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Hey we are filming here you can not take pictures here. Who are you and who are you with? I'm no body.
You don't look like a nobody with that camera and large lens. You need to delete those pictures now.
Sez who, it's a public street I aint on your property.
You need to go now no more pictures and delete your pictures.
What about the car, are you going to start it up, what's it sound like, are the pipes for decoration or does the car sound like somethin' mean.
No you need to go now, no we are not going to start the car.
Well why don't you put a tarp up on the fence so when people drive by they can't see what you are doing.
( My dealing with the camera Nazi)
Down by the 6th Street Bridge construction in East L.A.
I need to point out that the branch she is perching on; Is balancing on another branch, Wich, in turn, is latched around the topmost branch (out of shot)
Hahah life your great :D
Noisy Miner, Manorina melanocephala
A study for a house rendering I'm doing. My first serious "project" since college, I guess. I used this to play around loosely with rendering ideas for the different components of the drawing. I still need to work on my approach to the trees, and find a way to use less outline. More studies are in order.
#000 Rapidograph on bristol board.
Need for Speed Underground was a great opportunist in the racing genre. Thanks in part to movies like "The Fast and the Furious", the idea of illegal street racing in high performance street cars became a dream to many. Although perhaps not a dream a lot of people were realistically looking to actually pursue in there own lives....
So! When EA Games came along and gave us a great racing game, that happened to be presented with that "underground" illegal street racing vibe, they hit the nail on the head and produced a game that really helped propel the "Need for Speed" franchise back into the limelight and into the homes of many.
A nice branching career path covering sprint's (point to point races), circuits (set number of laps races), drift events, and drag races did enough to keep things interesting throughout. The mixture of events also helped boost your sentimental love for the cars you was investing your winnings into too, sure enough my Skyline might win me a lot of street races, but she's not quite so ideal for drifting, so it was great raising a sort of 'team' of cars to tackle the ever growing difficulty of the main game.
I have to give a shout out to NFSU's soundtrack too, a pretty sweet mix of Rap, Rock, and other race-able beats, raised the bar in terms of making us (whom like the featured music genres) generally expect good things from the "EA Trax" selection for each "Need for Speed" release since then on.
(QuestionsAbout16or32GBcard4NikonCoolpixFlickr021622)
I left Nikon in my tags because this is all about a Nikon Coolpix B500, but I shot the picture of the camera and the SD cards with my Samsung SM-J737U to make my little poster. So both kinds of camera are in my tags.
Someone said they thought I could still get the 16 GB cards by sending off for them. I didn't really want to have to do that, unless it is only way.
I need YOU lot to give me some ideas on how to mod this old C64 I got my hands on. I have a 1541 as well and a fastload cartridge. The idea is a new casing, possibly adding USB support and a 3.5" floppy, possibly a CD drive and maybe - a 2.5" harddrive if I can get that working (probably will mean some coding as I have not found ANY way of communicating with a harddrive from a C64 ANYWHERE on the web.) But alas, first things first. How should I encase this? Remember the circuit board inside is almost as large as the case - splitting it into several pieces will be HELL - so I'd lige to avoid that.
Please do comment!
OMG
I wrote a whole book on here and just decided to erase it. it was like a philosophy dissertation gone bad :)
let's just summarize by saying you can get what you need and you can get what you want.... but getting the things you want AND need; well, that's where it's at.
Just sth I like. Seriously, with me, they are the dream that will never come true \m/
Had a fone 1,5 years ago, and now it has some problem need to fix, and of course *=))* I like a new one ^^ But, it's still okay to use an old one <3
Not an adult, but I really need my own space ;~; Am jealous at the time I see someone had thier own bedroom ;~;
I needed a subject for the colour purple for a camera club project. The cough syrup was sitting in the fridge when I noticed it. I new I would need more syrup than I had so I made my own. I boiled some grape pop added lots of sugar and added food colouring to the shade of purple I wanted. The light was a 580exii behind a black card bounced off a white wall. White reflectors were placed above and left and right front.
