Sculpture Vishnu Vikrant (appelée au Népal : Bishnu Vikrant) montrant Vishnou (Bishnu au Népal) sous la forme de son avatar : le Nain Vâmana (ou Vikrantha) dans le temple de Changu Narayan (VIIème siècle ?)

L'avatar de Vishnou le Nain est représenté immense en train d'enjamber les trois mondes (le monde terrestre, les cieux et le monde des dieux) qui avaient été conquis par Bali, le roi des Anti-Dieux.

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Le temple de Changu Narayan est considéré comme le plus vieux du Népal, il possède un toit en forme de pagode à 2 étages. Il a été reconstruit probablement au XVIIème siècle mais avec des éléments architecturaux et décoratifs beaucoup plus anciens.

Ce temple dédié à Narayan est au sommet d'une montagne considérée comme sacrée depuis 464 après notre ère comme en atteste une référence écrite à ce site qui date du règne du roi Licchavi Mandeva mais le site était probablement sacré depuis le 3ème siècle.

Dans la cosmologie hindoue, Vishnou lorsqu'il repose sur le serpent Ananta (Shesha) est appelé Nârâyana (Narayan) c'est à dire "Reposant sur les eaux" ou "Demeure-de-l'Homme" ou encore "Demeure-du-savoir". Nârâyana, qui signifie aussi "Refuge universel", est une des 24 images de Vishnou d'après le Rupa Mandana.

Article de Wikipedia sur Narayana (Narayan au Népal)

fr.wikipedia.org/wiki/Narayana

Article de Wikipedia sur Changu Narayan

en.wikipedia.org/wiki/Changu_Narayan

a pilgrim, resting 'n waiting by the dwarkadhish temple.

see images of people waiting @ fiveprime.org/flickr_hvmnd.cgi?search_type=Tags&photo...

Discussion on book titled "Leapfrog: Six Practices to Thrive at Work" by Mukesh Sud and Priyank Narayan with Priya Chetty--Rajagopal at Bangalore Literature Festival 2023.

" Mukesh, Associate Professor at IIM Ahmedabad, has three decades of professional experience divided between academia and entrepreneurship. Priyank, Founding Director of the Centre for Entrepreneurship at Ashoka University, started his career with IBM and subsequently was an entrepreneur for many years."

"The book is divided into six chapters, one for each of the six practices viz., Develop grit, Nudge yourself, Be intellectually humble, Dance with disciplines, Curate the chaos, and Think entrepreneurially."

Kathmandu Durbar Square (Nepali: वसन्तपुर दरवार क्षेत्र, Basantapur Darbar Kshetra) in front of the old royal palace of the former Kathmandu Kingdom is one of three Durbar (royal palace) Squares in the Kathmandu Valley in Nepal, all of which are UNESCO World Heritage Sites.

Several buildings in the Square collapsed due to a major earthquake on 25 April 2015. Durbar Square was surrounded with spectacular architecture and vividly showcases the skills of the Newar artists and craftsmen over several centuries. The Royal Palace was originally at Dattaraya square and was later moved to the Durbar square.

The Kathmandu Durbar Square held the palaces of the Malla and Shah kings who ruled over the city. Along with these palaces, the square surrounds quadrangles, revealing courtyards and temples. It is known as Hanuman Dhoka Durbar Square, a name derived from a statue of Hanuman, the monkey devotee of Lord Ram, at the entrance of the palace.

CONTENTS

HISTORY AND CONSTRUCTION

The preference for the construction of royal palaces at this site dates back to as early as the Licchavi period in the third century. Even though the present palaces and temples have undergone repeated and extensive renovations and nothing physical remains from that period. Names like Gunapo and Gupo, which are the names referred to the palaces in the square in early scriptures, imply that the palaces were built by Gunakamadev, a King ruling late in the tenth-century. When Kathmandu City became independent under the rule of King Ratna Malla (1484–1520), the palaces in the square became the Royal Palaces for its Malla Kings. When Prithvi Narayan Shah invaded the Kathmandu Valley in 1769, he favored the Kathmandu Durbar Square for his palace. Other subsequent Shah kings continued to rule from the square until 1896 when they moved to the Narayan Hiti Palace.

The square is still the center of important royal events like the coronation of King Birendra Bir Bikram Shah in 1975 and King Gyanendra Bir Bikram Shah in 2001.

Though there are no written archives stating the history of Kathmandu Durbar Square, construction of the palace in the square is credited to Sankharadev (1069–1083). As the first king of the independent Kathmandu City, Ratna Malla is said to have built the Taleju temple in the Northern side of the palace in 1501. For this to be true then the temple would have had to have been built in the vihara style as part of the palace premise surrounding the Mul Chok courtyard for no evidence of a separate structure that would match this temple can be found within the square.

Construction of the Karnel Chok is not clearly stated in any historical inscriptions; although, it is probably the oldest among all the courtyards in the square. The Bhagavati Temple, originally known as a Narayan Temple, rises above the mansions surrounding it and was added during the time of Jagajaya Malla in the early eighteenth century. The Narayan idol within the temple was stolen so Prithvi Narayan Shah replaced it with an image of Bhagavati, completely transforming the name of the temple.

The oldest temples in the square are those built by Mahendra Malla (1560–1574). They are the temples of Jagannath, Kotilingeswara Mahadev, Mahendreswara, and the Taleju Temple. This three-roofed Taleju Temple was established in 1564, in a typical Newari architectural style and is elevated on platforms that form a pyramid-like structure. It is said that Mahendra Malla, when he was residing in Bhaktapur, was highly devoted to the Taleju Temple there; the Goddess being pleased with his devotion gave him a vision asking him to build a temple for her in the Kathmandu Durbar Square. With a help of a hermit, he designed the temple to give it its present form and the Goddess entered the temple in the form of a bee.

His successors Sadasiva (1575–1581), his son, Shiva Simha (1578–1619), and his grandson, Laksmi Narsingha (1619–1641), do not seem to have made any major additions to the square. During this period of three generations the only constructions to have occurred were the establishment of Degutale Temple dedicated to Goddess Mother Taleju by Shiva Simha and some enhancement in the royal palace by Laksminar Simha.

UNDER PRATAP MALLA

In the time of Pratap Malla, son of Laksminar Simha, the square was extensively developed. He was an intellectual, a pious devotee, and especially interested in arts. He called himself a Kavindra, king of poets, and boasted that he was learned in fifteen different languages. A passionate builder, following his coronation as a king, he immediately began enlargements to his royal palace, and rebuilt some old temples and constructed new temples, shrines and stupas around his kingdom.During the construction of his palace, he added a small entrance in the traditional, low and narrow Newari style. The door was elaborately decorated with carvings and paintings of deities and auspicious sings and was later transferred to the entrance of Mohan Chok. In front of the entrance he placed the statue of Hanuman thinking that Hanuman would strengthen his army and protect his home. The entrance leads to Nasal Chok, the courtyard where most royal events such as coronation, performances, and yagyas, holy fire rituals, take place. It was named after Nasadya, the God of Dance, and during the time of Pratap Malla the sacred mask dance dramas performed in Nasal Chok were widely famed. In one of these dramas, it is said that Pratap Malla himself played the role of Lord Vishnu and that the spirit of the Lord remained in the king's body even after the play. After consulting his Tantric leaders, he ordered a stone image of Lord Vishnu in his incarnation as Nara Simha, the half-lion and half-human form, and then transferred the spirit into the stone. This fine image of Nara Simha made in 1673 still stands in the Nasal Chok. In 1650, he commissioned for the construction of Mohan Chok in the palace. This chok remained the royal residential courtyard for many years and is believed to store a great amount of treasure under its surface. Pratap Malla also built Sundari Chok about this time. He placed a slab engraved with lines in fifteen languages and proclaimed that he who can understand the inscription would produce the flow of milk instead of water from Tutedhara, a fountain set in the outer walls of Mohan Chok. However elaborate his constructions may have been, they were not simply intended to emphasize his luxuries but also his and the importance of others' devotion towards deities. He made extensive donations to temples and had the older ones renovated. Next to the palace, he built a Krishna temple, the Vamsagopala, in an octagonal shape in 1649. He dedicated this temple to his two Indian wives, Rupamati and Rajamati, as both had died during the year it was built. In Mohan Chok, he erected a three roofed Agamachem temple and a unique temple with five superimposing roofs. After completely restoring the Mul Chok, he donated to the adjoining Taleju Temple. To the main temple of Taleju, he donated metal doors in 1670. He rebuilt the Degutale Temple built by his grandfather, Siva Simha, and the Taleju Temple in the palace square. As a substitute to the Indreswara Mahadeva Temple in the distant village of Panauti he built a Shiva temple, Indrapura, near his palace in the square. He carved hymns on the walls of the Jagannath Temple as prayers to Taleju in the form of Kali.

At the southern end of the square, near Kasthamandap at Maru, which was the main city crossroads for early traders, he built another pavilion named Kavindrapura, the mansion of the king of poets. In this mansion he set an idol of dancing Shiva, Nasadyo, which today is highly worshipped by dancers in the Valley.

In the process of beautifying his palace, he added fountains, ponds, and baths. In Sundari Chok, he established a low bath with a golden fountain. He built a small pond, the Naga Pokhari, in the palace adorned with Nagakastha, a wooden serpent, which is said he had ordered stolen from the royal pond in the Bhaktapur Durbar Square. He restored the Licchavi stone sculptures such as the Jalasayana Narayana, the Kaliyadamana, and the Kala Bhairav. An idol of Jalasayana Narayana was placed in a newly created pond in the Bhandarkhal garden in the eastern wing of the palace. As a substitute to the idol of Jalasayana Narayana in Buddhanilkantha, he channeled water from Buddhanilkantha to the pond in Bhandarkhal due bestow authenticity. The Kalyadana, a manifestation of Lord Krishna destroying Kaliya, a water serpent, is placed in Kalindi Chok, which is adjacent to the Mohan Chok. The approximately ten-feet-high image of terrifyingly portrayed Kal Bhairav is placed near the Jagannath Temple. This image is the focus of worship in the chok especially during Durga Puja.

With the death of Pratap Malla in 1674, the overall emphasis on the importance of the square came to a halt. His successors retained relatively insignificant power and the prevailing ministers took control of most of the royal rule. The ministers encountered little influence under these kings and, increasingly, interest of the arts and additions to the square was lost on them. They focused less on culture than Pratap Malla during the three decades that followed his death, steering the city and country more towards the arenas of politics and power, with only a few minor constructions made in the square. These projects included Parthivendra Malla building a temple referred to as Trailokya Mohan or Dasavatara, dedicated to Lord Vishnu in 1679. A large statue of Garuda, the mount of Lord Vishnu, was added in front of it a decade later. Parthivendra Malla added a pillar with image of his family in front of the Taleju Temple.

Around 1692, Radhilasmi, the widowed queen of Pratap Malla, erected the tall temples of Shiva known as Maju Deval near the Garuda image in the square. This temple stands on nine stepped platforms and is one of the tallest buildings in the square. Then her son, Bhupalendra Malla, took the throne and banished the widowed queen to the hills. His death came early at the age of twenty one and his widowed queen, Bhuvanalaksmi, built a temple in the square known as Kageswara Mahadev. The temple was built in the Newari style and acted as a substitute for worship of a distant temple in the hills. After the earthquake in 1934, the temple was restored with a dome roof, which was alien to the Newari architecture.

Jayaprakash Malla, the last Malla king to rule Kathmandu, built a temple for Kumari and Durga in her virginal state. The temple was named Kumari Bahal and was structured like a typical Newari vihara. In his house resides the Kumari, a girl who is revered as the living goddess. He also made a chariot for Kumari and in the courtyard had detailed terra cotta tiles of that time laid down.

UNDER THE SHAH DYNASTY

During the Shah dynasty that followed, the Kathmandu Durbar Square saw a number of changes. Two of the most unique temples in the square were built during this time. One is the Nautale, a nine-storied building known as Basantapur Durbar. It has four roofs and stands at the end of Nasal Chok at the East side of the palace. It is said that this building was set as a pleasure house. The lower three stories were made in the Newari farmhouse style. The upper floors have Newari style windows, sanjhya and tikijhya, and some of them are slightly projected from the wall. The other temple is annexed to the Vasantapur Durbar and has four-stories. This building was initially known as Vilasamandira, or Lohom Chok, but is now commonly known as Basantapur or Tejarat Chok. The lower floors of the Basantapur Chok display extensive woodcarvings and the roofs are made in popular the Mughal style. Archives state that Prthivi Narayan Shah built these two buildings in 1770.

Rana Bahadur Shah was enthroned at the age of two. Bahadur Shah, the second son of Prithvi Narayan Shah, ruled as a regent for his young nephew Rana Bahadur Shah for a close to a decade from 1785 to 1794 and built a temple of Shiva Parvati in the square. This one roofed temple is designed in the Newari style and is remarkably similar to previous temples built by the Mallas. It is rectangular in shape, and enshrines the Navadurga, a group of goddesses, on the ground floor. It has a wooden image of Shiva and Parvati at the window of the upper floor, looking out at the passersby in the square. Another significant donation made during the time of Rana Bahadur Shah is the metal-plated head of Swet Bhairav near the Degutale Temple. It was donated during the festival of Indra Jatra in 1795, and continues to play a major role during the festival every year. This approximately twelve feet high face of Bhairav is concealed behind a latticed wooden screen for the rest of the year. The following this donation Rana Bahadur donated a huge bronze bell as an offering to the Goddess Taleju. Together with the beating of the huge drums donated by his son Girvan Yudha, the bell was rung every day during the daily ritual worship to the goddess. Later these instruments were also used as an alarm system. However, after the death of his beloved third wife Kanimati Devi due to smallpox, Rana Bahadur Shah turned mad with grief and had many images of gods and goddesses smashed including the Taleju statue and bell, and Sitala, the goddess of smallpox.

In 1908, a palace, Gaddi Durbar, was built using European architectural designs. The Rana Prime Ministers who had taken over the power but not the throne of the country from the Shahs Kings from 1846 to 1951 were highly influenced by European styles. The Gaddi Durbar is covered in white plaster, has Greek columns and adjoins a large audience hall, all foreign features to Nepali architecture. The balconies of this durbar were reserved for the royal family during festivals to view the square below.

