View allAll Photos Tagged negativelabpro
Kiev 4a | Helios-103 | Superia Xtra 400
I bet this one won't explore. lol If it does, Flickr is broken.
battery spendcer, an abandoned battery now a golden gate observation area
san francisco, ca
taken 9 september 2024
rolleiflex 3.5f
zeiss planar 75mm/ 3.5
fuji pro 400h 400
Scanned with dslr
Home developed
cinestill cs41
3 min 30 sec
Dishes, Antique World Mall, Boise ID
Taken 14 February 2023
Leica m6
Leica Summicron 35mm/2.0
JCH StreetPan 400
An early Ford Mustang side on - the composition of the wheel, vent and the handle through the diagonal had some appeal to me.
Minolta CLE
Minolta 28mm f2.8 M Mount
Ilford Delta 100
Processed by Splendid Photo in Wellington
Sony A7M3 / SEL90M28G Scan
Kaiser Copy Stand
Essential Film Holder
Converted in Negative Lab Pro
© Dominic Scott 2023
I grabbed my Nikkor 55mm f/3.5 Micro lens to walk around with on this day. I hardly ever have this lens mounted on my film Nikons, but it's pretty awesome. This was the best shot of the day (and probably the best shot of the roll), and I have to (partly) credit the qualities of the lens.
Actually, most of my photos are taken with the Nikkor 55mm f/3.5 Micro lens. That's because most of my photos are digital photos of my film negatives, and that's what I use on my film scanning rig. I'm not sure if I have a sharper lens, at least not in a Nikon F-Mount format. The only bad thing about the lens is that it flares badly, so if it's super sunny, it's a bad choice.
Nikon FE2 | Nikkor 55mm f/3.5 Micro | Ilford HP5+ 400 Digitized with Nikon Z6 II with 55mm f/3.5 and ext. tube | Kaiser Slimlite Plano | Essental Film Holder v3 Home developed in HC-110 1:31 | 5 minutes @ 20ºC
Nikon FE2 | Nikkor 55mm f/3.5 Micro | Ilford HP5+ 400
Digitized with Nikon Z6 II with 55mm f/3.5 and ext. tube | Kaiser Slimlite Plano | Essental Film Holder v3
Home developed in HC-110 1:31 | 5 minutes @ 20ºC
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier
Minolta CLE
Minolta 40mm f2 M Mount
Ilford Delta 100
Processed by Splendid Photo in Wellington
Sony A7M3 / SEL90M28G Scan
Kaiser Copy Stand
Essential Film Holder
Converted in Negative Lab Pro
© Dominic Scott 2023
The District vibes, Boise ID
Taken 10 February 2023
Leica m6
Leica Summicron 35mm/2
Kodak Portra 800
Nikon FM3A + 35mm | Kodak Pro Image 100
Scanned with Sony A7RIII & Sigma 70mm macro
Converted with Negative Lab Pro
IG: @e.vondell
I've seen this building for 30 years and never gave it a thought. On snowy morning it looked especially foreboding so I snapped a pic.
Nikon FE2 | Nikkor 35mm f/2 | Kodak T-Max P3200 3200 @ 1600, -1 dev
Digitized with Nikon Z6 II with 55mm f/3.5 and ext. tube | Kaiser Slimlite Plano | Essental Film Holder v3
Home developed in HC-110 1:31 | 9 minutes 15 seconds @ 20ºC
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier
I'm not exactly sure what went on with this frame, but the effect is interesting
Contax T2
Fujicolor 200
- Fujica GW690III
- Cinestill 50D
- Scanned using Epson V600 and Vuescan
- Negative converted using Negative Lab Pro
Some treasures for sale on one of the many stalls at this year's Whanganui Vintage Weekend.
Minolta Dynax / Maxxum / a9
Minolta AF 24-105mm
Kodak 400 TX
Dominic Scott 2024
Strobist Info:
*RB67 Pro SD with K/L 90mm f/3.5
*Kodak Portra 160 shot at ISO 100
*Main Light - Godox AD400 Pro with 82 inch soft silver PLM (Parabolic Umbrella) with diffusion cover camera left
- Home developed with Flic Film C-41
A very shiny mag wheel on a Jaguar repowered interestingly with a 350 Chevrolet V8 as the badges point out!
