 

There are numerous debates in the systematics within the group. For instance, many sources classify Boidae and Pythonidae as one family, while some keep the Elapidae and Hydrophiidae (sea snakes) separate for practical reasons despite their extremely close relation.

 

Recent molecular studies support the monophyly of the clades of modern snakes, scolecophidians, typhlopids + anomalepidids, alethinophidians, core alethinophidians, uropeltids (Cylindrophis, Anomochilus, uropeltines), macrostomatans, booids, boids, pythonids and caenophidians.

 

Legless lizards

Main article: Legless lizard

While snakes are limbless reptiles, evolved from (and grouped with) lizards, there are many other species of lizards that have lost their limbs independently but which superficially look similar to snakes. These include the slowworm and glass snake.

 

Other serpentine tetrapods that are unrelated to snakes include caecilians (amphibians), amphisbaenians (near-lizard squamates), and the extinct aistopods (amphibians).

 

Biology

The now extinct Titanoboa cerrejonensis was 12.8 m (42 ft) in length. By comparison, the largest extant snakes are the reticulated python, measuring about 6.95 m (22.8 ft) long, and the green anaconda, which measures about 5.21 m (17.1 ft) long and is considered the heaviest snake on Earth at 97.5 kg (215 lb).

 

At the other end of the scale, the smallest extant snake is Leptotyphlops carlae, with a length of about 10.4 cm (4.1 in). Most snakes are fairly small animals, approximately 1 m (3.3 ft) in length.

 

Perception

Pit vipers, pythons, and some boas have infrared-sensitive receptors in deep grooves on the snout, allowing them to "see" the radiated heat of warm-blooded prey. In pit vipers, the grooves are located between the nostril and the eye in a large "pit" on each side of the head. Other infrared-sensitive snakes have multiple, smaller labial pits lining the upper lip, just below the nostrils.

 

A snake tracks its prey using smell, collecting airborne particles with its forked tongue, then passing them to the vomeronasal organ or Jacobson's organ in the mouth for examination. The fork in the tongue provides a sort of directional sense of smell and taste simultaneously. The snake's tongue is constantly in motion, sampling particles from the air, ground, and water, analyzing the chemicals found, and determining the presence of prey or predators in the local environment. In water-dwelling snakes, such as the anaconda, the tongue functions efficiently underwater.

 

The underside of a snake is very sensitive to vibration, allowing the snake to detect approaching animals by sensing faint vibrations in the ground. Despite the lack of outer ears, they are also able to detect airborne sounds.

 

Snake vision varies greatly between species. Some have keen eyesight and others are only able to distinguish light from dark, but the important trend is that a snake's visual perception is adequate enough to track movements. Generally, vision is best in tree-dwelling snakes and weakest in burrowing snakes. Some have binocular vision, where both eyes are capable of focusing on the same point, an example of this being the Asian vine snake. Most snakes focus by moving the lens back and forth in relation to the retina. Diurnal snakes have round pupils and many nocturnal snakes have slit pupils. Most species possess three visual pigments and are probably able to see two primary colors in daylight. The annulated sea snake and the genus Helicops appears to have regained much of their color vision as an adaption to the marine environment they live in. It has been concluded that the last common ancestors of all snakes had UV-sensitive vision, but most snakes that depend on their eyesight to hunt in daylight have evolved lenses that act like sunglasses for filtering out the UV-light, which probably also sharpens their vision by improving the contrast.

 

Skin

The skin of a snake is covered in scales. Contrary to the popular notion of snakes being slimy (because of possible confusion of snakes with worms), snakeskin has a smooth, dry texture. Most snakes use specialized belly scales to travel, allowing them to grip surfaces. The body scales may be smooth, keeled, or granular. The eyelids of a snake are transparent "spectacle" scales, also known as brille, which remain permanently closed.

 

The shedding of scales is called ecdysis (or in normal usage, molting or sloughing). Snakes shed the complete outer layer of skin in one piece. Snake scales are not discrete, but extensions of the epidermis—hence they are not shed separately but as a complete outer layer during each molt, akin to a sock being turned inside out.

 

Snakes have a wide diversity of skin coloration patterns which are often related to behavior, such as the tendency to have to flee from predators. Snakes that are at a high risk of predation tend to be plain, or have longitudinal stripes, providing few reference points to predators, thus allowing the snake to escape without being noticed. Plain snakes usually adopt active hunting strategies, as their pattern allows them to send little information to prey about motion. Blotched snakes usually use ambush-based strategies, likely because it helps them blend into an environment with irregularly shaped objects, like sticks or rocks. Spotted patterning can similarly help snakes to blend into their environment.

 

The shape and number of scales on the head, back, and belly are often characteristic and used for taxonomic purposes. Scales are named mainly according to their positions on the body. In "advanced" (Caenophidian) snakes, the broad belly scales and rows of dorsal scales correspond to the vertebrae, allowing these to be counted without the need for dissection.

 

Molting

Molting (or "ecdysis") serves a number of purposes. It allows old, worn skin to be replaced and it can remove parasites such as mites and ticks that live in the skin. It has also been observed in snakes that molting can be synced to mating cycles. Shedding skin can release pheromones and revitalize color and patterns of the skin to increase attraction of mates. Renewal of the skin by molting supposedly allows growth in some animals such as insects, but this has been disputed in the case of snakes.

 

Molting occurs periodically throughout the life of a snake. Before each molt, the snake stops eating and often hides or moves to a safe place. Just before shedding, the skin becomes dull and dry looking and the snake's eyes turn cloudy or blue-colored. The inner surface of the old skin liquefies, causing it to separate from the new skin beneath it. After a few days, the eyes become clear and the snake "crawls" out of its old skin, which splits close to the snake's mouth. The snake rubs its body against rough surfaces to aid in the shedding of its old skin. In many cases, the cast skin peels backward over the body from head to tail in one piece, like pulling a sock off inside-out, revealing a new, larger, brighter layer of skin which has formed underneath.

 

A young snake that is still growing may shed its skin up to four times a year, but an older snake may shed only once or twice a year. The discarded skin carries a perfect imprint of the scale pattern, so it is usually possible to identify the snake from the cast skin if it is reasonably intact. This periodic renewal has led to the snake being a symbol of healing and medicine, as pictured in the Rod of Asclepius.

 

Scale counts can sometimes be used to identify the sex of a snake when the species is not distinctly sexually dimorphic. A probe is fully inserted into the cloaca, marked at the point where it stops, then removed and measured against the subcaudal scales. The scalation count determines whether the snake is a male or female, as the hemipenes of a male will probe to a different depth (usually longer) than the cloaca of a female.

 

Skeleton

The skeletons of snakes are radically different from those of most other reptiles (as compared with the turtle here, for example), consisting almost entirely of an extended ribcage.

The skeleton of most snakes consists solely of the skull, hyoid, vertebral column, and ribs, though henophidian snakes retain vestiges of the pelvis and rear limbs.

 

The skull consists of a solid and complete neurocranium, to which many of the other bones are only loosely attached, particularly the highly mobile jaw bones, which facilitate manipulation and ingestion of large prey items. The left and right sides of the lower jaw are joined only by a flexible ligament at the anterior tips, allowing them to separate widely, and the posterior end of the lower jaw bones articulate with a quadrate bone, allowing further mobility. The mandible and quadrate bones can pick up ground-borne vibrations; because the sides of the lower jaw can move independently of one another, a snake resting its jaw on a surface has sensitive stereo auditory perception, used for detecting the position of prey. The jaw–quadrate–stapes pathway is capable of detecting vibrations on the angstrom scale, despite the absence of an outer ear and the lack of an impedance matching mechanism—provided by the ossicles in other vertebrates—for receiving vibrations from the air.

 

The hyoid is a small bone located posterior and ventral to the skull, in the 'neck' region, which serves as an attachment for the muscles of the snake's tongue, as it does in all other tetrapods.

 

The vertebral column consists of between 200 and 400 vertebrae, or sometimes more. The body vertebrae each have two ribs articulating with them. The tail vertebrae are comparatively few in number (often less than 20% of the total) and lack ribs. The vertebrae have projections that allow for strong muscle attachment, enabling locomotion without limbs.

 

Caudal autotomy (self-amputation of the tail), a feature found in some lizards, is absent in most snakes. In the rare cases where it does exist in snakes, caudal autotomy is intervertebral (meaning the separation of adjacent vertebrae), unlike that in lizards, which is intravertebral, i.e. the break happens along a predefined fracture plane present on a vertebra.

 

In some snakes, most notably boas and pythons, there are vestiges of the hindlimbs in the form of a pair of pelvic spurs. These small, claw-like protrusions on each side of the cloaca are the external portion of the vestigial hindlimb skeleton, which includes the remains of an ilium and femur.

 

Snakes are polyphyodonts with teeth that are continuously replaced

 

Snakes and other non-archosaur (crocodilians, dinosaurs + birds and allies) reptiles have a three-chambered heart that controls the circulatory system via the left and right atrium, and one ventricle. Internally, the ventricle is divided into three interconnected cavities: the cavum arteriosum, the cavum pulmonale, and the cavum venosum. The cavum venosum receives deoxygenated blood from the right atrium and the cavum arteriosum receives oxygenated blood from the left atrium. Located beneath the cavum venosum is the cavum pulmonale, which pumps blood to the pulmonary trunk.

 

The snake's heart is encased in a sac, called the pericardium, located at the bifurcation of the bronchi. The heart is able to move around, owing to the lack of a diaphragm; this adjustment protects the heart from potential damage when large ingested prey is passed through the esophagus. The spleen is attached to the gall bladder and pancreas and filters the blood. The thymus, located in fatty tissue above the heart, is responsible for the generation of immune cells in the blood. The cardiovascular system of snakes is unique for the presence of a renal portal system in which the blood from the snake's tail passes through the kidneys before returning to the heart.

 

The vestigial left lung is often small or sometimes even absent, as snakes' tubular bodies require all of their organs to be long and thin.[71] In the majority of species, only one lung is functional. This lung contains a vascularized anterior portion and a posterior portion that does not function in gas exchange. This 'saccular lung' is used for hydrostatic purposes to adjust buoyancy in some aquatic snakes and its function remains unknown in terrestrial species. Many organs that are paired, such as kidneys or reproductive organs, are staggered within the body, one located ahead of the other.

 

Snakes have no lymph nodes.

 

Venom

Cobras, vipers, and closely related species use venom to immobilize, injure, or kill their prey. The venom is modified saliva, delivered through fangs. The fangs of 'advanced' venomous snakes like viperids and elapids are hollow, allowing venom to be injected more effectively, and the fangs of rear-fanged snakes such as the boomslang simply have a groove on the posterior edge to channel venom into the wound. Snake venoms are often prey-specific, and their role in self-defense is secondary.

 

Venom, like all salivary secretions, is a predigestant that initiates the breakdown of food into soluble compounds, facilitating proper digestion. Even nonvenomous snakebites (like any animal bite) cause tissue damage.

 

Certain birds, mammals, and other snakes (such as kingsnakes) that prey on venomous snakes have developed resistance and even immunity to certain venoms.Venomous snakes include three families of snakes, and do not constitute a formal taxonomic classification group.

 

The colloquial term "poisonous snake" is generally an incorrect label for snakes. A poison is inhaled or ingested, whereas venom produced by snakes is injected into its victim via fangs. There are, however, two exceptions: Rhabdophis sequesters toxins from the toads it eats, then secretes them from nuchal glands to ward off predators; and a small unusual population of garter snakes in the US state of Oregon retains enough toxins in their livers from ingested newts to be effectively poisonous to small local predators (such as crows and foxes).

 

Snake venoms are complex mixtures of proteins, and are stored in venom glands at the back of the head. In all venomous snakes, these glands open through ducts into grooved or hollow teeth in the upper jaw. The proteins can potentially be a mix of neurotoxins (which attack the nervous system), hemotoxins (which attack the circulatory system), cytotoxins (which attack the cells directly), bungarotoxins (related to neurotoxins, but also directly affect muscle tissue), and many other toxins that affect the body in different ways. Almost all snake venom contains hyaluronidase, an enzyme that ensures rapid diffusion of the venom.

 

Venomous snakes that use hemotoxins usually have fangs in the front of their mouths, making it easier for them to inject the venom into their victims. Some snakes that use neurotoxins (such as the mangrove snake) have fangs in the back of their mouths, with the fangs curled backwards. This makes it difficult both for the snake to use its venom and for scientists to milk them. Elapids, however, such as cobras and kraits are proteroglyphous—they possess hollow fangs that cannot be erected toward the front of their mouths, and cannot "stab" like a viper. They must actually bite the victim.

 

It has been suggested that all snakes may be venomous to a certain degree, with harmless snakes having weak venom and no fangs. According to this theory, most snakes that are labelled "nonvenomous" would be considered harmless because they either lack a venom delivery method or are incapable of delivering enough to endanger a human. The theory postulates that snakes may have evolved from a common lizard ancestor that was venomous, and also that venomous lizards like the gila monster, beaded lizard, monitor lizards, and the now-extinct mosasaurs, may have derived from this same common ancestor. They share this "venom clade" with various other saurian species.

 

Venomous snakes are classified in two taxonomic families:

Elapids – cobras including king cobras, kraits, mambas, Australian copperheads, sea snakes, and coral snakes.

Viperids – vipers, rattlesnakes, copperheads/cottonmouths, and bushmasters.

There is a third family containing the opistoglyphous (rear-fanged) snakes (as well as the majority of other snake species):

 

Colubrids – boomslangs, tree snakes, vine snakes, cat snakes, although not all colubrids are venomous.

 

Reproduction

Although a wide range of reproductive modes are used by snakes, all employ internal fertilization. This is accomplished by means of paired, forked hemipenes, which are stored, inverted, in the male's tail. The hemipenes are often grooved, hooked, or spined—designed to grip the walls of the female's cloaca. The clitoris of the female snake consists of two structures located between the cloaca and the scent glands.

 

Most species of snakes lay eggs which they abandon shortly after laying. However, a few species (such as the king cobra) construct nests and stay in the vicinity of the hatchlings after incubation. Most pythons coil around their egg-clutches and remain with them until they hatch. A female python will not leave the eggs, except to occasionally bask in the sun or drink water. She will even "shiver" to generate heat to incubate the eggs.

 

Some species of snake are ovoviviparous and retain the eggs within their bodies until they are almost ready to hatch. Several species of snake, such as the boa constrictor and green anaconda, are fully viviparous, nourishing their young through a placenta as well as a yolk sac; this is highly unusual among reptiles, and normally found in requiem sharks or placental mammals. Retention of eggs and live birth are most often associated with colder environments.

 

Sexual selection in snakes is demonstrated by the 3,000 species that each use different tactics in acquiring mates. Ritual combat between males for the females they want to mate with includes topping, a behavior exhibited by most viperids in which one male will twist around the vertically elevated fore body of its opponent and force it downward. It is common for neck-biting to occur while the snakes are entwined.

 

Facultative parthenogenesis

Parthenogenesis is a natural form of reproduction in which growth and development of embryos occur without fertilization. Agkistrodon contortrix (copperhead) and Agkistrodon piscivorus (cottonmouth) can reproduce by facultative parthenogenesis, meaning that they are capable of switching from a sexual mode of reproduction to an asexual mode. The most likely type of parthenogenesis to occur is automixis with terminal fusion, a process in which two terminal products from the same meiosis fuse to form a diploid zygote. This process leads to genome-wide homozygosity, expression of deleterious recessive alleles, and often to developmental abnormalities. Both captive-born and wild-born copperheads and cottonmouths appear to be capable of this form of parthenogenesis.

 

Reproduction in squamate reptiles is almost exclusively sexual. Males ordinarily have a ZZ pair of sex-determining chromosomes, and females a ZW pair. However, the Colombian Rainbow boa (Epicrates maurus) can also reproduce by facultative parthenogenesis, resulting in production of WW female progeny. The WW females are likely produced by terminal automixis.

 

Embryonic Development

Snake embryonic development initially follows similar steps as any vertebrate embryo. The snake embryo begins as a zygote, undergoes rapid cell division, forms a germinal disc, also called a blastodisc, then undergoes gastrulation, neurulation, and organogenesis. Cell division and proliferation continues until an early snake embryo develops and the typical body shape of a snake can be observed. Multiple features differentiate the embryologic development of snakes from other vertebrates, two significant factors being the elongation of the body and the lack of limb development.

 

The elongation in snake body is accompanied by a significant increase in vertebra count (mice have 60 vertebrae, whereas snakes may have over 300). This increase in vertebrae is due to an increase in somites during embryogenesis, leading to an increased number of vertebrae which develop. Somites are formed at the presomitic mesoderm due to a set of oscillatory genes that direct the somitogenesis clock. The snake somitogenesis clock operates at a frequency 4 times that of a mouse (after correction for developmental time), creating more somites, and therefore creating more vertebrae. This difference in clock speed is believed to be caused by differences in Lunatic fringe gene expression, a gene involved in the somitogenesis clock.

 

There is ample literature focusing on the limb development/lack of development in snake embryos and the gene expression associated with the different stages. In basal snakes, such as the python, embryos in early development exhibit a hind limb bud that develops with some cartilage and a cartilaginous pelvic element, however this degenerates before hatching. This presence of vestigial development suggests that some snakes are still undergoing hind limb reduction before they are eliminated. There is no evidence in basal snakes of forelimb rudiments and no examples of snake forelimb bud initiation in embryo, so little is known regarding the loss of this trait. Recent studies suggests that hind limb reduction could be due to mutations in enhancers for the SSH gene, however other studies suggested that mutations within the Hox Genes or their enhancers could contribute to snake limblessness. Since multiple studies have found evidence suggesting different genes played a role in the loss of limbs in snakes, it is likely that multiple gene mutations had an additive effect leading to limb loss in snakes.