Some of the parts of the square like the Hatti Chok near the Kumari Bahal in the southern section of the square were removed during restoration after the devastating earthquake in 1934. While building the New Road, the southeastern part of the palace was cleared away, leaving only fragments in places as reminders of their past. Though decreased from its original size and attractiveness from its earlier seventeenth-century architecture, the Kathmandu Durbar Square still displays an ancient surrounding that spans abound five acres of land. It has palaces, temples, quadrangles, courtyards, ponds, and images that were brought together over three centuries of the Malla, the Shah, and the Rana dynasties. It was destroyed in the April 2015 Nepal earthquake.

VISITING

Kathmandu's Durbar Square is the site of the Hanuman Dhoka Palace Complex, which was the royal Nepalese residence until the 19th century and where important ceremonies, such as the coronation of the Nepalese monarch, took place. The palace is decorated with elaborately-carved wooden windows and panels and houses the King Tribhuwan Memorial Museum and the Mahendra Museum. It is possible to visit the state rooms inside the palace.

Time and again the temples and the palaces in the square have gone through reconstruction after being damaged by natural causes or neglect. Presently there are less than ten quadrangles in the square. The temples are being preserved as national heritage sites and the palace is being used as a museum. Only a few parts of the palace are open for visitors and the Taleju temples are only open for people of Hindu and Buddhist faiths.

At the southern end of Durbar Square is one of the most curious attractions in Nepal, the Kumari Chok. This gilded cage contains the Raj Kumari, a girl chosen through an ancient and mystical selection process to become the human incarnation of the Hindu mother goddess, Durga. She is worshiped during religious festivals and makes public appearances at other times for a fee paid to her guards.

WIKIPEDIA

Gorkha was the birthplace of Prithvi Narayan Sha, conqueror of the Kathmandu Valley and founder of modern Nepal. It´s a major pilgrimage destination, particularly for Newars, who regard the Shah kings as living incarnation of Vishnu. The main attraction here is the Gorkha Durba, the former palace of the Shahs, which lords over Gorkha from a precarious ridge above the town.

SIGHTS

GORKHA DURBAR

Regarded by many as the crowning glory of Newari architecture, Gorkha Durbar is a fort, a palace and a temple all in one. This magnificent architectural confection is perched high above Gorkha on a knife-edge ridge, with superb views over the Trisuli Valley and the soaring peaks of the Annapurna and Ganesh Himalaya.

As the birthplace of Prithvi Narayan Shah, the Durbar has huge significance for Nepalis. The great Shah was born here in around 1723, when Gorkha was a minor feudal kingdom, in thrall to the larger citystates in the Kathmandu Valley. Upon gaining the throne, Prithvi Narayan forced the Kathmandu Valley into submission, forging a kingdom that extended far into India and Tibet. In 1769 the capital was shifted from Gorkha to Kathmandu and Gorkha was relegated to the status of a national monument.

To reach the durbar, you must climb an exhausting stairway of 1500 stone steps, snaking up the hillside above the Gorkha bus stand.

KALIKA MANDIR

Build in the reign of King Ram Shah (1606-36), but extensively remodelled over the years, the temple is a psychedelic fantasy of carved peacocks, demons and serpents. The woodcarving around the doors and windows is particularly striking - note the ornate peacock windows and the erotic scenes on the root struts.

Glory sacrifices of goats, chickens, doves and buffaloes are carried out in the courtyard in front of the temple to honour the Goddess Kali, the destructive incarnation of Parvati, the consort of Shiva. Only Brahmin priests and the king can enter the temple, but non-Hindus are permitted to observe sacrifices from the terrace.

DHUNI PATI

The other major structure in the compound is Dhuni Pati, the former palace of Prithvi Narayan Shah. Like the temple, the palace is covered in elaborate woodcarvings, including a magnificent window in the shape of Garuda, the man-bird vehicle of Vishnu. Non-Hindus cannot enter but can view the room where Prithvi Narayan Shah was born through an ornate star-shaped window.

GURU GORKHANATH SHRINE

Behind the palace is the mausoleum of Guru Gorkhanath, a reclusive saint who acted as a spiritual guide for the young Prithvi Narayan. This part of the compound is closed to non-Hindus, but you can descend some stone steps to peak into the cave where the saint once lived.

HANUMAN STATUE

If you leave via the northern gate, you´ll come to a vividly painted carving of Hanuman, the monkey god, and a series of carved stone steles. A path leads east from here past a large stone resting platform (chautara) to an exposed rocky bluff with awesome views of the mountains and a set of carved stone footprints, attributed variously to Sita, Rama, Gorkhanath and Guru Padmasambhava.

The durbar is an important religios site, and visitors must follow strict rules. Shoes should be removed and photography and leather - including belts - are banned inside the Durbar complex.

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Nehru Group of Institutions announces the launch of Nehru Out Bound for Leadership Excellence (NOBLE)

NOBLE a South India’s largest Unique Outbound experiential learning program for Leadership Excellence to unleash the hidden potential & help people reinvent them selves

Coimbatore, 22nd Aug 2016: Nehru Group of Institutions, a premier group of educational institutions announced the launch of Nehru Out Bound for Leadership Excellence (NOBLE), a South India’s largest Unique Outbound experiential learning program for Leadership Excellence to unleash the hidden potential & help people reinvent themselves. The program has been designed to offer the participants understand the inner view of an Individual’s strengths and limitations thereby leading to high powered Individuals with a strong Team spirit.

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Bhaktapur (Nepali: भक्तपुर), literally translates to Place of devotees. Also known as Bhadgaon or Khwopa (Newar: ख्वप Khwopa), it is an ancient Newar city in the east corner of the Kathmandu Valley, Nepal, about 13 km from the capital city, Kathmandu. It is located in Bhaktapur District in the Bagmati Zone.

Bhaktapur was the largest of the three Newar kingdoms of the Kathmandu Valley, and was the capital of Nepal during the great 'Malla Kingdom' until the second half of the 15th century. Today it is the third largest city in the Kathmandu Valley, with a population of more than 80,000, of which the vast majority are still Newars. Historically more isolated than the other two kingdoms, Kathmandu and Patan, Bhaktapur has a distinctly different form of Nepal Bhasa language.

Bhaktapur has the best preserved palace courtyards and old city center in Nepal, and is listed as a World Heritage Site by UNESCO for its rich culture, temples, and wood, metal and stone artworks. This is supported by the restoration and preservation efforts of German-funded Bhaktapur Development Project (BDP).

The city is famous for special type of curd called "Ju Ju(king) dhau(curd). It is experienced by the curd makers that the taste of curd prepared in this location cannot be found elsewhere all over Nepal.

ETYMOLOGY

KHWOPA is the ancient name of Bhaktapur. The term "Bhaktapur" (Sanskrit/Nepali: भक्तपुर) refers to "The City Of Devotees". This Bhaktapur City is also known as "Khwopa" (Nepal Bhasa: ख्वप) or "Bhadgaon" (Nepali:भादगाँउ) or "Ancient Newari Town" throughout the Kathmandu Valley. "Kh0apa" actually refers to the masks which are believed to have been worn by gods and goddesses. Bhaktapur is popular for different forms of mask dances based on lives of different deities and therefore, it was named "Khwapa" which later came to become just "Khwopa," which is also near to meaning masks.

HISTORY

It is the home of traditional art and architecture, historical monuments and craft works, magnificent windows, pottery and weaving industries, excellent temples, beautiful ponds, rich local customs, culture, religion, festivals, musical mystic and so on. Bhaktapur is still an untouched as well as preserved ancient city that is itself a world to explore for tourists.

From time immemorial it lay on the trade route between Tibet and India. This position on the main caravan route made the town rich and prosperous.

DEMOGRAPHICS

At the time of the 2001 Nepal census it had a population of 72,543. The male inhabitants of this city wear a special type of cap called the Bhadgaunle Topi Nyatapola.

LANDMARKS

LAYAKU (DURBAR SQUARE)

Bhaktapur Durbar Square is a conglomeration of pagoda and shikhara-style temples, mostly dedicated to Hindu gods and goddesses grouped around a 55-window palace of brick and wood. The square is one of the most charming architectural showpieces of the valley as it highlights the ancient arts of Nepal. The golden effigies of the kings perched on the top of stone monoliths, the guardian deities looking out from their sanctuaries, the wood carvings in every place — struts, lintels, uprights, tympanums, gateways and windows — all seem to form a well-orchestrated symphony.

The royal palace was originally situated at Dattaraya square and was only later moved to the Durbar square location. The square in Bhaktapur was severely damaged by an earthquake in 1934 and hence appears more spacious than the ones at Kathmandu and Patan.

NYATAPOLA TEMPLE

Nyatapola Temple is a 5-story pagoda located in Bhaktapur, Nepal. The temple was erected by Nepali King Bhupatindra Malla during a 5-month period from late 1701 into 1702. It is the temple of Siddha Laxmi, the Hindu goddess of prosperity.

BHAIRAB NATH TEMPLE

This is another pagoda temple of lord Bhairab, the dreadful aspect of Lord Shiva. It stands a short distance away from the temple of Nyatapola and was originally constructed by King Jagat Jyoti Malla on a modest scale. It was later remodelled by King Bhupatindra Malla, a zealous lover of the arts, into what it is now a three-storeyed temple.

DATTATRAYA TEMPLE

The temple of Dattatraya is as old as the Palace of Fifty-five Windows. Consecrated by King Yakshya Malla in 1427 AD, this temple, according to popular belief, was built out of the trunk of a single tree. It was subsequently repaired and renovated by King Vishwa Malla in 1458 AD.

Just beside temple is a monastery (Math) with exquisitely carved peacock windows. These famous windows were carved during the reign of King Vishwa Malla. The monastery is full of artistic facades of latticed windows and engraved columns.

CHANGU NARAYAN TEMPLE

Changu Narayan is an ancient Hindu temple located near the village of Changunarayan in the Kathmandu Valley on top of a hill at the eastern end of the valley. It is 6 kilometres to the north of Bhakathapur and 22 kilometres from Kathmandu. The temple is one of the oldest Hindu temples of the valley, and is believed to have been constructed first in the 4th century. Changu Narayan is the name of Vishnu, and the temple is dedicated to him. A stone slab discovered in the vicinity of the temple dates to the 5th century, and is the oldest such stone inscription discovered in Nepal. It was rebuilt after the old temple was devastated. Many stone sculptures here date to the Licchavi period. Changu Narayan Temple is listed by UNESCO as a World Heritage Site.

The temple is a double-roofed structure where the idol of Lord Vishnu in his incarnation as Narayana is deified. The exquisitely built temple has intricate roof struts showing multi-armed Tantric deities. A kneeling image of Garuda (dated to the 5th century), the vahana or vehicle of Vishnu with a snake around its neck, faces the temple. The gilded door depicts stone lions guarding the temple. Gilded windows also flank the door. A conch and a disc, symbols of Vishnu, are carved on the two pillars at the entrance. Non-Hindus are not allowed inside the temple.

TA PUKHA (SIDDHA POKHARI)

Ta Pukhu (Siddha Pokhari) is a big rectangular water pond near the main city gate. It was built during the reign of King Yakshya Malla in the early 15th century and is associated with a number of myths. From this spot a wide range of snowy peaks are visible on clear days.

KAILASHNATH MAHADEV STATUE

Kailashnath Mahadev is the World's Tallest Lord Shiva statue. The height of this statue is 143 feet high and is situated 20 km from Kathmandu, epal. The statues construction work was started in 2004 and was completed in 2012. The statue's inauguration took place on the 21st of June '12. This statue stands on the 32nd position in the list of all statues by height in the whole world. It has been made of copper, cement, zinc, and steel. To make this gigantic structure possible there were many professional workers and statue makers from India.

FESTIVAL

Bhaktapur is also known as city of festivals and celebrations. The city celebrates festivals each month starting from new year festival to the Holi puni at the end of the year.

- Bisket Jatra (New year festival)

This ancient annual festival of bhaktapur takes place at the New Year of the Bikram Sambat calendar. A few days before the New Year, usually at Chaitra 27 or Chaitra 28, if 31 days in month, the goddess 'bhadrakali' and the god 'bhairab' are enshrined in their raths, or immense chariots & pulled through the narrow streets of Bhaktapur by crowds of young men.

The chariots rest at certain time-honored places in the city and people come out to throw offerings of flower, rice, coins and red sindur powder. On the last day of the old year a towering wooden pole known as ' lyesing dha: or lingo' is erected at the edge of town. Long banners hang from the pole, symbolizing snakes - Nag and nagini. On new year's day, the erected pole is brought down symbolizing victory over evil! People enjoy New year day along with victory over evils. On baisakh 5, the chariot is again pulled to narrow street of bhaktapur and brought to its origin place, Taumadhi square marking end of Bisket Jatra.

- Kumar Khasti (Sithi Nakha)

Before modern piping system, wells and kuwas were the basis for water supply in bhaktapur. In this auspicious day, people clean wells and worship Naag favoring good fall in monsoon. They celebrate by eating delicious delicacy like bara and chatamari.

- Gathamaga charya

Gathamaga is made up of straw that symbols a devil. Locals make gathamaga in their locality and burn fire to remove devils of their locality. It is also said that mosquitos loses its one leg in this day.

- Sa: Paaru (Gai Jatra)

The celebration of Gai Jatra Bhaktapur is interesting among Kathmandu and Lalitpur. In this day, Tall bamboo poles wrapped in cloth and topped horn of straw and an umbrella is carried around the town in memory of dead. The photo of dead is hung in this pole called Ta macha.

Also a colorful procession known as Ghing tang gishi is main attraction of this festival. People enjoy and dance in beats of music and play with stick in accordance to the beat. People decorate themselves in mask, paints and even in female outfits.

GUNLA

Gunla is the name of 10th month of Nepal Era calendar. It is sacred month dedicated to Lord Buddha celebrated in Kathmandu, Patan and Bhaktapur.

But In Bhaktapur, last day of Gunla Panchadan is celebrated differently. The Five Buddhas are brought to Taumadhi square accompanied with Gunla Baja, a special musical instrument played only in Gunla and Buddhas are rounded around bhaktapur town.

