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www.myspace.com/foreverthesickestkids
I usually sleep until noon, but my phone just woke me up...it was an email from my boyfriend with this screen shot. I still can't believe that a 5-minute-long shoot with no preparation whatsoever resulted in a photo that this band is using for SO much!
I'm really excited for this tour, too...I've loved The Rocket Summer for years, I've been listening to Artist Vs. Poet and My Favorite Highway a lot lately, AND my good friends Sing It Loud are out with them, too! Woo!
Art for the Soul by Richard Lazzara
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For SALE Prints:
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Glass Bead Jewelry:
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This work is licensed under a Creative Commons Attribution-Share Alike 3.0 United States License
Entire contents copyright Shankar Gallery © 2008
Teresa Pipito is a solo artist with an amazing voice. Her music page on myspace is growing. Check out www.myspace.com/teresapipito
Teresa is singing at half time November 10th 2007 at the Flyers Skate Zone in Voorhees NJ. More information on the November 10th show at www.growlhockey.com
Saw this myspace ad and was frankly a little shocked. It features a big-lipped, bone-through-the-nose, leaf-wearing black caricature. Incredibly racist, and yet, somehow it made it all the way to the web.
The Upper Crust
28 Rugg Road
Allston, MA, 02134
cwriggs@gmail.com
Website: theuppercrust.org
Contact: crustmail@gmail.com
www.myspace.com/benjamingrotto
Members
Lord Bendover (Nat Freedberg) (guitar, vocals) (1995–present)
Count Basie (Chris Cote) (bass, vocals) (1996–present)
The Duc D'istortion (Dave Fredette) (guitar, vocals) (1995–present)
Jackie Kickassis (Jim Janota) (drums) (1995–present)
From the official Bio
The Upper Crust played their first show in the back room of a Cambridge, Massachusetts bar one Monday night in 1994.
Not for a moment did they or anyone else imagine that-more than a decade later-they would be comfortably enshrined in
the pantheon of rock stardom, polishing their platform shoes to kick it up a notch with their newly remixed, remastered
collection of stellar hits “Cream of the Crust.”
The original band concept was simple and loaded with comic potential: Young fellows singing about the joys and sorrows
of the only life they knew, like numberless youths since the dawn of rock and roll… only these lads are filthy rich and
theirs is a life of appalling self-indulgence, entitlement and privilege. The result was seen in instant classics like “Let
Them Eat Rock,” “Little Lord Fauntleroy,” and “We're Finished With Finishing School.” Like any other concept band, the
odds against longevity seemed loaded. No one has been more surprised then they themselves to find that the public's
appetite and affection for the Upper Crust, far from diminishing, has grown more insatiable with every passing year.
It was not long before the band's image resolved into sharper focus, as they adopted the dress and personae of members of
the 18th century European aristocracy in powdered wigs and knee breeches, and the identities Jackie Kickassis (drums),
Lord Bendover (guitar, vocals) the Duc d'Istortion (guitars, vocals). Original members Lord Rockingham and the Marquis
du Rocque left to pursue other careers and were replaced by the vastly talented Count Bassie (bass, vocals).
The Crust appeared on Conan O'Brien, played with Aerosmith, earned accolades in national press (Vogue, GQ, etc.). They
released three studio CDs and one live CD on various independent labels. They won the love and devotion of an ever-
growing legion of fans, among them many music and show-business celebrities like Joan Jett, Steven Tyler and daughter
Liv, Steve Jones (Sex Pistols), Tenacious D, etc.; people who could appreciate the nuances of their art with its peculiar
blend of head-banging hard-rock, comedy, and theater.
Preferring the lavish comforts of their stately homes and disliking the hardships of the road, for several years they played
mainly East Coast shows and spot tours, where they would fly to England, New Orleans or Los Angeles for one or two
shows. In this way they succeeded in avoiding the demands of celebrity while enjoying its perquisites.
But now the time has come for them to claim their due, and with the aid of famed producers Sean Slade and Paul Q.
Kolderie, they've remixed and remastered a compilation of 18 of their greatest hits. Cream of the Crust is released in
collaboration with Redeye Distribution.
The band has been feverishly active since September, hitting such diverse markets as Raleigh, N.C., Milwaukee, Chicago,
Cleveland, Boston, Providence, R.I., New York, Philadelphia and Baltimore. Next, they contemplate a full West Coast
tour and a more detailed Southern itinerary, and are entertaining offers from European promoters.
A live Upper Crust DVD entitled “Horse & Buggery” will be issued by Reptilian Records of Baltimore in November
to celebrate the label's 17th anniversary.
An animated appearance on the Comedy Channel's “Code Name: Kids Next Door” is scheduled for this winter (date
to be determined).
Press activity is already swelling, with forthcoming spreads in several national publications.
The band will be doing extensive radio and press promotion is available for interviews, in-store appearances and all other
publicity.
From Wikipedia, the free encyclopedia
The Upper Crust is an American hard rock band from Boston, Massachusetts. The members adopt the personas of 18th century aristocratic fops and sing songs from that perspective. They use titles of nobility, wear powdered wigs and period costumes, and maintain a snobbish attitude while performing live and on their albums. The members say that their guiding philosophy is "If not great and excellent, then debauched."