Nikon D300 / 10-20 @ 20mm 1/200 f/10 ISO 200
Strobist:
SB 800 @ 1/4 from right side
YN 560 @ 1/2 from left side gelled with red
trigered with RF602
Thanks to my best friend Karlis for this picture, also he is in picture. Idea was his, born back in 2010, in winter - maybe. So here it is, year passed and photo is ready. This was fun. Almost got some sticky situation, with some russian fellas who was near our spot. But everything ended just fine with great result.
I`m happy to have my friends near me!
HELP CHILDREN Positive, HIV/AIDS in Bahia ,Brasil
This children need support or DIED
91 AMIGOS do FLICKR FotografandoVIDA ,
AJUDE A AJUDAR COM O SEU OLHAR
Ayuda a ayudar con tu mirar
HELP AIDS CHILDREN in Bahia,Brasil, HIV POSITIVE, need support or died
CNPJ 07.852.787/0001-69
ABRACE ESTA CAUSA
FOTOS PARA A VIDA
FACA um donativo e coloque uma fotografia sua ajudando a campanha a CRESCER
A sua doação, podem salvar vidas de crianças com HIV-AIDS em Salvador-Bahia-Brasil
Poste sua foto e faça sua doação:
Abrace esta CausaDoações para reabrir a casa de crianças com AIDS:
Instituição Assistencial Beneficente Conceição Macedo
Banco do Brasil ( 001)
Agência: 0904-0
Conta Corrente: 254.651-5
Código SWIFT: BRASBRRJSDR
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ITALIA
POSTEPAY (Posteitaliene)
4023 6004 5398 0593
esta conta so a ibcm pode utilizar, foi criada por um amigo italiano para depositos na Europa.
________________________
Instituição Beneficente Conceição Macedo
Cuidando de crianças com AIDS
Rua Santa Veruza, 108 – Pernambués
Salvador da Bahia
Bahia
Brasil
________________________________________________________
HELP AIDS CHILDREN in Bahia,Brasil, HIV POSITIVE, need support or died
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90 FotografandoVIDA, na campanha "AJUDE a Abraçar com o seu OLHAR)
TEXTO DO ERNANIB:
Há o tempo de plantar e o tempo de colher. Todos nós temos presa para viver, nunca de morrer. Temos tempo para a internet, para um amigo, para brincar, para trabalhar, mas nunca temos tempo para parar e ajudar. Temos tempo para ver TV, ler jornais, um bom livro, mas nunca tempo para ler um pedido de ajuda.
Mas há quem não tem mais tempo. Quem não teve tempo de plantar. Quem mal tem tempo para brincar. Quem mal vai ter tempo de dizer: “Eu te amo mamãe, papai!!!”. Porque em algum lugar alguém não teve tempo para parar e ler essa mensagem, para procurar saber do que se tratava, sobre quem se estava falando, de procurar saber como poderia ajudar; já que quem deveria ajudar não acha tempo para isso, porque não acha importante, porque é um investimento que não tem retorno no curto espaço de tempo ou porque acha que seu tempo é valioso demais para gastar com quem não tem tanto tempo de vida assim.
Pare um momento. Procure se informar, ler, ajudar. Quem já conta os segundos para a despedida final vai agradecer de coração por esses poucos instantes de tempo, que você dedicou a elas.
Não deixe que o relógio das vidas delas pare só porque você não queria perder tempo. Ajude!!! Divulge!!! Dê corda nesses pequenos relógios de vida.
_____________________________________________________
There is a time for planting and a time for harvesting. We are all in a hurry to live, not to die.We have time for internet, for friends, for playing, for working and we never have time to stop and help others. We have time for watching TV, reading the papers or a good book but we never have time for reading a message asking for help.