- Pulu Kisi (Indra Jatra)

The son of Lord of heaven, is believed to have been kidnapped by a devil named Maisasur who then tied Indra's son in a pole and killed. Indra was shocked to hear his son's death and sent an elephant, pulukisi to find and kill Maisasur. But legend says Pulukisi couldn't find maisur till date. This jatra is a play to that legendary story where pulu kisi is rounded the town to search for Maisasur.

- Sithi Nakha

In Bhaktapur a palanquin with an image of the hindu goddess Bhagawati is carried in colorful procession through Nyatapol square this day.

- Dhanya purnima (Yomari purnima)

In this day Farmers of Kathmandu valley worship to Annapurna, the Goddess of grains, for good rice harvest and enjoy feast after all the hard work of the season. Yomari is the chief item on the menu in this day. So is called Yomari puni.

- Maghe sankranti (Ghya-chaku sankranti) (Makar Sankranti)

This festival marks the winter solstice and Newars partake of a feast. The days special menu include butter (ghyu), molasses (chaku) and yam.

In Bhaktapur, on this auspicious day samyak Dan is performed by Buddhist. The shakyas and Bajracharya gather in a samyak ground near Napukhu pond accompanied with panchabuddhas and samyak buddhas. They are offered chaku balls and rice. Bhaktapur is the only one in valley that conducts samyak Dan once in a year.

SHREE PANCHAMI

People regard this day as propitious day for starting new enterprise. Devotee throng Devi shrine to seek blessing. In Bhaktapur, People visit Sashwo:dega in this auspicious day where the idol of Buddhist deity Mahamanjushree is kept. Hindus regard it as saraswoti and worship whereas Buddhist worship it as Manjushree.

IN POPULARE CULTURE

Portions of the movie Little Buddha starring Keanu Reeves and Bridget Fonda were filmed in the Bhaktapur Durbar Square.

2015 EARTHQUAKE

The Magnitude 7.8 2015 Nepal earthquake that struck on 25 April 2015 damaged 116 heritages in the historic town of Bhaktapur. Of them, 67 were completely damaged while 49 suffered from partial damages. The quake has badly damaged the Durbar square, a significant heritage site included in the UNESCO world heritage list. The main premises of Taleju Temple here also witnessed damages in the disaster.

The building of the municipality office, temples of Rameshwor, Batsala, Narayan, Siddilaxmi, Biswaroopa, Siddiganesh, Sweetbhairav, Siva Mahadev, Degaina, sattal, pati and pujari mathas were damaged by the quake.

The reconstruction and new construction of the damaged heritages will cost over Rs 293 million, underlining the need of starting the renovation soon.

The Magnitude 8.4 (1934 Nepal–Bihar earthquake) demolished several buildings that were never rebuilt, however they can be seen in the earlier drawings. Chyasilin Mandap has been rebuilt.

WIKIPEDIA

Gorkha was the birthplace of Prithvi Narayan Sha, conqueror of the Kathmandu Valley and founder of modern Nepal. It´s a major pilgrimage destination, particularly for Newars, who regard the Shah kings as living incarnation of Vishnu. The main attraction here is the Gorkha Durba, the former palace of the Shahs, which lords over Gorkha from a precarious ridge above the town.

SIGHTS

GORKHA DURBAR

Regarded by many as the crowning glory of Newari architecture, Gorkha Durbar is a fort, a palace and a temple all in one. This magnificent architectural confection is perched high above Gorkha on a knife-edge ridge, with superb views over the Trisuli Valley and the soaring peaks of the Annapurna and Ganesh Himalaya.

As the birthplace of Prithvi Narayan Shah, the Durbar has huge significance for Nepalis. The great Shah was born here in around 1723, when Gorkha was a minor feudal kingdom, in thrall to the larger citystates in the Kathmandu Valley. Upon gaining the throne, Prithvi Narayan forced the Kathmandu Valley into submission, forging a kingdom that extended far into India and Tibet. In 1769 the capital was shifted from Gorkha to Kathmandu and Gorkha was relegated to the status of a national monument.

To reach the durbar, you must climb an exhausting stairway of 1500 stone steps, snaking up the hillside above the Gorkha bus stand.

KALIKA MANDIR

Build in the reign of King Ram Shah (1606-36), but extensively remodelled over the years, the temple is a psychedelic fantasy of carved peacocks, demons and serpents. The woodcarving around the doors and windows is particularly striking - note the ornate peacock windows and the erotic scenes on the root struts.

Glory sacrifices of goats, chickens, doves and buffaloes are carried out in the courtyard in front of the temple to honour the Goddess Kali, the destructive incarnation of Parvati, the consort of Shiva. Only Brahmin priests and the king can enter the temple, but non-Hindus are permitted to observe sacrifices from the terrace.

DHUNI PATI

The other major structure in the compound is Dhuni Pati, the former palace of Prithvi Narayan Shah. Like the temple, the palace is covered in elaborate woodcarvings, including a magnificent window in the shape of Garuda, the man-bird vehicle of Vishnu. Non-Hindus cannot enter but can view the room where Prithvi Narayan Shah was born through an ornate star-shaped window.

GURU GORKHANATH SHRINE

Behind the palace is the mausoleum of Guru Gorkhanath, a reclusive saint who acted as a spiritual guide for the young Prithvi Narayan. This part of the compound is closed to non-Hindus, but you can descend some stone steps to peak into the cave where the saint once lived.

HANUMAN STATUE

If you leave via the northern gate, you´ll come to a vividly painted carving of Hanuman, the monkey god, and a series of carved stone steles. A path leads east from here past a large stone resting platform (chautara) to an exposed rocky bluff with awesome views of the mountains and a set of carved stone footprints, attributed variously to Sita, Rama, Gorkhanath and Guru Padmasambhava.

The durbar is an important religios site, and visitors must follow strict rules. Shoes should be removed and photography and leather - including belts - are banned inside the Durbar complex.

The Lakshmi Narayan temples complex, devoted to the Vaishnavite sect, includes the main Lakshmi Narayan temple, built in the 10th century by Raja Sahil Verman. It has been built to suit the local climatic conditions with wooden chatries and has a shikara, and a sanctum sanctorum (Garbhagriha), with an antarala and a mantapa. A metallic image of Garuda, the vahana (mount) of Vishnu is installed on the dwajastamba pillar at the main gate of the temple. In 1678, Raja Chhatra Singh adorned the temple roof with gold plated pinnacles, as a riposte to Auranagzeb, who had ordered demolition of this temple.

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Chamba (Hindi: चम्बा) is an ancient town in the Chamba district in the state of Himachal Pradesh, in northern India. According to the 2001 Indian census, Chamba has a population of 20,312 people. Located at an altitude of 996 metres above mean sea level, the town is situated on the banks of the Ravi River (a major tributary of the Trans-Himalayan Indus River), at its confluence with the Sal River.

Though historical records date the history of the Chamba region to the Kolian tribes in the 2nd century BC, the area was formally ruled by the Maru dynasty, starting with the Raju Maru from around 500 AD, ruling from the ancient capital of Bharmour, which is located 75 kilometres from the town of Chamba. In 920, Raja Sahil Varman (or Raja Sahil Verma) shifted the capital of the kingdom to Chamba, following the specific request of his daughter Champavati (Chamba was named after her). From the time of Raju Maru, 67 Rajas of this dynasty have ruled over Chamba until it finally merged with the Indian Union in April 1948, although Chamba was under British suzerainty from 1846 to this time.

The town has numerous temples and palaces, and hosts two popular jatras (fairs), the "Suhi Mata Mela" and the "Minjar Mela", which last for several days and involve music and dancing. Chamba is also well noted for its arts and crafts, particularly its Pahari paintings, which originated in the Hill Kingdoms of North India between the 17th and 19th century and its handicrafts and textiles.

HISTORY

Chamba has an ancient history, which is inseparable from that of the surrounding district of Chamba. The earliest rulers were Kolian tribes. In the 2nd century BC the Khasas and Audumbaras were in power in the region. In the 4th century AD during the Gupta period, the Thakurs and Ranas ruled. From the 7th century, the Gurjara Pratiharas or the Rajput dynasty came into power.

The recorded history of the Rajput rulers is traced to an eminent individual named Maru who is said to have moved to northwest India from Kalpagrama, around 500 AD. He founded his capital in the Budhal river valley at a place called Brahmaputra, which later became known as Bharmour or Bhramaur, which is situated 75 kilometres to the east of the present day Chamba town. For three hundred years, kings of Rajput Dynasty ruled from their capital in Bharmour.

However, in 920, Raja Sahil Varman (or Raja Sahila Verma), King of Bharmour, shifted his capital from Bharmour to a more centrally located plateau in the lower Ravi valley, and named the city Champavati, after his daughter. There is some variation in the story to how exactly this transition came about in the historical records of Chamba. One version tells how Varman, who, after being childless for a significant period, was blessed with ten sons and a daughter, named "Champavati". It was Champavati who urged her father to build a new capital town in the valley. However, obstacles stood in the way to relocating his capital, given that the king had previously granted the land in the modern Chamba vicinity to the Kanwan Brahmins. A solution was found in the form of offering a gift of eight copper coins called chaklis on the occasion of every marriage that took place in the Brahmin family, if they would agree to surrender their land to pave the way for the new capital. With the land thus obtained, the new capital was built and named as Champa after Chamapavati, the King’s daughter, which, over the years, was simply shortened to "Chamba'.

A variation of this origin of Chamba is that it originated as a hermitage which Champavati, a devout Hindu, used to frequent. The king, being suspicious of his daughter's fidelity, one day investigated and followed her to the hermitage, but surprisingly he found neither his daughter nor the hermit there. Suddenly he was said to have heard a voice which informed him that his suspicions were ill founded, admonishing him and informing him that his daughter had been taken away from him permanently as a punishment of his lack of trust in her morals. The King, fully chastened, sought redemption for his sin by expanding the hermitage into a temple, named in his daughter’s honour and built a city around the temple. Today this temple, called the Champavati Temple, belongs to the Royal family and the King’s daughter is venerated as a goddess. Every year, since 935, the Minjar festival or fair has been held. It lasts for 21 days, coinciding with the first day of Baisakhi.

Since Raja Sahil Varman, the dynasty ruled without successful invasion for around a millennium, until the British gained power. The isolation of the town and its rugged hilly terrain is believed to have been a contributing factor to this unusual state of security. Later, Mughal emperors Akbar and Aurangzeb did attempt to annex Chamba but were unsuccessful in subjugating this territory into their kingdoms. Raja Prithvi Singh (1641-1664 AD), who was on amiable terms with Emperor Shahjahan was instrumental in introducing the court life styles of the Mughals.

Many progressive reforms and developments were made in Chamba under the British. In 1863, the first Post office was established in Chamba and a daily mail service and a primary school. In December, 1866, a hospital was opened by Doctor Elmslie of the Kashmir Medical Mission. In the late 1860s two new roads to Dalhousie via Kolri and Khajiar were built. Gopal Singh, who ruled from 1870 to 1873, after abdicating, was responsible for building the grand Jandarighat Palace as his summer residence.

After India becoming an independent nation in August 1947, the princely state of Chamba finally merged with India on April 15, 1948 along with the other princedoms of Mandi-Suket State, Sirmour State and all of those in the Shimla hills.

Buildings in Chamba were traditionally constructed using local materials. Buildings were made out of dry stone masonry, with the walls and floors of the older houses plastered with a concoction of clay and cow-dung. Thick wooden beams were used to support the walls, paying attention to durability and to withstand earthquakes, and wooden cantilever construction was often used to support the verandas. The staircases and doors were made from wood, with the doors often decorated in religious reliefs and flanked by two lamps to light it at night. Before the arrival of the British, who introduced slate roofs to Chamba, roofs were covered with planks, coated in clay. Few of these houses remiain today, although a number still have wood-clay roofs in villages in the suburbs.

The old heritage monuments, which are palaces and temples are located in the old town (east of the Chaugans), on the lower slopes of Shah Madar hill. They were built in the lower valley where the two rivers and steep thickly forested hillsides provided a strong defense. Located here is the 10th century Champavati Temple, said to have marked the birth of the town, the Lakshmi Narayan group of temples (built from 10th-19th century), the 10th century Sita Ram Temple, Bansi Gopal temple, Kharura Mohalla and Hari Rai temple, the 11th century Sui Mata Temple and Chamunda Devi Temple, and the Akhand Chandi palace, overlooking the Chaugan, which has since been converted into a college. Additions were made to the palace in the form of the Zenana Mahal and the Rang Mahal in the 18th century. The temples built in Chamba demonstrate a strong Kashmiri influence with their stone temple architecture and temple iconography. Given their age however, only their unicellular layout with fluted pillars has been retained.

WIKIPEDIA

Gorkha was the birthplace of Prithvi Narayan Sha, conqueror of the Kathmandu Valley and founder of modern Nepal. It´s a major pilgrimage destination, particularly for Newars, who regard the Shah kings as living incarnation of Vishnu. The main attraction here is the Gorkha Durba, the former palace of the Shahs, which lords over Gorkha from a precarious ridge above the town.

SIGHTS

GORKHA DURBAR

Regarded by many as the crowning glory of Newari architecture, Gorkha Durbar is a fort, a palace and a temple all in one. This magnificent architectural confection is perched high above Gorkha on a knife-edge ridge, with superb views over the Trisuli Valley and the soaring peaks of the Annapurna and Ganesh Himalaya.

As the birthplace of Prithvi Narayan Shah, the Durbar has huge significance for Nepalis. The great Shah was born here in around 1723, when Gorkha was a minor feudal kingdom, in thrall to the larger citystates in the Kathmandu Valley. Upon gaining the throne, Prithvi Narayan forced the Kathmandu Valley into submission, forging a kingdom that extended far into India and Tibet. In 1769 the capital was shifted from Gorkha to Kathmandu and Gorkha was relegated to the status of a national monument.

To reach the durbar, you must climb an exhausting stairway of 1500 stone steps, snaking up the hillside above the Gorkha bus stand.