 

Behavior

Snake coiled on a stick in Oklahoma. It was brumating in a large pile of wood chips, found by this landscaper after he bulldozed the pile in late autumn 2018.

In regions where winters are too cold for snakes to tolerate while remaining active, local species will enter a period of brumation. Unlike hibernation, in which the dormant mammals are actually asleep, brumating reptiles are awake but inactive. Individual snakes may brumate in burrows, under rock piles, or inside fallen trees, or large numbers of snakes may clump together in hibernacula.

 

Feeding and diet

All snakes are strictly carnivorous, preying on small animals including lizards, frogs, other snakes, small mammals, birds, eggs, fish, snails, worms, and insects. Snakes cannot bite or tear their food to pieces so must swallow their prey whole. The eating habits of a snake are largely influenced by body size; smaller snakes eat smaller prey. Juvenile pythons might start out feeding on lizards or mice and graduate to small deer or antelope as an adult, for example.

 

The snake's jaw is a complex structure. Contrary to the popular belief that snakes can dislocate their jaws, they have an extremely flexible lower jaw, the two halves of which are not rigidly attached, and numerous other joints in the skull, which allow the snake to open its mouth wide enough to swallow prey whole, even if it is larger in diameter than the snake itself. For example, the African egg-eating snake has flexible jaws adapted for eating eggs much larger than the diameter of its head.  This snake has no teeth, but does have bony protrusions on the inside edge of its spine, which it uses to break the shell when eating eggs.

 

The majority of snakes eat a variety of prey animals, but there is some specialization in certain species. King cobras and the Australian bandy-bandy consume other snakes. Species of the family Pareidae have more teeth on the right side of their mouths than on the left, as they mostly prey on snails and the shells usually spiral clockwise.

 

Some snakes have a venomous bite, which they use to kill their prey before eating it. Other snakes kill their prey by constriction, while some swallow their prey when it is still alive.

 

After eating, snakes become dormant to allow the process of digestion to take place; this is an intense activity, especially after consumption of large prey. In species that feed only sporadically, the entire intestine enters a reduced state between meals to conserve energy. The digestive system is then 'up-regulated' to full capacity within 48 hours of prey consumption. Being ectothermic ("cold-blooded"), the surrounding temperature plays an important role in the digestion process. The ideal temperature for snakes to digest food is 30 °C (86 °F). There is a huge amount of metabolic energy involved in a snake's digestion, for example the surface body temperature of the South American rattlesnake (Crotalus durissus) increases by as much as 1.2 °C (2.2 °F) during the digestive process. If a snake is disturbed after having eaten recently, it will often regurgitate its prey to be able to escape the perceived threat. When undisturbed, the digestive process is highly efficient; the snake's digestive enzymes dissolve and absorb everything but the prey's hair (or feathers) and claws, which are excreted along with waste.

 

Hooding and spitting

Hooding (expansion of the neck area) is a visual deterrent, mostly seen in cobras (elapids), and is primarily controlled by rib muscles.[98] Hooding can be accompanied by spitting venom towards the threatening object,[99] and producing a specialized sound; hissing. Studies on captive cobras showed that 13 to 22% of the body length is raised during hooding.

 

Locomotion

The lack of limbs does not impede the movement of snakes. They have developed several different modes of locomotion to deal with particular environments. Unlike the gaits of limbed animals, which form a continuum, each mode of snake locomotion is discrete and distinct from the others; transitions between modes are abrupt.

 

Lateral undulation

Lateral undulation is the sole mode of aquatic locomotion, and the most common mode of terrestrial locomotion In this mode, the body of the snake alternately flexes to the left and right, resulting in a series of rearward-moving "waves". While this movement appears rapid, snakes have rarely been documented moving faster than two body-lengths per second, often much less. This mode of movement has the same net cost of transport (calories burned per meter moved) as running in lizards of the same mass.

 

Terrestrial lateral undulation is the most common mode of terrestrial locomotion for most snake species. In this mode, the posteriorly moving waves push against contact points in the environment, such as rocks, twigs, irregularities in the soil, etc. Each of these environmental objects, in turn, generates a reaction force directed forward and towards the midline of the snake, resulting in forward thrust while the lateral components cancel out. The speed of this movement depends upon the density of push-points in the environment, with a medium density of about 8[clarification needed] along the snake's length being ideal. The wave speed is precisely the same as the snake speed, and as a result, every point on the snake's body follows the path of the point ahead of it, allowing snakes to move through very dense vegetation and small openings.

 

When swimming, the waves become larger as they move down the snake's body, and the wave travels backwards faster than the snake moves forwards. Thrust is generated by pushing their body against the water, resulting in the observed slip. In spite of overall similarities, studies show that the pattern of muscle activation is different in aquatic versus terrestrial lateral undulation, which justifies calling them separate modes. All snakes can laterally undulate forward (with backward-moving waves), but only sea snakes have been observed reversing the motion (moving backwards with forward-moving waves).

 

Sidewinding

Most often employed by colubroid snakes (colubrids, elapids, and vipers) when the snake must move in an environment that lacks irregularities to push against (rendering lateral undulation impossible), such as a slick mud flat, or a sand dune, sidewinding is a modified form of lateral undulation in which all of the body segments oriented in one direction remain in contact with the ground, while the other segments are lifted up, resulting in a peculiar "rolling" motion. This mode of locomotion overcomes the slippery nature of sand or mud by pushing off with only static portions on the body, thereby minimizing slipping. The static nature of the contact points can be shown from the tracks of a sidewinding snake, which show each belly scale imprint, without any smearing. This mode of locomotion has very low caloric cost, less than 1⁄3 of the cost for a lizard to move the same distance. Contrary to popular belief, there is no evidence that sidewinding is associated with the sand being hot.

 

Concertina

When push-points are absent, but there is not enough space to use sidewinding because of lateral constraints, such as in tunnels, snakes rely on concertina locomotion. In this mode, the snake braces the posterior portion of its body against the tunnel wall while the front of the snake extends and straightens. The front portion then flexes and forms an anchor point, and the posterior is straightened and pulled forwards. This mode of locomotion is slow and very demanding, up to seven times the cost of laterally undulating over the same distance. This high cost is due to the repeated stops and starts of portions of the body as well as the necessity of using active muscular effort to brace against the tunnel walls.

 

Arboreal

The movement of snakes in arboreal habitats has only recently been studied. While on tree branches, snakes use several modes of locomotion depending on species and bark texture. In general, snakes will use a modified form of concertina locomotion on smooth branches, but will laterally undulate if contact points are available. Snakes move faster on small branches and when contact points are present, in contrast to limbed animals, which do better on large branches with little 'clutter'.

 

Gliding snakes (Chrysopelea) of Southeast Asia launch themselves from branch tips, spreading their ribs and laterally undulating as they glide between trees. These snakes can perform a controlled glide for hundreds of feet depending upon launch altitude and can even turn in midair.

 

Rectilinear

The slowest mode of snake locomotion is rectilinear locomotion, which is also the only one where the snake does not need to bend its body laterally, though it may do so when turning. In this mode, the belly scales are lifted and pulled forward before being placed down and the body pulled over them. Waves of movement and stasis pass posteriorly, resulting in a series of ripples in the skin. The ribs of the snake do not move in this mode of locomotion and this method is most often used by large pythons, boas, and vipers when stalking prey across open ground as the snake's movements are subtle and harder to detect by their prey in this manner.

 

Interactions with humans

Snakes do not ordinarily prey on humans. Unless startled or injured, most snakes prefer to avoid contact and will not attack humans. With the exception of large constrictors, nonvenomous snakes are not a threat to humans. The bite of a nonvenomous snake is usually harmless; their teeth are not adapted for tearing or inflicting a deep puncture wound, but rather grabbing and holding. Although the possibility of infection and tissue damage is present in the bite of a nonvenomous snake, venomous snakes present far greater hazard to humans.  The World Health Organization (WHO) lists snakebite under the "other neglected conditions" category.

 

Documented deaths resulting from snake bites are uncommon. Nonfatal bites from venomous snakes may result in the need for amputation of a limb or part thereof. Of the roughly 725 species of venomous snakes worldwide, only 250 are able to kill a human with one bite. Australia averages only one fatal snake bite per year. In India, 250,000 snakebites are recorded in a single year, with as many as 50,000 recorded initial deaths. The WHO estimates that on the order of 100,000 people die each year as a result of snake bites, and around three times as many amputations and other permanent disabilities are caused by snakebites annually.

 

The treatment for a snakebite is as variable as the bite itself. The most common and effective method is through antivenom (or antivenin), a serum made from the venom of the snake. Some antivenom is species-specific (monovalent) while some is made for use with multiple species in mind (polyvalent). In the United States for example, all species of venomous snakes are pit vipers, with the exception of the coral snake. To produce antivenom, a mixture of the venoms of the different species of rattlesnakes, copperheads, and cottonmouths is injected into the body of a horse in ever-increasing dosages until the horse is immunized. Blood is then extracted from the immunized horse. The serum is separated and further purified and freeze-dried. It is reconstituted with sterile water and becomes antivenom. For this reason, people who are allergic to horses are more likely to have an allergic reaction to antivenom. Antivenom for the more dangerous species (such as mambas, taipans, and cobras) is made in a similar manner in South Africa, Australia , and India, although these antivenoms are species-specific.

 

Snake charmers

In some parts of the world, especially in India, snake charming is a roadside show performed by a charmer. In such a show, the snake charmer carries a basket containing a snake that he seemingly charms by playing tunes with his flutelike musical instrument, to which the snake responds. The snake is in fact responding to the movement of the flute, not the sound it makes, as snakes lack external ears (though they do have internal ears).

 

The Wildlife Protection Act of 1972 in India technically prohibits snake charming on the grounds of reducing animal cruelty. Other types of snake charmers use a snake and mongoose show, where the two animals have a mock fight; however, this is not very common, as the animals may be seriously injured or killed. Snake charming as a profession is dying out in India because of competition from modern forms of entertainment and environment laws proscribing the practice. Many Indians have never seen snake charming and it is becoming a folktale of the past.

 

Trapping

The Irulas tribe of Andhra Pradesh and Tamil Nadu in India have been hunter-gatherers in the hot, dry plains forests, and have practiced the art of snake catching for generations. They have a vast knowledge of snakes in the field. They generally catch the snakes with the help of a simple stick. Earlier, the Irulas caught thousands of snakes for the snake-skin industry. After the complete ban of the snake-skin industry in India and protection of all snakes under the Indian Wildlife (Protection) Act 1972, they formed the Irula Snake Catcher's Cooperative and switched to catching snakes for removal of venom, releasing them in the wild after four extractions. The venom so collected is used for producing life-saving antivenom, biomedical research and for other medicinal products. The Irulas are also known to eat some of the snakes they catch and are very useful in rat extermination in the villages.

 

Despite the existence of snake charmers, there have also been professional snake catchers or wranglers. Modern-day snake trapping involves a herpetologist using a long stick with a V-shaped end. Some television show hosts, like Bill Haast, Austin Stevens, Steve Irwin, and Jeff Corwin, prefer to catch them using bare hands.

 

Consumption

Although snakes are not commonly thought of as food, their consumption is acceptable in some cultures and may even be considered a delicacy. Snake soup is popular in Cantonese cuisine, consumed by locals in the autumn to warm their bodies. Western cultures document the consumption of snakes only under extreme circumstances of hunger, with the exception of cooked rattlesnake meat, which is commonly consumed in Texas and parts of the Midwestern United States.

 

In Asian countries such as China, Taiwan, Thailand, Indonesia, Vietnam, and Cambodia, drinking the blood of a snake—particularly the cobra—is believed to increase sexual virility. When possible, the blood is drained while the cobra is still alive, and it is usually mixed with some form of liquor to improve the taste.

 

The use of snakes in alcohol is accepted in some Asian countries. In such cases, one or more snakes are left to steep in a jar or container of liquor, as this is claimed to make the liquor stronger (as well as more expensive). One example of this is the Habu snake, which is sometimes placed in the Okinawan liqueur Habushu (ハブ酒), also known as "Habu Sake".

 

Snake wine (蛇酒) is an alcoholic beverage produced by infusing whole snakes in rice wine or grain alcohol. First recorded as being consumed in China during the Western Zhou dynasty, this drink is considered an important curative and is believed to reinvigorate a person according to traditional Chinese medicine

 

Pets

In the Western world, some snakes are kept as pets, especially docile species such as the ball python and corn snake. To meet the demand, a captive breeding industry has developed. Snakes bred in captivity are considered preferable to specimens caught in the wild and tend to make better pets. Compared with more traditional types of companion animal, snakes can be very low-maintenance pets; they require minimal space, as most common species do not exceed 5 feet (1.5 m) in length, and can be fed relatively infrequently—usually once every five to 14 days. Certain snakes have a lifespan of more than 40 years if given proper care.

 

Symbolism

In ancient Mesopotamia, Nirah, the messenger god of Ištaran, was represented as a serpent on kudurrus, or boundary stones. Representations of two intertwined serpents are common in Sumerian art and Neo-Sumerian artwork and still appear sporadically on cylinder seals and amulets until as late as the thirteenth century BC. The horned viper (Cerastes cerastes) appears in Kassite and Neo-Assyrian kudurrus and is invoked in Assyrian texts as a magical protective entity. A dragon-like creature with horns, the body and neck of a snake, the forelegs of a lion, and the hind-legs of a bird appears in Mesopotamian art from the Akkadian Period until the Hellenistic Period (323 BC–31 BC). This creature, known in Akkadian as the mušḫuššu, meaning "furious serpent", was used as a symbol for particular deities and also as a general protective emblem. It seems to have originally been the attendant of the Underworld god Ninazu, but later became the attendant to the Hurrian storm-god Tishpak, as well as, later, Ninazu's son Ningishzida, the Babylonian national god Marduk, the scribal god Nabu, and the Assyrian national god Ashur.

 

In Egyptian history, the snake occupies a primary role with the Nile cobra adorning the crown of the pharaoh in ancient times. It was worshipped as one of the gods and was also used for sinister purposes: murder of an adversary and ritual suicide (Cleopatra). The ouroboros was a well-known ancient Egyptian symbol of a serpent swallowing its own tail. The precursor to the ouroboros was the "Many-Faced", a serpent with five heads, who, according to the Amduat, the oldest surviving Book of the Afterlife, was said to coil around the corpse of the sun god Ra protectively. The earliest surviving depiction of a "true" ouroboros comes from the gilded shrines in the tomb of Tutankhamun. In the early centuries AD, the ouroboros was adopted as a symbol by Gnostic Christians and chapter 136 of the Pistis Sophia, an early Gnostic text, describes "a great dragon whose tail is in its mouth". In medieval alchemy, the ouroboros became a typical western dragon with wings, legs, and a tail.

 

In the Bible, King Nahash of Ammon, whose name means "Snake", is depicted very negatively, as a particularly cruel and despicable enemy of the ancient Hebrews.

 

The ancient Greeks used the Gorgoneion, a depiction of a hideous face with serpents for hair, as an apotropaic symbol to ward off evil. In a Greek myth described by Pseudo-Apollodorus in his Bibliotheca, Medusa was a Gorgon with serpents for hair whose gaze turned all those who looked at her to stone and was slain by the hero Perseus. In the Roman poet Ovid's Metamorphoses, Medusa is said to have once been a beautiful priestess of Athena, whom Athena turned into a serpent-haired monster after she was raped by the god Poseidon in Athena's temple. In another myth referenced by the Boeotian poet Hesiod and described in detail by Pseudo-Apollodorus, the hero Heracles is said to have slain the Lernaean Hydra, a multiple-headed serpent which dwelt in the swamps of Lerna.

 

The legendary account of the foundation of Thebes mentioned a monster snake guarding the spring from which the new settlement was to draw its water. In fighting and killing the snake, the companions of the founder Cadmus all perished – leading to the term "Cadmean victory" (i.e. a victory involving one's own ruin).

 

Three medical symbols involving snakes that are still used today are Bowl of Hygieia, symbolizing pharmacy, and the Caduceus and Rod of Asclepius, which are symbols denoting medicine in general.

 

One of the etymologies proposed for the common female first name Linda is that it might derive from Old German Lindi or Linda, meaning a serpent.

 

India is often called the land of snakes and is steeped in tradition regarding snakes. Snakes are worshipped as gods even today with many women pouring milk on snake pits (despite snakes' aversion for milk). The cobra is seen on the neck of Shiva and Vishnu is depicted often as sleeping on a seven-headed snake or within the coils of a serpent. There are also several temples in India solely for cobras sometimes called Nagraj (King of Snakes) and it is believed that snakes are symbols of fertility. There is a Hindu festival called Nag Panchami each year on which day snakes are venerated and prayed to. See also Nāga.

 

In India there is another mythology about snakes. Commonly known in Hindi as "Ichchhadhari" snakes. Such snakes can take the form of any living creature, but prefer human form. These mythical snakes possess a valuable gem called "Mani", which is more brilliant than diamond. There are many stories in India about greedy people trying to possess this gem and ending up getting killed.

 

The snake is one of the 12 celestial animals of Chinese zodiac, in the Chinese calendar.

 

Many ancient Peruvian cultures worshipped nature. They emphasized animals and often depicted snakes in their art.