But there are the ones who don’t have any more time to lose. The ones who didn’t have time to plant. That barely have time to play. That won’t have time to say “I love you, mom, dad”. Because someone, somewhere didn’t have time to read this message, to try to know what it means, to try to know how to help. Because many times who could help don’t have the time, because it’s not an investment with short term interest or because thinks its time is too valuable to spend with somenone who doesn’t have that much time.
Stop for a moment.Try to read and get informed. The children that are about to say their goodbyes to life will be thankful for these few moments you took to help them.. Don’t let their life clocks stop just because you didn’t want to waste your time. Help them! Spread the word! Wind up these little life clocks
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Hay momentos para sembrar, y otros para recoger la cosecha. Todos tenemos tiempo para vivir, nunca para morir. Tenemos tiempo para Internet, para un amigo, para jugar, para trabajar, pero nunca tenemos tiempo para detenernos y ayudar. Tenemos tiempo para ver Tele, leer periódicos, un buen libro, pero nunca tiempo para leer un pedido de ayuda.
Pero hay quienes ya no tienen más tiempo. Quien no tuvo tiempo para sembrar. Que apenas tiene tiempo para jugar, y que quizás tampoco no va a tener tiempo para decir "Yo te amo mamá! papá!
Porque en algún lugar alguien no tuvo tiempo para detenerse a leer este mensaje, para tratar de entender de qué se trataba, de quién se estaba hablando, de entender cómo se podía ayudar; ya que quien debería ajudar no consigue tiempo para esto, porque no lo considera importante, porque es una inversión que no tiene retorno en un corto espacio de tiempo o porque cree que su tiempo es mucho más valioso como para gastarlo con quien no tiene tanto tiempo de vida.
Detente un momento. Procura Informarte, leer, ayudar.
Quienes cuentan los segundos para la despedida final van agradecer de corazón por ese gesto, por haber leido éstas líneas.
No dejes que el reloj de la vida de esas personas pare porque no querías perder tiempo.
Ayuda! Divulga! Dale cuerda a esas pequeñas manecillas del reloj de la vida!
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FRENCH
AIDEZ LES ENFANTS séropositifs à Bahia, au Brésilè
Sans aide, ces enfants vont MOURIR
Il y a un temps pour planter et un temps pour récolter. Nous nous dépêchons tous de vivre, pas de mourir. Nous trouvons du temps pour l’Internet, pour nos amis, pour nous amuser, pour travailler mais jamais pour nous arrêter un instant et aider les autres. Nous trouvons le temps de regarder la télévision, de lire les journaux ou un bon livre mais jamais de lire un appel à l’aide.
Mais il y a ceux qui n’ont plus de temps à perdre. Ceux qui n’ont pas eu le temps de planter. Qui ont à peine le temps de jouer. Qui n’auront pas le temps de dire « Je vous aime, maman, papa » parce que quelqu’un, quelque part n’aura pas eu le temps de lire ce message, d’essayer de comprendre sa signification, de voir comment aider. Parce que beaucoup de gens qui pourraient aider n’ont pas le temps, parce que ce n’est pas un investissement rentable à court terme ou parce qu’ils pensent que leur temps est trop précieux pour le consacrer à des gens qui n’en ont plus pour longtemps.
Arrêtez-vous un instant. Essayez de lire, de vous informer. Les enfants qui sont sur le point de dire adieu à la vie vous seront reconnaissants des quelques moments que vous aurez pris pour les aider. Ne laissez pas le temps s’arrêter pour eux parce que vous ne vouliez pas perdre le votre. Aidez-les! Faites passer le message! Remontez les pendules de ces petites vies.
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Carta do Padre Alfredo
IBCM
Prezado Amigo,a,
Em nome das 39 crianças com AIDS da IBCM e das 250 famílias assistidas, agradeço-lhe de coração.
Somos mais de 22 voluntári@s, igualmente pesaros@s com o fechamento da creche.