KALIKA MANDIR

Build in the reign of King Ram Shah (1606-36), but extensively remodelled over the years, the temple is a psychedelic fantasy of carved peacocks, demons and serpents. The woodcarving around the doors and windows is particularly striking - note the ornate peacock windows and the erotic scenes on the root struts.

Glory sacrifices of goats, chickens, doves and buffaloes are carried out in the courtyard in front of the temple to honour the Goddess Kali, the destructive incarnation of Parvati, the consort of Shiva. Only Brahmin priests and the king can enter the temple, but non-Hindus are permitted to observe sacrifices from the terrace.

DHUNI PATI

The other major structure in the compound is Dhuni Pati, the former palace of Prithvi Narayan Shah. Like the temple, the palace is covered in elaborate woodcarvings, including a magnificent window in the shape of Garuda, the man-bird vehicle of Vishnu. Non-Hindus cannot enter but can view the room where Prithvi Narayan Shah was born through an ornate star-shaped window.

GURU GORKHANATH SHRINE

Behind the palace is the mausoleum of Guru Gorkhanath, a reclusive saint who acted as a spiritual guide for the young Prithvi Narayan. This part of the compound is closed to non-Hindus, but you can descend some stone steps to peak into the cave where the saint once lived.

HANUMAN STATUE

If you leave via the northern gate, you´ll come to a vividly painted carving of Hanuman, the monkey god, and a series of carved stone steles. A path leads east from here past a large stone resting platform (chautara) to an exposed rocky bluff with awesome views of the mountains and a set of carved stone footprints, attributed variously to Sita, Rama, Gorkhanath and Guru Padmasambhava.

The durbar is an important religios site, and visitors must follow strict rules. Shoes should be removed and photography and leather - including belts - are banned inside the Durbar complex.

We were on our way to the Tapri for a cup of tea when Narayan got a call. He stopped in the middle of the road and stood there like that the whole time he was on the phone.

The ancient Hindu temple of Changu Narayan is located on a high hilltop that is also known as Changu or Dolagiri. The temple was surrounded by forest with champak tree and a small village, known as Changu Village. The temple is located in Changunarayan VDC of Bhaktapur District, Nepal. This hill is about 8 miles east of Kathmandu and a few miles north of Bhaktapur. The Manahara River flows beside the hill. This shrine is dedicated to Lord Visnu and held in especial reverence by the Hindu people. This temple is considered as the oldest temple in Nepal.

HISTORY OF CHANGU NARAYAN TEMPLE

The pagoda style temple has several masterpieces of 5th and 12th century Nepalese art. According to legends Changu Narayan temple existed as early as 325 A.D. in the time of King Licchavi King Hari Datta Verma and it is one of Nepal's richest structures historically as well as artistically. In the grounds there is a stone pillar inscription of great importance recording the military exploits of King Man Deva who reigned from 496 A.D. to 524 A.D. The first epigraphic evidence of Nepalese history found in the temple premises during the reign of the Licchavi King Mandeva dating back to 464 A.D. shows that Changu had already been established as a sacred site in the 3rd century A.D. It is the earliest inscription known in Nepal. The temple was restored during the lifetime of Ganga Rani, consort of Siva Simha Malla who reigned from 1585 to 1614. There are records of the temple burning in the year of 822 Nepal Samvat (1702 A.D.), after which reconstruction was carried out. More inscriptions in gilt-copper plates were added by Bhaskara Malla in 1708 A.D.

LEGEND ABOUT CHANGU NARAYAN

In ancient time a Gwala, a cow herder, had brought a cow from a Brahman named Sudarshan. The cow was known for producing large quantity of milk. The Gwala used to take the cow to Changu for grazing. At that time Changu was a forest of Champak tree. While grazing the cow it always went to the shade of a particular tree. In the evening when the Gwala took the cow home and started milking the cow he got only very few amount of milk. This continued several days. He became very sad so he called the Brahmin and told him that the cow is not giving enough milk. Brahmin after observing the fact from his own eyes then planned with the Gwala to inspect the activities of cow during the day while she was grazing in the forest. Both Brahmin and Gwala hide themselves behind the trees and spectate the activities of the cow. The cow went into the shade of a particular champak tree. To their surprise a small black boy came out from the tree and started drinking the cow milk. Both became very furious and they thought that the boy must be the devil and tree must be its home. So Brahmin cut down the champak tree. When the Brahmin was cutting down the tree a fresh human blood came out from the tree. Both Brahmin and Gwala became worried and they thought that they have committed the great crime and they started crying.From the tree lord Vishnu emerged out and he told the Brahmin that it was not their fault. Lord Vishnu told them the story that he had committed a heinous crime by killing Sudarshan’s father unknowingly while hunting in the forest. After that he was cursed for the crime. He then wandered on earth on his mouth, the ‘Garuda’ eventually descending on the hill at Changu. There he lived in anonymity, surviving on milk stolen from a cow. When Brahmin cut down the tree, lord Vishnu was beheaded which freed Lord Vishnu from his sins. After hearing these words from Vishnu, Brahmin and Gwala started worshipping the place and they established a small temple in the name of Lord Vishnu. Ever since that day, the site has been held sacred. . Even today we can find the descendant of Sudarshan Brahmin as priest of the temple and the descendents of Gwala as ghutiyars (conservators).

PHYSICAL ASPECTS

Changu Narayan Temple is situated at the top of the hill surrounded by forest of Champ tree. On the main way to temple courtyard, we can find human settlement. People from Newar community live in and around Changu Narayan area. With the development in tourism in this place, we can find many medium and small sized hotels, restaurants, souvenir shops, etc. An ancient stone tap is located on the way to Changunaran which is believed to have existed since the time of Lichhavi.

THE TEMPLE ART AND ARCHITECTURE

Changu Narayan is considered to be the oldest temple of Nepal. It remains a milestone in Nepali temple architecture with rich embossed works. The two-storey roofed temple stands on a high plinth of stone. According to Professor Madhan Rimal, Department of Sociology and Anthropology, Tribhuwan University, the temple is neither in Shikhara Style nor the Pagoda style. It has an architectural style which he would like to describe as a traditional Nepali temple. Many similar features are found at Gokarna Mahadev. The temple is surrounded by sculptures and arts related to Lord Vishnu. Also we can find the temples of lord Shiva, Ashta Matrika, Chhinnamasta, Kileshwor and Krishna inside the courtyard of main temple. There are four entrances to the temple and these gates are guarded by life size pairs of animals such as lions, sarabhas, graffins and elephants on each side of the entrances. The ten incarnations of Lord Vishnu and the other idols are carved in the struts, which support the roof. The entrance door is gilded with carvings of Nagas (snakes). On the main entrance gate (i.e. western entrance gate), we can find the Chakra, Sankha, Kamal and Khadga all at the top of a stone pillar. These stone pillars has inscription in Sanskrit. This inscription is considered to be the oldest inscription of Nepal and the stone inscription pillar was erected by Lichhavi King Manadeva in 464 AD. The following monument are located while visiting the temple from the right side after entering from the main entrance (Eastern gate) to courtyard.

Historical pillar erected by Mandeva in 464 AD

Garuda:- flying vehicle of Lord Vishnu which has got a human face and is a devotee of Vishnu.

Statue of Bhupalendra Malla, King of Kantipur and his queen BhuwanLakshmi.

Chanda Narayan (Garuda Narayan):- 7th century stone sculpture of Vishnu riding on Garuda. This sculpture has been depicted in the 10 rupee paper note issued by Nepal Rastra Bank

Sridhar Vishnu:- 9th century stone sculpture of Vishnu, Laxmi and Garuda which stands on the pedestals of various motifs.

Vaikuntha Vishnu :- 16th century sculpture of Vishnu seated on the lalitason position on the six armed Garuda and Laxmi seated on the lap of Vishnu

Chhinnamasta:- Temple dedicated to Chhinnamasta devi, who beheaded herself, offered her own blood to feed the hungry Dakini and Varnini.

Vishworup:- 7th century stone sculpture- beautifully carved that depicts the scene from the Bhagwat Gita, in which Lord Krishna manifests his universal form to his devotee Arjun.

Vishnu Vikrant :- 7th century sculpture of Trivikram Vishnu that depicts the scene of popular Hindu myth of Lord Vishnu and his beloved Bali Raja.

Narasimha :- 7th century sculpture of Narasimha , an incarnation of Lord Vishnu, killing the demon King Hiranyakasyapa to save his beloved devotee Prahalad.

Kileshwor:- small two storied temples of Lord Shiva, who is believed to have appeared in this place for the protection of the hill.

INFORMATION CENTRE

There is a information centre at the entrance to Changu Village. They issue tickets to tourist. The information center has a public toilet for tourist. Also drinking water facilities is available for tourist. But the drink water facilities have not been managed properly. Only direct tap water is available there. According to Binaya Raj Shrestha, owner of Chagu Museum and the member of temple management committee, on an average 150 foreigners visit Changu.

CHANGU MUSEUM

A private museum is also located on in the Changu Narayan on the way to temple. According to Binaya Raj Shrestha, the owner of the museum, it is the first private museum of Nepal and it has the collection of ancient coins, tools, arts and architectures. There is an excellent collection of ancient, historical, artistic, religious, archaeological, cultural and other rare objects. The museum has a good collection of ancient tools used by Newar family during the medieval period. It was established on the occasion of millennium year 2000 AD with the permission of Changu Narayan VDC. The entrance fee for Nepalese is NRs. 50 and NRs. 300 is charged for foreigner. On an average 35 visitors visit this museum in a day. Mostly foreigners and Nepali students visit this museum.

ETHNOGRAPHIC MUSEUM

There is an ethnographic museum inside the building of the temple which incorporates both objects and photographs collected by Judith Davis. Entrance is INR. 250 for foreigners. There is also a small bookshop.

FESTIVALS AND FAIRS

Since the ancient period, many festivals and fairs have been organized on various occasions. One of the main festivals of Changu is called Changu Narayan Jatra. The festival ‘Mahashanan’ held here as an important festival. On the day of ‘Jugadi Nawami’ and ‘Haribodhini Ekadashi’ special puja is conducted in Changu. Daily puja and aarati is not conducted in temple and on the occasion of family rituals, such as birthday, marriage, etc local conduct not special puja in the temple.

MANAGEMENT APPROACHES

Changu Narayan Temple is on the list of world heritage sites. The valuable stone sculpture and ancient inscriptions have archeological, historical and cultural significance. Changu Narayan VDC is formed a committee called Changu Narayan Temple management Committee which is the responsible body to work for protection, preservation and management. Likewise the Department of Archeology and Palace Management Office, Bhaktapur has also provided assistance on the conservation and preservation of the temple. Many local youth clubs are involved in managing festivals, organizing awareness programs in and around temple area.

THREATS/CHALLENGES

The Manohara stream has long seen rampant mining of sand and stones. Local administration have failed to control the mining activities. Because of the mining activities, the temple area has become prone to landslides. Due to overgrazing in the nearby forest, the chances of soil erosion and landslide are very high.

There is a challenge regarding the security of the unique sculptures. Also the temple is getting older so renovation is necessary. The tourist information center has not been managed properly and they have not maintained good records of tourists. The museum is not issuing ticket bills after payments are made by Nepali visitors. Although Changu is only 8 miles east of Kathmandu, bus service is still lacking which means a newly constructed road to Changu has failed to bring in a significant number of tourists.

WIKIPEDIA

a pilgrim, having his meal by the fort's gate.

see other people with food @ fiveprime.org/flickr_hvmnd.cgi?search_type=Tags&photo...

Kirtipur (Nepali: कीर्तिपुर, Nepal Bhasa: किपू Kipu) is an ancient city in Nepal. It is located in the Kathmandu Valley 5 km south-west of the city of Kathmandu. It is one of the five municipalities in the valley, the others being Kathmandu, Lalitpur, Bhaktapur and Madhyapur Thimi.

ETYMOLOGY

The name Kirtipur comes from Kirti (glory) and pur (city).

DEMOGRAPHICS

Originally a Newar foundation, Kirtipur is still a center of Newar culture. It has been merged with surrounding villages to form the municipality of Kirtipur with a population of 67,171.

It consists of many temples, gumbas (Buddhist monastery) and churches too. Due to the presence of Tribhuvan University, Kirtipur is also a popular area for out-of-town students and professors to rent houses and they are major contributors to the local economy.

HISTORY

Kirtipur's history dates from 1099 AD. It was part of the territory of Lalitpur at the time of the invasion of the Kathmandu Valley by the Gorkhali king Prithvi Narayan Shah in the 18th century.

In 1767, Kirtipur was annexed to the Gorkhali kingdom by Prithvi Narayan following the Battle of Kirtipur. He took the town on his twenty third attempt, after entering it by trickery. After this, he cut off the noses and lips of everybody in the city.

This was the site of an inspirational peaceful demonstration of the people in the 2006 mass uprising that overthrew the powers of the king. It is considered to be an anti-monarchy city due to its bitter history against the Shah dynasty whose modern founder conquered the city insultingly, which was followed by negligence of the administration and development by subsequent rulers.

PLACES OF INTEREST

BAGH BHAIRAB

Bagh Bhairab temple is one of the most popular temples dedicated to the God Bhairab in the form of a tiger. This god is regarded as the guardian of Kirtipur and the locals call it Ajudeu, a grandfather god. Bhairab, the most terrifying and awful form of Shiva is the destroyer on one hand and the guardian on the other. Ceremonial rituals in relation to the important events of life such as rice-feeding, puberty, marriage and even the construction of houses cannot be done without propitiating this deity in most of the towns and cities of Nepal.

The present three storeyed temple of Bagh Bhairab probably built in 16th century stands in the brick-paved rectangular courtyard with the rest houses around it. There are some small shrines and stone images spread over the courtyard. The main gate is at the southern side. There are two other gates in the eastern and western sides. The two roofs of the temple are of tiles while the third one is covered with gilt-copper. There are wooden pillars carved with Hindu gods and goddesses. They have been erected in between windows of the second storey and the names of the carved deities have been finely cut out below them on the pedestals.