 

Religion

Snakes are used in Hinduism as a part of ritual worship. In the annual Nag Panchami festival, participants worship either live cobras or images of Nāgas. Lord Shiva is depicted in most images with a snake coiled around his neck. Puranic literature includes various stories associated with snakes, for example Shesha is said to hold all the planets of the Universe on his hoods and to constantly sing the glories of Vishnu from all his mouths. Other notable snakes in Hinduism are Vasuki, Takshaka, Karkotaka, and Pingala. The term Nāga is used to refer to entities that take the form of large snakes in Hinduism and Buddhism.

 

Snakes have been widely revered in many cultures, such as in ancient Greece where the serpent was seen as a healer.[148] Asclepius carried a serpent wound around his wand, a symbol seen today on many ambulances. In Judaism, the snake of brass is also a symbol of healing, of one's life being saved from imminent death.

 

In religious terms, the snake and jaguar were arguably the most important animals in ancient Mesoamerica. "In states of ecstasy, lords dance a serpent dance; great descending snakes adorn and support buildings from Chichen Itza to Tenochtitlan, and the Nahuatl word coatl meaning serpent or twin, forms part of primary deities such as Mixcoatl, Quetzalcoatl, and Coatlicue." In the Maya and Aztec calendars, the fifth day of the week was known as Snake Day.

 

In some parts of Christianity, the redemptive work of Jesus Christ is compared to saving one's life through beholding the Nehushtan (serpent of brass). Snake handlers use snakes as an integral part of church worship, to demonstrate their faith in divine protection. However, more commonly in Christianity, the serpent has been depicted as a representative of evil and sly plotting, as seen in the description in Genesis of a snake tempting Eve in the Garden of Eden. Saint Patrick is purported to have expelled all snakes from Ireland while converting the country to Christianity in the 5th century, thus explaining the absence of snakes there.

 

In Christianity and Judaism, the snake makes its infamous appearance in the first book of the Bible when a serpent appears before Adam and Eve and tempts them with the forbidden fruit from the Tree of Knowledge. The snake returns in the Book of Exodus when Moses turns his staff into a snake as a sign of God's power, and later when he makes the Nehushtan, a bronze snake on a pole that when looked at cured the people of bites from the snakes that plagued them in the desert. The serpent makes its final appearance symbolizing Satan in the Book of Revelation: "And he laid hold on the dragon the old serpent, which is the devil and Satan, and bound him for a thousand years."

 

In Neo-Paganism and Wicca, the snake is seen as a symbol of wisdom and knowledge. Additionally, snakes are sometimes associated with Hecate, the Greek goddess of witchcraft.

 

Medicine

Several compounds from snake venoms are being researched as potential treatments or preventatives for pain, cancers, arthritis, stroke, heart disease, hemophilia, and hypertension, and to control bleeding (e.g. during surgery).

Posted by Ping.fm

Phottix recently came out with a new remote that uses 2.4GHz wireless. The Phottix Plato. It's a little pricier (~$45) but from first glance, I can see a couple of advantages over the Cleon.

 

[0] Digital encoding gives you a more discrete signal and helps to avoid misfires.

 

[1] Smart codes rolls the codes automatically to avoid contention with other remotes or RF signals.

 

[2] Two-way communications between receiver and transmitter confirms you are within range or not. It also seems to have a longer range.

 

[3] Interchangeable end-cords allows you to use the same remote on various cameras simply by replacing the connecting cord. For instance, use the N8 cord for the D300 and the N6 cord for the D80.

 

[4] Uses more common batteries rather than the expensive "exotic" ones the Cleon uses.

 

[5] Slicker looking construction.

 

So... I decided to get one. Tonight I came home from a business trip and found my Plato sitting in my mailbox. There were three items in the package... well five if you count the two double-packs of AAA batteries.

 

[0] Transmitter

[1[ Receiver

[3] Cable

 

Both the transmitter and receiver take common AAA batteries. This is a great improvement over some of the older Phottix and Cactus wireless remotes that took a combination of CR2 and type-N... both of which are rather expensive. There was also a single instruction sheet which was as expected written in Engrish although admittedly it's not as bad as some other products I've seen. There was however one glaring error which I will go into about later.

 

After installing the batteries, both the transmitter and receivers immediately power up. Shutting each of them down requires a push of their power/select button for about 3 seconds. Both have an auto-poweroff feature that shuts them off after an hour of inactivity.

 

Unlike previous Phottix RF remotes, this one uses rolling codes instead of choosing from amongst preset frequencies. So instead of flipping DIP switches on each device to match one another, the transmitter and receivers must be paired like bluetooth devices. The set comes pre-synced to one another from the factory but you can reset the code by resyncing them. This is accomplished by first turning on the receiver and transmitter. The transmitters picks a code. Then on the receiver, you set it to learning mode by tapping the power button five times. On the transmitter, you push the shutter release button and the two are now synced. You can sync as many as 16 million receivers to the same transmitter. The remote uses the 2.4GHz band which can get congested so in certain environments, it may take a while for the pair to negotiate with one another. But once paired the likelihood of misfires or inadvertent triggers is nearly nonexistent. There are two status LEDs on the transmitter. Half-pressing the shutter release button will confirm that you're in range by lighting them both green as well as passing a half-press action to the camera which should respond in kind (ie. activate AF and VR) depending on how the camera is configured.

 

The transmitter and receiver are make and model agnostic. The vendor specific interface is handled by the cable. In my case, I am using the N8 cable for the D200 and D300. One end of the cable plugs into the camera and the other end is a simple three-contact 3.5mm "headphone" style plug which can be plugged into the receiver or the transmitter. When plugged into the receiver, the transmitter is in wireless mode. If however you wish to trigger things via a wired remote, you can plug the cable into the transmitter directly. All functions are the same in either mode. Note that the instruction sheet says that it is the receiver that can be used for wired triggering operations but this is in fact incorrect.

 

The transmitter has two buttons. The big button is the shutter release. The smaller button is the mode select and power button. Holding down this button for about 3 seconds powers the transmitter on or off. There is a series of LEDs that indicate which type of triggering mode you've selected. The following modes are supported:

 

[] Single - Pressing the shutter release acts like a single press of your camera's shutter release.

 

[] 2s Delay - Pressing the shutter release button invokes a 2-second delay before a single release signal is sent.

 

[] Continuous - Pressing the shutter release button once will cause the remote to trigger five individual releases. Holding down the button will act like holding down the shutter release on your camera. The camera's behaviour will be governed by the drive-mode in such a case.

 

[] Bulb - Pressing the button once is the same as holding down the shutter release on the camera. Press it again to release. This is intended to be used with the bulb shutter-speed setting but if combined with any other shutter speed will act like a press once to activate and press again to release so for instance, if you are in AF-C and don't have bulb set for the shutter-speed, your camera will continue shooting until you tap the button again.

 

Again, half-press operation is supported and in wireless mode, the two status LEDs at the top will turn green to confirm transmitter-to-receiver signal reception. A full press will turn the two LEDs red. In wired mode only LED #1 will show status.

 

The receiver has a single button for on/off and learning mode selection. There are also two LEDs. In normal operation, the left most LED will repeatedly flash red to indicate that the unit is on and ready. The right LED will turn green when it receives a trigger signal from the transmitter. Putting the receiver into learning mode causes the right LED to flash rapidly. The receiver also has a hot-shoe mount so it can be conveniently secured to the flash shoe.

 

All in all, I'm pretty happy with this remote. It's certainly a nice improvement over the older Cleon and would highly recommend it over the Cleon line even though it's about $10 more expensive.

232. Friday 13th January

 

I miss my sister a lot. She is my favouritest sister :) And a good portrait model, she has awesome cheekbones and a cute nose. I am often envious of her beauty. She used to be incredibly skinny too, but then she became a mother. Still, she's taller than me and carries the weight much better than I do. Once, we had a pact that she could have some of my giant boobs because she had nonexistent tiny ones, but she had to take some of the fat from my huge black-woman-esque ass too. Unfortunately, she then grew boobs and didn't need my help, so I'm stuck with my huge ass now :p But at least my boobs have shrunk to a decent size, or my body has caught up with them. Either way, I think we're both happier with our appearance now, although we often moan about losing weight but barely ever go running or diet!

 

She emailed me today, to say that she missed me and couldn't wait for me to get home, and then did an *excited fist dance* which made me smile :) She devotes a lot of time to her son and misses interaction with other people. I can't wait to get home and interact with her :)

 

This was taken a few months ago, on a day out to Chester zoo and I randomly found it while I was missing her. And it's a sea day today and I'm devoid of creativity. So here we go, yet another cheat :p

 

Today, the Costa Concordia sank. It was one of those 'It could happen to us!' kind of realisations. Still, it does seem so far away and unreal. People were mean to me about not knowing stuff and I went to bed quite depressed.

Travel the world means to pass by from a province to another, everyone of which is a solitary star. For the greater part of the persons who live in the real world ends on the home’s threshold, at the limit of the village, at the extreme - to the border of the valley.

The world that is beyond is nonexistent and quite useless, while the one around them and all what their eye succeeds to embrace, rises to the dimensions of the great cosmos that darken all the rest.

 

Often the inhabitants of a place and who come from outside have difficulty to find a common language, since everyone of them watches the place through different optical: who comes from outside uses to wideangle, that make smaller the images but increases the horizon, while the person of the place has always used the telephoto lens, if not quite the telescope, that enlarge the minimums details.

Rysard Kapuscinski (Ebony)

The Prison Ship Martyrs Monument, sometimes referred to as the Soldiers and Sailors Monument, was erected in Fort Greene Park in 1908. Designed by Stanford White, the monument consists of a 100-foot-wide-granite staircase and a 149-foot high central Doric column. The monument, actually the third on the site, marks the site of the crypt for more than 11,500 men, women and children, known as the prison ship martyrs.

 

During the American Revolutionary War, the British imprisoned scores of soldiers, sailors, and private citizens--many simply because they would not swear allegiance to the Crown of England. When they ran out of jail space, they began using decommissioned ships anchored in Wallabout Bay as floating prisons. Life was unbearable on the prison ships. Disease was rampant, food and water were scarce or nonexistent, and the living conditions were overcrowded and wretched. Their bodies were thrown overboard or buried in shallow graves in the sandy marshes along the shore. In 1808 the remains of the prison ship martyrs were buried in a tomb on Jackson Street (now Hudson Avenue), near the Brooklyn Navy Yard.

 

In 1776, the construction of Fort Putnam on the high ground that now makes up Fort Greene Park was supervised by American Major General Nathanael Greene. During the Battle of Long Island, the Continental Army surrendered the fort and retreated to Manhattan. The fort was renamed for General Greene and rebuilt for the War of 1812. In 1845, the City of Brooklyn designated the site as a public park behind the support of Walt Whitman, then editor of the Brooklyn Daily Eagle. In 1867, landscape architects Frederick Law Olmsted and Calvert Vaux were engaged to redesign the park, and incorporate a new crypt for the remains of the prison ship martyrs.

 

The remains were moved to the park in 1873 into the newly created 25 by 11 foot brick vault. Twenty-two boxes, containing a mere fraction of total volume of remains, were interred. Towards the end of the 19th century, a diverse group of interests including the federal government, municipal and state governments, private societies, and donors, began a campaign for a permanent monument to the prison ship martyrs. In 1905 the renowned architectural firm of McKim, Mead and White was hired to design a new entrance to the crypt and a wide granite stairway leading to a plaza on top of the hill. From its center rose a freestanding Doric column crowned by a bronze lantern. President-elect William Howard Taft attended the monument’s dedication in 1908.

 

Sculptor Adolph Alexander Weinman (1870–1952) created the monument’s bronze pieces -- the large urn or decorative lantern (never functioning) as well as four eagles that were once mounted to the corner granite posts. The eagles were removed to storage after being repeatedly vandalized; two of them are on public display at the Arsenal, the Parks administrative headquarters on Fifth Avenue at 64th Street in Manhattan. A tablet over the entrance to tomb, also in storage now, was donated by the Tammany Society, and was originally the cornerstone of the Navy Yard vault. An elevator and stairs for the interior were installed in 1937; both were removed in 1948 after the monument was renovated by Parks. In 1970 the elevator pit was filled in.

 

Presently plans are being considered for the renovation of the monument, landscaping of the apex of the park and the re-installation of the conserved eagles and plaque.

 

The Fort Green Historic District was designated by the New York City Landmarks Preservation Commission in 1978.

 

Fort Greene Historic District National Register #83001691

Sounds like an upmarket luxury retreat but is actually a now largely disused refuelling stop for the local lobster fishermen. They work their pots along the wild, exposed coast and come in for a welcome respite in the Jailhouse Cafe and plug into Sky TV to get news and weather updates. It used to be occupied by a family but now is largely disused except for use as storage.

Doubtful Sound is a very large and naturally imposing fjord (despite its name) in Fiordland, in the far south west of New Zealand. It is located in the same region as the smaller but more famous and accessible Milford Sound.

Doubtful Sound was named 'Doubtful Harbour' in 1770 by Captain Cook, who did not enter the inlet as he was uncertain whether it was navigable under sail. It was later renamed Doubtful Sound by whalers and sealers.

A Spanish scientific expedition commanded by Alessandro Malaspina visited Doubtful Sound in February 1793 to conduct experiments measuring the force of gravity using a pendulum, a part of the effort to establish a new metric system. The officers of the expedition, which included Felipe Bauzá y Cañas, a cartographer, also made the first chart of the entrance and lower parts of the Sound, naming features of it. Today these form a unique cluster of the only Spanish names on the map of New Zealand: Febrero Point, Bauza Island and the Nee Islets, Pendulo Reach and Malaspina Reach.

There are three distinct arms to the sound, which is the site of several large waterfalls, notably Helena Falls at Deep Cove, and the Browne Falls which have a fall of over 600 metres. The steep hills are known for their hundreds of waterfalls during the rainy season.

Access to the sound is either by sea, or by the Wilmot Pass road from the Manapouri Power Station. Most areas of the sound itself are only accessible by sea however, as the road network in this area of New Zealand is sparse or nonexistent, as is the human population.

Charles John Lyttelton, 10th Viscount Cobham, Governor-General of New Zealand (1957-1962) wrote about this part of Fiordland:

"There are just a few areas left in the world where no human has ever set foot. That one of them should be in a country so civilized and so advanced as New Zealand may seem incredible, unless one has visited the south-west corner of the South Island. Jagged razor backed mountains rear their heads into the sky. More than 200 days of rain a year ensure not a tree branch is left bare and brown, moss and epiphytes drape every nook. The forest is intensely green. This is big country... one day peaceful, a study in green and blue, the next melancholy and misty, with low cloud veiling the tops... an awesome place, with its granite precipices, its hanging valleys, its earthquake faults and its thundering cascades."

Doubtful Sound is unusual in that it contains two distinct layers of water that scarcely mix. The top few meters is fresh water, fed from the high inflows from the surrounding mountains, and stained brown with tannins from the forest. Below this is a layer of cold, heavy, saline water from the sea. The dark tannins in the fresh water layer makes it difficult for light to penetrate. Thus, many deep-sea species will grow in the comparatively shallow depths of the Sound.

This fiord is home to one of the southernmost population of bottlenose dolphins. The Doubtful Sound bottlenoses have formed a very insular sub-group of only about 70 individuals, with none having been observed to leave or enter the Sound during a multi-year monitoring regime. Their social grouping is thus extremely close, which is also partly attributed to the difficult and unusual features of their habitat, which is much colder than for other bottlenose groups and is also overlaid by the freshwater layer.

Other wildlife to be found in Doubtful Sound includes fur seals and penguins (Fiordland crested and blue), or even rare large whales (Southern Right Whale, Humpback Whale, Minke Whale, Sperm Whale and some Giant Beaked Whales. Orca, the Killer Whales and Long-Finned Pilot Whales can be found also. The waters of Doubtful Sound are also home to an abundance of sea creatures, including many species of fish, starfish, sea anemones and corals. It is perhaps best known for its black coral trees which occur in unusually shallow water for what is normally a deep water species.

The catchment basin of Doubtful Sound is generally steep terrain that is heavily forested except for locations where surface rock exposures are extensive. Nothofagus trees are dominant in many locations. In the understory there are a wide variety of shrubs and ferns.

Visionary Poet of the Millennium

An Indian poet Prophet

Seshendra Sharma

October 20th, 1927 - May 30th, 2007

seshendrasharma.weebly.com/

seshen.tributes.in/

www.facebook.com/GunturuSeshendraSharma/

eBooks :http://kinige.com/author/Gunturu+Seshendra+Sharma

 

Rivers and poets

Are veins and arteries

Of a country.

Rivers flow like poems

For animals, for birds

And for human beings-

The dreams that rivers dream

Bear fruit in the fields

The dreams that poets dream

Bear fruit in the people-

* * * * * *

The sunshine of my thought fell on the word

And its long shadow fell upon the century

Sun was playing with the early morning flowers

Time was frightened at the sight of the martyr-

-Seshendra Sharma

"We are children of a century which has seen revolutions, awakenment of large masses of people over the earth and their emancipation from slavery and colonialism wresting equality from the hands of brute forces and forging links of brotherhood across mankind.

This century has seen peaks of human knowledge; unprecedented intercourse of peoples and

perhaps for the first time saw the world stand on the brink of the dilemma of one world or destruction.

It is a very inspiring century, its achievements are unique.

A poet who is not conscious of this context fails in his existence as poet."

