View allAll Photos Tagged muttonchops
Description
Photographic postcard, printed, monochrome studio portrait of George Lansbury MP, head and shoulders, front profile; below image: printed signature 'George Lansbury' and 'Walter Scott. Bradford (Copyright)'
Type
Photographs
Collection
The Women's Library Photos
Series title
Portraits
Source
TWL.2009.02.109
We are the best & trusted "Halal lamb suppliers" and "Halal beef suppliers" across Europe. Also, Buy fresh & "Frozen chicken feet".
A sculpture in my living room. I'd like to say I made it, but I'd be lying. I just took one look at it and bought it.
I think he looks like Rasheed Wallace, who used to play basketball for the tarheels.
www.loc.gov/rr/program/bib/ourdocs/Morrill.html
After securing a reputation as one of the finest genre painters of the late 19th century, Eastman Johnson concentrated increasingly on portrait painting in his later years. It was a more lucrative subject matter in which he had considerable experience, and after 1880 his distinguished roster of sitters included industrialists, financiers, and politicians. Among them were two U.S. presidents, Grover Cleveland (1891) and Benjamin Harrison (1895), whom the federal government commissioned Johnson to paint. The bust-length portrait of Senator Justin Morrill is arguably superior to these larger presidential portraits, both in the White House collection. Broadly painted and securely modeled, Morrill’s head is depicted against a backdrop of mottled, modulated grays, a refreshing change from the preponderantly dark and murky backgrounds of so many late-Victorian portraits. The several grays in Morrill’s hair, as well as his softly painted muttonchops, play subtly against this lively background.
In Johnson, Morrill found a painter whose temperament was well suited to his own. A New Englander like the senator, Johnson evidenced empathy for the admirable legislator’s character in this sober portrait. Firmness of character is conveyed through firmness of structure in the closely observed features. Morrill’s gaze follows the turn of his head, looking away from the viewer and creating a thoughtful mood.
We (supernumeraries and chorus) were encouraged to grow muttonchops for Lucia di Lammermoor. It was decided to remove the mustaches, so here is a before losing the stash picture.
Love their image of a gatlin gun boom box, Much more enjoyable live. They were more like Rage Against the Machine where they're album just sounds like hip hop with guitars.
Boots looks like Dwayne 'The Rock' Johnson with an afro & Muttonchops