Nesta segunda-feira, graças à generosidade de muitas pessoas como vc, estaremos abrindo provisoriamente a creche, em regime de 1/2 turno (das 14 às 17h). Ainda não é o ideal, mas já ameniza a fome e o sofrimento destas crianças em grave situação de risco.
Obrigado pela sua generosidade. Divulgue a nossa causas e conte sempre com nossa gratidão e reconhecimento.
Feliz Natal!
pe Alfredo
OBRIGADA, não se esqueçam do vosso donativo.
90amigos ABRAÇANDO!
(2 Anónimos)
2007jolie
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Best Songs Of 2015 | Best songs May 2015 | Top 100 Billboard Music Hits Chart
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Track list :
1. Blur My Hands - Lupe Fiasco ft. Guy Sebastian
2. I'm A Ruin - Marina and the Diamonds
3. Brave Honest Beautiful - Fifth Harmony, Meghan Trainor
4. Desire - Jessie Ware
5. Feel Right - Mark Ronson ft. Mystikal
6. Ghosttown - Madonna
7. Given It All - Hayley Kiyoko
8. Go (I Don't Need You) - Jessica Mauboy
9. Hurricane - Lifehouse
10. Angel Of Small Death & The Codeine Scene - Hozier
11. Immortal - Marina And The Diamonds
12. In My Life - Ludacris ft. John Legend
13. In Your Pocket - Maroon 5
14. Ladder Song - Lorde
15. Lighthouse - G.R.L
16. Make Your Own Luck - Jedward
17. Maps - Maroon 5
18. On My Side - Leighton Meester
19. One Of Us - Guy Sebastian
20. Only One - Kanye West ft. Paul McCartney
21. Piano - Kiesza
22. Ready - Kodaline
23. Right Here, Right Now - Giorgio Moroder ft. Kylie Minogue
24. Seal Me With A Kiss - Jessie J ft. De La Soul
25. Shots - Imagine Dragons
26. Sugar - Maroon 5
27. Talk My Way Out Of It - J-Hype
28. The Curse Of The Sad Mummy - League Of Legends
29. Unapologetic Bitch - Madonna
30. Fade - Alan Walker
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First time I've ever run across this pretty guy. St. Charles County Missouri, late January. Can any one help ID him please?
Praça do Por do Sol
visite minha página: www.wix.com/akiraps/homepage
www.youtube.com/watch?v=eB7T3lJ3dZ4
Copyright © 2010 Akira pS. All Rights Reserved.
Reprodução Proibida - ® Todos os direitos reservados
Archaeologist and painter Edward Dodwell (1767-1832), who came from a noble and rich Irish family, was born in Dublin and studied literature and archeology at Trinity College in Cambridge. Thanks to the economic comfort provided by his great fortune, he avoids the need to acquire a profession and gives himself to the researches about the Mediterranean civilizations.
In 1801, he traveled with Ionian Islands (Corfu, Zante etc.) and the region of Troy together with Atkins and well-known traveler W. Gell. In 1805-06, he travels to Rumeli with his traveling companion, Simone Pomardi. He then settled in Naples and Rome and marries a woman thirty years younger from him. He was an honorary member of many European cultural foundations. He falls ill while doing expeditions in the mountains of Italy. His large collection (coins, 115 copper items, 143 amphoras), which he created from archaeological artifacts, was sold to the Munich Sculpture Museum after being housed in his home in Rome for a while.
Being a prolific writer and also a visual artist, Dodwell reveals his multi-faceted talent consisting of an archaeologist, a sense of curiosity, critical gaze and artist sensitivity in his works that are unique to the period. For the first time in his work, we have the opportunity to recognize the true discovery of a "space": The march combines information based on the monument, history, contemporary people and bibliographies as a means of discovery and recognition.
The journey, which is described in these two volumes of publications and has rich data in archeology and topography material, creates an infinite wealth of information about the public and private lives of the Greeks before the rebellion (1821).