There are eighteen pinnacles-one in the first roof, six in the middle and eleven in the top roof. Beneath the eaves of the first roof there are very old but faded murals depicting the stories of Ramayan. Maha Bharat and the various manifestations of Durga, the mighty mother goddess. These paintings are frescoes in red with white plaster background. At the right side of the main gate of the temple there is Hifa Dyo, the god of blood sacrifice is allowed directly to Bagh Bhairab, all animal offerings to the deity are made here on behalf of this deity just as the animal sacrifices are made to Kumari, a stone idol, placed at the second gate in the left side of Chandeswori at Banepa and to the Chhetrapal which is at the very beginning of the final series of the steps to the temple of Khadga Jogini at Sankhu.

There are two torans over Hifa Dyo. They bear very fine cuttings of Asta-Matriks, Asta-Bhairabs and other gods and goddesses. In the western wall of the temple there is a hollow space regarded by the local people as Nasa Dyo, the god of music and dance. Bagh Bhairab made of clay has been enshrined in the left side corner in the temple. The three glass-eyed tiger-god is tongue-less and tooth-less but covered with silver and copper plates and heavily ornamented. This deity as mentioned in the stone inscriptions has been called Bagheswor (the tiger god), Bhimsen Bhattarak (Bhimsen, the governing deity), Gudei Sthanadhipati (the lord in the form of tiger) and Ajudyo(the ancestral god).

The local peoples hail this deity as the embodiment of prudence, knowledge, productivity and strength to resist all evils. Hence, the auspicious ceremonies such as weddings, hair-cuttings, rice-feedings and other ritual performances in Kirtipur are done only after a puza to this deity.

CHILANCHO STUPA

A Buddhist shrine, is situated on the southern hill. It is located in Kirtipur, Nepal. It was made in medieval period. An inscription of Nepal Samvat 635 is found in this Chaitya. Therefore, it is one of the most important historical stupa of this region.

UMA MAHESHWAR

Uma Maheshwar temple (locally, Kwacho Dega) is one of the important heritage sites of Kirtipur. This pagoda-style three-storied temple is situated at the highest point (1414 m) of Kirtipur. Since this temple is at the top of the hill, one can enjoy picturesque view of the Kathmandu valley and mountains like Langtang, Dorge Lakkpa, Chobhu Bhamure, and Gaurishankar.

The temple was constructed in 1655 AD by Rautra Vishwanath Babu, a son of king Sidhhi Narsinga Malla. It was destructed in an earthquake in 1832 AD. After remained dilapidated for about a century, it was restored in 1933 AD after it was again destroyed by an earthquake. Local people and government made a herculean effort to renovate it into the current state. The restoration process was completed only in 1982 AD. Recently, in 2008 some work was done to preserve the arts of temple.

There is an artistic stone gate at the entrance. On each side of the stone staircase leading to the temple, there is a stone elephant, with sculptures of Bhimsen and Kuber as protectors of the temple. The main deities in this temple are standing Lord Shiva and Parvati. There are other images of deities like Sarasvati and Mahismardini on false doors around temple.

The wooden doors, pillars, and beams are crafted with artistic figures of different gods and goddess such as Astamatrika and Asta Bhairav. Similarly, erotic figures are also carved in wooden beams. According to archeologists, these figures on beams have tantric values.

The bell on the northern side of temple was cast in 1895 by Gillett & Johnston Founders, Corydon. It was one of the four quarter bells of Ghantaghar of the central Kathmandu and was reallocated to this temple after the Ghantaghar was destroyed by the earthquake in 1933.

SHRI KIRTI BIHAR

A Theravada Buddhist monastery built in traditional Thai architectural style, is situated near the entrance to the city.

MEDIA

To Promote local culture Kirtipur has one FM radio station Radio Newa F.M. - 106.6 MHz Which is a Community radio Station.There are several weekly newspaper published from Kirtipur. They are Shahid Weekly, Kirtipur Darpan, Kirtipur Sandesh. Also there is a local television station, Kirtipur Channel and some more local channel.

WIKIPEDIA

Étai de toiture sculpté représentant une divinité tantrique (une des formes de Durga ?) du temple de Changu Narayan

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Le temple de Changu Narayan est considéré comme le plus vieux du Népal, il possède un toit en forme de pagode à 2 étages. Il a été reconstruit probablement au XVIIème siècle mais avec des éléments architecturaux et décoratifs beaucoup plus anciens.

Ce temple dédié à Narayan est au sommet d'une montagne considérée comme sacrée depuis 464 après notre ère comme en atteste une référence écrite à ce site qui date du règne du roi Licchavi Mandeva mais le site était probablement sacré depuis le 3ème siècle.

Dans la cosmologie hindoue, Vishnou lorsqu'il repose sur le serpent Ananta (Shesha) est appelé Nârâyana (Narayan) c'est à dire "Reposant sur les eaux" ou "Demeure-de-l'Homme" ou encore "Demeure-du-savoir". Nârâyana, qui signifie aussi "Refuge universel", est une des 24 images de Vishnou d'après le Rupa Mandana.

Article de Wikipedia sur Narayana (Narayan au Népal)

fr.wikipedia.org/wiki/Narayana

Article de Wikipedia sur Changu Narayan

en.wikipedia.org/wiki/Changu_Narayan

Shankha (Doong ou Conque) sur une colonne dans la cour du temple de Changu Narayan

Le Shankha est le nom sanskrit de la Conque que porte Vishnou en attribut. C'est un instrument de musique rituel dans l'Hindouisme, c'est aussi un instrument du Bouddhisme.

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Le temple de Changu Narayan est considéré comme le plus vieux du Népal, il possède un toit en forme de pagode à 2 étages. Il a été reconstruit probablement au XVIIème siècle mais avec des éléments architecturaux et décoratifs beaucoup plus anciens.

Ce temple dédié à Narayan est au sommet d'une montagne considérée comme sacrée depuis 464 après notre ère comme en atteste une référence écrite à ce site qui date du règne du roi Licchavi Mandeva mais le site était probablement sacré depuis le 3ème siècle.

Dans la cosmologie hindoue, Vishnou lorsqu'il repose sur le serpent Ananta (Shesha) est appelé Nârâyana (Narayan) c'est à dire "Reposant sur les eaux" ou "Demeure-de-l'Homme" ou encore "Demeure-du-savoir". Nârâyana, qui signifie aussi "Refuge universel", est une des 24 images de Vishnou d'après le Rupa Mandana.

Article de Wikipedia sur Narayana (Narayan au Népal)

fr.wikipedia.org/wiki/Narayana

Article de Wikipedia sur Changu Narayan

en.wikipedia.org/wiki/Changu_Narayan

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Autre photo d'une conque rituelle

www.flickr.com/photos/dalbera/5941349262/in/set-721576270...

Virtual tour to Lakshmi Narayan temple

www.menqfiles.com/imt_file/virtual_tur/india/rajasthan/la...

Changu Narayan is an ancient Hindu temple located near the village of Changunarayan in the Kathmandu Valley on top of a hill at the eastern end of the valley. Its location is 6 kilometres to the north of Bhakathapur and 22 kilometres from Kathmandu. The temple is one of the oldest Hindu temples of the valley, and is believed to have been constructed first in the 4th century. Changu Narayan is the name of Vishnu, and the temple is dedicated to him. A stone slab discovered in the vicinity of the temple dates to the 5th century, and is the oldest such stone inscription discovered in Nepal. It was rebuilt after the old temple was devastated. Many stone sculptures here date to the Licchavi period. Changu Narayan Temple is listed by UNESCO as a World Heritage Site.

The temple is a double-roofed structure where the idol of Lord Vishnu in his incarnation as Narayana is deified. The exquisitely built temple has intricate roof struts showing multi-armed Tantric deities. A kneeling image of Garuda (dated to the 5th century), the vahana or vehicle of Vishnu with a snake around its neck, faces the temple. The gilded door depicts stone lions guarding the temple. Gilded windows also flank the door. A conch and a disc, symbols of Vishnu, are carved on the two pillars at the entrance. Non-Hindus are not allowed inside the temple.

or Birla Mandir

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April 2015 earthquake: I have enjoyed Nepal, the vibrancy of Kathmandu, its monuments and its people and I feel for them at this time. If you are going to use any of my images on your blogs, reports, publications etc. please consider giving a donation to help the country and its people. My preferred charity is Medicins Sans Frontieres / Doctors Without Borders (www.msf.org,uk or www.msf.ch or other national sites)

Kathmandu Durbar Square (Nepali: वसन्तपुर दरवार क्षेत्र, Basantapur Darbar Kshetra) in front of the old royal palace of the former Kathmandu Kingdom is one of three Durbar (royal palace) Squares in the Kathmandu Valley in Nepal, all of which are UNESCO World Heritage Sites.

Several buildings in the Square collapsed due to a major earthquake on 25 April 2015. Durbar Square was surrounded with spectacular architecture and vividly showcases the skills of the Newar artists and craftsmen over several centuries. The Royal Palace was originally at Dattaraya square and was later moved to the Durbar square.

The Kathmandu Durbar Square held the palaces of the Malla and Shah kings who ruled over the city. Along with these palaces, the square surrounds quadrangles, revealing courtyards and temples. It is known as Hanuman Dhoka Durbar Square, a name derived from a statue of Hanuman, the monkey devotee of Lord Ram, at the entrance of the palace.

CONTENTS

HISTORY AND CONSTRUCTION

The preference for the construction of royal palaces at this site dates back to as early as the Licchavi period in the third century. Even though the present palaces and temples have undergone repeated and extensive renovations and nothing physical remains from that period. Names like Gunapo and Gupo, which are the names referred to the palaces in the square in early scriptures, imply that the palaces were built by Gunakamadev, a King ruling late in the tenth-century. When Kathmandu City became independent under the rule of King Ratna Malla (1484–1520), the palaces in the square became the Royal Palaces for its Malla Kings. When Prithvi Narayan Shah invaded the Kathmandu Valley in 1769, he favored the Kathmandu Durbar Square for his palace. Other subsequent Shah kings continued to rule from the square until 1896 when they moved to the Narayan Hiti Palace.

The square is still the center of important royal events like the coronation of King Birendra Bir Bikram Shah in 1975 and King Gyanendra Bir Bikram Shah in 2001.

Though there are no written archives stating the history of Kathmandu Durbar Square, construction of the palace in the square is credited to Sankharadev (1069–1083). As the first king of the independent Kathmandu City, Ratna Malla is said to have built the Taleju temple in the Northern side of the palace in 1501. For this to be true then the temple would have had to have been built in the vihara style as part of the palace premise surrounding the Mul Chok courtyard for no evidence of a separate structure that would match this temple can be found within the square.

Construction of the Karnel Chok is not clearly stated in any historical inscriptions; although, it is probably the oldest among all the courtyards in the square. The Bhagavati Temple, originally known as a Narayan Temple, rises above the mansions surrounding it and was added during the time of Jagajaya Malla in the early eighteenth century. The Narayan idol within the temple was stolen so Prithvi Narayan Shah replaced it with an image of Bhagavati, completely transforming the name of the temple.

The oldest temples in the square are those built by Mahendra Malla (1560–1574). They are the temples of Jagannath, Kotilingeswara Mahadev, Mahendreswara, and the Taleju Temple. This three-roofed Taleju Temple was established in 1564, in a typical Newari architectural style and is elevated on platforms that form a pyramid-like structure. It is said that Mahendra Malla, when he was residing in Bhaktapur, was highly devoted to the Taleju Temple there; the Goddess being pleased with his devotion gave him a vision asking him to build a temple for her in the Kathmandu Durbar Square. With a help of a hermit, he designed the temple to give it its present form and the Goddess entered the temple in the form of a bee.

His successors Sadasiva (1575–1581), his son, Shiva Simha (1578–1619), and his grandson, Laksmi Narsingha (1619–1641), do not seem to have made any major additions to the square. During this period of three generations the only constructions to have occurred were the establishment of Degutale Temple dedicated to Goddess Mother Taleju by Shiva Simha and some enhancement in the royal palace by Laksminar Simha.

UNDER PRATAP MALLA

In the time of Pratap Malla, son of Laksminar Simha, the square was extensively developed. He was an intellectual, a pious devotee, and especially interested in arts. He called himself a Kavindra, king of poets, and boasted that he was learned in fifteen different languages. A passionate builder, following his coronation as a king, he immediately began enlargements to his royal palace, and rebuilt some old temples and constructed new temples, shrines and stupas around his kingdom.During the construction of his palace, he added a small entrance in the traditional, low and narrow Newari style. The door was elaborately decorated with carvings and paintings of deities and auspicious sings and was later transferred to the entrance of Mohan Chok. In front of the entrance he placed the statue of Hanuman thinking that Hanuman would strengthen his army and protect his home. The entrance leads to Nasal Chok, the courtyard where most royal events such as coronation, performances, and yagyas, holy fire rituals, take place. It was named after Nasadya, the God of Dance, and during the time of Pratap Malla the sacred mask dance dramas performed in Nasal Chok were widely famed. In one of these dramas, it is said that Pratap Malla himself played the role of Lord Vishnu and that the spirit of the Lord remained in the king's body even after the play. After consulting his Tantric leaders, he ordered a stone image of Lord Vishnu in his incarnation as Nara Simha, the half-lion and half-human form, and then transferred the spirit into the stone. This fine image of Nara Simha made in 1673 still stands in the Nasal Chok. In 1650, he commissioned for the construction of Mohan Chok in the palace. This chok remained the royal residential courtyard for many years and is believed to store a great amount of treasure under its surface. Pratap Malla also built Sundari Chok about this time. He placed a slab engraved with lines in fifteen languages and proclaimed that he who can understand the inscription would produce the flow of milk instead of water from Tutedhara, a fountain set in the outer walls of Mohan Chok. However elaborate his constructions may have been, they were not simply intended to emphasize his luxuries but also his and the importance of others' devotion towards deities. He made extensive donations to temples and had the older ones renovated. Next to the palace, he built a Krishna temple, the Vamsagopala, in an octagonal shape in 1649. He dedicated this temple to his two Indian wives, Rupamati and Rajamati, as both had died during the year it was built. In Mohan Chok, he erected a three roofed Agamachem temple and a unique temple with five superimposing roofs. After completely restoring the Mul Chok, he donated to the adjoining Taleju Temple. To the main temple of Taleju, he donated metal doors in 1670. He rebuilt the Degutale Temple built by his grandfather, Siva Simha, and the Taleju Temple in the palace square. As a substitute to the Indreswara Mahadeva Temple in the distant village of Panauti he built a Shiva temple, Indrapura, near his palace in the square. He carved hymns on the walls of the Jagannath Temple as prayers to Taleju in the form of Kali.