Minolta CLE
Minolta 28mm f2.8 M Mount
Ilford Delta 100
Processed by Splendid Photo in Wellington
Sony A7M3 / SEL90M28G Scan
Kaiser Copy Stand
Essential Film Holder
Converted in Negative Lab Pro
© Dominic Scott 2023
Caccia-Birch House is a New Zealand colonial homestead and a Heritage New Zealand Category 1 Historic Place. It is located at 130 Te Awe Awe Street in the city of Palmerston North. Completed in 1892, it is named after William Caccia Birch and his wife Maude, who gifted the property to the government in 1941.
1966 Minolta Autocord III TLR
Ilford XP2 Super 400 Film
C41 Process
Sony A7M3 / SEL90M28G Scan
Kaiser Copy Stand
Essential Film Holder
Converted in Negative Lab Pro
© Dominic Scott 2023
Looking at this I think it was probably not taken with my 24mm lens but that's what I have in my notes.
Nikon FE2 | Nikkor 24mm f/2.8 | Kodak T-Max P3200 3200 @ 1600, -1 dev. Digitized with Nikon Z6 II with 55mm f/3.5 and ext. tube | Kaiser Slimlite Plano | Essental Film Holder v3. Home developed in HC-110 1:31 | 9 minutes 15 seconds @ 20ºC.
Pentax 6x7, Takumar SMC 105mm f2.4
Selfdevelopment C41 Process // Tetenal
Epson V600 fullboarders scann
Epsonscan 2.0
Bronica ETRS | Kodak Portra 400
Scanned with Sony A7RIII & Sigma 70mm macro
Converted with Negative Lab Pro
IG: @e.vondell
Rise and Grind ... and Be Happy
Taken 26 January 2023
Hasselblad 500CM
Hasselblad Zeiss Planar 80mm/2.8
Japan Camera Hunter StreetPan 400
A little composition I spotted in the gardens at Caccia Birch house. Very impressed with the details that the Autocord has produced.
1966 Minolta Autocord III TLR
Ilford XP2 Super 400 Film
C41 Process
Sony A7M3 / SEL90M28G Scan
Kaiser Copy Stand
Essential Film Holder
Converted in Negative Lab Pro
"street art" (by Paul Curtis) on the back of Tranmere Rovers Football Club's Cowshed stand.
Kodak Portra 800 lab processed, edited in Negative Lab Pro.
Footbridge connecting Loring Park and the Walker Art Center Sculpture Park in Minneapolis.
Designed by Siah Armanani
Yashica T4 Super
Fujifilm Superia 400
Leica M6 Re-Issue / Leica 21mm Super-Elmar f/3.4 / Fuji 400 / Plustek 8300AI Scanner / Negative Lab Pro
Nkosi.artiste@gmail.com
ABOUT THE ARTIST
Chance Nkosi Gomez known initiated by H.H Swami Jyotirmayanda as Sri Govinda walks an integral yogic path in which photography is the primary creative field of expression. The medium was introduced during sophomore year of high school by educator Dr. Devin Marsh of Robert Morgan Educational Center. Coming into alignment with light, its nature and articulating the camera was the focus during that time. Thereafter while completing a Photographic Technology Degree, the realization of what made an image “striking” came to the foreground of the inner dialogue. These college years brought forth major absorption and reflection as an apprentice to photographer and educator Tony A. Chirinos of Miami Dade College. The process of working towards a singular idea of interest and thus building a series became the heading from here on while the camera aided in cultivating an adherence to the present moment. The viewfinder resembles a doorway to the unified field of consciousness in which line, shape, form, color, value, texture all dissolve. It is here that the yogi is reminded of sat-chit-ananda (the supreme reality as all-pervading; pure consciousness). As of May 2024 Govinda has completed his 300hr yoga teacher training program at Sattva Yoga Academy studying from Master Yogi Anand Mehrotra in Rishikesh, India, Himalayas. This has strengthened his personal Sadhana and allows one to carry and share ancient Vedic Technology leading others in ultimately directing their intellect to bloom into intuition. As awareness and self-realization grows so does the imagery that is all at once divine in the mastery of capturing and controlling light. Over the last seven years he has self-published six photographic books, Follow me i’ll be right behind you (2017), Sonata - Minimal Study (2018), Birds Singing Lies (2018), Rwanda (2019), Where does the body begin? (2019) & Swayam Jyotis (2023). Currently, Govinda is employed at the Leica Store Miami as a camera specialist and starting his journey as a practitioner of yoga ॐ
Processing a stitched digital camera scan of a 6x6 negative, this time with new software (Negative Lab Pro LR plugin). The original shot was made with a Voigtlander Perkeo with the 80mm Color Skopar lens and Portra 160. The film was photographed on a light table with a Fujifilm XT2 and a Minolta Celtic 50mm/3.5 macro lens.