In late April 1801, Dodwell took a smart and read Greek from Santorini, whom he had met in Italy, as an interpreter and set off from Venice. He crosses the Adriatic sea and arrives in Corfu under Russian-Ottoman occupation with his travel companions within a month. Their journey continues towards Paksos islands, Parga, Leukada (Santa Mavra). In his book, Dodwell writes about the nose of Lefkata, where ancient Greek poet Saffo, according to ancient ruins, products, villages and legend, fell into the sea because of his desperate love for Faon. From here, he goes to Preveza and visits the archaeological site in Nikopolis, continues to the island of Ithaka, writes about the geography and economic situation there and about the search for ancient ruins. Finally Kefalonia '
In 1805 Dodwell, along with the artist Simone Pomardi, arrives in Zante from the port of Messina in Sicily, where he writes about the villages, population, products; he then goes to Mesolongi. He writes about the persecution of Tepedelenli Ali Pasha to the local people, local products, the Akheloos river and the Echinades archipelago. After the journey, he reached Patra and became the guest of the consul Nikolaos Stranis. Stranis's mansion had been the meeting place of many European guests for years. Dodwell's visit to Patra confirms his theoretical knowledge about them. Speaking of Contemporary Patra, the city's architectural layout is easily understandable (noting that "the houses of Greeks are lime and the houses of Turks are painted in red"), writes about its economic condition (including products exported from the region). In Patra, he visits the castle, the famous big-bodied cypress tree, the church of Saint Andrea and the holy spring (holy water source). He adds the pattern that his travel companion Pomardi has drawn and displays the sacred source. Noting that many black slaves were found in Patra, Dodwell also made efforts to acquire some archaeological artifacts. He especially revives the city's historical memory while writing about Patra. In his travel statement, he documents his own knowledge scientifically with the ancient sources he used while displaying the contemporary reality of Greece and previous travel testimonies. He adds the pattern that his travel companion Pomardi has drawn and displays the sacred source. Noting that many black slaves were found in Patra, Dodwell also made efforts to acquire some archaeological artifacts. He especially revives the city's historical memory while writing about Patra. In his travel statement, he documents his own knowledge scientifically with the ancient sources he used while displaying the contemporary reality of Greece and previous travel testimonies. He adds the pattern that his travel companion Pomardi has drawn and displays the sacred source. Noting that many black slaves were found in Patra, Dodwell also made efforts to acquire some archaeological artifacts. He especially revives the city's historical memory while writing about Patra. In his travel statement, he documents his own knowledge scientifically with the ancient sources he used while displaying the contemporary reality of Greece and previous travel testimonies.
Due to an epidemic in Dodwell Peloponnese, he chose to go to Athens in another way, passing through Nafpaktos (Inebahtı), Galaksidi (watching the carnival shows here) and passing through Amfisa (here he is a guest at the house of a Kefalonian doctor and visits the voivodeship), climbs to Parnasos mountain, Hriso stops in his village and stays in Kastri, touring the fountain of Kastalya and few ancient ruins that can be seen in Delfi at that time. The road passes through Arahova and Distomo and takes it to the ancient site of Trophonius priests in Livadia, from there it continues to other Boeotia villages (Orchomenos, Aliartos, Thespiae). Crossing the Eleutherae road and the Eleusis plain, on March 26, Lord Elgin's work teams arrive in Athens when the Acropolis was removing the relief marbles. Dodwell will stay here until September Attica Almost all of them (Pendeli mountain, Fili, Acharnai, Kifisia, Vrauron, Porto Rafti, Thorikos, Lavrion, Sunion, Piraeus) and Aegina and Salamis islands. In addition to archaeological issues, he also writes about the dances, music and games of the Greeks, baths and even insects and birds.