-Seshendra Sharma

(From his introduction to his “Poet’s notebook "THE ARC OF BLOOD" )

* * * * * *

B.A: Andhra Christian College: Guntur: A.P: India

B.L : Madras University: Madras

Deputy Municipal Commissioner (37 Years)

Dept of Municipal Administration, Government of Andhra Pradesh

Parents: G.Subrahmanyam (Father) ,Ammayamma (Mother)

Siblings: Anasuya,Devasena (Sisters),Rajasekharam(Younger brother)

Wife: Mrs.Janaki Sharma

Children: Vasundhara , Revathi (Daughters),

Vanamaali ,Saatyaki (Sons)

 

Seshendra Sharma is one of the most outstanding minds of modern Asia. He is the foremost of the Telugu poets today who has turned poetry to the gigantic strides of human history and embellished literature with the thrills and triumphs of the 20th century. A revolutionary poet who spurned the pedestrian and pedantic poetry equally, a brilliant critic and a scholar of Sanskrit, this versatile poet has breathed a new vision of modernity to his vernacular.Such minds place Telugu on the world map of intellectualism. Readers conversant with names like Paul Valery, Gauguin, and Dag Hammarskjold will have to add the name of Seshendra Sharma the writer from India to that dynasty of intellectuals.

* * *

Seshendra Sharma better known as Seshendra isa colossus of Modern Indian poetry.

His literature is a unique blend of the best of poetry and poetics.

Diversity and depth of his literary interests and his works

are perhaps hitherto unknown in Indian literature.

From poetry to poetics, from Mantra Sastra to Marxist Politics his writings bear an unnerving pprint of his rare genius.

His scholarship and command over Sanskrit , English and Telugu Languages has facilitated his emergence as a towering personality of comparative literature in the 20th century world literature.

T.S.Eliot ,ArchbaldMacleish and Seshendra Sharma are trinity of world poetry and Poetics.

His sense of dedication to the genre of art he chooses to express himself and

the determination to reach the depths of subject he undertakes to explore

place him in the galaxy of world poets / world intellectuals.

Seshendra’seBooks :http://kinige.com/author/Gunturu+Seshendra+Sharma

Seshendra Sharma’s Writings Copyright © Saatyaki S/o Seshendra Sharma

Contact :saatyaki@gmail.com+919441070985+917702964402

------------------------

Seshendra Sharma : Scholar - Poet

Seshendra Sharma, a scholar - poet was born (October 20, 1927) into a Pujari ( Priests ) family in Nellore District in the state of Andhra Pradesh in India . Seshendra’s father and his grandfather were well versed in Sanskrit Literature, Vedas and scriptures. At home itself, thus from his childhood , Seshendra got the opportunity of learning and training in Sanskrit. This was further nurtured by the Village school of Thotapalligudur, where he spent best part of his childhood.

Seshendra’s father was a well-to-do person, a Munsif ( village officer ) of the village, possessing more than Ten Acres of agricultural Wet land and own house . Father’s desire to see his son flower into a top man turned a new leaf in Seshendra’s life. Seshendra’s father admitted him for B.A. Graduation course in Andhra Christian College in Guntur. Incidentally, Seshendra’s Family Sir Name and this town’s name are one and the same. This is a turning point in the budding poet’s journey. Seshendra got significant exposure to the Western World, particularly to the Western Literature. The makings of a Visionary Poet germinated in him in this Alma Mater. His journey of poetry started with Translation of Mathew Arnold’s “Sohrab and Rustum “ , a long poem , which Seshendra translated into Telugu in Metrical poetry with accomplished finesse . This trend eventually blossomed and Seshendra emerged as an Epic – Poet. His My Country – My People : Modern Indian Epic is observed by learned critics as a land mark in modern poetry ranking it on par with T.S. Eliot’s Waste Land . This long poem was nominated for Nobel Prize in 2004. His subsequent works Gorilla, Turned into water and fled away, Ocean is my name – long poems were reviewed in scholarly strain.

Seshendra’s desire to perform in films took him to Madras, today’s Chennai in Tamil Nadu. In Madras he formally joined B.L. Course with Madras Law College. And was developing contacts in the Telugu Cinema Circles and was working as a freelance journalist. He used to translate articles into Telugu for Janavani , a popular weekly of those times whose editor was Tapi Dharma Rao , a towering personality of Telugu Literature. This facet of journalism of his personality rose to its full heights in 90s. When Soviet Union collapsed he wrote a series of articles in Telugu as well as in English decrying the west’s sinister plot, villainous machinations to pull down Communist Regimes. He sang odes / Laurels to communism and expressed in aggressive tone and style that communism will never die. It remains in the genes of oppressed peoples of the world for ever. Perhaps Seshendra is the only poet from the Indian Subcontinent to pen Anti – Imperialist essays during those times. He completed his Law course but his desire to act in films remained unfulfilled. Seshendra’s Classmates at his Alma Mater, A.C.College, Guntur, N.T.Rama Rao and Kongara Jaggaiah became popular actors of Telugu Cinema. N.T.R became an all time super –hero. Seshendra’s father and maternal uncle forcibly brought him back from Madras, and with the good offices of native Member of Parliament put him in Government service as Deputy Panchayat Officer. In due course of time, on deputation, joined Municipal Administration Department and worked as Municipal Commissioner in all Major cities and towns of Andhra Pradesh. With the result he got wide exposure to conditions of social life of his times. He obtained personal acquaintance of Common Man’s life and his travails. This enriched his vision of life and literature a great deal.

With Seshendra Poetry and Poetics are Siamese Twins. He penned works of Literary Criticism both on classical and contemporary poetry. Sahitya Kaumudi (Telugu ) and his bi-lingual book “ the ARC of Blood : My Note Book “ illustrate this point. His Research work on Valmiki’s Ramayana , Shodasi : Secrets of The Ramayana , questions the very foundations of centuries old assumptions. Seshendra, based on scientific research citing from the original text of Valmiki and Vedas, reveals that The Ramayana is not just story of Rama told in enchanting poetry , But the Sage wrote the epic to spread Kundalini Yoga among the masses of his era. His observations that the concepts of Vishnu and Reincarnation were non –existent during Valmiki’s Epoch constitute a revolt against centuries old beliefs. Sita is the central character of The Ramayana and she is Kundalini Shakti / Adi Para Shakthi . During that era temples and prayers were nonexistent. This hits directly at the very foundation of Temple System.

His Kavisena Manifesto , is a noteworthy work on Modern Poetics. In this work, he compiles cogently definitions of poetry cutting across centuries and countries and writes scintillating commentary. This Manifesto of Modern Poetry is a sort of Wikipedia page of world poetry. Seshendra, finally concludes that poetry is emotions and feelings skilfully garbed in unusual diction, and poetry is a way of life.

Discerning scholars critics and academics are of intrinsic opinion that T.S.Eliot ,Archibald MacLeish and Seshendra Sharma are trinity of world poetry and Poetics.

But this Scholar – poet of 20th century is an unsung and unwept genius of his times.

Prime Minister of India honoured Seshendra with Gold Medal in Sahitya Akademi ( India ) Golden Jubilee celebrations and Chief Minister of AP honoured him with Hansa Literary Award on the eve of UGADI , Telugu New Year Day in 2005 .

In one of his poems he says fragrance of stars is calling me. Seshendra left this world and vanished into fragrance of galaxies on May 30, 2007.

* * * * * *

 

GunturuSeshendraSarma: an extraordinary poet-scholar

One of the ironies in literature is that

he came to be known more as a critic than a poet

 

HYDERABAD: An era of scholastic excellence and poetic grandeur has come to an end in the passing away of GunturuSeshendraSarma, one of the foremost poets and critics in Telugu literature. His mastery over western literature and Indian `AlankaraSastra' gave his works a stunning imagery, unparalleled in modern Indian works. One of the ironies in literature is that he came to be known more as a critic than a poet. The Central SahityaAkademi award was conferred on him for his work `KaalaRekha' and not for his poetic excellence. The genius in him made him explore `Kundalini Yoga' in his treatise on Ramayana in `Shodasi' convincingly. His intellectual quest further made him probe `NaishadhaKaavya' in the backdrop of `LalitaSahasraNaamavali', `SoundaryaLahari' and `Kama Kala Vilasam' in `SwarnaHamsa', Seshendra saw the entire universe as a storehouse of images and signs to which imagination was to make value-addition. Like Stephene Mallarme who was considered a prophet of symbolism in French literature, SeshendraSarma too believed that art alone would survive in the universe along with poetry. He believed that the main vocation of human beings was to be artists and poets. His `Kavisena Manifesto' gave a new direction to modern criticism making it a landmark work in poetics. Telugus would rue the intellectual impoverishment they suffered in maintaining a `distance' from him. Seshendra could have given us more, but we did not deserve it! The denial of the Jnanpeeth Award to him proves it

 

The Hindu

India's National Newspaper

Friday, Jun 01, 2007

 

* * * * * *

Pardon Me Father!

 

I could not rescue him from the clutches of that nymphomaniac and vampire. There may be an exception or two but an average Indian woman desires from the depths of her soul that her husband should live long and she should pass away before him. She performs prayers and fasts on auspicious days for this purpose. She in spite of being 3years elder to him did away with my father in a planned and premeditated manner and I was a silent and helpless witness to it. He suffered 1st Heart attack in November 1997. Cardiologists performed angiogram and advised open heart surgery. Because there were blocks in vessels and one valve was damaged. But she successfully thwarted it and without my knowledge or informing any one got angioplasty done in Mediciti (Hyderabad: AP; India) her plan was to do away with him and live long, and establish herself as his wife through his books. He was succumbing to her blackmail. My overwhelming hunch is that she was threatening him with social insult and humiliation if he parts ways with her.

 

Between 1997-2007, she played football with his body. He used to be hospitalized every now and then with swollen body and heart pain. Because of damaged valve pumping was impaired and water used to accumulate in the system. Every time I used to force her to hospitalize him. He used be in ICCU for a couple of days and recover marginally. After each visit to hospital he was getting debilitated gradually. He was put on wheel chair. He was virtually under house arrest. He was not allowed to speak to friends and family members. Visitors were kept away. He was taking Lasix (Tablet: is a diuretic that is used to treat fluid accumulation, caused by heart failure, cirrhosis, chronic kidney failure, and nephrotic syndrome.) to flush out water accumulated in his body. This creates a painful dilemma in me whether my interference in his health matters was just. As his son it was my moral duty to protect him. But I sometimes feel if I were not to interfere she would have put him to death long ago and thus he would have escaped from physical and mental torture quite early.

 

Towards perhaps end of the month of March she withdrew medication. He got swollen suddenly and that condition continued till the last day i.e. 30th may 2007. Each time I visited I used to tell that witch to take him to hospital. But after a couple of visits I got convinced that she made up her mind this time to do away with him. I requested a bastard who was feigning to be a friend of mine, who incidentally happens to be a legal luminary of this region to send a doctor friend to that place and ascertain the exact condition of his health. But of no avail.

 

I kept on telling him to come out of that place and lead a normal and healthy life. Her blackmail gained an upper hand and I lost in my efforts to restore health to him and bring him back to civilized society. O God pardon me for not being able to outmanoeuvre her machinations. Pardon me father.

 

* * *

 

Who Are The Legal Heirs of Seshendra Sharma ?

DISCLAIMER

The literary world is aware that my father Gunturu Seshendra Sharma, eminent poet, litterateur and scholar-critic, died on 30th may 2007. Ever since he expired, there has been no mention of his parents, family members and other personal details in the news and in the articles about him. Not only this, fictional lies are being spread and using money power one shady lady is being propagated as his wife and so on. This has been causing me, as his son, a great mental agony. That is why, through this article, I am revealing certain fundamental truths to the literary field of this country and the civilized society. I appeal to your conscience to uphold truth, justice and values of our composite culture.

 

Seshendra Sharma's family members are: Parents: Subrahmanyam Sharma, Ammaayamma- Wife: Janaki Daughters: Vasundhara, Revathi, Sons: Vanamali, Saatyaki. Only these two are legal heirs of Seshendra Sharma, socially and morally too.

 

Street Play and Circus: In 1972, away from the civilized society, without the knowledge of parents and near and dear, in a far flung village called Halebeed in Karnataka a circus, a street play was staged. Let me make it clear that even after this street play my father did not divorce my mother Mrs.G.Janaki legally. He never had even a faint intention of committing such an uncivilized act. On the contrary, in all crucial Government documents he nominated my mother as his legal heir from time to time. During his long career as Municipal Commissioner with The Government of Andhra Pradesh, he retired 3 times. His first retirement came in 1975 by way of compulsory retirement for his anti establishment writings during Mrs. Gandhi's' emergency. His second retirement came in 1983 when the then new chief minister N.T. Rama Rao's government reduced the age of service from 58 to 55 years. The third and final retirement in the year 1985 on attaining 58 years of age. On all these occasions, in all the government documents, my father Seshendra Sharma nominated my mother Mrs. Janaki as his legal heir. This is precisely why the self contradictory 'second marriage' is a circus enacted away from the society and Law does not recognize this type of street plays as marriage.

 

Lakshmi Parvathi in literature

 

N.T. Rama Rao, actor turned politician married Ms. Lakshimi Parvathi in 1994 and subsequently in January 1995 he came to power for the second time. She used to act as an extra constitutional power and run the matters of government and the party. She developed her own coterie of cohorts and started dominating the party. After NTR was toppled by his own son- in-law, most of them parted ways with her. And the remaining touts left her for good the day NTR breathed his last. Ms.Indira Dhanrajgir has been playing the same role in Telugu literature over a period of more than 3 decades. In the guise of literature she developed her own coterie of lumpens with extra literary and money mongering elements - Tangirala Subba Rao, Velichala Kondala RAo(Editor:Jayanthi) Cheekolu Sundarayya(A.G.'s Office, Hyderabad et al).

 

There are a couple[ of dissimilarities between these two instances. After the demise of NTR, L.P's coterie of cohorts disappeared once and for all. Whereas, in Indira Dhanrajgir's case new lumpens are entering the field with the passage of time. Squandering her late father's wealth, she is roping in new touts. Since NTR's wife Basava Tarakam passed away in 1984 and since he was old and sick NTR's marriage with LP has ethical basis and is legal completely. Whereas I.D's is neither ethical nor legal. Hence it is a street play. This is the reason why after my father's death she has been spending money on a larger scale and indulging in false publicity and propaganda. Bh. Krishna Murthy, Sadasiva Sharma (The then Editor of Andhra Prabha:Telugu Daily, presently with Hindi Milap) Chandrasekhara Rao(Telugu lecturer: Methodist Degree College) etc. are indulging in all sorts of heinous acts to prop up I.D as my father's wife.

 

My father passed away on 30 May 2007. When our family was in grief and I was performing the 11 day ritual as per my mother's wish, the above mentioned Sadasiva Sharma went to Municipal Office on 4th June, created ruckus, played havoc telling them that he is from the Prime Minister's Office , мейд some 'senior officials' make phone calls to the officials concerned and got my father's death certificate forcibly issued. When the entire family was mourning the death of the family head, a stranger and a lumpen S.S -Why did he collect my father's death certificate forcibly from the municipal authorities? Whom did he collect it for?

 

THREE NAMES OF THE SAME PERSON IN 3 DECADES

 

This is perhaps for the first time that the name of a lady appears in 3 forms at a time. Perhaps in 1970, in my father's collection of poems"PAKSHULU her name appeared As Rajkumari Indira Devi Dhanrajgir. In 2006 she published a fake version of Kamaostav(Rewritten by a muffian Called Chandrasekhara Rao) . In this book her name appears as R.I.D.D. Prior to 1970 in Maqdoom Mohiuddeen's(Renowned Urdu Poet) anthology of poetry 'Bisath -E-Raks', in Urdu as well as Hindi , at the end of two poems her name appears as Kumari Indira Dhanrajgir. On 15th June 2007 A.P state cultural affairs department and Telugu University jointly held my father's memorial meeting. I.D hijacked this meeting by issuing her own commercial advertisements in English and Telugu dailies. In these advertisements her name appeared as Smt. Indira Devi Seshendra Sharma and again in the commercial public notices мейд by her in the month of November 2007her name appeared as Rajkumari devi etc. Why does her name appear in different forms on different occasions? Will I.D explain? Will Sadasiva Sharma clarify, who forcibly took my father's death certificate after four days of his death? Or will Bh.Krishna Murthy clarify?

 

If I.D has even an iota of regard, respect for or faith in love, or relation, the institution of marriage, immediately after'Halebeed Circus', she would have used my father's family sir name and her name would have appeared as Gunturu Indira. Since she was conscious of her goal during all times and conditions she did not take such a hasty and mindless step of change of her name.

 

WHERE DOES THE REAL SECRET LIE? Her life is totally illegal, anti-social and immoral. I.D's father performed her marriage with SRikishenSeth, Nephew of the then Prime minister to Nizam, Maharaja Kishen pershad in 1945. On the day of marriage itself I.D beat SrikeshenSeth up and ran away from him. She did not stop at that. She propagated among his friends and relatives and near and dear that he was not enough of a man and unfit for conjugal/ marital life. She filed a divorce case against him and dragged it till 1969/70. Lion's share of her husband's life got evaporated and was sapped completely by then. His parents used to approach I.D's father and plead with him to prevail upon his daughter, put sense into her head and see that she either lives with their son or dissolves the marriage legally so that they can remarry off their son. But I.D did not heed. Raja Dhanrajgir after getting disgusted with her nasty activities stipulated a mandatory condition in his will. He stated that I.D would be entitled to get a share of his property only if she is married.

