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Kodak 35mm 400

 

Pentax K1000, SMC Pentax lens

 

JOBO C-41 color process

 

Puerto Vallarta, Mexico

 

©2013auxiliofaux, Richard Auxilio

"But better die than live mechanically a life that is a repetition of repetitions."

 

-D.H. Lawrence

Energy Engineer, EKHCS-VISN 15, Topeka VAMC, Topeka KS

U.S. Marine Corps, 1969-1975

 

like multiple avocados surrounded by cookies

Extramarks is one of the leading businesses in educational technology, which redefines the learning landscape. They have recently also offered a variety of applications in the KG-12 segment, targeting various categories of learners. Extramarks introduces new horizons, by replacing stereotypical classroom teaching with video lectures that increase retention power, to make teaching more effective. Click on the link for Formation of Multiple Reflections.

This establishment on the corner of Manchester Street and St James's Street has really pushed the boat out with the inappropriate apostrophes

Created by panning whilst zooming in and out of the glowbal rainbow lasers

35mm film double exposure. I had shared this series before but it was removed by Lightroom when I had to reinstall.

A shot of distant multiple rainbows while traveling in South Texas.

Sardinia, Italy - May, 2017: Multiple exposure of woman wlaking on the sand of the beach of 'Cala Mariolu'

Multiple focus stacks of dead leaf combined. Full image not visible due to size constraints.

Multiple exposures of Kate - not intentional since my camera is not moving the films properly =P

This is the first in-camera multiple exposure that I've taken that I actually like! A happy accident ... having the aperture at 2.8 rendered the background yellow lilies blurred and the multiple effect prominent on the foreground flowers. I find the multiples very flat straight from the camera so adjusted contrast, white balance and vibrance in Lightroom.

 

Settings: 1/1600 sec at f/2.8; uncropped

Multiple Exposure. its about making one image into several other images. and i took many photos of him just tossing the orange back and forth. i learned alot from this photo cause now i know how to do this now.

Results of multiple exposure in camera test

Catalog #: SHIPS01484

Ship Name : Multiple

Country : USA

Ship Type : Battleship

 

In camera multiple exposure, with flash set aside to camera right and facing my wife and the cat (did you see it?)

In honor of Woodstock...

This has been composed of a number of exposures shot with varying chandelier light levels and a pair of flashes -- one up on the balcony to the left, pointing across to illuminate the sculpture, and another handheld. These were 30" long to get the sky and nice tones w/dim tungsten, so the handheld was fired at the bottom of the stairs (in two locations) and at the bottom of the flower pot (in both directions and at the flower pot from the top of the stairs, and a number of other locations. This was a ton of fun to put together and the result, though unconventional, I rather like. What do you think?

Multiple exposure shot in camera shots are of kayakers and their respective sponsor/brand

Corner-sited four-storey medieval tower house, built c.1500, now in use as bank, having two-bay elevation to Abbeygate Street Upper and front, south-east, Shop Street, elevation having three-storey second and third floors, two-bay first floor and multiple-bay ground floor, with single-storey extension to rear. Flat roof, having dressed limestone chimneystacks and parapet, latter with cut limestone coping, and concealed rainwater goods, with dressed eaves course to main elevations incorporating carved limestone gargoyle spouts and octagonal-profile spouts, one octagonal spout bearing merchant's mark. Dressed coursed limestone walls having rougher quoins to north corner, with arrow-loops to east corner, and corbel suppports of machicolation to side street elevation. Garderobe chute to north-east elevation. Carved round limestone panels to front and side elevation, between middle floors, that to front having Lynch coat of arms with carved lion below having human face, with black letter script beneath. Similarly carved Fitzgerald coat of arms to side elevation with similarly carved lion below and with black letter inscription to stonework below lion. Carved panel to first floor of front elevation having decoratively carved chamfered frame, with shields to inner chamfer, and bearing royal coat of arms of Henry VII (1485-1509), accompanied by Latin inscription in Gothic letters reading 'Long live the King of England, France and Lord of Ireland', frame being surmounted by carved finial, and having carving of ape below holding child in its paws. Main elevations of building may have been completely refaced, and many of the square-headed window openings reposition or their lower halves remodelled, with evidence for only two original openings to side elevation. Blocked incomplete two-over-two light mullioned and transomed window between top floors of front elevation, with cusped ogee heads, decorated spandrels, moulded mullion and surrounds, moulded label with decoratively carved soffit and decoratively carved stops having vegetal panels below. Blocked single-light window to side elevation with cusped ogee head, decorated spandrels, moulded chamfered surround and moulded label. Other original window openings have similar labels and decoratively carved stops. Two windows to second floor of front elevation have coats of arms below stops and one to first floor has coats of arms carved into stops. Tooled limestone sills and replacement timber sliding sash windows, four-over-four pane windows to middle floors of side elevation and to two second floor front windows, six-over-six pane elsewhere to middle floors of front elevation, and with replacement timber casement windows to top floor. Cut limestone arcade-like treatment to ground floor inserted 1933, comprising two round-headed doorways, main having block-and-start surround, enhaged columns with decoratively carved bands, ornately carved capitals, hood-moulding with with carved stops depicting human faces, and round-headed windows, single openings flanking main door and triple window to south-west side of other door, all windows having chamfered sills and fixed timber frames, and second door and windows having chamfered surrounds and voussoirs. Window to ground floor of side elevation of similar detailing to those of front. Square-headed door opening to side elevation having chamfered block-and-start surround, ornately carved limestone lintel and double-leaf battened timber door. Scar in north-west gable marks former presence of two or three-storey building. Single-storey extension to side elevation has blank limestone walling comprising broken-coursed snecked rock-faced work.

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