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Multiplies (band i manage) played at Nice 'n' Sleazys in Glasgow on Thursday night. It was the single launch for Skeletron which is out now. A very good night overall. I was doing door duties.
30 different parts multiplied and translated in various axis to create a twist.
many thanks to the elves
Georg Baselitz (* 1938)
Big Piss I
Große Pisse, 2008
Öl auf Leinwand
Oil on canvas
Albertina, Wien
From Archduke Carl to the 1st Republic
With the death of Duke Albert in 1822 Archduke Carl, victor in the battle of Aspern against Napoleon, inherited the Palais and the art collection. Archduke Carl and his wife, Henriette von Nassau-Weilburg, continued to expand the collection. In 1847, the eldest son of the Duke, Archduke Albrecht, became the steward and multiplier of the great artistic heritage. The last inhabitant of the Albertina, Archduke Frederick, had to leave in the wake of the Habsburg laws the Republic of Austria, proclaimed in November 1918. Except for the collection of drawings and graphic prints bound up by Fideikomiß (entailed estate), he took with him the entire movable property of the palace: tapestries and furniture, paintings and chandeliers. Several attempts were made after the First World War to sell the collection, for example, to settle the reparations claims of the successor states of the monarchy.
The merger of the Albertine collection with the k.k. Court Library
In 1920, the Imperial Prints and Drawings Cabinet, with its more than 500,000 prints - including the world-famous collection of Prince Eugene of Savoy - was merged with the Albertina Collection. In the holdings of the imperial court library were also about 10,000 architectural drawings, which were here from the archives of former imperial and state agencies building plans of the monarchy from all the crown lands were brought together.
With the photo collection taken over in 1999 of the Graphic Federal Teaching and Research Institute, the collection of the Albertina was expanded in an exciting way. The collections are continually being expanded through new acquisitions, donations and permanent loans in the spirit of the founder of the Albertina, Duke Albert of Saxony-Teschen, all the way to contemporary art.
Von Erzherzog Carl bis zur 1. Republik
Mit dem Tod Herzog Alberts 1822 erbte Erzherzog Carl, der Sieger in der Schlacht von Aspern gegen Napoleon, das Palais und die Kunstsammlung. Erzherzog Carl und seine Gattin, Henriette von Nassau-Weilburg, erweiterten die Sammlung kontinuierlich. 1847 wurde der älteste Sohn des Herzogpaares, Erzherzog Albrecht, der Verwalter und Mehrer des großen Kunsterbes. Der letzte Bewohner der Albertina, Erzherzog Friedrich, musste in der Folge der Habsburger-Gesetze die im November 1918 ausgerufene Republik Österreich verlassen. Bis auf die durch Fideikomiß gebundene Sammlung der Zeichnungen und Druckgrafiken nahm er das gesamte bewegliche Gut des Palais’ mit sich: Tapisserien und Möbel, Gemälde und Luster. Mehrmals wurde nach dem Ersten Weltkrieg versucht, die Sammlung zu verkaufen, etwa um Reparationsforderungen der Nachfolgestaaten der Monarchie abzugelten.
Die Zusammenführung der Albertinischen Sammlung mit der k.k. Hofbibliothek
Die Zusammenführung der Albertinischen Sammlung mit der k.k. Hofbibliothek 1920 wurde das kaiserliche Kupferstichkabinett mit seinen mehr als 500.000 Druckgrafiken – darunter die weltberühmte Sammlung des Prinzen Eugen von Savoyen – mit der Sammlung der Albertina vereinigt. In den Beständen der kaiserlichen Hofbibliothek befanden sich auch etwa 10.000 Architekturzeichnungen, die hier aus den Archiven ehemaliger kaiserlicher und staatlicher Stellen Baupläne der Monarchie aus allen Kronländern zusammengeführt wurden.
Mit der 1999 übernommenen Fotosammlung der Grafischen Bundeslehr- und Versuchsanstalt wurde die Sammlung der Albertina auf spannungsreiche Weise erweitert. Die Sammlungen werden durch Neuerwerbungen, Schenkungen und Dauerleihgaben kontinuierlich im Sinne des Gründers der Albertina, Herzog Albert von Sachsen-Teschen, bis zur zeitgenössischen Kunst hin, erweitert.
www.stadt-wien.at/kunst-kultur/museum/die-geschichte-der-...
This image consists of a lot of movement and form. There is movement in the whole photo such as jumping, cartwheels, and swinging. The form is what really makes the photo. There are people in many different positions giving the viewer different things to look at. You may also notice the rain on the street adding another element to the image. The ISO of 200 made was needed to take in less light because the photo was outside. The key to this photo was copying and pasting of many images into one, dropping opacity and erasing, and flattening the image. I chose this image because its elements were strong and I liked editing the photo.
Wellington Point sunrise.
Someone suggested to me to use "shade or cloudy" white balance when photographing sunrise / sunset - and well this is the result.
oh and is this the new "tree" lol
So due to the fact I love giving these away as gifts, you can find this design in the math hall, the science section, and English hall of my school.
Enerpac and Norbar manual torque multipliers eliminate cheater bars and long levers.
Additional specs available at www.aztecbolting.com/manual-torque-multipliers.html
The band I manage (Multiplies) played in Edinburgh last night. It was at the Caledonian Backpackers bar which is a hostel. An odd place, a very odd sound, but my boys pulled it off very well. Lots of dancing took place and overall they went down very well. Headliners were Sluts of Trust.
Photos by Irene Ruano, Rubén Saornil and Felipe Bravo/iuFOR
25 April 2023
Visit to Vietnam Universities.
Erasmus + Mobility University of Valladolid uvamobplus.uva.es/
More information about our activities in Vietnam vietnam.uva.es
Multiplier Event FOREST VIRTUALIZATION of #ErasmusPlus #VirtualForests project. Now in Forest Inventory and Planning Institute (#FIPI) 🇻🇳A international seminar open to professional, research and academic networks coordinated by #VNU_HUS
Intellectual output International Learning Locations in non-European forest ecosystems. virtualforests.eu/international-learning-locations-non-eu...
More information on iuFOR, please visit sostenible.palencia.uva.es
If you use one of our photos, please credit it accordingly and let us know.
You can reach us through our Flickr account or at: instituto@forest.uva.es.
This is fun because it turns roperigger into a giant army of medical oppression, and all-men and then santa_sangre and censoredmeow into a crowd of the oppressed.
"fun"
The fun part about working with santa_sangre is that I get to ask myself "It's an Anna piece, which means it's going to be dark and depressing and very Russian. How can I amp this up so it's darker and more depressing and even more Russian?"
From Hysteria by littleboxestheater.
After work today, I walked east on Jackson from my office on Franklin to catch the Red Line at State Street, and witnessed the Occupy Chicago demonstrators at Jackson and LaSalle on the two-month anniversary of the start of the Occupy Chicago movement.
Downtown, The Loop, Chicago, Illinois.
Thursday, November 17, 2011.