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Manager In Internet Management Organizer
assignment
Andrea Calipo
Don't put your password into this jpg!! OMG!
This absurd warning will not curtail phishing whatsoever. They seriously need a designer over there. Three years ago.
Dale Ann Bradley - Vocals and Guitar
John Bradley - Bass
Gena Britt - Banjo
Tim Laughlin - Mandolin
profile.myspace.com/index.cfm?fuseaction=user.viewprofile...
sep.oct.nov.2008 | primaverasurotoñonorte
PDF (log: build 1001)
Hi-Res PDF (log: build 1001)
Un número dedicado a la indagación y puesta a prueba de las posibilidades de codificación, alcance y resistencia de los medios de comunicación gráficos.
Múltiples mensajes.
¿ Cuánto 'texto' entra en un texto ?
¿ Cuánto en una foto, cuánto en un collage ?
¿ Hasta dónde el medio soporta la carga ? ¿ Cuánta información puede encriptarse ?
¿ Cuánto mensaje soporta un mensaje ? ¿ Cuánta lectura ? ¿ Hasta dónde se puede forzar/exigir/multiplicar la densidad de significantes ? ¿ Cuánto suman las capas de contenidos, los subniveles escalonados (jerárquicos, o NO-jerárquicos) ? ¿ Hasta dónde puede extenderse (qué tan hondo, qué tan lejos) la arquitectura invisible ?
Presentado desde trabajos que exploren/exploten estas posibilidades. Que expliquen y le den la vuelta.
Que se arriesguen. El juego, la burla, el humor. La crítica, la puesta en evidencia de los mecanismos de los mass-media. Narraciones con tantas lecturas como sea posible. Mixed-media con tanto mensaje como pueda contener.
¿ Cuánto mensaje puede entrar en una lata ?
# # #
An issue devoted to the inquiry and test of the coding, reach and endurance possibilities of graphic means of communication.
Multiple messages.
How much texts fit in a text ?
How much in a picture, how much in a collage ?
How far does the medium bears the load ?
How much information can be encrypted ?
How much message stands a message ?
How many readings ?
How far the significant density can be forced / demanded / multiplied ?
How much the content layers add ?
Staggered sublevels (hierarchic or NOT-hierarchic) ?
How far the invisible architecture can be extended (how deep) ?
Launched from works exploring / exploiting this possibilities.
Works which explain and give the topic a turnover.
Which risk.
Game, mockery and humor.
Critics, the mass-media mechanisms put into evidence.
Narrations with as many readings as possible.
Mixed-media with as much message it can contain.
How much message can be stored in a can ?
# # #
Messages multiples.
Combien de textes inscrits dans un texte ?
Combien dans une image, combien dans un collage ?
Jusqu'où le médium supporte-t-il la charge ?
Jusqu'où l'information peut-elle être cryptée ?
Combien de messages dans un message ?
Combien de lectures ?
Dans quelle mesure la consistance peut-elle être forcée / contrainte / multipliée ?
Combien de couches peut-on ajouter ?
Combien de degrés, de sous-niveaux (hiérarchisés ou non) ?
Jusqu'où l'architecture invisible peut-elle être étendue (quelle profondeur) ?
Lancement de travaux qui explorent/exploitent ces possibilités.
Travaux qui expliquent et donnent au sujet de nouveaux angles.
Quels risques.
Jeux, humour et dérision.
Critiques, les mécaniques mass-médiatiques mises en évidence.
Narrations à multiple lectures possibles.
Compositions avec autant de messages qu'il est posssible d'y inclure.
Combien de messages peuvent-ils être stockés dans une boîte ?
(download it. it's free.)
# # #
edit(ing), direct(ing) + complements
art direct(ing) + design(ing)
insistAnçao, correct(ing) + additional stuff
listen(ing)
original music {free cd in-out-side}:
translat(ing)
refill(ing) image:
open(ing) messimages:
frontcover(ing) im(a)g:
bird/girl morphing by olivier-gilet
backc(o)ver(ing) i(mg):
frank mess(ages) by bill-horne trio
phantasmagoric text(ing) & latas:
featuring:
ysinembargo#17... cuál es la frontera... si no se sale ni se llega.
a b r e l a m u r a l l a
amsterdam antwerp
barcelona berlin brno bruxelles buenos aires
grenoble
iowa city
lawrenceville leicester lisbon loch gorman london
madrid mendoza
san rafael
tarragona
varese
warsaw
# # #
YSE #17's Original Music | YSElected videos
# # #
Official WEBsite | MySpace | Flickr Group | Also @ Facebook, YouTube, Hi5, Tumblr
I took these ads from MySpace.com. I'm sure you've heard of it. The internet-based company was purchased last year by media magnate Rupert Murdoch. This addictive social networking portal has become one of the most invaluable advertising spaces on the web. It also has some of the worst ads as it pertains to portraying women and appealing to primal senses, in my opinion. The same corporation that promotes a conservative agenda with their "news" broadcasting (Fox News) is endlessly stamping these ads on the most widely clicked site for youths in history. This concerns me. But what do you think? Do these images appeal to your gender role?
You can read more about Murdoch's acquisition and the MySpace user demographic here.
developer.myspace.com/community/
This photo is licensed under a Creative Commons license. If you use this photo within the terms of the license or make special arrangements to use the photo, please list the photo credit as "Scott Beale / Laughing Squid" and link the credit to laughingsquid.com.
- profile pimper (no HTML knowledge necessary)
- thanks-for-the-add manager (elementary knowledge of English)
- personal picture sexifier (extreme Photoshop skills)
And the happy one.
We walked in at 19:30 on the dot. One diner was eating in on their own (on the date table) and the Bollywood version of "One Love" was playing, followed by "Calcutta".
Video of this tour will be up on fastcompany.tv on March 3. I took this photo today on a tour of MySpace's headquarters in Beverly Hills.
Commissioned Work
Myspace music layout for Digital Structures
www.myspace.com/digtalstructures
Facebook | Tumblr | Twitter | Formspring
www.visualcomplexity.com/vc/project_details.cfm?id=458&am...
uch recent research has focused on understanding the structure of social networks, identifying patterns such as bridges, structural holes, etc. and on developing visualizations for these often complex entities. Yet the network itself is a conceptual topology. The key is the activity that flows along the network paths: the support offered, the information given, the gossip exchanged. Based on semaspace, the authors designed and implemented a flexible tool for the content driven exploration and visualization of a social network. Building upon a traditional force-directed network layout consisting of nodes (profiles) and edges (friend-links), the system shows the activity and the information exchange (postings in the comment box) between nodes, taking the sequence and age of the messages into account. This project serves both as an illustration of one approach to the general problem of individuated network visualization and as an example of the practical uses of such representations. In the myspace service network-only visualization methods are no longer sufficient to meaningfully represent the community structure. Numerous commercial profiles, fake/spam/celebrity profiles and tools such as automated friend adders result in a huge numbers of connections, many of which carry little information about a person's actual social ties and behavior. The average myspace user has more than 130 friends, but there are also profiles with over a million "friends". By going beyond the "skeleton" of network connectivity and looking at the flow of information between the individual actors, the authors hope to create a far more accurate portrait of online social life.
W w w . L i s a a n g e l i n e . C o m and her Flickr page and her myspace page.
To be down with the kidz on myspace, it's best to have something cool and wicked and superawesome as your profile photo, because if you're 32 years old it just helps.