 

This is the reason why ID who has no respect for the institution of marriage or regard or desire for marital life , in the guise of love and love poetry inflicted indelible blemish on the institution of marriage which is unprecedented in the literary history of the world. After my father's death she has been indulging in more rigorous false publicity along with her coterie of touts.

 

KAMOSTAV:STORY OF ID'S SOUL:

 

With this novel Kamostav, father's literary life came to an end for good. He did not produce literary works worth mentioning in his later phase of life. During those days he asked for my opinion on that novel. I told him clearly that it lacks the form and content of a novel- it does not have a story line, plot, sequences, characters and eventually a message which every novel gives. Hence it is a trash. Several people went to court and got its publication in a weekly stopped. ID got this very trash rewritten completely by Chandrasekhara Rao and printed it. This kind of heinous development has never taken place in the recorded history of Telugu literature till date. A writing which brought disrepute to my father in the literary field and isolated him in the society, why did she get it rewritten by somebody and publish it claiming copyright to be hers? What is her motive? What is her aim? That is why Kamotsav is ID's biography, story of her inner soul.

 

SESHENDRA'S COPYRIGHTS:

 

My father gifted away copyrights of his entire works along with their translations to me by way of birth day gift to me on 2.12.1989. Since then I have published several of his works during his lifetime itself. Kamostav, the version that is secretly мейд available is the dirty work of cheapsters and lumpens under the leadership of ID. It is much worse than violation of copyrights. That is the reason why I have been reluctant to take action so far. If she and her debased henchmen try to violate copyrights of my father's works bequeathed to me, I shall take exemplary legal action against them.

 

ID мейд 2 public notices to the effect that my father cancelled all his earlier transfer of copyrights and retransferred all his rights to her. This is a palace intrigue in the modern era in our civilized society.

 

WHAT DOES LAW SAY ABOUT COPYRIGHTS?

 

An author can transfer copyrights of his works to any one as per her/his wish. But the Copyrights Act 1957 and the Supreme Court in its various judgments has clearly stipulated a procedure to revoke earlier assignment and transferring of copyrights to somebody else subsequently. The author has to issue a notice to the 1st assignee, giving 6 months time for reply. Depending on the reply the author can take his next step. Where as in my father's copyrights matter he did not even inform me orally of any such cancellation. ID claims that she has a typed document of transfer of copyrights signed by my father on 5.1.2006. Between 5.1.2006 and 30.5.2007, leave alone issuing a notice, he did not even inform me orally.

 

My father who assigned copyrights to me in his own handwriting, when he was relatively young and physically fit did not require to cancel the 1st assignment when he was totally dilapidated, almost bedridden and was counting his days. Another important aspect of the matter is that I have printed the Xerox of my father's document in his own works as early as 1995 and have been doing so from time to time during his life time. Where as ID claims to possess a document after my father's death and she has not мейд it public so far. ID tried to get my father's complete works published in different languages by Telugu University (Hyderabad: A.P: India) by paying them Rs. 6 Lakhs. I approached Telugu University and apprised them of facts. On the advice of legal experts, they stopped this project and returned ID's money to her. It is an incontrovertible fact that ID's document is a forged and fraudulent document which does not stand scrutiny before law. Court shall certainly award her exemplary punishment. In all societies and times literature has been social wealth/public property from time immemorial. It should not be used as a mask to grab share of parental property illegally and unethically. I am committed to this cause/ ideal and appeal to the civilized society to strengthen my hands in this endeavor. ID's younger brother Sri Mahendra Pratapgir is the lone legal heir apparent of that family and keeping him in dark, she is squandering her father's wealth in Telugu literature for her nasty propaganda.

 

FATHER PASSED AWAY:

 

In 1997 when he suffered the 1st heart attack he was half-dead. Dr.Sudhakar Reddy, cardiologist of Mediciti Hospitals (Native of Warangal.A.P) performed angiogram and diagnosed that he had blocks in arteries and one valve was damaged completely. He advised open heart surgery. But ID averted it and got angioplasty performed. His health declined rapidly since then and was leading the life of virtually an invalid till he breathed his last. He suffered inexplicable mental and physical torture for about a decade. During the last leg of his journey he was isolated from his family completely. He was deserted by one and all in the literary field. When his younger brother passed away, his younger sister passed away he did not visit his ancestral home in his village and call on those families. He became target of jealousy and animosity in the society. He became a victim of false impression with the society that he was an aristocrat and rolling in luxuries. Whereas, he was deprived of even his native vegetarian food for decades together. As a silent and helpless witness to these painful happenings, I was subject to untold mental agony.

 

In the later half of March 2007 on one of my visits to him, I was aghast at his condition. His entire body was swollen. His appearance was like that of a stuffed gunny bag. I told him to get hospitalized. I told ID to rush him to a hospital. But of no avail. On 30th may 2007 at about 11 pm I got a phone call from her" Come soon/Serious" she said. As I entered at 11.15 pm "Go inside/he is no more' she said.

 

* * One day when swarms of lamps vanish, in the light of a lonely lamp I ask the dumb pillars "Can't you liberate me from the disgust of this existence? I ask those stand still forest flame trees

which blossom flowers at that very place year after year

 

"can't you rescue me?

 

I ask those high roof tops and this Venetian furniture

 

which every one feels are greater than me, "can't you rescue me from the disgust of this existence?" All these answer in a melancholic voice "We have been languishing since more than 100 years watching the same unchanging scenes we are older prisoners than you are" (Janavamsham: Telugu: Seshendra: Page 80-81:1993: Translated by me)

 

My father's first biography (in Hindi) titled "Rashtrendu Seshendra: Ashesh Aayaam" by Dr.Vishranth Vasishth appeared in 1994. Touching upon these very sensitive aspects of my father's life he commented in that book"SONE KE PINJRE ME PANCHCHI" (A bird in a golden cage). Alarmed and agonized by his rapidly declining health, as early as June 2002, in order to bring pressure on ID, I gave a 2 cassettes long interview to Vijayaviharam of Janaharsha group. Later on when I enquired about that interview they said that in the raids conducted on their premises, they got destroyed.

 

I wanted to rescue my father and bring him back home when he was in good health. Alas! At last, I took him to the burial ground, laid him on the funeral pyre and consigned him to flames and returned home all alone.

 

G.Satyaki S/o Late.G.Seshendra Sharma

Hyderabad.T.S.INDIA

saatyaki@gmail.com

+91 94410 70985, 7702964402

 

Olympus OM-1

OM Zuiko 50mm f/1.8

Fuji Pro 400H

 

This roll was such a flop for me-- almost nothing good on it. I'd never shot with 400H before, and it didn't behave the way I expected it to-- the colors were really thin and weak, and sometimes nonexistent. Plus I accidentally tossed it into my checked luggage on the way home from NC, so at least one shot got fogged-- maybe the others got thrown off as well? In any case, it's back to the Portras with me. They're more my speed.

Neon signs are decidedly gaudy and some people consider them sort of low class; but I like neon signs and always have.

As a preschooler I could spell LIQUOR before I knew the alphabet; because nearly every liquor store in town had a neon sign out front.

As I got older and could appreciate the science and artisanry involved in neon, I liked them even more.

 

Still… having five or six or more tattoo parlors mixed in amongst too many bars to count saddens me.

The city of Fullerton used to be full of churches, schools and parks while bars were less numerous and tattoo parlors were nonexistent.

Today the churches & schools are less numerous, while some of the parks tend to be run down or require paid admission. Many of the current bars and tattoo parlors have replaced artist's studios.

 

Never the less, I still like neon and my new camera makes it so easy to photograph that there will probably be more of it in my photostream.

"my name is sizwe and i am going to make your life a beautiful day"

you will go to sleep with dirty feet

you will wake up with very many bug bites, because hey princess, this is africa

hahahahahahahahaha does he think we just got here or something

does this playa think we've never been to the eastern cape wtf

you will not wear anything clean

you will talk to me about your mommy

you will navigate this river and

a hard bed is very good for you

you will wake up at six am with the sun

and arms sore from rowing for ten kilometers yesterday

you will carry two large plastic jugs a kilometer to the water pump

and carry them both back on the ends of a long stick

and watch a boy who looks thirteen or something run faster than you have ever seen anyone run even in the nba

and then you will have a lot less respect for trained athletes though that was always dwindling very rapidly and on the verge of being nonexistent

which is probably not for the best

when people i know say "athletes" they are almost never talking about the bike messengers they know, the motherfucking ruckus they bring to the pavement

they're not talking about their friends who love moving their bodies to the same intensity

they're talking about football necked catholics and blonde spiky haired mainstream hip-hop blasting lean and awkwardly muscular b-ballin' supahstahzzzzzzzz

mmmhmm

hahahahahaha i am thinking about whether or not there is an inherent difference between spencer gutierrez and a kid i knew in high school named "jordan white" which is a very athletic name

good times

well

i will wash my muddy clothes in the sink

and then i will laugh thinking about getting stuck in the quicksand today up to my waist

and actually employing something i learned on man vs. wild in real life

and willy stared at me and said, "holy crap"

and then i laughed very hard at the idea of

actually employing something you learned from a television show

and a british man whose name is bear

an athlete!

contemplate existentially thanking man vs wild

deciding against it

and then hang those clothes on the tree in front of the hut

the european tree in front of the hut

fuck

nothing is simple

is there anywhere in the world where things can be simple

kristin says, maureen, you could never have a "good trip" (no offense)

why is that

because you think way too much, you're just going to be sad

i could probably make a powerpoint slideshow to show examples about how much i like you

it would be very funny and i would use sarcastic clip art

i would also use a pie chart to show "times when i like you in loud ways and times when i like you in quiet ways"

my favorite thing you have ever said so far in front of me is something about you and something i think is very true that i want to keep for my own body

and something i sort of want to hold you for

yes

hang up your clothes and try to sleep

nope

take three excedrin tension headache and then go to sleep

have a dream that barack obama has hiv

wake up and be like wtf

this has been on my mind nonstop for four months

quicksand tv star dreams of being in belle and sebastian

want what you can't have (at the moment)

want what you can't be (perhaps never?)

forevah

Hand-drawn map of Schichtelo. 2011.

should i process these pictures in any order? this is from like 4 cities after mumbai.... the evening we went to old delhi with THE WONDERFUL FABULOUS BRILLIANT MATHIEU!!!!! www.flickr.com/photos/mathieujv/ which seriously, everyone with a brain should go spend at least 365 days with mathieu and his wife in delhi and you will emerge completely refreshed and happy.

 

old delhi is nuthouse. the alleyways shouldn't fit more the two people but as usual, squeeze 10 people, 4 vendors and 2 cycle rickshaws. haha ok maybe it's not that bad. for the record, chandni chowk is the name of the market we were in when i took this picture. minutes before we took a stroll down that insane street, i had gotten into a little tiff with a boy with limited knowledge of english and common sense at a mosque who tried to get me to pay for my camera, the camera fee, which is acceptable in some places, even there, BUT i wasn't going to be taking any pictures in his mosque. he didnt even know i had a camera, as it was hidden in my bag. i think he just thought that all the white people (there were about 2 others there) just always take pictures of mosques where ever they go. (i got tired pretty quickly taking pictures of temples and mosques and forts and palaces in india, no offence to old delhi mosque boy, but i didn't want any pictures there.)

 

i refused to pay for something i wasn't going to use and mathieu ended up holding my bag and camera outside the mosque. then before entering the mosque, the boy wrapped me up in this hideous red and yellow floral plastic robe that zipped from my neck/ears down to the ground, it DRAGGED because i'm like 5 inches shorter than most of the world. apparently my pants and tunic were too immodest for the mosque. excuse me, but really?? the other white people were wearing shorts and tanks in the mosque!! obviously the boy, angry with me for not giving him the camera fee for the camera i didnt have, wanted me to look ridiculous and sweat my entire body weight off, as delhi is about 97 degrees and 95% humidity. and that i did.

 

eric and i (wearing the screaming vinyl tablecloth) walked around the mosque for a while before i began suffocating and decided it was just a mosque and lets just go eat. upon getting back our shoes at the entrance, the same delightful boy as before unzipped me. then i realized he didnt just want me to look like a kitchen table from 1972 and drown in salty wetness, he also wanted me to be forced to pay the "coat fee" for wearing the ugly abomination.

 

when i refused that, saying "well you didnt let me take my bag in so i don't even have any rupees" he said "laundry fee"

and i said "no."

and he said "yes. have to."

i said "no."

he said "required."

and i said "no."

and he said "5 rupees" (which is a pointless amount of money, but it had now become about the principle of winning)

so i said loudly and slowly, right into his eyes, "I DONT HAVE MY MONEY SINCE YOU DIDNT LET ME TAKE MY BAG IN, YOU KNOW WHAT I MEAN?"

 

then i walked off. i woulda given him 5 ruppes for the laundry fee if he hadnt been so insane about my nonexistent camera. then 15 minutes later i took this picture and about 108 others. notice how the memory written here has nothing to do with this staring bald baby.

 

View On Black

via Instagram ift.tt/21HWRVs via 500px ift.tt/1OcwT2z

They combine before nonexistent a kind of relation.

She hopes it, it hopes her, of the thing and thing is to exist so.

This was taken on our second day in Zion near the Emerald Pools section. I think we were on the trail to the Grotto when I shot this photo. The thing April and I like about this photo is that there is a little bit of everything here. Starting with the awesome waterfalls that were nonexistent the day before, leafy green trees, pine trees, and cacti all in one area..... So a little bit of everything.

 

Southwest Sunday

 

Check me out on 500px

By mid-1945, three nuclear bombs were developed by the Manhattan Project: two plutonium bombs, and an older uranium bomb. On July 16, 1945, one of the bombs was secretly tested at Los Alamos in New Mexico (Trinity). The residents of Oak Ridge learned about the nuclear bombs with the entire world on August 6, 1945, when the uranium bomb (Little Boy) exploded over Hiroshima Japan, obliterating the city and killing some 70,000 Japanese civilians instantly. As the country was preparing for the Invasion of Japan, the residents of Oak Ridge felt an enormous surge of pride in finally knowing about what they had been developing for three years, and its role in ending WWII. The final bomb (Fat Man) was dropped over Nagasaki on August 9. Officially nonexistent by the US government until the dropping of the nuclear bombs, Oak Ridge is still known as the "Secret City".

American Museum of Science and Energy, Oak Ridge, Tennessee

 

We got off our coach (after a mornings tour around Seville) and headed for the Alcazar! We didn't go on the boat trip, so we followed the tour guide towards the Cathedral, before we made our own way to the Alcazar.

 

Near Calle Santander.

On Calle Adolfo Rodriguez Jurado. Near Av de la Constitucion. Corner of Calle Joaquin Hazanas.

 

Edificio Coliseo España

 

The Colosseum Spain, has become an icon in the new Constitution Avenue. The building has gone through many experiences throughout its history, some speak of monumentality and glamor, others neglect and contempt.

 

The roaring twenties, led to the arrival of new services Sevilla hitherto nonexistent, and many public and private buildings, hotels, fire stations, train stations and of course, cinemas and theaters arise. This was done the Teatro Coliseo Cinema Spain, a building that would house something as modern as the film, but without forgetting the Sevillian touch. The film would not get a plot in the Seville and Andalusian architecture well into the thirties, where Deco architecture was chosen.

 

Currently used as offices of the Board of Andalucia

I'm gobsmacked by several things here. First, the light was nonexistent. Yet the Sony A7RII performed extremely well at incredibly high ISO. Second, using knowledge developed around a digital Zone System, I knew precisely where I wanted the tonal values and was able to place them accordingly. Third, I am happy to confirm the dynamic range of the sensor extends usefully to below Zone 0 (Zone -2!), even at such high ISO settings. Fourth, 1950s German optics can do the trick. These images were made using a triplet wide angle. Who would design such a thing and make it work? Micro-contrast is something to be seen, otherwise you wouldn't believe it.

So as a dyed-in-the-wool iPhone fanboy, I've been wanting to pick up an Android handset for a while now to see how the other half lives. It's taken a while for decent Android phones to start getting to the point where they're affordable as on-a-whim buys on the used market without a contract, but they're finally there now, so I picked up a Motorola Droid. Here, have some first impressions.

 

Pros:

* The screen is a lot nicer than I was expecting. I was assuming that a phone of this vintage would have a screen more like my old iPhone 3Gs, where it was visibly pixelly, but it's a lot closer to the iPhone 4's retina display. So, good job, Motorola.

* Being able to go to market.android.com/ and pick out apps and have them magically appear on my phone? Sweet. Sign me up for more of that.

* It's also a lot more responsive than I had feared it would be. The only other times I'd really played with Android had been in stores and everything just seemed super slow. This isn't as fast as my iPhone, but it's also a couple of generations behind it, and it's actually pretty zippy given that caveat.

* Notifications are less intrusive than iOS 4.x and below, although that's likely to change in 5.

 

Cons: Just about everything else

* Okay, yes, the Android notification center is nicer than iOS's popups, but it means they can't do the little tap-the-top-to-scroll-up trick that iOS does in scroll views which is something I really miss.

* It's bulky as shit and feels really fragile, especially with the sliding keyboard mechanism. This is more a Motorola Droid problem than an Android In General problem, though

* The whole interface just looks... amateurish. Everything's square and blocky in most of the apps, but the launcher's got shading and 3D effects and whatnot, which makes it feel like the interface design as a whole is very disjoint.