At the southern end of the square, near Kasthamandap at Maru, which was the main city crossroads for early traders, he built another pavilion named Kavindrapura, the mansion of the king of poets. In this mansion he set an idol of dancing Shiva, Nasadyo, which today is highly worshipped by dancers in the Valley.

In the process of beautifying his palace, he added fountains, ponds, and baths. In Sundari Chok, he established a low bath with a golden fountain. He built a small pond, the Naga Pokhari, in the palace adorned with Nagakastha, a wooden serpent, which is said he had ordered stolen from the royal pond in the Bhaktapur Durbar Square. He restored the Licchavi stone sculptures such as the Jalasayana Narayana, the Kaliyadamana, and the Kala Bhairav. An idol of Jalasayana Narayana was placed in a newly created pond in the Bhandarkhal garden in the eastern wing of the palace. As a substitute to the idol of Jalasayana Narayana in Buddhanilkantha, he channeled water from Buddhanilkantha to the pond in Bhandarkhal due bestow authenticity. The Kalyadana, a manifestation of Lord Krishna destroying Kaliya, a water serpent, is placed in Kalindi Chok, which is adjacent to the Mohan Chok. The approximately ten-feet-high image of terrifyingly portrayed Kal Bhairav is placed near the Jagannath Temple. This image is the focus of worship in the chok especially during Durga Puja.

With the death of Pratap Malla in 1674, the overall emphasis on the importance of the square came to a halt. His successors retained relatively insignificant power and the prevailing ministers took control of most of the royal rule. The ministers encountered little influence under these kings and, increasingly, interest of the arts and additions to the square was lost on them. They focused less on culture than Pratap Malla during the three decades that followed his death, steering the city and country more towards the arenas of politics and power, with only a few minor constructions made in the square. These projects included Parthivendra Malla building a temple referred to as Trailokya Mohan or Dasavatara, dedicated to Lord Vishnu in 1679. A large statue of Garuda, the mount of Lord Vishnu, was added in front of it a decade later. Parthivendra Malla added a pillar with image of his family in front of the Taleju Temple.

Around 1692, Radhilasmi, the widowed queen of Pratap Malla, erected the tall temples of Shiva known as Maju Deval near the Garuda image in the square. This temple stands on nine stepped platforms and is one of the tallest buildings in the square. Then her son, Bhupalendra Malla, took the throne and banished the widowed queen to the hills. His death came early at the age of twenty one and his widowed queen, Bhuvanalaksmi, built a temple in the square known as Kageswara Mahadev. The temple was built in the Newari style and acted as a substitute for worship of a distant temple in the hills. After the earthquake in 1934, the temple was restored with a dome roof, which was alien to the Newari architecture.

Jayaprakash Malla, the last Malla king to rule Kathmandu, built a temple for Kumari and Durga in her virginal state. The temple was named Kumari Bahal and was structured like a typical Newari vihara. In his house resides the Kumari, a girl who is revered as the living goddess. He also made a chariot for Kumari and in the courtyard had detailed terra cotta tiles of that time laid down.

UNDER THE SHAH DYNASTY

During the Shah dynasty that followed, the Kathmandu Durbar Square saw a number of changes. Two of the most unique temples in the square were built during this time. One is the Nautale, a nine-storied building known as Basantapur Durbar. It has four roofs and stands at the end of Nasal Chok at the East side of the palace. It is said that this building was set as a pleasure house. The lower three stories were made in the Newari farmhouse style. The upper floors have Newari style windows, sanjhya and tikijhya, and some of them are slightly projected from the wall. The other temple is annexed to the Vasantapur Durbar and has four-stories. This building was initially known as Vilasamandira, or Lohom Chok, but is now commonly known as Basantapur or Tejarat Chok. The lower floors of the Basantapur Chok display extensive woodcarvings and the roofs are made in popular the Mughal style. Archives state that Prthivi Narayan Shah built these two buildings in 1770.

Rana Bahadur Shah was enthroned at the age of two. Bahadur Shah, the second son of Prithvi Narayan Shah, ruled as a regent for his young nephew Rana Bahadur Shah for a close to a decade from 1785 to 1794 and built a temple of Shiva Parvati in the square. This one roofed temple is designed in the Newari style and is remarkably similar to previous temples built by the Mallas. It is rectangular in shape, and enshrines the Navadurga, a group of goddesses, on the ground floor. It has a wooden image of Shiva and Parvati at the window of the upper floor, looking out at the passersby in the square. Another significant donation made during the time of Rana Bahadur Shah is the metal-plated head of Swet Bhairav near the Degutale Temple. It was donated during the festival of Indra Jatra in 1795, and continues to play a major role during the festival every year. This approximately twelve feet high face of Bhairav is concealed behind a latticed wooden screen for the rest of the year. The following this donation Rana Bahadur donated a huge bronze bell as an offering to the Goddess Taleju. Together with the beating of the huge drums donated by his son Girvan Yudha, the bell was rung every day during the daily ritual worship to the goddess. Later these instruments were also used as an alarm system. However, after the death of his beloved third wife Kanimati Devi due to smallpox, Rana Bahadur Shah turned mad with grief and had many images of gods and goddesses smashed including the Taleju statue and bell, and Sitala, the goddess of smallpox.

In 1908, a palace, Gaddi Durbar, was built using European architectural designs. The Rana Prime Ministers who had taken over the power but not the throne of the country from the Shahs Kings from 1846 to 1951 were highly influenced by European styles. The Gaddi Durbar is covered in white plaster, has Greek columns and adjoins a large audience hall, all foreign features to Nepali architecture. The balconies of this durbar were reserved for the royal family during festivals to view the square below.

Some of the parts of the square like the Hatti Chok near the Kumari Bahal in the southern section of the square were removed during restoration after the devastating earthquake in 1934. While building the New Road, the southeastern part of the palace was cleared away, leaving only fragments in places as reminders of their past. Though decreased from its original size and attractiveness from its earlier seventeenth-century architecture, the Kathmandu Durbar Square still displays an ancient surrounding that spans abound five acres of land. It has palaces, temples, quadrangles, courtyards, ponds, and images that were brought together over three centuries of the Malla, the Shah, and the Rana dynasties. It was destroyed in the April 2015 Nepal earthquake.

VISITING

Kathmandu's Durbar Square is the site of the Hanuman Dhoka Palace Complex, which was the royal Nepalese residence until the 19th century and where important ceremonies, such as the coronation of the Nepalese monarch, took place. The palace is decorated with elaborately-carved wooden windows and panels and houses the King Tribhuwan Memorial Museum and the Mahendra Museum. It is possible to visit the state rooms inside the palace.

Time and again the temples and the palaces in the square have gone through reconstruction after being damaged by natural causes or neglect. Presently there are less than ten quadrangles in the square. The temples are being preserved as national heritage sites and the palace is being used as a museum. Only a few parts of the palace are open for visitors and the Taleju temples are only open for people of Hindu and Buddhist faiths.

At the southern end of Durbar Square is one of the most curious attractions in Nepal, the Kumari Chok. This gilded cage contains the Raj Kumari, a girl chosen through an ancient and mystical selection process to become the human incarnation of the Hindu mother goddess, Durga. She is worshiped during religious festivals and makes public appearances at other times for a fee paid to her guards.

WIKIPEDIA

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The ancient Hindu temple of Changu Narayan is located on a high hilltop that is also known as Changu or Dolagiri. The temple was surrounded by forest with champak tree and a small village, known as Changu Village. The temple is located in Changunarayan VDC of Bhaktapur District, Nepal. This hill is about 8 miles east of Kathmandu and a few miles north of Bhaktapur. The Manahara River flows beside the hill. This shrine is dedicated to Lord Visnu and held in especial reverence by the Hindu people. This temple is considered as the oldest temple in Nepal.

HISTORY OF CHANGU NARAYAN TEMPLE

The pagoda style temple has several masterpieces of 5th and 12th century Nepalese art. According to legends Changu Narayan temple existed as early as 325 A.D. in the time of King Licchavi King Hari Datta Verma and it is one of Nepal's richest structures historically as well as artistically. In the grounds there is a stone pillar inscription of great importance recording the military exploits of King Man Deva who reigned from 496 A.D. to 524 A.D. The first epigraphic evidence of Nepalese history found in the temple premises during the reign of the Licchavi King Mandeva dating back to 464 A.D. shows that Changu had already been established as a sacred site in the 3rd century A.D. It is the earliest inscription known in Nepal. The temple was restored during the lifetime of Ganga Rani, consort of Siva Simha Malla who reigned from 1585 to 1614. There are records of the temple burning in the year of 822 Nepal Samvat (1702 A.D.), after which reconstruction was carried out. More inscriptions in gilt-copper plates were added by Bhaskara Malla in 1708 A.D.

LEGEND ABOUT CHANGU NARAYAN

In ancient time a Gwala, a cow herder, had brought a cow from a Brahman named Sudarshan. The cow was known for producing large quantity of milk. The Gwala used to take the cow to Changu for grazing. At that time Changu was a forest of Champak tree. While grazing the cow it always went to the shade of a particular tree. In the evening when the Gwala took the cow home and started milking the cow he got only very few amount of milk. This continued several days. He became very sad so he called the Brahmin and told him that the cow is not giving enough milk. Brahmin after observing the fact from his own eyes then planned with the Gwala to inspect the activities of cow during the day while she was grazing in the forest. Both Brahmin and Gwala hide themselves behind the trees and spectate the activities of the cow. The cow went into the shade of a particular champak tree. To their surprise a small black boy came out from the tree and started drinking the cow milk. Both became very furious and they thought that the boy must be the devil and tree must be its home. So Brahmin cut down the champak tree. When the Brahmin was cutting down the tree a fresh human blood came out from the tree. Both Brahmin and Gwala became worried and they thought that they have committed the great crime and they started crying.From the tree lord Vishnu emerged out and he told the Brahmin that it was not their fault. Lord Vishnu told them the story that he had committed a heinous crime by killing Sudarshan’s father unknowingly while hunting in the forest. After that he was cursed for the crime. He then wandered on earth on his mouth, the ‘Garuda’ eventually descending on the hill at Changu. There he lived in anonymity, surviving on milk stolen from a cow. When Brahmin cut down the tree, lord Vishnu was beheaded which freed Lord Vishnu from his sins. After hearing these words from Vishnu, Brahmin and Gwala started worshipping the place and they established a small temple in the name of Lord Vishnu. Ever since that day, the site has been held sacred. . Even today we can find the descendant of Sudarshan Brahmin as priest of the temple and the descendents of Gwala as ghutiyars (conservators).

PHYSICAL ASPECTS

Changu Narayan Temple is situated at the top of the hill surrounded by forest of Champ tree. On the main way to temple courtyard, we can find human settlement. People from Newar community live in and around Changu Narayan area. With the development in tourism in this place, we can find many medium and small sized hotels, restaurants, souvenir shops, etc. An ancient stone tap is located on the way to Changunaran which is believed to have existed since the time of Lichhavi.

THE TEMPLE ART AND ARCHITECTURE

Changu Narayan is considered to be the oldest temple of Nepal. It remains a milestone in Nepali temple architecture with rich embossed works. The two-storey roofed temple stands on a high plinth of stone. According to Professor Madhan Rimal, Department of Sociology and Anthropology, Tribhuwan University, the temple is neither in Shikhara Style nor the Pagoda style. It has an architectural style which he would like to describe as a traditional Nepali temple. Many similar features are found at Gokarna Mahadev. The temple is surrounded by sculptures and arts related to Lord Vishnu. Also we can find the temples of lord Shiva, Ashta Matrika, Chhinnamasta, Kileshwor and Krishna inside the courtyard of main temple. There are four entrances to the temple and these gates are guarded by life size pairs of animals such as lions, sarabhas, graffins and elephants on each side of the entrances. The ten incarnations of Lord Vishnu and the other idols are carved in the struts, which support the roof. The entrance door is gilded with carvings of Nagas (snakes). On the main entrance gate (i.e. western entrance gate), we can find the Chakra, Sankha, Kamal and Khadga all at the top of a stone pillar. These stone pillars has inscription in Sanskrit. This inscription is considered to be the oldest inscription of Nepal and the stone inscription pillar was erected by Lichhavi King Manadeva in 464 AD. The following monument are located while visiting the temple from the right side after entering from the main entrance (Eastern gate) to courtyard.

Historical pillar erected by Mandeva in 464 AD

Garuda:- flying vehicle of Lord Vishnu which has got a human face and is a devotee of Vishnu.

Statue of Bhupalendra Malla, King of Kantipur and his queen BhuwanLakshmi.

Chanda Narayan (Garuda Narayan):- 7th century stone sculpture of Vishnu riding on Garuda. This sculpture has been depicted in the 10 rupee paper note issued by Nepal Rastra Bank

Sridhar Vishnu:- 9th century stone sculpture of Vishnu, Laxmi and Garuda which stands on the pedestals of various motifs.

Vaikuntha Vishnu :- 16th century sculpture of Vishnu seated on the lalitason position on the six armed Garuda and Laxmi seated on the lap of Vishnu

Chhinnamasta:- Temple dedicated to Chhinnamasta devi, who beheaded herself, offered her own blood to feed the hungry Dakini and Varnini.

Vishworup:- 7th century stone sculpture- beautifully carved that depicts the scene from the Bhagwat Gita, in which Lord Krishna manifests his universal form to his devotee Arjun.

Vishnu Vikrant :- 7th century sculpture of Trivikram Vishnu that depicts the scene of popular Hindu myth of Lord Vishnu and his beloved Bali Raja.

Narasimha :- 7th century sculpture of Narasimha , an incarnation of Lord Vishnu, killing the demon King Hiranyakasyapa to save his beloved devotee Prahalad.

Kileshwor:- small two storied temples of Lord Shiva, who is believed to have appeared in this place for the protection of the hill.

