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This is an old monitor which serves as the base for the new bed. Muahahahaha. The story takes an evil turn to scrapping an old monitor.
A picture is crafted usually for 3 to 7 days, while some larger or more complicated require 10 to 14 days to make.
Please click on the images to enjoy their full size.
You will be amazed of the details, looks equally wonderful from distance and close-up. Many hours are involved to create this creartive piece. Beautiful picture with beautiful, solid black wooden frame, behind a plexiglass. Protected, yet lightweight.
Size: 22cm x 22cm, matted to 14cm x 14cm; 8.66" x 8.66", matted to 5.5" x 5.5"
About Quilling paper form of art
Quilling or paper filigree is an art form that involves the use of strips of paper that are rolled, shaped, and glued together to create decorative designs. The paper is wound around a quill to create a basic coil shape. The paper is then glued at the tip and the coil shaped, these shaped coils are arranged to form flowers, leaves, and various ornamental patterns similar to ironwork.
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click to activate the icon of slideshow: the small triangle inscribed in the small rectangle, at the top right, in the photostream;
or…. Press the “L” button to zoom in the image;
clicca sulla piccola icona per attivare lo slideshow: sulla facciata principale del photostream, in alto a destra c'è un piccolo rettangolo (rappresenta il monitor) con dentro un piccolo triangolo nero;
oppure…. premi il tasto “L” per ingrandire l'immagine;
www.worldphoto.org/sony-world-photography-awards/winners-...
www.fotografidigitali.it/gallery/2726/opere-italiane-segn...
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Beach holidays were born in the 1700s in Great Britain, this social phenomenon was born in which bathers for the first time go to the beaches, certainly not as sunny as those bathed by the Mediterranean Sea, they are fully dressed; this "new fashion" is also encouraged by the belief of English doctors since the beginning of the eighteenth century (starting around 1720), that breathing the brackish sea air and bathing in cold sea water is healthy, invigorates the body and cure lung diseases (conviction even more strengthened by the discovery of oxygen by Antoine Lavoisier in 1778, which led to the greater diffusion and conviction of the theories on the health benefits of sea air, which was thought to be more oxygenated and pure), these theories push many people from Northern Europe suffering from severe lung diseases to spend long periods in southern Europe, often in the south of Italy, this explains why characters with extraordinary qualities come to Taormina to cure their tuberculosis. The photographer baron Wilhelm von Gloeden and the English lady Florence Trevelyan Trevelyan had the seawater brought with their mules from Isola Bella, but while W. Von Gloeden heated the sea water, the English noblewoman Lady Trevelian did not heat it, mindful of the teachings of the English medical school, this will cause her death from bronchopneumonia on 4 October 1907 (see my previous "photographic stories" about Taormina). In fact, "thalassotherapy" was born in Great Britain, together with the social and cultural phenomenon of frequenting bathing beaches (before the beginning of the 18th century, the sea and its beaches were lived, except for reasons of trade and fishing, in a dark and negative way, from the sea often came very serious dangers such as the sudden landings of ferocious pirates, or foreigners carrying very serious diseases could land). Thus the fashion of spending holidays by the sea was born in the English aristocracy and high bourgeoisie of the time, subsequently the habit of going to the sea spread to all levels of society, the railways that were built throughout Great Britain to 'beginning of the nineteenth century, made travel to the ocean accessible even to the lower classes, they too will frequent the seaside resorts, Blackpool becomes the first seaside resort in Great Britain completely frequented by the working classes thanks to the presence of low-cost bathing establishments; the great and definitive boom in seaside tourism will then take place in the 1950s and 1960s. This being the case, it should not be surprising to know that in Great Britain the beaches are more frequented than one might instinctively think due to a climate very different from the Mediterranean one, and that this socio-cultural phenomenon has been investigated at the photographic by photographers of the same Great Britain, of these I mention four names. An important photographer, who probably inspired subsequent photographers, was Tony Ray-Jones, who died prematurely in 1972, at the young age of 30, who was trying to create a “photographic memory” of the stereotypes of the English people; the famous photojournalist Martin Parr, who, although inspired by the previous one, differs from it for his way of doing “social satire” with his goal; finally, I would like to mention David Hurn and Simon Roberts, the latter with wider-ranging photographs, with photographs more detached from the individual. In Italy there are numerous photographers (I will mention only a few) who have made in their long career images captured in seaside resorts (generally we speaking of "beach photography" similar to "street photography"), photographs that are often unique in their style, such as that adopted by Franco Fontana, I mention Mimmo Jodice, Ferdinando Scianna (of whom I am honored to have known him personally), and Massimo Vitali, famous photographer (understood by some as "the photographer of the beaches"), especially for his beautiful photographs taken on the beaches (but not only), thanks to the presence of elevated fixed structures as a kind of mezzanine, built specifically in the bathing beaches for the realization of his photographs. This is my incipit, to introduce the theme I tackled, that of "beach photography", with a series of photographs taken on the beaches of Eastern Sicily, most of which are located near Taormina.
