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Spc. Brandon McClure, left, and Sgt. Michael Remaly of the 2nd Infantry Brigade Combat Team, 3rd Infantry Division (2-3 IBCT) perform preventive maintenance checks and services in February on a Satellite Transportable Terminal (STT) at Fort Stewart, Georgia. The STT is a mobile satellite system that operates in conjunction with Joint Network Node - Network, which was fielded after operational test and evaluation but without initial operational test and evaluation or a Beyond LRIP Report. (U.S. Army photo by Spc. Nicholas Holmes, 2-3 IBCT Public Affairs)
I saw this net during a hiking trip from Rorschach along the Buechberg to Rheineck (Switzerland). It is installed between the two lanes of the motorway A1.
Working a Regional Railways North West service, but still carrying Network SouthEast livery, 309624 arrives at Stafford.
The driver seems to be concerned about something with the running gear.
Today almost whole Bangladesh is under cellphone network. This is a simple example of how it possible. You can see cellphone tower in very remote area also.
Mingle Media TV and our Red Carpet Report host Rachel Greninger were invited to come out to cover the 17th Annual Women's Image Awards on Wednesday, February 10, 2016 at 7pm at Royce Hall UCLA celebrating the value of women and girls in the arts.
WOMEN OF THE YEAR Honorees: Irena Medavoy and Abigail Disney
For video interviews and other Red Carpet Report coverage, please visit www.redcarpetreporttv.com and follow us on Twitter and Facebook at:
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About the WIN Awards
Women’s Image Network (WIN), a charitable organization honoring men and women whose outstanding artistry advances the value of women and girls, announces its Women’s Image Awards honorees and nominations. Since 1993, Women's Image Network has produced The Women’s Image Awards to honor media artists who create dimensional female images which promote the value of women and girls. thewinawards.com @TheWINAwards Facebook.com/TheWINAwardsShow
For more of Mingle Media TV’s Red Carpet Report coverage, please visit our website and follow us on Twitter and Facebook here:
www.facebook.com/minglemediatvnetwork
www.flickr.com/MingleMediaTVNetwork
Follow our host Rachel on Twitter at twitter.com/RachelOnTV
Gulltaggen was founded in 1998, first and foremost to stimulate and reward the heroes in digital creativity. Today, Gulltaggen is the largest event in Norway and the Nordic countries within digital marketing, communication, innovation, leadership and creativity. It has by far become the best arena for sharing competence, knowledge and networking. Gulltaggen is organized by the non-profit trade organization INMA / IAB Norway
Fotograf: Jarle Naustvik
One of Network Rails Inter-City 125 sets with powercar 43062 on the rear and LNER liveried 43299 on the front, seen here passing abandoned Dorman Long at South Bank station , near Middlesbrough , in the North East of England .
Organizers with the Gay Liberation Network, who along with activists in a few other cities first brought I.D.A.H.O. to the United States three years ago, emphasized that the Lesbian, Gay, Bisexual and Transgender movement in the U.S. is too narrowly focused on LGBT issues only within the U.S. This narrowness is ironic in the face of U.S. troops occupying bases in over 130 countries around the world.
DECENTRALIZED WORLD-WIDE NETWORKER CONGRESS 2012
ON NOVEMBER 3, 2012 IN PONTE NOSSA (PROVINCE BERGAMO, ITALY) IN THE LOCAL ART-STUDIO MORANDI WAS HELD DISCUSSION ON THE ISSUES AND PROBLEMS OF THE DECENTRALIZED NETWORKER CONGRESS 2012 WHICH SUMMARIZED THE FINDINGS:
(1) RENEWAL AND DEVELOPMENT. Participants Decentralized World-Wide Networker Congress 2012 believe that the mail art network can and should be updated periodically to reflect the sensitivity of his age, especially in relation with the continuous renewal of the media. The slowness and cost of postal communication on the one hand, and the dizzying acceleration of economic, social and political changes on the other, accompanied by increasingly complex interactions on a global scale, the need arise, even in relationships and exchanges between mail artists of intensive use, although not exclusive, the Internet in the variety of tools available, launching projects via the Internet or at least to double entry: by mail and via the Internet. The utility of the use of the internet we had a test in joyful meetings and conversations via Skype, and the rain of images and messages on social networks in the period of the Congress.
We hope that will be realized in the near future new projects networker congress, but not centralized on a few sites and promoters of the collection, but really widespread and decentralized, according to the unforgettable experience of the meetings in 1992. To achieve this goal will require a programmatic work of preparation which will be attended throughout the network, in view of the implementation period of the program at least one year.
