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Finished 4-layer stencil wall of the Natural History Museum in London by Mox.

Some of the blue stencil by the 2-bit vandal who hit it before completion is still visible, with parts of the black patched up by an unknown person earlier in the day. Enmore, Sydney, NSW, Australia

Front: Jo Dittrich, Andy Mox, Ken Apel, Jeff Weber, Bill Gabby, Steve Jewell, Mike Wright, Steve Volkers, Dulcie Haugen.

 

2nd Row: Sarah Fenlon, Liz Dahle, Jason Wheeler, Steve Petruzzello, Terry Johannes, Tim Seline, Mark Green, Dave Endy, Doug Brown, Kevin Strandberg, Mike Welton, Bill Butler, Lisa Girdes, Jon Landstrom, Jo Casey, diving coach.

 

3rd Row: Dave Melmer, Peter Buecher, Mark Strohbusch, John Eberlin, Kirk Radeke, Bob Kline, Tom Green, Jeff Custer.

 

Back: Mark Downey, Steve Ellingson, Bruce Bennett, Steve Furness, Pete Guenther, Charlie Baranauckas, Todd Hopps, Wade Reddy, Dave Werdin, Bryan Shea, Jim Brennan, Tom Prior, head coach

Thank you Lil & Mox for an amazing club and Congratulations on the 2 year Anniversary.

 

The Delfina Club

Red Hook, Brooklyn.

 

Peter Miller, owner of Freebird Books and Goods, pours me a Moxie soda.

 

The Moxie was part of the menu at the Thomas Pynchon birthday bash and fax-a-thon. So were the pickles.

Malaysian Oxigen factory up in the East Coast.

NNSA Administrator Tom D'Agostino is greeted by a Shaw AREVA MOX Services safety professional, Michael Stephens during his visit to the MOX project construction site

EC-MOX

- Canadair CRJ-1000

- ConfiguraciĂłn de asientos CY100

- Entregado en Marzo 2017

- Motores 2 x GE CF34-8C5A2

- Nombre: Islas Canarias

 

Olymp E-M10~II § M.ZUIKO 14-42 EZ @ 42 mm, 1/1000s, f/5.6, ISO 200, +0.7Ev

 

One container of High-Level Nuclear Waste, being loaded onto the Pacific Grebe transport vessel, prior to leaving Barrow-in-Furness for Japan. Inside are 28 canisters of highly radioactive waste, stored in a vitrified-glass solution. This was the first shipment of nuclear waste to go back to Japan since the earthquake and subsequent disaster at Fukushima. It was taken the day before the announcement of the closure of Sellafield's MOX Plant.

Hall Consistorial

Arica, Chile.

08 de Mayo del 2019

Strobist info: 1 400W strobe, umbrella/softbox, camera right, 6 feet high

At www.fetishfactory.com

Military Odyssey 23-08-25

Artwork © Wizards of the Coast.

NNSA Administrator Tom D'Agostino discusses MOX project status with the NRC Resident Inspector and NNSA project staff during his recent visit to the Savannah River Site

Edwin Deshong, NNSA Senior Facility Representative at SRS Tritium Facility, explains how tritium reservoirs are packaged for shipment to NNSA Administrator Tom D'Agostino .

Con un público desbordante de pie, ovacionando a los visitantes por más de cinco minutos de aplausos y vítores, concluyó una jornada inolvidable para todos los tigrenses

Fue un extraordinario fin de semana, entre la Fiesta de la Lectura del sábado y el Concierto del domingo, de voces, lecturas y música en el que participaron muchísimos vecinos.

A todos ellos y a los Amigos de los Museos de Tigre (AMUTI) que hicieron posible la llegada de los visitantes, les agradecemos esta privilegiada oportunidad.

Estuvieron presentes, el Subsecretario de Cultura Daniel Fariña, y los directores Marilina Silva, Eduardo Devrient y Alejandro Moyano; la Presidente de AMUTI Esther García y miembros de la Comisión Directiva.

 

NNSA Administrator Tom D'Agostino observes concrete placement on MOX Processing Building roof

 

St Margaret, Chattisham, Suffolk

 

Hoc in sepulcro mortalitatis exuuias Deposit Daniel Meadowe, Natus apud Rushmore anno salutis 1577, Denat apud Chatsam anno aetatis 74. Dum coelum evolat festinus spiritus, cecidit haec toga corporus, quam mox Eliza coniux sustulit et hac in cista condidit, September 7 1651

 

('Here in this grave lie the mortal remains of Daniel Meadows, born at Rushmere in the year of salvation 1577, and died in Chattisham at the age of 74. While his spirit flew quickly to heaven, so fell the gown of his body, which his wife Eliza picked up and placed in this box, 7 September 1651')

 

I came back to Chattisham in the first days of February 2017, an unforecast day of blue skies and frisky clouds. It had been four years since my previous visit. There were not many good days for cycling in the first quarter of 2013, so I seized the opportunity on the Tuesday in February half term to escape the surly bonds of Ipswich and head off into the hills to the west and south of town. I'd actually been planning something a bit more ambitious in east Essex, but I hadn't been well, so a leisurely thirty miles or so through the churches of this pleasant area seemed a more sensible rest cure. I headed down the impossibly tiny, hilly lane that runs through Washbrook Street, hurtling down through the woods on muddy roads and praying that nothing would make me need to stop suddenly. The lane that cut down into Chattisham was even narrower and more muddy, so it was with some relief that I came out at the crossroads in the middle of this pretty village.