* Little things like the way it handles gestures and scrolling make it feel very much like you're interacting with a tiny computer using gestures rather than that you're interacting with actual objects like on the iPhone.

* I still hate the Android way of zooming in web pages where it resizes everything and rerenders. On the iPhone it just zooms. I find the Android way to be very disorienting. This might be something I could learn to prefer over time, though, since there are some definite advantages to it with page readability on ill-designed websites.

* There is a dearth of apps. Yeah, they both have huge app stores, and it's rare for there to be something you can do on an iPhone that you just flat out can't do on Android, but I've yet to find any Android apps that are better designed than the iPhone counterpart I use. My HP48 calculator emulator is a perfect example--on the iPhone, it's so nice that it made me want to take another math class; on Android, it made me glad again that I never have to take a math class again. I also still haven't found a Flickr client that doesn't make me want to throw the Droid across the room.

* Every time I've asked anyone for suggestions on interesting apps to download, they've recommend... launcher replacements. So I have a shitload of choices for the ways in which I want to launch the nonexistent or shabbily-written apps. Hurray for Android?

* Honestly, I'm faster typing on the iPhone's virtual keyboard than I am on the Droid's physical keyboard. Might change if I get more used to it.

* The screen is 3.7" vs. the iPhone's 3.5". Somehow it feels smaller. I don't really understand it. Maybe because it's taller? Maybe just because Android draws all of the onscreen widgets a bit smaller and nobody can really optimize for this specific screen size because there are so many different resolutions and sizes to support.

* The Unix underpinnings are really close to the surface. Don't get me wrong, I love my Unix, but I don't want to have to think about how most of my storage is in /mnt/sdcard and some things need to store apps in the internal memory and data on the SD card and such. I just want shit to work.

* The big list of alphabetical apps with home screen aliases. This is another one of those "I'm interacting with a computer that has a touchscreen interface" vs "I'm interacting with physical objects" visual metaphor breakdown things, and it's very much evidence of a design-by-programmer vs. design-by-human-computer-interaction-specialist philosophy. On the iPhone, the app icon *is* the app. If you want to organize it differently, you just move it somewhere else. That being said, I really wish the iPhone would let me position my icons arbitrarily in the grid on each page rather than forcing them to close up any gaps.

 

So. Anyone got any suggestions for apps I should try out? Apps that aren't home screen replacements, ideally?

 

(This picture was taken with my iPhone for maximum iRony)

www.child-adolescent-adult-development.info/playtime-for-...

 

Playtime for Grown Ups

 

By Calvin A. Colarusso, M.D.

Clinical Professor of Psychiatry,

University of California at San Diego

(12/07/2011)

 

Parents always tell kids to go out and play. But did you ever think that an adult, an adult and child psychiatrist no less, would tell YOU, the adult, to go out and play?

 

Well, Dr. Colarusso is doing just that. In this book he explains both the nature of play and the dynamics which make play such an essential part of human experience throughout the life cycle.

 

The message is get off that coach, get out of that rocking chair, and go and play. Adults need to play, maybe not as much as children do, but for the same reasons. Play is a way of mastering stress and trauma. It serves the same purpose for children and adults. The stresses of adulthood are in their own way more daunting than those of childhood. And we all have a need to master the traumatic overstimulation that characterizes our busy lives, to say nothing of the internal pressures that continually force us to deal with issues, relationships and experiences from the past and present.

 

Go and hit that great golf shot, watch an action movie, or see a good romance film and relive a youthful love affair. Join the Monday night football crowd. Reread Portnoy's Complaint. Take in your son's, daughter's or grandchild's soccer game. Buy some new sexual toys. They're all examples of how adults can and should play. Whatever you do, remember that play should be fun. But it's also a marvelous way to master the stresses of life. Just do it!

Playtime for Adults gives a clear understanding of the various forms of play available to adults and the reasons why play is important to mental and physical health, throughout adulthood.

 

This book includes:

An understanding of what motivates play

The role of thought and action in play

The different levels of play in childhood and adulthood

The relationships between creativity and play

The organizers of play in adulthood.

Sexual play

 

Understanding the nature of play and doing more of it will lead to a happier life.

 

ABOUT THE AUTHOR: Calvin A. Colarusso, M.D. is a board-certified Clinical Professor of Psychiatry at the University of California at San Diego, where he served for two decades as Director of the Child Psychiatry Residency Training Program.

 

He is also a Training and Supervising Analyst in child and adult psychoanalysis at the San Diego Psychoanalytic Institute and an internationally known lecturer to students, professionals, and the general public on many aspects of normal and pathologic development.

 

His books have been published in English, Korean, and Spanish. See amzn.to/calcolarusso.

 

Amazon Review

5.0 out of 5 stars hepful and practical, great info!, December 11, 2011

By Angela Johnson - See all my reviewsThis review is from: Playtime for Grown Ups (Kindle Edition)

 

"As a mother a of three active children, this was a book that I desperately needed to read. My life has been about them and only them since my oldest was born and although I don't regret anything for even a second, I have neglected myself for quite some time. This has led to me and the hubby not really connecting and enjoying each other like we had in the past. Of course if you ask him he won't admit it, but "play-time" for us has been nonexistent in our lives."

 

"The advice in this book has been wonderful and just by reading it, I've already started to feel better and more care-free. The author has a very friendly and uplifting style of writing, and his insights and ideas on adding creativity and play-time into the adults life are both practical and realistic. His intelligent thoughts on sexual play were probably my favorite part of the book, great ideas for keeping Mom emotionally and physically balanced ; )"

 

"Great book, I can't begin to recommend it enough. My husband has already agreed to read it too, I got him very interested with some of the ideas I told him about."

Qingdao is China’s premier “beer” city, as the country’s most famous brew – Tsingtao – was founded and continues to be brewed here. (For those who do come to the city, Tsingtao makes a decent dark beer – Yuan Jiang – that is quite hard to get outside of the city.) I guess the easiest comparison I can make would be to say that Qingdao is the same to beer culture here as St. Louis and Milwaukee are in the United States; a town famous for a mass-produced beer.

 

The Tsingtao brewery and museum (slightly underwhelming, according to my Lonely Planet guidebook) is located on Dengzhou Lu a bit north of Zhongshan Park. Dengzhou Lu is also famously known as Pijiu Jie (Beer Street). During the day, it’s easy to see the nightlife potential. At night, almost every establishment along this stretch of Dengzhou Lu (probably about a half kilometer to a one kilometer long) is a restaurant that opens up with the focus on drinking beer – almost always Tsingtao. (Curiously, in coming by here at night, the taxi took me past Hongjiu Jie – Red Wine Street. It looked quite a bit less subdued as wine culture here is, well, nonexistent. I didn’t have a chance to get back and look around there. Having drunk Chinese wine before…I don’t think I’m missing too much.)

 

I’ve lived in China for almost three years now; about two years in Shanghai and one year in Tianjin. Shandong province is the province that’s on the sea between the two cities. (From Shanghai to Tianjin by train is around 5 hours; by plane, 2 hours.) Qingdao, probably the most well-known city in Shandong, is a charming city, to say the least. In my opinion, it’s exceptionally photogenic – with very nice beaches, great architecture, good geography/topography, and terrific food.

 

Qingdao also happens to be known for the most famous of Chinese beers (Tsingtao), which is actually a company started by the Germans. (For what it’s worth, Chinese beers are quite watery and Tsingtao is somewhat like the Budweiser of Chinese beers. That being said, I’m happy to drink an ice cold Tsingtao on a hot summer day whereas I wouldn’t say the same thing about a Budweiser.

 

So what to make of Qingdao then? Before colonial powers swept in and started chopping up China piecemeal, Qingdao was basically a sleepy fishing village. During the Ming dynasty, a battery was built here. In 1898, the Germans seized control of Qingdao when two missionaries were killed. (Personally, it seems alarming to me that a country could lose a city because two foreigners happened to be killed – and China sure lost a lot that way during the 19th century. I guess that’s the downside to outmoded military technology; the Europeans and Americans basically plundered China…) At any rate, Qingdao was ceded to the Germans for 99 years, but that didn’t last long, thanks to World War I.

 

During the 15-20 years that the Germans did have control of the town, they managed to build a handful of churches (still standing) and missionaries, in addition to the aforementioned Qingdao brewery. Because of that, a lot of the European architecture has a heavy German influence and there are still a few random signs of German heritage around town.

 

From the Germans, Qingdao didn’t land directly with the Chinese. It spent 8 years under Japanese control (1914-1922) before being returned to the Kuomintang (aka General Chiang Kai-Shek’s clan). The Japanese took control once again in 1938 (as they swept through northeast China and across half the country) before losing it for the last time in 1945 at the end of World War II. Since then, it’s been in Chinese hands. (Brief history courtesy of Lonely Planet.)

 

Contemporary Qingdao certainly makes its way as a tourist destination – and it’s a fine one at that. The population (per my LP from 2011) lists it at 1.73 million. The city has a few areas that are quite appealing to tourists: the Old Town (the heart of the city) off the beach and just east of the railway station downtown, Badaguan (which means “eight passes”) is a hilly area with a lot of nice residential architecture to the east of the Old Town. Other than that, there are a lot of parks, a beer street, churches, and a 40 km. scenic walk (which, obviously, most people do not cover from end to end) along the shore which goes by all of the beaches in the area.

 

All in all, Qingdao is the type of town that, if you get the chance to visit, I think you would find yourself thinking it would be great to return again and again.

 

Tried to capture most of my friends here. Miles kindly chaperoned my wife onto the dance floor, as his wife was unable to attend, and me on the dance floor is like a unicorn on steroids in a china shop - both nonexistent and potentially quite destructive.

Operation “Salt City" resulted in the arrest of 248 individuals from May through September 2015. Of those arrested, 124 were active gang members. During the operation 22 firearms, more than $237,000 in U.S. currency, 70 grams of heroin, 266 grams of cocaine, and 723 grams of marijuana with a total estimated street value of almost $44,000 was taken off Syracuse streets by participating agencies.

Operation Salt City is part of the U.S. Marshals nation-wide “Triple Beam” gang reduction initiative. Triple Beam partners federal, state, and local law enforcement to reduce violent crime and take dangerous offenders off the streets. The goal of the U.S. Marshals Gang Enforcement Program is to seek out and disrupt illegal gang activity in areas of the country with smaller or nonexistent gang enforcement units by providing manpower, funding and the Marshals’ renowned fugitive tracking abilities.

 

Photo by Shane T. McCoy / US Marshals

Leaving Chicagland, as the locals referred to it, was a relatively simple undertaking in daylight, but in the dark hours it got a little challenging, especially if you wanted to avoid tolls on freeways. The first part of the trip was, south on I-94, was going smoothly, even if the scenery was drab or nonexistent where the roadway was in a sort of concrete-walled ditch. If our cash resreves had been more substantial, the logical way to go would have been to take the Chicago Skyway, which was the shortest, quickest route to Michigan City, but we were still thinking about stopping to eat and possibly needed another fuel stop, thus were loathe to toss our meager funds into little metal baskets at toll booths every few miles. So we passed on the Skyway exit and kept heading south, planning to take US- 12, the old road east, starting in Gary, Indiana, home to U.S. Steel and the largest steel plant in the universe. Gary was a blue collar, hard-edge town where racial tension was always just below the surface. "I don't remember there being any riots here," said Ashley when i mentioned this. "Makes sense," i said, "wer'e used to

thinking of the 1968 riots in Detroit, but the Chicago South Side/ Gary Race Riot was in 1919. "Glad I missed it," said Ashley. "Me too. The story behind it was that many working class jobs were filled by Eurpean immigrants, especially the Irish. During World War One. when many local men left their jobs for military service in Europe, poor black people from the South went north to fill those jobs. After the working class white laborers returned they blamed both the steelworks and the black community and rioted, burning the homes of black families and attacking innocent members of that community. In all, about a thousand families were left homeless and 40 people died." "That's quite a story," Ash remarked, "let's skip Gary."

 

This young lady is holding a sign that states the issue perfectly !!!

Those who are the white-collar criminals in the economic crisis should be jailed - for the reason her sign states!

 

"Help they stole our future"

Yes they did.

 

They drank champagne and ate steak and lobster while stealing our children future both economically and environmentally.

 

These greedy jerks are the same as mass murders but don't have the blood stains on their hands.

 

occupyaugusta.org/occupy/wp-content/lg-gallery/October%20...

 

The kids were great - and I think they really understand the importance of the movement.

 

The children understand because it's their future that had been hocked by the greedy elite power structure between bankers, traders, agents, politicians and others who created the economic crisis then jumped out with millions of dollars in golden parachutes.

 

Check out this OccupyAugusta video by Jane Pietkivitch

She shot and edited video from the Occupy Augusta march on downtown on Saturday (10-15-11).

 

The OccupyAugusta movement is doing a fantastic job coordinating and the enthusiasm is no less that in New York

www.facebook.com/photo.php?v=302389719777944

 

OccupyAugusta did an impressive job on Sat., Oct. 15, 2011 as they marched on downtown Augusta protesting the evil greed that created the current economic crisis.

 

The bankers, Wall Street traders, insurance industry, politicians proved they cannot be trusted when left to their own devices when the Bush administration made oversight almost nonexistent.

 

And sure enough when the foxes were in charge of the hen-house it was a slaughter of American jobs, the evaporation of retirement funds, a flood of home foreclosures, sending the world economy into crisis.

 

See the photos at these links!

 

occupyaugusta.org/occupy/wp-content/lg-gallery/October%20...

 

occupyaugusta.org/occupy/gallery?file=October%2015%202011/

 

Occupy Augusta, GA: Occupy Wall Street Pages:

 

Occupy Augusta, GA on Facebook:

www.facebook.com/pages/OCCUPY-AUGUSTA/178325418914632

 

Occupy Augusta, GA on Twitter:

twitter.com/#!/OWSaugustaGA

 

Occupy Augusta, GA on WordPress.org:

occupyaugusta.org/occupy

 

Occupy Augusta, GA on discussion page of WordPress.org (#OccupyAugusta ) in Solidarity with #OWS and #OccupyTogether:

occupyaugusta.org/discuss/index.php

 

Occupy Augusta, GA on MeetUp:

www.meetup.com/occupytogether/Augusta-GA/382952

 

Occupy Augusta, GA on Tumblr:

occupyaugustaga.tumblr.com

 

Occupy Wall Street Movement in other Georgia cities:

www.facebook.com/northganow

 

The Postcard

 

A postcard bearing no publisher's name that was printed in Great Britain. The five Weymouth locations are identified on the back of the card:

 

The Beach and Promenade The Swannery

The Harbour

The Floral Clock Sandsfoot Gardens

 

The card was posted using a 3d. stamp in Weymouth on Thursday the 20th. June 1968 to:

 

Mrs. Dent,

Ewlme,

Beckley,

Sussex.

 

The message on the divided back was as follows:

 

"Having a nice time at

Weymouth. The weather

has been good since I

arrived on the 10th.,

staying until the 29th.

The Dorset countryside

is really beautiful.

Love,

June."

 

Weymouth

 

Weymouth is a seaside town in Dorset, England, situated on a sheltered bay at the mouth of the River Wey on the English Channel coast. The town is 11 kilometres (7 mi) south of Dorchester and 8 kilometres (5 mi) north of the Isle of Portland. The town's population in 2011 was 52,300.

 

Weymouth is a tourist resort, and its economy depends on its harbour and visitor attractions; the town is a gateway situated halfway along the Jurassic Coast, a World Heritage Site on the Dorset and east Devon coast, important for its geology and landforms.

 

Weymouth Harbour has provided a berth for cross-channel ferries, and is home to pleasure boats and private yachts, and nearby Portland Harbour is home to the Weymouth and Portland National Sailing Academy, where the sailing events of the 2012 Olympic Games and Paralympic Games were held.

 

The history of the borough stretches back to the 12th century; including involvement in the spread of the Black Death, the settlement of the Americas, the development of Georgian architecture, and a major departure point for the Normandy Landings.

 

Austin Currie

 

So what else happened on the day that June posted the card?

 

Well, on the 20th. June 1968, Austin Currie, an elected member of Northern Ireland's parliament, called national attention to discrimination against the Roman Catholic minority in predominantly Protestant Northern Ireland by becoming a squatter.

 

Currie and two other people learned of a house in Caledon, County Tyrone, that had been allocated to a single, 19-year old Protestant woman, even though there were 269 families ahead of her on a waiting list for housing.

 

When police from the Royal Ulster Constabulary moved in to remove Currie and his group, he had a television crew present to film the action. The BBC Evening News broadcast the incident, and for many people in Britain, it was the first they heard of religious discrimination in Northern Ireland.

 

Stamp Counterfeiting

 

Also on that day, a federal law that had prohibited the printing of color images of United States postage stamps, was repealed when President Johnson signed legislation.

 

A White House statement said:

 

"Since stamp counterfeiting is today

virtually nonexistent, this restriction

is no longer necessary. There is no

reason now why the full meaning and

beauty of our postage stamps cannot

be communicated to all the world in

color reproduction."

 

Previously, stamp catalogs and encyclopedias could only display black-and-white images. The law had become obsolete after U.S. stamps were impregnated with an invisible phosphor which causes canceling machines to reject counterfeits".

 

David Ruffin

 

Also on the 20th. June 1968, David Ruffin was fired from The Temptations for missing a performance, after he developed a cocaine addition and began questioning Berry Gordy's handling of the group's financial affairs.

