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The Jerry Sound is an Envelope Filter effect that tries to reproduce the classic sounds of Jerry Garcia. It is based on Tim Escobedo's Phungnosis circuit. Although Jerry himself used a Mutron III, this pedal does a fairly decent impression. The artwork is the classic Skeleton and Roses design by Stanley Mouse and Alton Kelly.
This is nutty overkill that I would never move from place to place, but pretty much every piece of it stems from some kind of hero worship. Jerry’s Mutron thing. Billy Duffy’s Phase 100 sound. The Joe Walsh dramatic flanger thing. Prince and Robert Smith and Adrian Belew all contributed dramatic flanger stuff that I try to mimic, too. Talk box stuff like Walsh, Beck, Zappa, and Frampton. Rory treble booster. Now a stereo delay/detune thing like I stared at as lofty stuff in the 80’s. I feel guilty about owning so much stuff, especially since so much of the time I have it powered up is spent basking in those quirky sounds and falling into a time portal for an hour. I can’t remember stuff from last week, but playing dirty flanger I get lost in 1978 for a while. Not sure it’s productive, but it makes me smile a lot.
NPD! These pedals arrived today: @WalrusAudioEffects Warhorn (for a demo/review ＋ giveaway!), @positivegrid BIAS Distortion (on loan from @face.be) and @Mu_FX Boostron 3 (purchase, demo/review soon).#walrusaudio #warhorn #mufx #beigel #mikebeigel #mutron #boostron #boostron3 #positivegrid #biasdistortion, via Instagram: bit.ly/2qdXNDB
A nice wark up Murton Pike, just on the edge of the Pennines near Appleby Cumbria, what a lovely day it was up top.
Brazilian group started out in the early 1970s as Grupo Seleção, a cover band. In 1973 they changed the band's name to Azymuth, inspired by a Marcos & Paulo Sérgio Valle song. (They also backed Marcos Valle on his Previsão Do Tempo album released in 1973.) In 1975 they released their first album, initially titled Azimüth. It featured the hit Linha Do Horizonte. In 1976 they scored another minor hit with Melô Da Cuíca ; Jazz Carnival, taken from the 1979 album Light As A Feather, was another hit, and 1980's Dear Limmertz also became a popular staple. The trio moved to the United States in the early 1980s, producing a number of albums that never came out in Brazil, and placing their bets on a mix of samba, funk and jazz that they defined as MPB-jazz (referring to Música Popular Brasileira). The main composer, keyboardist J. R. Bertrami, left the group in 1988, and was replaced by Jota Moraes and Marinho Boffa, but returned in the middle of the following decade, when the group signed with the label Far Out. After Bertrami died in 2012 keyboardist Kiko Continentino joined drummer Ivan "Mamão" Conti and bassist Alex Malheiros to continue the band.
Azimüth – #Azimüth
Label: #Polydor – PROT 7028
Format: Vinyl, 7", 33 ⅓ RPM, #RecordStoreDay, Reissue
Country: Japan
Released: Apr 21, 2018
Genre: Jazz, #Latin, Funk
Style: #Samba, #JazzFunk, #MPB
A1 Zombie
A2 Melô Da Cuíca
B1 Que é Que Você Vai Fazer Nesse Carnaval
B2 Tempos Atrás
Bass [Vox / Rickenbacker], Pedalboard [Mutron Phase / Bad Stone], Effects, Vocals – #AlexandreMalheiros
Cuica – #NenémDaCuica
Drums, Apito, Vocals – #IvanMiguelConti (#Mamão)
Electric Piano [Fender Rhodes 88], Synthesizer [Arp 2.600 / Arp Odissey / Arp Strings], Clavinet, Organ [Hammond M. 102], Vocals – #JoséRobertoBertrami
Pandeiro – #AlbertoTesta
Percussion – #HermesContesini
Percussion, Percussion [Triguilhas], Vocals – #AriovaldoContesini
Surdo – #BáodaMocidade (tracks: B1)
Vocals – #GastãoLamounier, #TonyBizarro
#Azymuth #vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger
Mũ tròn một chiếc mũ có hình dạng biệt lập so với các loại mũ khác. Cùng ZERDIO tìm hiểu về nét đặc trưng về mẫu nón tròn không vành đang làm mưa làm gió và xem ngay 3 mẫu nón tròn thời trang ngay dưới đây nhé!
'Low Blow' is an album by Victor Bailey released in 1999. 'Graham Cracker' is a tribute to Larry Graham.
Victor Bailey (March 27, 1960 – November 11, 2016) was an American bass guitar player. He was the bassist for #WeatherReport during their final years from 1982 to 1986, and launched a solo career in 1988. As a musician, Bailey was known for his signature scat-bass solos.
I'm addicted to vinyl records, but only these ones that can be found on my Instagram. When I post a CD album it also means that no vinyl has been released, it's such a shame because the music is too good to only be released on CD only!
So I bought this CD because of the song called 'Low Blow', but I have to admit that the last song 'Brain Teaser' is ten times better, because I didn't know what was on it, this song completely blew me away, just sick.
'Brain Teaser' is also the song included in the first four videos, a must have!
Victor Bailey – Low Blow
Label: #ESCRecords – 03661-2
Format: CD, Album, Stereo, Digipak
Country: Germany
Released: 1999
Genre: Jazz, Rock
Style: #JazzFusion, #JazzRock
1 Lowblow
2 Sweet Tooth
3 City Living
4 Do You Know Who / Continuum
5 Knee-Jerk Reaction
6 She Left Me
7 Graham Cracker
8 Babytalk
9 Feels Like A Hug
10 Brain Teaser
Bass, [Mutron Bass], Vocals, Keyboards, Bass [Pick Bass], Synth [Synth Bass], Synth [Lead Synth] – #VictorBailey
Drums – #OmarHakim, #DennisChambers
Grand Piano, Keyboards – #MichaelBearden
Electric Piano [Wah Wah Fender Rhodes], Keyboards – #JimBeard
Guitar – #WayneKrantz
Keyboards [Additional Keyboards] – #HenryHey
Soprano Saxophone – #KennyGarrett, #BillEvans
#LowBlow #vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger #cratedigging #strictlyvinyl #forevervinyl #vinylrecordsforever