 

Chattisham is in a twin parish with nearby Hintlesham, and has been for years. But Hintlesham is up on the busy road, and it seems impossible that Chattisham's remote, rural atmosphere can really be barely five miles from Ipswich's urban sprawl.

 

The church has an austere beauty about it. It has been battered and patched up through the centuries. As at Bawdsey, the top half of the tower was removed for safety reasons, probably in the mid-18th century. Because of this, the battlements look curious, although in fact the Decorated west window is an even more recent addition. Red brick work shows through the cement render, enhancing the sense of layers of history. The building has great charm, enhanced by the way the various parts clutter together, and the makeshift repairs have mellowed with age.

 

I'd been here before, several times, and not got in, but nowadays the church is open every day. I turned the handle, and stepped down into the cold hush of an ancient space. There was a good 19th Century restoration here, and probably an 18th Century one before that, but much survives of the previous life of the parish, most notably in the form of memorials. Some of these are in brass on the floor, a good early modern collection. The best is to Mary Revers, the late wyfe of John Revers who had isshue iii sonnes and VII daughters - she died the XII of September anno domini 1592. The inscription is headed on the right by the surviving figure of Mary Revers, and on the left by the ghost of her husband, his figure gone and only the inlay remaining. There is something rather odd about this, because of course the inscription does not mention her husband, only her. Is it possible that the figure is not Mary Revers at all, but that this is a composite, her inscription from elsewhere being added to a surviving female figure whose inscription is now lost? But the nearby plate of mourners clearly shows iii sonnes and VII daughters. Perhaps her husband died and was commemorated elsewhere, but his effigy was still included in her memorial.

 

Another brass inscription remembers John Bennett, borne in this towne, who lived a goodlie and vertuous life therein, by the space of LXXX yeares or more. He died in 1608, leaving sons John and Thomas booth then lyvinge. But the latest is perhaps the most interesting. It commemorates Daniel Meadow, and is dated 1651, which is to say during the English Commonwealth, when the Crown and the Church of England had been suppressed. In Latin, it notes that 'here in this tomb are deposited the mortal remains of Daniel Meadow, born at Rushmere Anno Salutis 1577'. Anno Salutis, 'the year of salvation', is an interestingly puritan form of the more common Anno Domini, 'the year of our Lord'. Found occasionally in the 17th Century, it fell into disuse during the 18th. The inscription goes on to tell us that Daniel died in Chatsam (ie Chattisham) in the 74th year of his age. The inscription continues Dum coelum evolat festinus spiritus, cecidit haec toga corporus, quam mox Eliza coniux sustulit et hac in sista condidit, which seems to mean something like 'While his spirit flew quickly to heaven, so fell the gown of his body, which his wife Eliza picked up and placed in this box'.

 

There are two grand late 17th Century memorials either side of the chancel, but it is impossible to say who they belonged to because they are, most unusually, made from plaster which was painted, and the paint has now faded, the names lost. Interesting period pieces nonetheless, and along with the brasses suggesting that Chattisham was perhaps a prosperous place in the late 16th and 17th Centuries.

 

There is some good late 19th century pattern book decorative glass in the upper lights of some of the windows, but otherwise the glass is clear, allowing the white light to infuse the simplicity of the furnishings. The royal arms are to George III; common enough, but if you look closely you will see that the lion has been given spectacles! There can be no doubt as to the masculinity of the lion, but rather oddly the unicorn has had his manhood painted out. Perhaps it was by the same person who added the spectacles, but of course we shall never know.

 

A lovely figure of St Margaret carved from driftwood sits in a medieval image niche. Perhaps it should not really be here, because in fact the curious dedication of this church appears to be the result of an 18th century mistake.

 

The medieval dedication was to All Saints, but the enthusiastic antiquarians who investigated dedications after their two centuries of disuse confused this village with Shottisham, on the other side of Ipswich. Working from parish records in the cathedral archives at Norwich, they awarded the dedication of Shottisham (St Margaret) to this church as well; when the Oxford Movement in the Church of England restored church dedications to use in the 19th century, the mistake was not rectified, and is now enshrined in everyday use.

My sweet bulldog is moving to New Jersey to live with her mom tomorrow, so I took one last picture of the two of us. <3 you, Miss M.

 

Strobist: 580EXII @ 1/2 into 28" softbox on CR.

Steve Howell, SRNS Director of Nuclear Material Dispositions, explains how H Canyon Chemical Separation Facility operates to NNSA Administrator Tom D'Agostino.

Moss on my stair in magic light.

Paleontology GIP, Levi Moxness, posing with a brontothere skull he cofound at Badlands National Park, South Dakota. (NPS Photo by Levi Moxness, GIP)

SMOG take over including 12th Planet, Flinch, Clicks & Whistles

6 colour hand-cut stencil, the background graff was a bastard to cut!

I'm always on the lookout for pixies. They are getting so expensive at the sales.

taken through the dirty airport windows.

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