Their major music influence is Bon Scott-era AC/DC, alongside glam rock band Kiss and fictional heavy metal band Spinal Tap. Rolling Stone has stated that "Dismiss Boston's Upper Crust as a joke rock band if you must, but give them this much: They're actually funny, and there's as much rock as mock to their singular brand of "roque"" and that "there's plenty of worthy riffs and double-entendre wit to go around". The group originated from a Boston surf rock band called 'The Clamdiggers'. Other related bands were The Bags, The Titanics, The Satanics, The Flies, The Oysters and Seks Bomba.
Website: theuppercrust.org
Contact: crustmail@gmail.com
Like these Christian
Wall paper designs? This artwork was created by the NOTW and C28
Christian clothing brands. C28 carries a huge
assortment of bold Christian Christian
Christian necklaces and jewelry,
and Christian
hooded sweatshirts.
Why else would it be allowing advertisers to give laptops away? Gee, it couldn't possibly be false advertising, could it? Surely MySpace wouldn't take ad dollars from a shady operator looking to harvest kid's email addresses?
Nuevo diseño de MySpace para el 2008.
Simple, es lo que mas me gusta, nada de mucha parafernalia.
Pero soy felíz de no tener mas ese banner de anuncios arriba.
So I redesigned my MySpace profile a second time, inspired by NYC's ongoing Fashion Week. So hot right now.
X - Los Angeles Tour 2011
At The Paradise Rock Club - Boston MA
JOHN DOE - bass, vocals - en.wikipedia.org/wiki/John_Doe_(musician) - www.theejohndoe.com/
EXENE CERVENKA - vocals - en.wikipedia.org/wiki/Exene_Cervenka - www.exenecervenka.net/
BILLY ZOOM - guitar, sax - en.wikipedia.org/wiki/Billy_Zoom - www.billyzoom.com/
D.J. BONEBRAKE - drums+ - en.wikipedia.org/wiki/D._J._Bonebrake - www.djbonebrakemusic.com/
Hometown: Los Angeles
Record Label: Rhino Records
Biography
X were the quintessential L.A. punk rockers before they grew into a world-class rock & roll band and live band; however, enthusiasm for their unique, intelligent and humorous work never quite reached critical mass.
Formed in 1977 after songwriter and bassist John Doe (b. Feb. 24, 1956) met (and later married) Exene Cervenka (b. Feb. 1, 1956) at a Venice poetry workshop, with rockabilly veteran Billy Zoom (b. Feb. 20, 194?) on guitar and D.J. Bonebrake (b. Dec. 8, 1955) on drums, the band garnered an immediate following. "Discovered" by ex-Doors keyboardist Ray Manzarek, he took the band into the studio for the recording of Los Angeles in 1980. It was curious, at a time when punks were supposed to hate hippies, that X's merging with an ex-Door was not only tolerated, but earned them stature as California's preeminent punk band when the record earned across-the-board raves. 1981 saw the release of the similarly punked-up Wild Gift, while their 1982 album, Under the Big Black Sun, began what would be a long career in merging hard rock, country and folk into their fiery mix. The band successfully began to mix in their populist politics with an eye toward matters of the heart.
As the band began to reach wider audiences, both Doe and Cervenka enjoyed outside careers in the arts — he as an actor in films like Great Balls of Fire and Roadside Prophets, and she as a poet and spoken-word artist, collaborating with Lydia Lunch and Wanda Coleman.
In 1983, the rootsy songs on More Fun in the New World lent themselves to acoustic performances which the band had taken to trying live. They took it one step further on their side project, the Knitters (with Dave Alvin) which yielded one Slash album, Poor Little Critter in the Road, in 1985. Ain't Love Grand was a harder rock album in 1986 and was followed by Zoom's departure. He was momentarily replaced by Alvin, but for recording purposes, the band recruited Tony Gilkyson (formerly of Lone Justice) for See How We Are, the band's most decidedly hard-rock record in the catalog. Gilkyson stayed for the recording Live at the Whisky A Go-Go in 1988 before the band took some much-needed time off, although they never broke up. In the interim, Doe and Cervenka had since divorced, and the pair continued to work as solo artists, releasing Cervenka's Old Wives Tales (Rhino, 1989) and Running Sacred (1990) and Doe's Meet John Doe for Geffen in 1990.
By 1993, the band got together for the recording of Hey Zeus!, a collection of new songs, but the response was underwhelming, and it was back to solo work. Doe released Kissingsohard for Rhino in 1995. Exene also released Surface to Air Serpents for the 2.13.61 label, as well as a reading of the Unabomber Manifesto, after changing her name to Cervenkova. During their frequent hiatuses, X would occasionally appear in Los Angeles and San Francisco and during one stay, recorded a live album in San Francisco in 1995, Unclogged, and self-released it. Cervenkova's latest project is Auntie Christ with Bonebrake and Matt Freeman of Rancid. Gilkyson also works as a solo artist. X also appeared in three films: Penelope Spheeris' punk documentary The Decline of Western Civilization, Urgh! A Music War, and a documentary of their lives and times, The Unheard Music. Beginning in 1998, founding member Billy Zoom returned to the fold for a series of on-again/off-again shows and limited touring; a pair of 2004 Los Angeles concerts were recorded and videotaped for Live in Los Angeles, released both as an audio CD and video DVD in the spring of 2005.
Link: profile.myspace.com/index.cfm?fuseaction=user.viewprofile...
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In case you publish this photo please don't forget the credits |
Ao publicar, por gentileza, dar os devidos créditos
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