INFORMATION CENTRE

There is a information centre at the entrance to Changu Village. They issue tickets to tourist. The information center has a public toilet for tourist. Also drinking water facilities is available for tourist. But the drink water facilities have not been managed properly. Only direct tap water is available there. According to Binaya Raj Shrestha, owner of Chagu Museum and the member of temple management committee, on an average 150 foreigners visit Changu.

CHANGU MUSEUM

A private museum is also located on in the Changu Narayan on the way to temple. According to Binaya Raj Shrestha, the owner of the museum, it is the first private museum of Nepal and it has the collection of ancient coins, tools, arts and architectures. There is an excellent collection of ancient, historical, artistic, religious, archaeological, cultural and other rare objects. The museum has a good collection of ancient tools used by Newar family during the medieval period. It was established on the occasion of millennium year 2000 AD with the permission of Changu Narayan VDC. The entrance fee for Nepalese is NRs. 50 and NRs. 300 is charged for foreigner. On an average 35 visitors visit this museum in a day. Mostly foreigners and Nepali students visit this museum.

ETHNOGRAPHIC MUSEUM

There is an ethnographic museum inside the building of the temple which incorporates both objects and photographs collected by Judith Davis. Entrance is INR. 250 for foreigners. There is also a small bookshop.

FESTIVALS AND FAIRS

Since the ancient period, many festivals and fairs have been organized on various occasions. One of the main festivals of Changu is called Changu Narayan Jatra. The festival ‘Mahashanan’ held here as an important festival. On the day of ‘Jugadi Nawami’ and ‘Haribodhini Ekadashi’ special puja is conducted in Changu. Daily puja and aarati is not conducted in temple and on the occasion of family rituals, such as birthday, marriage, etc local conduct not special puja in the temple.

MANAGEMENT APPROACHES

Changu Narayan Temple is on the list of world heritage sites. The valuable stone sculpture and ancient inscriptions have archeological, historical and cultural significance. Changu Narayan VDC is formed a committee called Changu Narayan Temple management Committee which is the responsible body to work for protection, preservation and management. Likewise the Department of Archeology and Palace Management Office, Bhaktapur has also provided assistance on the conservation and preservation of the temple. Many local youth clubs are involved in managing festivals, organizing awareness programs in and around temple area.

THREATS/CHALLENGES

The Manohara stream has long seen rampant mining of sand and stones. Local administration have failed to control the mining activities. Because of the mining activities, the temple area has become prone to landslides. Due to overgrazing in the nearby forest, the chances of soil erosion and landslide are very high.

There is a challenge regarding the security of the unique sculptures. Also the temple is getting older so renovation is necessary. The tourist information center has not been managed properly and they have not maintained good records of tourists. The museum is not issuing ticket bills after payments are made by Nepali visitors. Although Changu is only 8 miles east of Kathmandu, bus service is still lacking which means a newly constructed road to Changu has failed to bring in a significant number of tourists.

WIKIPEDIA

Sant baba Narayan Singh Ji Moni Ji (Tpa-draj Mohali Wale)(Jargari)

Changu Narayan @ Nepal

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Sleeping Vishnu at the Budhanikantha Temple (Nepal)

Lord Vishnu is depicted as in Yoga Nidra, a state when one appears to be asleep but is fully conscious, laying down on Adisesha, the Snake, floating on the Ksheera Saagara, Ocean of Milk.

The eleven heads of the Snake cradle Vishnu's head. Shesha is the eternal, multi-headed king of the serpent deities known as Nagas, and also is the servant of Vishnu.

For more info about this Temple and this Sleeping Vishnu sculpture, read sacredsites.com/asia/nepal/budhanilkantha.html.

If you like this photo, follow me on instagram (tristan_sf) and don't hesitate to leave a comment or email me.

Gurukul es una carrera universitaria por la obstinada Narayn Shankar ( Amitabh Bachchan ). Narayan wants the best out of his students so places an emphasis on honour, tradition and discipline. Narayan quiere lo mejor de sus estudiantes lo pone el énfasis en el honor, la tradición y la disciplina. He has run the university for 25 years and forbids any kind of romance — anybody he catches falling in love will be expelled. Ha dirigido la universidad durante 25 años y prohíbe cualquier tipo de romance - a nadie que las capturas de enamorarse será expulsado. The focus is on three boys: Sameer ( Jugal Hansraj ), Vicky ( Uday Chopra ) and Karan ( Jimmy Shergill ) who are all in love with three women. La atención se centra en tres niños: Sameer ( Jugal Hansraj ), Vicky ( Uday Chopra ) y Karan ( Jimmy Shergill ) que están todos en el amor con tres mujeres. Sameer is in love with his childhood friend Sanjana ( Kim Sharma ). Sameer está enamorada de su amigo de infancia Sanjana ( Kim Sharma ). Vicky falls for a girl from the university next door named Ishika ( Shamita Shetty ). Vicky se enamora de una chica de la puerta de la universidad el próximo llamado Ishika ( Shamita Shetty ). Karan becomes smitten by a girl he sees at the train station named Kiran ( Preeti Jhangiani ). Karan se convierte en enamorado de una chica que ve en la estación de tren llamada Kiran ( Preeti Jhangiani ). However, the three boys realise that there is no point in attempting to get their love interests. Sin embargo, los tres chicos se dan cuenta de que no hay ningún punto en su intento de conseguir sus intereses amorosos.

Raj Aryan ( Shahrukh Khan ) se une a Gurukul como profesor de música. He is a strong believer of love — when he learns the three boys are in love, he encourages them to follow their hearts. Él es un firme creyente del amor - cuando se entera de los tres niños se encuentran en el amor, él los invita a seguir sus corazones. He also slowly starts introducing changes to Gurukul much to the disgust of Narayan, who does not like changes. También poco a poco empieza a introducir cambios en Gurukul para gran disgusto de Narayan, quien no le gusta los cambios. The boys soon end up disappointed when trying to get their love interests. Los chicos pronto terminan decepcionados cuando se trata de conseguir sus intereses amorosos. Sameer learns Sanjana has a boyfriend. Sameer aprende Sanjana tiene un novio. Vicky only makes Ishika dislike him when trying to woo her. Vicky sólo hace Ishika le gusta cuando se trata de cortejarla. Karan learns that Kiran is married to a pilot who is assumed dead. Karan se entera de que Kiran está casada con un piloto que se supone muerto. Raj tells the boys not to be disappointed. Raj le dice a los niños no se sentirán decepcionados. He believes they are lucky because Raj's love Megha ( Aishwarya Rai ) is dead. Él cree que tienen suerte porque el amor de Raj Megha ( Aishwarya Rai ) ha muerto. He says he continues to love her in the same way and believes the boys should also do the same. Dice que sigue a su amo de la misma manera y cree que los niños también deberían hacer lo mismo. Raj often imagines that Megha is by his side. Raj menudo se imagina que Megha está a su lado.

Soon, Raj throws a party in Gurukul and invites the girls' school from next door — part of his plan to spread love throughout Gurukul. Pronto, Raj hace una fiesta en Gurukul e invita a la escuela de niñas de al lado - una parte de su plan para extender el amor a lo largo de Gurukul. Narayan Shankar is furious and decides to sack Raj immediately. Narayan Shankar está furioso y decide despedir a Raj inmediatamente. Raj reveals that he is Raj Aryan Malhotra. Raj revela que él es Raj Malhotra aria. Raj was a student at Gurukul years ago and was expelled because he loved Megha, who was Narayan's only daughter. Raj era un estudiante en Gurukul años atrás y fue expulsado porque le gustaba Megha, que era la única hija de Narayan. When Raj was expelled, Megha committed suicide. Cuando Raj fue expulsado, Megha se suicidó. Raj believed that this incident would make Narayan change for the better; it only made him more stubborn. Raj cree que este incidente haría Narayan cambio para mejor, sino que sólo lo hizo más terco. Raj promises that, before he leaves Gurukul, he will fill it with so much love that even Narayan himself will not be able to remove it. Raj promete que, antes de que abandone Gurukul, él lo llenará con tanto amor que aun Narayan mismo no será capaz de eliminarlo. A battle now begins between love (Raj) and fear (Narayan). Una batalla comienza ahora entre el amor (Raj) y el miedo (Narayan). Narayan decides that he will keep Raj at Gurukal as a challenge. Narayan decide que va a mantener en el Raj Gurukal como un reto.

Sameer, Vicky, y Karan pronto ganarse a las chicas que aman - Raj está ganando la batalla por el momento. Narayan does not give up so easily; when he sees the rules of Gurukul are being broken, he tightens them. Narayan no se rinde tan fácilmente, cuando ve a las reglas de Gurukul se están rompiendo, los tensa. The three boys continue to break the rules, which encourages the other students to do the same. Los tres muchachos siguen a romper las reglas, lo que alienta a los estudiantes a hacer lo mismo. Narayan decides to expel the three. Narayan decide expulsar a los tres. Raj tries to reason with Narayan — he tells him that what the three boys did was caused by him so they should not be expelled for it. Raj intenta razonar con Narayan - le dice que lo que los tres muchachos se fue causado por él por lo que no debe ser expulsado por ello. Raj also says that he feels Narayan lost the battle, because his daughter left him and now Raj (who considered Narayan an elder) is leaving him. Raj también dice que se siente Narayan perdió la batalla, porque su hija lo abandonó y ahora Raj (quien consideró Narayan un anciano) lo va a dejar. Raj's words make Narayan realise his mistake. Las palabras de Raj Narayan que darse cuenta de su error. He publicly apologises to the students and steps down as the principal, allowing Raj to take over. Él se disculpa públicamente a los estudiantes y los pasos hacia abajo como el principal, lo que permite hacerse cargo de Raj. Raj turns Gurukul into a love-filled university. Raj se convierte Gurukul en una universidad llena de amor. In the end Raj, Narayan and an image of Megha walk happily towards the gates of Gurukul. Al final Raj, Narayan y una imagen de Megha caminar con alegría hacia las puertas de Gurukul.

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Gorkha District (Nepali: गोरखा जिल्ला, a part of Gandaki Zone, is one of the seventy-five districts of Nepal, a landlocked country of South Asia, and connected historically with the creation of the modern country of Nepal and the name of the legendary Gurkha soldiers. The district, with Pokharithok (Gorkha), later known as Prithivi Narayan Nagarpalika as its district headquarters, covers an area of 3610 km² and has a population (2001) of 288134. It is the location of the Manakamana Temple. Also, the temples of great sage Gorakh Nath and goddess Gorakh Kali temple is located in district, after which the district got its name. Four major rivers run within and along it, they are Chepe, Daraudi, Marsyangdi and Budhi Gandaki.

ORIGIN

The major legends associated with naming of "Gorkha":

- In Nepali, ‘Kharka’ means ‘Grass Land’. This land was believed to be like meadow in Ancient period. Thus it was named Kharka and later the term Kharka got modified to Garkha and Garkha changed to Gorkha.

- In Sanskrit Scripture, ‘Gorakshaa’ means the protection of cow. Since Nepal is a country where killing a Cow is condsidered unholy and a very serious crime, the land was named Goraksha and later it became Gorkha.

- Myth holds that a Saint named Gorakhnath appeared for the first in Nepal in Gorkha. There is still a cave with his paduka (feet) and idol of him in this place which supports the myth. Thus since the city was established in the place where Sage Gorakhnath appeared, it was named ‘Gorkha’.

PLACES TO VISIT

MANAKAMA TEMPLE

The Manakamana Temple situated in the Gorkha district of Nepal is the sacred place of the Hindu Goddess Bhagwati, an incarnation of Parvati. The name Manakamana originates from two words, “mana” meaning heart and “kamana” meaning wish. Venerated since the 17th century, it is believed that Goddess Bhagawati grants the wishes of all those who make the pilgrimage to her shrine to worship her.

GORAKHNATH

It lies ten meters down the southern side of Gorkha Palace which is visited with great devotion by Brahmans and Chhetris considering it to be the holy pilgrimage Site. Great fare is organized each year on the day of Baisakh Purnima(the full moon Day of Baisakh) in Gorakhnath Cave.

GORAKHKALI TEMPLE

This Temple is located at the west side of the Gorkha Palace.

CHEPE, Daraudi, Marsyangdi and Budhi Gandaki.

GORKHA KINGDOM

About 1700 steps leads you to the top of the hill at an altitude of 3281 ft. where Newar fashioned Gorkha Palace stands firm along with forts and temple boasting on its rich History. It is at 40–50 minutes of Walking Distance far from Gorkha Bazaar. One can view Manaslu (the 8th Highest Mountain of the World), Dhaulagiri and Ganesh Mountains from the Palace Complex.

MANASLU

LIGLIGKOT

and Lakhan Thapa Gaon are popular places in Gorkha for Hiking.

DHIKE DADA

is a new attraction for public from Gorkha,Tanahun and Lamjung.

___________________________________________

GORKHA KINGDOM

This article is about the Gorkha Kingdom which later became Nepal. Gorkhā is a former kingdom in the confederation of 24 states known as Chaubisi rajya located in present-day western Nepal. The Kingdom of Gorkha extended from the Marshyangdi River in the west to the Trishuli River in the east, which separated it from the kingdoms of Lamjung and Nepal respectively. The inhabitants of Gorkha were known as Gorkhali.

SHAH DYNASTY

From the 16th century, Gorkha was ruled by the Shah dynasty. The Shahs installed themselves as rulers of Gorkha taking advantage of the confusion of an annual race held at a place called Liglig. It was the tradition of the local Ghale people to choose as their king for the year the fastest runner in the competition. In 1559, Dravya Shah attacked and captured Liglig when the inhabitants were engrossed in the race. He displaced the Ghale king and became king of Gorkha.

EXPANSION CAMPAIGN

From 1736, the Gorkhalis engaged in a campaign of expansion started by king Nara Bhupal Shah, which was continued by his son, King Prithvi Narayan Shah and grandson Prince Bahadur Shah. Over the years, they conquered huge tracts of land to the east and west of Gorkha.

Among their conquests, the most important and valuable acquisition was the wealthy Newar confederacy of Nepal Mandala centered in the Kathmandu Valley. Starting in 1745, the Gorkhalis mounted a blockade in a bid to starve the population into submission, but the inhabitants held out.