 

The Rolling Stones

 

Also on that day, the Number One chart hit record in the UK was 'Jumping Jack Flash' by the Rolling Stones.

 

finance.yahoo.com/news/damage-done-don-t-know-090000717.html

 

‘Was damage done? I don’t know’: Health experts are slow to criticize Fauci but quick to correct his claim that we are ‘out of the pandemic’

 

This week, COVID czar Dr. Anthony Fauci took the medical community aback when he announced that the U.S. is “out of the pandemic phase.” He said it as the U.S. neared its millionth COVID death, and cases are once again on the rise.

 

“We are certainly, right now, out of the pandemic phase,” Fauci told PBS News Hour’s Judy Woodruff on Tuesday. “We don’t have 900,000 new infections a day and tens and tens and tens and tens of thousands of hospitalizations and thousands of deaths. We are at a low level right now.

 

“So if you say, ‘Are we out of the pandemic phase in this country?’ We are.”

 

Fauci later repeated the sentiment, telling Woodruff “right now we are not in the pandemic phase in this country,” though he ended the interview by saying the world is still in a pandemic.

 

On Wednesday he clarified his statements, telling NPR, "What I'm referring to is that we are no longer in the acute fulminant accelerated phase of the outbreak. We're in a somewhat of a transitional phase where the cases' numbers have decelerated—and hopefully we're getting to a phase of somewhat better control, where we can begin to start to resuming more easily normal activities

 

The health experts Fortune spoke to were slow to criticize Fauci, saying it’s been a long and arduous two years, and that his initial statements, while incorrect, were perhaps well-intentioned slips of the tongue.

 

Dr. Georges Benjamin, head of the American Public Health Association, thinks Fauci was “just being inartful,” and that an attempt at cautious optimism backfired.

 

But he cautioned that COVID “has continued to fool us every single time we thought we knew where it was going,” he said. “The one thing predictable is that it’s unpredictable.”

 

Society has the tools to ensure COVID is no longer as disruptive as it initially was, said Dr. Panagis Galiasatos, an assistant professor at Johns Hopkins’ Division of Pulmonary & Critical Care Medicine who treats long COVID patients.

 

“Masks work, stay at home [when you’re sick], quarantine as you see fit—these are weapons that [can] keep COVID from being life-threatening. I think that’s what he’s trying to get at. The pandemic is here, but we should take into account that many countries are in a different place.”

 

Still, public health officials need to be “careful with wording what we say,” he said.

 

“Was damage done? I don’t know. I do view it as a potential miscommunication. We’re all guilty of it. We’ve all probably said something we wish we could take back.”

 

Dr. Phoebe Lostroh, a Harvard-trained microbiology professor at Colorado College in Colorado Springs, Colo., said she respects Fauci, who has been a “voice of reason in this outbreak.” But she questions even his revised statement.

 

“I think he made a faux pas even saying the acute phase is over,” Lostroh said. “It’s over for those of us who have been vaccinated and boosted, and those of us who have enough money to get anything delivered to our homes so we don’t have to go out in high density areas, who don’t have young children exposed over and over again, who can afford masks.”

 

She wishes Fauci would have been more clear on those at highest risk of death and severe illness from COVID, including those who aren’t vaccinated and boosted, those who are immunocompromised, and children 5 and under who aren’t yet eligible for the vaccine.

 

“It would be better to convey to the public that we still need to make progress on these goals, need to make progress on providing clean and healthy air in workplaces, places of business, schools,” she said.

 

Lostroh’s best guess is that “Fauci was trying to say that medicine has learned a lot—he was trying to put out a vote of confidence,” she said. “He could have been more nuanced about the level of investment we still need as a society to keep everyone safe.”

 

Arijit Chakravarty a COVID researcher and CEO of Fractal Therapeutics, a drug development firm, said he believes debate about what phase of the pandemic we’re in is a distraction.

 

“The situation is the virus is spreading uncontrolled, more or less,” he said, a reference to relaxed or nonexistent restrictions in most parts of the country. “We don’t have any tools at this point to really dampen down the spread.”

 

Vaccines, while offering protection from death and severe illness requiring hospitalization, are “remarkably degraded in their ability to prevent infection or transmission,” he said. The Washington Post reported last week that 42% of those who died of COVID in the U.S. in January and February had been vaccinated, citing U.S. Centers for Disease Control and Prevention data.

 

“If you look at the interventions we have today, the actual things in your control, probably the single most effective intervention, two years in, is an N95 mask,” he said. “I wish I didn’t live in a world where that was the state of the art, where we had to figure out our own strategy to avoid being infected.”

 

As for Fauci, he’s “done the best he could in a difficult situation,” Chakravarty said.

 

But wishing the pandemic is over “doesn’t make it so.”

 

“I remember him saying a long time ago, ‘You don’t make the timeline, the virus makes the timeline.’ Unfortunately, two years into this, we’re all human.”

---

Dr. Fauci made this comment on an interview with 60 Minutes on March 8, 2020, “There’s no reason to be walking around with a mask. When you’re in the middle of an outbreak, wearing a mask might make people feel a little bit better and it might even block a droplet, but it’s not providing the perfect protection that people think that it is. And, often, there are unintended consequences — people keep fiddling with the mask and they keep touching their face.”

 

--- He was wrong then and he's wrong now. Surgical masks and N95 masks work.

 

"Preventing coronavirus: Should you wear a face mask? - 60 Minutes - CBS News" www.cbsnews.com/amp/news/preventing-coronavirus-facemask-...

 

www.cnbc.com/amp/2022/05/02/medical-professionals-are-ske...

 

Medical professionals are skeptical on a fourth Covid vaccine dose

 

KEY POINTS

▫️Countries are beginning to offer a fourth dose of the Covid-19 vaccine to vulnerable groups, but medical professionals are undecided on whether it would benefit the wider population.

▫️Questions are being raised over the need for more booster shots as the emergence of more Covid variants may require more targeted vaccines.

▫️The World Health Organization hasn't given an official recommendation on a fourth dose, and "there isn't any good evidence at this point of time," said WHO chief scientist Soumya Swaminathan.

 

Countries are beginning to offer a fourth dose of the Covid-19 vaccine to vulnerable groups, but medical professionals are undecided on whether it would benefit the wider population.

 

The U.S. Food and Drug Administration has so far authorized a fourth shot only for those aged 50 and above, as well as those who are immunocompromised. And the U.S. Centers for Disease Control and Prevention was skeptical of the need for a fourth dose for healthy adults in the absence of a clearer public health strategy.

 

Those decisions came as a study from Israel found that although a fourth dose of the Pfizer-BioNTech vaccine offers protection against serious illness for at least six weeks after the shot, it provides only short-lived protection against infection, which wanes after just four weeks.

 

No 'good evidence' yet

The medical consensus so far is that there hasn't been enough research on how much protection a fourth dose can offer.

 

The World Health Organization hasn't given an official recommendation on a fourth dose, and "there isn't any good evidence at this point of time" that it will be beneficial, said WHO chief scientist Soumya Swaminathan.

 

"What we know from immunology is that if you give another booster, you will see a temporary increase in the neutralizing antibodies. But what we've also seen is that these neutralizing antibodies will wane quite rapidly," Swaminathan told CNBC in an interview.

 

"This happened after the third dose. And it's happened again after the fourth dose," she added.

 

Paul Goepfert, professor of medicine at the University of Alabama, shared that view, saying that "a fourth dose doesn't really do much of anything ... I'm not sure we need to get out and just jump up and down screaming that everybody needs to get aboard."

 

Since the study from Israel shows the fourth dose can provide protection against serious disease, countries such as Israel, Denmark and Singapore have made a second booster shot available to high-risk groups.

 

"Rather than saying that the protection wanes, I would say that this boost effect is strongest shortly after the vaccine was administered, but that it remains protective overall," said Ashley St. John, an associate professor at Duke-NUS Medical School.

 

"Importantly there was no waning of protection against severe disease, which is the most key effect of vaccination we aim to achieve," she added.

 

Annual booster shots?

Questions are being raised over the need for more booster shots as the emergence of more Covid variants may require more targeted vaccines.

 

Anthony Fauci, White House chief medical advisor, told NBC News in January that people may need to get booster shots every year or two.

 

However, blanket vaccine approaches may not continue to work.

 

It is possible that high-risk groups — such as the elderly — may need an annual vaccine, said Swaminathan. But "it's not clear whether a healthy adult is going to need a regular annual shot."

 

It's also important to note that the current vaccines being administered may not work for future variants of Covid-19, she said.

 

If the virus "changes so much that you need to change your vaccine composition, then you won't need another shot," Swaminathan added. "The challenge of changing the vaccine composition is that you're always playing catch-up."

 

Goepfert said "only time will tell" how long more the population has to take booster shots, but the safest approach would be to "plan on a booster every year, and maybe combine it with the flu vaccine."

 

Omicron subvariant

The WHO announced on Tuesday that weekly new Covid deaths had fallen to the lowest level since March 2020.

 

But the more contagious omicron BA.2 subvariant remains the dominant strain in the United States, making up 68.1% of all cases in the country during the week that ended on April 23, according to data from the CDC.

 

Although experts predict that the BA.2 subvariant is unlikely to be more severe than the original omicron strain, it should remain a concern.

 

"I do think infections are going to continue ... it's taken over most parts of the country, said Goepfert. "But in terms of severe infections, I think that's going to continue to be less and less."

 

Patients from locations with adequate vaccination coverage would experience only "mild or manageable disease" and this would reduce "burden on the healthcare system compared to waves of Covid pre-vaccines," St. John said.

 

"Just like studying for an exam, a vaccine booster can trigger immune system memories and increase performance during the real test," she added.

via Instagram ift.tt/21HWRVs

View Large On Black

 

Bufflehead duck (female) with Canada Goose

Muriel Hepner Park

Denville, New Jersey

 

Thanks to Tom for the tipoff about activity on the pond. No Kingfisher or Mergansers today, just this little quacker mixed in with small #s of mute swans, mallards, and canada geese. There was a large raptor that passed over the back of the pond, only caught a glimpse... looked like a red-tailed hawk.

 

This photo desperately needs more depth of field, but lighting was nonexistent, and I didn't expect to catch the bufflehead mid-quack!

 

ISO 1600, 1/125s, wide open @ f/5.6

I had to run noise reduction twice on this photo because it was extremely grainy. I did a lower pass on the full photo, and a high strength pass on just the background. Still noisy!

 

© DRB 2008 all rights reserved

Unauthorized use or reproduction for any reason is prohibited

I talked with a groundskeeper at Brookgreen Gardens about the moss, which isn't a moss but rather an airborne plant that lives on the nutrients it derives from the air. My specific question was as to why there is Spanish Moss hanging from nearly every tree in Brookgreen, in copious amounts, and yet right across Highway 17 in Huntington Beach State Park the plant is nonexistent. His best answer was that the State Park probably removes the plant, but this was clearly impossible given the hundreds of acres of maritime forest I hiked through the day before.

 

So if anybody out there has any ideas on why an airborne plant grows very successfully on one side of the road, yet does not exist on the other side of the road, feel free to give a response.

 

By the way, best viewed large for the full effect of the rays through the moss-covered limbs. Its quite lovely.

Seriously.

 

Or

 

Two Woman Agree to Split the Difference

  

Breasts aside, black cast statue and silvery metallic balloon were antagonizingly high contrast, so I pre-exposed the film against a neutral coloured wall before taking this shot to try to get some more detail out of Naked Lady. I think it worked pretty well, considering how I've been too lazy (I mean, have been practicing not using) to use a light meter, so all the exposure values and settings were made up on the spot, not the spot meter.

 

It is a good reminder that although some skills are like riding a bike, doing them well again after a long hiatus is another matter entirely. Twenty miles around a lake and then attempting a mountain (hill) after not riding (or even moving much) for three years is (wasn't) not a very good idea.

 

When FP100c and 3000b were my mediums of choice I was really good at over or under exposing and making up preflash levels, developing times, and temperatures so I could move the film's shadow and highlight sensitivity curves and dynamic range around. I don't think I could do it again so intuitively nowadays without burning through way too much near-nonexistent film first. This is probably a good argument for me to switch between formats either much more or much less often.

 

Now that I think about it, I actually had two light meters on my person when I took this shot. One old selenium meter that is on its last legs, and one super calibrated spot meter that I normally don't use in New York because it is vaguely gun-shaped.

 

Whatever, it's good practice, and this is already at the limits of this film's latitude.

 

Super square framing and shift correction takes practice too.

Wat Ong Teu Mahawihan (Temple of the Heavy Buddha) is one of many Buddhist Monasteries that are present in the city of Vientiane in Laos. This name is given to the temple due to the large, bronze Phra Ong Teu Buddha image that is present within the temple: the largest Buddha in Vientiane. This temple was initially constructed by King Settathirat I in the 16th century (known as the golden age of Buddhism in Laos) when Laos was being bombarded by the Burmese, but was later demolished during a foreign invasion. Thus, it may have gone through many reconstructions during the 19th or 20th century to attain the appearance it has today.

 

Though this temple is created in Vientiane, it has the basic shape for what is known as the ‘Luang Prabang I style’ with its scare use of brickwork and rectangular-like body.

 

Wat Ong Teu is said to have been placed along a cardinal point in accordance with three other temples, but that may just be coincidental.

 

ORIGIN

After commanding for the relocation of the capital of Laos from the city of Luang Prabang to Vientiane, King Setthathirat I produced many monasteries such as Wat That Luang and Wat Phra Kaew. The reason this particular wat (Lao for temple) was built was because Setthathirat I desired to create the Phra Ong Teu image that would be placed within it, and to have it as his person living quarters. There would be six other sculptures of this image present in other monasteries, but Wat Ong Teu Mahawihan contains the first of them. Since this time period is known as the golden age, the wat would evolve into a complex with a sim (ordination hall), a ho rackhang (bell tower), a ho kong (drum tower), a that (stupa), and a kuti (monks’ living quarters). Each of these parts of the complex all share the similar artistic motif of the architecture of the central wat, which is discussed later.

 

The original use of this wat was for ceremonies of allegiance to the king. However, in the 17th century, Souligna Vongsa as king transformed this temple into a Buddhist learning center in order to ‘teach, enlighten and inspire worshippers.’ In other words, it has become a school for monks coming from around Southeast Asia to study the dhamma. This becomes apparent because surrounding countries of Laos sent their monks to Vientiane to study this religion. Such a function is more understandable of Wat Ong Teu since there are many details that give the suggestion of a learning center.

 

RECONSTRUCTION

When Siam sacked Laos in 1827-28 as a punishment for almost all of the monasteries in Laos, including Wat Ong Teu, were destroyed. This was only made worse afterwards when the Ho bandits tried sack Vientiane again to take gold from Wat Ong Teu and others. In 1900, following the establishment of the Franco-Siamese treaty in 1843, the French chose Vientiane as their capital and started the reconstruction of its monasteries including Wat Ong Teu. As an addition, the French may have also created a school, in the same format and appearance as the rest of the complex to further exemplify the function of Wat Ong Teu as a place of study. The Lao Buddhist Institute was made in 1929 and still functions today as a school for the Theravada Buddhist religion.

 

ARCHITECTURE

In retrospect, the influence on the style of the original temple can be traced predominantly to India, though not directly. Indochina was part of the sphere of influence of India, known by George Coedès as the ‘Indianization of Southeast Asia.’ The religion and customs of Indian civilization came ‘thoroughly yet peacefully’ to the people of this region, especially due to marriage between Indian men and local women. Laos however, was a nonexistent country during this time. The kingdom of Lan Xang (‘Land of a million elephants’) wasn’t established until the mid-13th century of the common era just years after all direct contact with India was completely diminished. Instead, the original Wat Ong Teu took its traits from other mixed ideas of architecture from surrounding countries that were established earlier than the 13th century. In essence, the variant notions of these Southeastern Asian countries on the Theravada Buddhist architecture of India, such as Cambodia and Siam (present day Thailand), influenced the ideas of how Wat Ong Teu would be depicted. However, even though Laos borrowed traditions from these other cultures, the 16th century turned a new leaf for the Lao people in the form of a golden age. Thus, Wat Ong Teu has most of its own Lao Buddhist features and only minor details of surrounding influences.

 

After the temple’s destruction, some of the techniques used to create it were lost, but much of it wasn’t forgotten. Instead, modern techniques were blended in with the old during the temple’s reconstruction, especially in what was used to fortify the walls and roof. The result became a rich new style that is exclusive to Lao architecture. This primarily is because the modern reconstruction completed by the French kept sincere adherence to these Lao notions already established on temple aesthetics, with some artistic liberties since Laos at this time was only a protectorate of France.

 

ENTRY GATE

This multi-tiered archway serves as the entrance into the complex where the temple is located. It is miniature compared to that of Pha That Luang. The functionality of this seemingly simple archway is similar to that of the torana, or gateway, of Indian culture. The torana served as the passageway from secular ground to sacred ground. The only difference is that this archway does not have any images for which a person can meditate and it doesn’t involve circumambulating a stupa. This characteristic may be present in all the temples and stupas that exist in Laos, especially at King Setthathirat’s more famous architectural creation, Pha That Luang.

 

MAIN ENTRANCE

The entrance to Wat Ong Teu is known to have a good amount of eccentricities that are indigenous only to Laos and no other Buddhist temple in Asia. Just before going up the stairs at the front of the temple, one can find the frieze that is exceedingly baroque in detail, highlighting this Lao style. The green backdrop shimmers as many carved and gilded vine leaves curve in no apparent order or pattern. This motif is repeated throughout the whole front part of the temple, even surrounding the six small Buddhas that are just below the frieze. This foliage may be an allusion to the lotus flower which is an aniconic symbol of the Buddha. Another Lao characteristic of monasteries is the pointed double archway that flanks the six Buddhas. There are many variations of this characteristic, but the archway of Wat Ong Teu is the most simplistic aesthetically.