After Athens, he passes through Thiva (Thebai), Kopais lake, Thermopylae and Lamia, Stylis and Almyros to Volos and Pelion; in his article he mentions all the ancient city ruins he met along the way. After that, Larissa and Ambelakia come to the superior level of life here, highly influenced by cultured people and the cotton yarn dyeing industry. Thessaly plain returns to Athens after passing through Lilaia, Amfikleia, Fokida, Boeotia and stopping at Chalkida and Marathon. He stays here all summer. In December of 1805, we find him touring the Argos-Corinth region: Dafni monastery, Eleusis and its religious mysteries, Megara, Corinthian isthmus, Corinthian fortress, Kechries, Nemea and its vineyards, Acropolis and ancient theater in Argos, the treasure of Mykene and Atreus, Tiryns and Nauplion, The ruins of the Epidaurus and Asclepius temple, Troizina, Methana, Poros are places he traveled and wrote. Then, on the road of Aegion, Sikyon passes through Xylokastron and stops in the local inns and after Patra, he reaches Olympia on January 24, 1806, depicting all villages of Achaia and Ileia (Elis). In the continuation of the trip, Messini visits Sparta in late February after visiting the ruins in Megalopolis and Vassai. After crossing Arkadiya and Achaia (by stopping at Tegea, Tripoli, Mantineia, Orchomenos, Stymphalia, Feneos, Kalavryta, Mega Spilaion), it reaches Patra in the spring and finally reaches Rome on September 18, 1806. After passing, he stops at the inns of the region and after Patra, he reaches Olympia on January 24, 1806, depicting all the villages of Achaia and Ileia (Elis). In the continuation of the trip, Messini visits Sparta in late February after visiting the ruins in Megalopolis and Vassai. After crossing Arkadiya and Achaia (by stopping at Tegea, Tripoli, Mantineia, Orchomenos, Stymphalia, Feneos, Kalavryta, Mega Spilaion), it reaches Patra in the spring and finally reaches Rome on September 18, 1806. After passing, he stops at the inns of the region and after Patra, he reaches Olympia on January 24, 1806 by describing all the villages of Achaia and Ileia (Elis). In the continuation of the trip, Messini visits Sparta in late February after visiting the ruins in Megalopolis and Vassai. After crossing Arkadiya and Achaia (stop by Tegea, Tripoliçe, Mantineia, Orchomenos, Stymphalia, Feneos, Kalavryta, Mega Spilaion), it reaches Patra in the spring and finally reaches Rome on September 18, 1806.
After documenting and archiving the archaeological remains that he visited, using the camera obscura technique, Dodwell aimed to combine art with the scientific view. In his published three volumes of his work, which is a basic resource for all travelers who traveled to Greece after him and which is still a very useful work in archaeological research, there are nearly 400 pictures of landscape and historical monuments drawn by Dodwell. Recently, dozens more patterns have appeared that have not been known to date.
The book in question contains colored stone print (aquatinta / painted water) paintings based on Dodwell's own drawings. Each picture is followed by Dodwell's explanatory notes in English and French. In the introduction, it is mentioned that 60 of them were chosen to be published from nearly 1000 sketches, and these were drawn and colored and printed with a special drawing style, but the number of copies printed for financial reasons was low. These drawings are supplements to the Dodwell "Seyahatname" and require the text to be read along with the picture to identify the people and events in the picture. The desire to convey what the artist depicted by staying true to the truth, as well as the effort to record pleasant details from everyday life, is evident in the displayed images.
Written By: İoli Vingopoulou
Created for Kreative People 'Treat This 46
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Thank you to skagitrenee for this source image
We went to my wife's Xmas party, we came home around 2:00 am.....happy picture.....not so happy picture when the kids were awake at 6:00 am
we don't need no thought control.
Last night we had a graduation party & it looked like this.
This happens to be taken with my NEW LENS. a few wonderful people helped out with that. :]
I love it! Thanks you-know-who!!!!!
[July 24-30]