The Newars appealed to the British East India Company for help, and in 1767, it sent an expedition under Captain Kinloch which ended in failure. The three Newar capitals of Kathmandu, Lalitpur and Bhaktapur fell to the Gorkhalis between 1768 to 1769. The Gorkhali king subsequently moved his capital to Kathmandu.

In 1788, the Gorkhalis turned their attention north and invaded Tibet. They seized the border towns of Kyirong and Kuti, and forced the Tibetans to pay an annual tribute. When the Tibetans stopped paying it, the Gorkhalis invaded Tibet again in 1791 and plundered the Tashilhunpo Monastery in Shigatse. This time the Chinese army came to Tibet's defence and advanced close to Kathmandu. The alarmed Gorkhalis appealed to the British East India Company for help, but they got none. Eventually, the Gorkhalis were forced to sign a peace treaty under which they had to pay tribute to Beijing every five years.

The Gorkha dominion reached its height at the beginning of the 19th century, extending all along the Himalayan foothills from Kumaon and Garhwal in the west to Sikkim in the east. They were made to return much of the occupied territories after their defeat in the Anglo-Nepalese War (1814–1816).

GORKHA TO NEPAL

The Gorkha dominion continued to be known as Gorkha Rajya (meaning Gorkha Kingdom) until the beginning of the 20th century. Since the 1930s, the name Nepal was used to refer to the entire country as the capital was located in Kathmandu. The name Gorkha Sarkar (meaning Gorkha government) was also changed to Nepal government.

Similarly, the Gorkhali language was renamed as Nepali in 1933. The term Gorkhali in the former national anthem entitled "Shreeman Gambhir" was changed to Nepali in 1951. The government newspaper, launched in 1901, is still known as Gorkhapatra (meaning Gorkha gazette).

The Shah dynasty ruled Nepal until 2008 when it became a republic following a people's movement. Today, Gorkha District, roughly corresponding to the old kingdom, is one of the 75 administrative districts of Nepal.

GURKHAS AND GORKHAS

Not to be confused with the inhabitants of the old Gorkha Kingdom, the Gurkhas are military units in the British or the Indian army (where they are known as Gorkhas) enlisted in Nepal. Their history goes back to the Anglo-Nepalese War and the Sugauli Treaty of 1816. It allowed the British East India Company to recruit men from the Nepalese hills to serve as soldiers under contract.

The British referred to all those who enlisted as Gurkhas regardless of their ethnic heritage or geographical origin in Nepal. These Gurkhas became part of the British Indian Army after its formation.

During World War I (1914–18), more than 200.000 Gurkhas served in the British Army, suffering approximately 20.000 casualties, and receiving almost 2000 gallantry awards.

During World War II (1939–45), a total of 250.280 Gurkhas served in 40 battalions, plus eight Nepalese Army battalions, plus parachute, training, garrison, and porter units. They earned 2734 bravery awards, and suffered around 32.000 casualties in all theatres.

Following Indian independence in 1947, the Gurkha regiments were split between Britain and India.

WIKIPEDIA

Le temple de Keshav Narayan au centre de la cour (chowk) du palais royal de Patan à laquelle il a donné son nom (Manigal Durbar)

Ancienne résidence des rois Malla, ces bâtiments abritent aujourd'hui le musée de Patan.

________

Le palais royal de Patan a été construit au XIVème siècle, il a été remanié et agrandi à plusieurs reprises par les rois de la dynastie des Malla. Ce palais est plus ancien que ceux de Katmandou et

Bhaktapur.

Article de Wikipedia sur Patan

fr.wikipedia.org/wiki/Patan_%28N%C3%A9pal%29

Site officiel

www.lalitpur.org.np/e_home.php

Patan sur Insecula

www.insecula.com/musee/M0313.html

Narayan Laxmi Temple, Arambol. Goa

Bhojpuri Film DIL HO GAIL QURBAN,

Damodar Raao (Music Director) Pawan Singh, Kalpana, Mohammd aziz, Khushbu Jain, Pappu Ojha, Mohan Rathor, Alok Kumar, Pamela Jain,R S Tiwari, Muchhad Pan Bhandar,Abhinash Shahi, Mohini Ghosh, Seema Singh,Priya Sharma, Gopal Ray, Bipin Singh, Vishnu Belu Shankar, Deepak Bhatiya,Sonu Rao, Sargam Raao, Vinay Bihari, Rajesh Mishra, Pintu Giri, Suman Singh, Rupesh Mishra,Sushil Singh,Aadiya Raja, Avnish Rahi, Udit Narayan Vinod Rathod,Anamika Singh,Hira Yadav, Fanindra Rao

Kirtipur (Nepali: कीर्तिपुर, Nepal Bhasa: किपू Kipu) is an ancient city in Nepal. It is located in the Kathmandu Valley 5 km south-west of the city of Kathmandu. It is one of the five municipalities in the valley, the others being Kathmandu, Lalitpur, Bhaktapur and Madhyapur Thimi.

ETYMOLOGY

The name Kirtipur comes from Kirti (glory) and pur (city).

DEMOGRAPHICS

Originally a Newar foundation, Kirtipur is still a center of Newar culture. It has been merged with surrounding villages to form the municipality of Kirtipur with a population of 67,171.

It consists of many temples, gumbas (Buddhist monastery) and churches too. Due to the presence of Tribhuvan University, Kirtipur is also a popular area for out-of-town students and professors to rent houses and they are major contributors to the local economy.

HISTORY

Kirtipur's history dates from 1099 AD. It was part of the territory of Lalitpur at the time of the invasion of the Kathmandu Valley by the Gorkhali king Prithvi Narayan Shah in the 18th century.

In 1767, Kirtipur was annexed to the Gorkhali kingdom by Prithvi Narayan following the Battle of Kirtipur. He took the town on his twenty third attempt, after entering it by trickery. After this, he cut off the noses and lips of everybody in the city.

This was the site of an inspirational peaceful demonstration of the people in the 2006 mass uprising that overthrew the powers of the king. It is considered to be an anti-monarchy city due to its bitter history against the Shah dynasty whose modern founder conquered the city insultingly, which was followed by negligence of the administration and development by subsequent rulers.

PLACES OF INTEREST

BAGH BHAIRAB

Bagh Bhairab temple is one of the most popular temples dedicated to the God Bhairab in the form of a tiger. This god is regarded as the guardian of Kirtipur and the locals call it Ajudeu, a grandfather god. Bhairab, the most terrifying and awful form of Shiva is the destroyer on one hand and the guardian on the other. Ceremonial rituals in relation to the important events of life such as rice-feeding, puberty, marriage and even the construction of houses cannot be done without propitiating this deity in most of the towns and cities of Nepal.

The present three storeyed temple of Bagh Bhairab probably built in 16th century stands in the brick-paved rectangular courtyard with the rest houses around it. There are some small shrines and stone images spread over the courtyard. The main gate is at the southern side. There are two other gates in the eastern and western sides. The two roofs of the temple are of tiles while the third one is covered with gilt-copper. There are wooden pillars carved with Hindu gods and goddesses. They have been erected in between windows of the second storey and the names of the carved deities have been finely cut out below them on the pedestals.

There are eighteen pinnacles-one in the first roof, six in the middle and eleven in the top roof. Beneath the eaves of the first roof there are very old but faded murals depicting the stories of Ramayan. Maha Bharat and the various manifestations of Durga, the mighty mother goddess. These paintings are frescoes in red with white plaster background. At the right side of the main gate of the temple there is Hifa Dyo, the god of blood sacrifice is allowed directly to Bagh Bhairab, all animal offerings to the deity are made here on behalf of this deity just as the animal sacrifices are made to Kumari, a stone idol, placed at the second gate in the left side of Chandeswori at Banepa and to the Chhetrapal which is at the very beginning of the final series of the steps to the temple of Khadga Jogini at Sankhu.

There are two torans over Hifa Dyo. They bear very fine cuttings of Asta-Matriks, Asta-Bhairabs and other gods and goddesses. In the western wall of the temple there is a hollow space regarded by the local people as Nasa Dyo, the god of music and dance. Bagh Bhairab made of clay has been enshrined in the left side corner in the temple. The three glass-eyed tiger-god is tongue-less and tooth-less but covered with silver and copper plates and heavily ornamented. This deity as mentioned in the stone inscriptions has been called Bagheswor (the tiger god), Bhimsen Bhattarak (Bhimsen, the governing deity), Gudei Sthanadhipati (the lord in the form of tiger) and Ajudyo(the ancestral god).

The local peoples hail this deity as the embodiment of prudence, knowledge, productivity and strength to resist all evils. Hence, the auspicious ceremonies such as weddings, hair-cuttings, rice-feedings and other ritual performances in Kirtipur are done only after a puza to this deity.

CHILANCHO STUPA

A Buddhist shrine, is situated on the southern hill. It is located in Kirtipur, Nepal. It was made in medieval period. An inscription of Nepal Samvat 635 is found in this Chaitya. Therefore, it is one of the most important historical stupa of this region.

UMA MAHESHWAR

Uma Maheshwar temple (locally, Kwacho Dega) is one of the important heritage sites of Kirtipur. This pagoda-style three-storied temple is situated at the highest point (1414 m) of Kirtipur. Since this temple is at the top of the hill, one can enjoy picturesque view of the Kathmandu valley and mountains like Langtang, Dorge Lakkpa, Chobhu Bhamure, and Gaurishankar.

The temple was constructed in 1655 AD by Rautra Vishwanath Babu, a son of king Sidhhi Narsinga Malla. It was destructed in an earthquake in 1832 AD. After remained dilapidated for about a century, it was restored in 1933 AD after it was again destroyed by an earthquake. Local people and government made a herculean effort to renovate it into the current state. The restoration process was completed only in 1982 AD. Recently, in 2008 some work was done to preserve the arts of temple.

There is an artistic stone gate at the entrance. On each side of the stone staircase leading to the temple, there is a stone elephant, with sculptures of Bhimsen and Kuber as protectors of the temple. The main deities in this temple are standing Lord Shiva and Parvati. There are other images of deities like Sarasvati and Mahismardini on false doors around temple.

The wooden doors, pillars, and beams are crafted with artistic figures of different gods and goddess such as Astamatrika and Asta Bhairav. Similarly, erotic figures are also carved in wooden beams. According to archeologists, these figures on beams have tantric values.

The bell on the northern side of temple was cast in 1895 by Gillett & Johnston Founders, Corydon. It was one of the four quarter bells of Ghantaghar of the central Kathmandu and was reallocated to this temple after the Ghantaghar was destroyed by the earthquake in 1933.

SHRI KIRTI BIHAR

A Theravada Buddhist monastery built in traditional Thai architectural style, is situated near the entrance to the city.

MEDIA

To Promote local culture Kirtipur has one FM radio station Radio Newa F.M. - 106.6 MHz Which is a Community radio Station.There are several weekly newspaper published from Kirtipur. They are Shahid Weekly, Kirtipur Darpan, Kirtipur Sandesh. Also there is a local television station, Kirtipur Channel and some more local channel.

WIKIPEDIA

Gorkha was the birthplace of Prithvi Narayan Sha, conqueror of the Kathmandu Valley and founder of modern Nepal. It´s a major pilgrimage destination, particularly for Newars, who regard the Shah kings as living incarnation of Vishnu. The main attraction here is the Gorkha Durba, the former palace of the Shahs, which lords over Gorkha from a precarious ridge above the town.

SIGHTS

GORKHA DURBAR

Regarded by many as the crowning glory of Newari architecture, Gorkha Durbar is a fort, a palace and a temple all in one. This magnificent architectural confection is perched high above Gorkha on a knife-edge ridge, with superb views over the Trisuli Valley and the soaring peaks of the Annapurna and Ganesh Himalaya.

As the birthplace of Prithvi Narayan Shah, the Durbar has huge significance for Nepalis. The great Shah was born here in around 1723, when Gorkha was a minor feudal kingdom, in thrall to the larger citystates in the Kathmandu Valley. Upon gaining the throne, Prithvi Narayan forced the Kathmandu Valley into submission, forging a kingdom that extended far into India and Tibet. In 1769 the capital was shifted from Gorkha to Kathmandu and Gorkha was relegated to the status of a national monument.

To reach the durbar, you must climb an exhausting stairway of 1500 stone steps, snaking up the hillside above the Gorkha bus stand.

KALIKA MANDIR

Build in the reign of King Ram Shah (1606-36), but extensively remodelled over the years, the temple is a psychedelic fantasy of carved peacocks, demons and serpents. The woodcarving around the doors and windows is particularly striking - note the ornate peacock windows and the erotic scenes on the root struts.

Glory sacrifices of goats, chickens, doves and buffaloes are carried out in the courtyard in front of the temple to honour the Goddess Kali, the destructive incarnation of Parvati, the consort of Shiva. Only Brahmin priests and the king can enter the temple, but non-Hindus are permitted to observe sacrifices from the terrace.

DHUNI PATI

The other major structure in the compound is Dhuni Pati, the former palace of Prithvi Narayan Shah. Like the temple, the palace is covered in elaborate woodcarvings, including a magnificent window in the shape of Garuda, the man-bird vehicle of Vishnu. Non-Hindus cannot enter but can view the room where Prithvi Narayan Shah was born through an ornate star-shaped window.

GURU GORKHANATH SHRINE

Behind the palace is the mausoleum of Guru Gorkhanath, a reclusive saint who acted as a spiritual guide for the young Prithvi Narayan. This part of the compound is closed to non-Hindus, but you can descend some stone steps to peak into the cave where the saint once lived.

HANUMAN STATUE

If you leave via the northern gate, you´ll come to a vividly painted carving of Hanuman, the monkey god, and a series of carved stone steles. A path leads east from here past a large stone resting platform (chautara) to an exposed rocky bluff with awesome views of the mountains and a set of carved stone footprints, attributed variously to Sita, Rama, Gorkhanath and Guru Padmasambhava.

The durbar is an important religios site, and visitors must follow strict rules. Shoes should be removed and photography and leather - including belts - are banned inside the Durbar complex.

Kundalini Yoga Narayan

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