 

One of the most native features to Laos is the Naga, or mythical water serpent, that serves as the guardian of the entrance. The Naga was widely known in Southeast Asia before Buddhism arrived. They would symbolize the Hindu god Shiva in which they represented destruction and renewal. How they relate to the Buddha lies in the story of Siddhartha under the Bodhi tree.

 

This could also be the second area for which one would pass from less secular ground to completely sacred ground. Though Nagas are usually seen with multiple heads, Wat Ong Teu’s version of the Naga has a single head with a its bright green body stretched out. There are three sets of these Nagas that all give access to the same patio-type area in front the temple. This aspect is interesting because there is only one door that gives an entrance into the temple. It may be a reference to the original function of this wat as the king’s temple, with the front stairs only being walk on by the king while the others were reserved for normal patrons. The posts perpendicular to these Naga resemble the sort of pagoda or tower one would see in Laos.

 

The doors and windows are made of wood and are also decorated with many leaves and stems that spiral sporadically. These images are all carved, painted red and gilded to make the door and windows look as if they were made of metal. Each of the windows and the door have different images of the Buddha either directly or by aniconic representation. Some of them may evidently portray a Jataka, or story given of one of the Buddha’s past incarnations.

 

ROOF

Seemingly the most intricate part of the exterior of Wat Ong Teu is its roof. It illustrates a myriad of different styles from around Asia that blend in an extraordinarily harmonious way.

 

A commonly used feature in Asia for the roof is the utilization of a curved roof. This non-linear approach was originated by the Chinese. In China, architects thought that evil spirits despised curved lines, therefore giving an apotropaic effect to the temple. Lao ideas of the curved roof should have been similar to China’s as well. This aspect is especially important when the principal function of this temple is to teach the Buddhist religion. Students learning the Buddhist religion should especially be protected from the evils of the outside world.

 

What is particularly interesting is the feature of multiple roofs that descend past the boundaries of the wall at a slope. This aspect is exclusive to Laos. Specifically, there are three or four superimposed roofs, with the two bottom roofs being supported by columns from within the temple. It is unknown as to the reason for this intricate design, but it may be another aspect of protection because multiple roofs could cause confusion among evil spirits.

 

The stone spire decoration with stacked superimposed, decreasingly sized disks in the center of the keel is definitively a Buddhist element. It is known that before the Buddha went through enlightenment, he was always covered by parasols to indicate his royalty as a prince. Therefore, it is not unusual to see a parasol-like spire atop this temple. The other flame-like decorations, called chaw faa (sky clusters), lining the edges and vertices of the roof are frequently used in Laos. This may also be another quality that emphasizes the apotropaic effect of the roof.

 

The exterior may have a lot detail that is used for protection and attraction, but the interior does not mirror the same intricacy. Within the temple, the floors are glossed and the walls and ceiling are painted with the same colors as the exterior. There is a red mat that is lined perfectly from the middle to the back of the sim where the Phra Ong Teu image resides. The most intricate objects within the temple are the columns that hold up the roof. They may have been made to look like oversized lotus flowers that have grown from the ground to support the roof of the temple. This may illustrate the natural world for which the Buddha himself would have liked to teach his followers.

 

MODERN TECHNIQUES

Once Laos became a French protectorate and reconstruction began, there may have been many liberties made to some of the minute details of the temple, but most of the essential attributes of the temple remain similar to the original construction. A very important change is in the stone and well-kept wood that fortifies the structure of the temple. The brackets are included in this use of preserved timber. Not only are there brackets on the outside, but in the inside as well. However, the columns are the objects that provide the most support for the 3 or 4 tiered roofs, so they are treated with more care than the brackets. Therefore, in essence, the modern approach is more of a post and lintel technique rather than the use of brackets. The lack of non-perishable material before French rule over Laos is indicative of their weak government.

 

Some details that are usually seen in developed countries in Europe and North America include small, hanging chandeliers as well as fans placed on each column that lines the sim. These simple touches do seem to emit a sort of waning of sacredness for which the temple was originally created, but it may not be complete departure from belief.

 

Most of the modern techniques may have been meant for the surrounding complex rather than the monastery itself, but the central theme of all these buildings and towers remain faithful to that of Wat Ong Teu.

 

ART

´HEAVY BUDDHA`

ACCOMPANIED BY TWO STANDING BUDDHAS

These original sculptures reside within the sim of the temple towards the furthest wall from the entrance. The Phra Ong Teu is made of a mix of metals, predominately bronze, and is seated atop a golden pedestal that was cast separate from the Buddha. The head may have been cast separately as well from the body and put together by the ‘tonged and grooved joint techniques’ showing the skill of Lao craftsmanship. The two standing Buddhas are connected to their own respective platforms. These sculptures are raised on top of a platform with a color scheme similar to the rest of the temple. More recently, these sculptures are draped in linen or silk cloth, depicting the saffron clothing monks usually wear in Laos, with neon-colored halos place on the wall behind them. This may just add an artistic effect to the Buddhas so that a more prestigious role could be emphasized of them. However, Lao artists of this time never thought of these or other Buddha images as art, only as a means to ‘educate and enlighten.’ Therefore, later use of this temple as a place for further learning of the Hinayana Buddhist religion would be the exact purpose for which the artists intended.

 

It is usual to see the Enlightened One alone or accompanied by bodhisattvas in a triad, but here all three of these sculptures depict the Phra Ong Teu Buddha. A strong indication that these sculptures are Buddhas is the parasols that are suspended over them. Each of the smaller Buddhas have a parasol above them that is attached to a post protruding out from behind them, but the main Buddha has a distinctively rectangular parasol that is fastened to the ceiling. These parasols act in the same way as the parasol located on the keel of the wat, but the parasols that hang over the Buddhas are more decorative. What is interesting is that the rectangular parasol hanging over the Phra Ong Teu is more of a Japanese trait than anything Laos. The only record of any Japanese interaction with Laos would be during a five-year period in WWII. The only action caused by them was the nationalistic passion that the Lao people had in opposition to them. Not enough time was put into having any influence on their art of this Buddha or the temple that it is in.

 

There are many other features of Phra Ong Teu Buddha that are common in relation to the codified Buddha, but it still has its Lao differences. The earliest image of the Buddha in Laos was influenced by the ‘Pha Bang Khmer style,’ but started to become more distinctive in the 16th century along with the golden age. For example, the tightly curled hair that is displayed on the main Buddha is strongly reminiscent of the Gandhara Style of India during the Gupta period, which is mirrored by the Pha Bang. However, the pointed swelling coming out of the top of the image’s head, signifying ‘transcendent knowledge,’ expresses an exclusively Lao idea. This type of swell may even be a facet solely of the Phra Ong Teu image that King Setthathirat created. Some other modified aspects of the image are the sharp ear rims with long lobes, the equal, extended length of the fingers and toes, and the sharp wide nose.

 

There are a few different mudras, or hand gestures, that these Buddhas portray. These gestures illustrate the Indian influence that is present in Laos. Both of the smaller standing Buddhas have their hands up with palms facing outward, meaning fearlessness. Their mudra differs from the main Phra Ong Teu Buddha. He instead adopts two different mudras that allude to the moments just before Siddhartha’s Enlightenment. Specifically, the left hand is placed in the lap with the palm facing up towards the face which represents the idea of meditation. The greater gesture that captures the Enlightenment within this image comes from his right hand. His hand is rested over his knee with fingers extended toward the earth. This symbolizes the calling of the Earth to protect the Buddha from Mara, India’s interpretation of the devil. This can then be connected to the Naga that was conjured up to help Siddhartha in his path for Enlightenment. In creating this image, King Setthathirat I proved his adherence to the Theravada Buddhism that has always been present in Laos since Lan Xang.

 

CONCLUSION

Of the many temples that are present in Vientiane, Laos today, Wat Ong Teu Mahawihan is one of the more undervalued temples. Every detail that makes up this composition of this monastery has some sort of allusion to the teachings or image of the Buddha. From the Nagas guarding the entrance of the temple to the fastidiously heavy Buddha at the back of the sim within the temple, from the carved windows and doors to the lotus columns supporting the roof, Wat Ong Teu is a complete illustration of the story of Siddhartha meditating under the Bodhi tree. No area of the temple is left untouched which results in a sense of sacred ground.

 

Though it may not be an international symbol, Wat Ong Teu is more widely known as an educational institute that provides widespread teaching of the Theravada Buddhism that originated in India. That belief hasn’t meandered to this day. As a center for learning, Wat Ong Teu still continues to house the teachings of the beginning of Buddhism straight from the Buddha, though the two parties live centuries apart. With respect to Laos, education of this religion is what allowed France to be interesting in them even though France’s main focus was Vietnam. From to the French came Lao nationalism in opposition to the Japanese. All of this sparked from monasteries in Laos, Wat Ong Teu included.

 

WIKIPEDIA

Operation “Salt City" resulted in the arrest of 248 individuals from May through September 2015. Of those arrested, 124 were active gang members. During the operation 22 firearms, more than $237,000 in U.S. currency, 70 grams of heroin, 266 grams of cocaine, and 723 grams of marijuana with a total estimated street value of almost $44,000 was taken off Syracuse streets by participating agencies.

Operation Salt City is part of the U.S. Marshals nation-wide “Triple Beam” gang reduction initiative. Triple Beam partners federal, state, and local law enforcement to reduce violent crime and take dangerous offenders off the streets. The goal of the U.S. Marshals Gang Enforcement Program is to seek out and disrupt illegal gang activity in areas of the country with smaller or nonexistent gang enforcement units by providing manpower, funding and the Marshals’ renowned fugitive tracking abilities.

 

Photo by Shane T. McCoy / US Marshals

Just in case you forgot that my cat is cute, here is a reminder for you. Please feel free to subscribe to her nonexistent newsletter.

  

30 Likes on Instagram

 

5 Comments on Instagram:

 

thighigh412: #me #boylondon #ootd

 

thighigh412: #converse #bobmarley #tea #pittsburgh #me #girl #blonde

 

brennaninstagrams: Boy is lame

 

thighigh412: @brennaninstagrams hmm ill take that into consideration when dressin myself yung messiah

 

thighigh412: @brennaninstagrams u use a ouija board to write ur comments for u oooh I'm so swayed by the thoughts of nonexistent spirits

  

Posted via email to ☛ HoloChromaCinePhotoRamaScope‽: cdevers.posterous.com/chump-change-yap-style.

 

Via Wikipedia: Rai stones

   

Rai stones are large, circular stone disks carved out of limestone in the island of Yap, Micronesia. They have been used in trade by the locals and are described by some observers as a form of currency.

 

Form and value

 

Rai stones are circular disks carved out of limestone with a large hole in the middle. The size of the stones varies widely; the largest are 3 meters (10 ft) in diameter, 0.5 meters (1.5 ft) thick and weigh 4 metric tons (8,800 lb).

 

The extrinsic (perceived) value of a specific stone is based not only on its size and craftsmanship but also on the history of the stone. If many people — or no one at all — died when the specific stone was transported, or a famous sailor brought it in, the value of the rai stone increases.

 

Rai stones were used in social transactions such as marriage, inheritance, political deals, sign of an alliance, ransom of the battle dead or just in exchange for food. Many of them are placed in front of meetinghouses or specific pathways. Though the ownership of a particular stone changes, the stone itself is rarely moved. The names of previous owners are passed down to the new one.

 

History

 

Yapese quarried the limestone rocks from the islands of Palau and took them to Yap with canoes and rafts. Local legend holds that the Yapese discovered the rock of Palau about 500–600 years ago when an expedition led by a man called Anagumang landed on Palau. Limestone was nonexistent in Yap and therefore very valuable to the Yapese.

 

First Anagumang ordered his men to cut stone into the shape of fish but eventually a circular shape was chosen, probably because it was easier to transport. A pole was put through the hole in the center of the stone so that laborers could carry the stone. The largest of the disks probably needed hundreds of men to transport.

 

Residents of Palau, in turn, required Yapese to pay in beads, coconut meat and copra or in the form of services for the privilege of quarrying.

 

In 1871 an Irish-American David Dean O'Keefe was shipwrecked near Yap and was helped by the natives. Later he assisted the Yapese in acquiring rai and in return received copra and trepang, which were valuable exports in the Far East.[1] He provided the Yapese with iron tools. As a result, a form of inflation set in and rai stones acquired with his help were less valuable than more ancient ones.

 

In one instance, a rai being transported by canoe was accidentally dropped and sunk to the sea floor. Although it was never seen again, everyone agreed that the rai must still be there, so it continued to be transacted as genuine currency - perhaps the ultimate expression of fiat money.

 

The trade for rai stones eventually stopped at the beginning of the 20th century due to trade disputes between Spanish and German interests in the area. Quarries were abandoned. When Imperial Japanese forces took over Yap during World War II, they used some of the stones for construction or as anchors.

 

Although Western-style money has replaced the stones as everyday currency, the rai stones are still exchanged in traditional ways between the Yapese. They are a national symbol and are depicted on local license plates.

 

A 7-foot-diameter (2.1 m) rai stone is exhibited in the garden of the lobby of the Bank of Canada, in Ottawa, Ontario, Canada.

 

See also

 

• Petrosphere

 

References

 

• ^ Powers, Dennis M. Tales of the Seven Seas: The Escapades of Captain Dynamite Johnny O'Brien. Lanham, MD: Taylor Trade, 2010. pp. 136-137

 

External links

 

"The Island Of Stone Money". www.npr.org/blogs/money/2010/12/10/131934618/the-island-o.... Retrieved 2010-01-05.

 

The silhouette is a shadow, a shadow is nonexistent, shadow is the absence of light. The shadow is our part most primitive, that can walk to the light or to the darkness.

 

A silhueta é uma sombra, uma sombra é algo inexistente, sombra é ausência de luz. A sombra é a nossa parte mais primitiva, que pode caminhar para a luz ou para a escuridão.

ABSOLUTELY BETTER ON BLACK

    

Uno stemma tra due lembi d'un ampio manto drappeggiato, e dentro lo stemma s'aprivano altri due lembi di manto con in mezzo uno stemma più piccolo, [...] e in mezzo ci doveva essere chissà che cosa, ma non si riusciva a scorgere.

 

da Il cavaliere inesistente di Italo Calvino

from The Nonexistent Knight by Italo Calvino

 

--------------------------------

 

This photos been taken during the last Christmas (25th december 2011) in Capracotta (Molise), Italy. At that time it was a very cold snow storm in the little village at 1421 m (A.M.S.L). My cousin (that you see in this photos) was wearing a traditional cloak from Capracotta called "Cuappot a Rota", so I could not resist to ask him to go out in the snow storm with this scenic and traditional cloak! :) It was very cold and windy so I was compleatily freezing, but I'm pretty satisfied with the result! :)

  

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Thanks for visiting!

Operation “Salt City" resulted in the arrest of 248 individuals from May through September 2015. Of those arrested, 124 were active gang members. During the operation 22 firearms, more than $237,000 in U.S. currency, 70 grams of heroin, 266 grams of cocaine, and 723 grams of marijuana with a total estimated street value of almost $44,000 was taken off Syracuse streets by participating agencies.

Operation Salt City is part of the U.S. Marshals nation-wide “Triple Beam” gang reduction initiative. Triple Beam partners federal, state, and local law enforcement to reduce violent crime and take dangerous offenders off the streets. The goal of the U.S. Marshals Gang Enforcement Program is to seek out and disrupt illegal gang activity in areas of the country with smaller or nonexistent gang enforcement units by providing manpower, funding and the Marshals’ renowned fugitive tracking abilities.

 

Photo by Shane T. McCoy / US Marshals

*April Fool's Day

This custom is thought to have started in France during the 16th century but the British are credited with bringing it to the United States. The commonly accepted origin of April Fool's Day involves changes in the calendar. At one time, the New Year celebration began on March 25 and ended on April 1. However, in 1582, King Charles IX adopted the Gregorian calendar and accepted the beginning of the new year as January 1. Those who refused to acknowledge the new date or simply forgot received foolish gifts and invitations to nonexistent parties. The butt of such a prank was known as a "poisson d'avril" or "April fish."

 

Rare FlickrAquarium,. FlickrWorld.

 

PixQuote

"If nature do not provide the pix you need..... just reinvent it!"

Imapix Flickrius

 

PixNews

Who will be the 150 000th visitor? Now 149 984...149988...149996 and counting...

.....done 150 000 views

 

Thank you all!

  

Sunset was nonexistent tonight, but looking across the lake we could see flames leaping into the air, so my volunteer fireman and I jumped in the car to investigate. The lake reeds were burning at Çakırca (site of most of my sunset shots).

 

These hardy reeds will actually just grow back next year stronger and healthier - and with the shrinking of the lake the reeds are not as waterlogged as they once were - and, of course, there is a tremendous amount of trash in the weeds so I suspect that helped to fuel the fire which was probably started by young kids smoking.

 

It was actually quite a community event with the entire village watching - including the local fire department and the jandarma - I, of course, was the only female in sight, but I was serenaded by an adorable young kid (about 11 years old) who wanted to sing me a song - a wonderful Azerbaijani song that is one of my favorites - so we crooned together while the fires burned.

 

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