(2) EFFECTIVE GLOBALISATION Of MAILART. The intensive use of the Internet will make possible an effective and concrete globalization of mailart, closer relations between mail artists based on direct knowledge of the economic, political cultural contexts, projects adapted to the situation, the resumption of mailartistic campaigns for peace, against hunger, torture, sexual and racial prejudice, the revival of a modern artistic creativity based on the "conscience of the world", even more necessary after the return to order of the avant-garde, fluxus and visual poetry included .
Of course, the intensive use of computers and the internet does not mean the mail art transformation into something new, like digital art or net art, not only because the mail will continue to exist alongside the communication via the Internet, but also because mail art has always refused as an art form of marking particular, leaving the flexibility to mail artists to use all possible techniques of expression , as long as share ideal principles that have made glorious in its first fifty years.
(3) THE PROBLEM OF PERSONAL ARCHIVES. Some participants raised the issue of the allocation of personal archives that are already beginning to overflow. As a "personal", archives have a value above all emotional: they belong, it is true, the history of mailart, but most of our history. Create museums mailart in competition with art museums, or establish, within art museums, a section mailart, solutions are alien to the tradition and spirit of mailart, which could pave the way for confusion and competition in the same community mailartistic, and essentially the surrender of mailart to the art system with its strict laws. In the futuristic looks rather interesting proposal Honoria Starbuck a network of digital archives that would be like a huge garden in the ether, where each of us was its location, and glorification, where it would be possible to listen to the voice of every mailartist dead, see his animated figure, read his writings, see the projects.
(4) “MAIL ART ENTERS INTO LIFE!” (Creativa 2011). While the nations of the world sink into the abyss of their economies devastated by corrupt political elites and foolish speculations, that you want to charge as usual to the poorest classes and young people left without prospects for the future, mailart continues to pose in his small, as a society "other" than large society, a "different" than the art system, a factor of resistance and civil development. Exist as long as mail art, exist for us a reference point to turn to, in reality, not utopia. In this sense we can say that the mail art is a wealth and power, to be protect and administered with care.
(by Gianni Broi)
ARTISTS AT THE CONGRESS 2.3.4 November 2012 PONTE NOSSA ( BERGAMO )
ADRIANO BONARI, ATTILIO FORTINI, ROBERT SWIERKIEWICZ, EVA NOVACZKI, FULGOR SILVI, GIANNI BROI, MARIANO BELLAROSA, CLAUDIO GAVINA, MARIO RONDI, BRUNO CAPATTI, PAOLO G. CONTI, EZIO BIANCHI, DINO SILEONI, LUCIA FORNARINI, MAURIZIA CARANTANI, GIANCARLO PUCCI, ROSSELLA PUCCI, SILVANA FORTINI, ASIA ROTA, FRANCA MORANDI, EMILIO MORANDI.
According to Realtime Trains the route and timings were;
Sevenoaks [SEV] 2..............1136..................1136.........................RT
Dunton Green [DNG]...........1138 1/2/1139..1138/1139................RT
Knockholt [KCK]...................1144/1144 1/2..1143/1144................RT
Chelsfield [CLD]....................1146 1/2/1147..1146 1/4/1146 3/4...RT
Orpington [ORP] 4...............1150/1151.........1149/1151.................RT
Petts Wood Junction...........1155.................1155.........................RT
Chislehurst [CIT] S...............1156 1/2/1157..1156/1156..................1E
Grove Park [GRP] 4..............1202/1203......1201 1/2/1203 1/4..RT
Hither Green [HGR] 3..........1206/1207......1206/1207..............RT
Parks Bridge Junction........1209 1/2..........1209........................RT
North Kent East Junction...1212 1/2...........1212 1/4...................RT
London Bridge [LBG] 6.......1217..................1216 1/2...................RT
London Waterloo East D....1221/1223.......1221/1221 1/2...........1E
London Charing Cross 5....1226................1224 1/4....................1E
I had to share a table recently at a networking event. Somehow I managed to squeeze an 8 foot table into a 4 foot spot.
I ended up leaving the earring racks at home but brought a sampling of forged earrings rather than beaded ones.
I think I ended up with a cohesive, spare but elegant looking display. what do you think?
Details: table cover is a heavy cotton/poly sheet.
Display cases were pillar candle holders from a liquidation store, I took the glass out of the doors and turned the displays backwards so I could reach in from the back to get items for customers to try on.
50027 Lion looks a bit out of place at Grosmont at the North York Moors Diesel Gala on 6 November 1999. The loco was resident at the line until moving to the Mid Hants Railway a few years ago.