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Le vacanze al mare nascono nel ‘700 in Gran Bretagna, nasce questo fenomeno sociale nel quale i bagnanti per la prima volta si recano sulle spiagge, non certo assolate come quelle bagnate dal mar Mediterraneo, sono completamente vestiti; questa “nuova moda” è anche incoraggiata dalla convinzione dei medici inglesi fin dall’inizio del ‘700 (a partire dal 1720 circa), che respirare l’aria salmastra del mare e fare il bagno nell’acqua marina fredda sia salutare, rinvigorisca il corpo e curi le malattie polmonari (convinzione ancor più rafforzata dalla scoperta dell’ossigeno da parte di Antoine Lavoisier nel 1778, che portò alla maggiore diffusione e convinzione delle teorie sui benefici per la salute dell’aria di mare, che si pensava essere più ossigenata e pura), queste teorie spingono molte persone del Nord Europa affette da gravi malattie polmonari a trascorrere dei lunghi periodi nel sud Europa, spesso nel meridione d’Italia, questo spiega perché a Taormina giungono personaggi dalle qualità straordinarie per curare il proprio “mal sottile”, il barone fotografo Wilhelm von Gloeden e la lady inglese Florence Trevelyan Trevelyan si facevano portare coi muli l’acqua di mare proveniente dall’Isola Bella, però mentre W. Von Gloeden riscaldava l’acqua marina, la nobildonna inglese lady Trevelian non la riscaldava, memore degli insegnamenti della scuola medica inglese, questo causerà la sua morte per broncopolmonite il 4 ottobre del 1907 (vedi i miei precedenti “racconti fotografici” su Taormina). Infatti la “talassoterapia” nasce in Gran Bretagna, insieme al fenomeno sociale e culturale della frequentazione dei lidi balneari (prima dell’inizio del ‘700, il mare e le sue spiagge erano vissuti, tranne che per motivi di commercio e di pesca, in maniera oscura e negativa, dal mare spesso provenivano gravissimi pericoli come gli sbarchi improvvisi di feroci pirati, oppure potevano sbarcare stranieri portatori di gravissime malattie). Nell’aristocrazia e nell’alta borghesia inglese di allora nasce così la moda di trascorrere le vacanze al mare, successivamente l’abitudine di andare al mare si diffonde a tutti i livelli della società, le ferrovie che furono costruite in tutta la Gran Bretagna all’inizio dell’Ottocento, resero i viaggi verso l’oceano accessibili anche per i ceti più bassi, quelli più popolari e meno agiati, anch’essi frequenteranno le località balneari, Blackpool diviene la prima località balneare della Gran Bretagna completamente frequentata dalle classi popolari grazie alla presenza di stabilimenti balneari a basso costo; il grande e definitivo boom del turismo balneare si avrà poi negli anni ’50 e ’60. Stando così le cose, non ci si deve meravigliare nel sapere che in Gran Bretagna le spiagge sono più frequentate di quanto istintivamente si possa pensare a causa di un clima ben diverso da quello Mediterraneo, e che questo fenomeno socio-culturale sia stato indagato a livello fotografico da parte di fotografi della stessa Gran Bretagna, di questi cito quattro nomi. Un importante fotografo, che probabilmente ispirò i successivi fotografi, fu Tony Ray-Jones, scomparso prematuramente nel 1972, alla giovane età di 30 anni, il quale cercava di realizzare una “memoria fotografica” degli stereotipi del popolo inglese; il famoso fotoreporter Martin Parr, il quale pur ispirandosi al precedente, se ne differenzia per il suo modo di fare “satira sociale” col suo obiettivo; infine desidero menzionare David Hurn e Simon Roberts, quest’ultimo con fotografie di più ampio respiro, con fotografie più distaccate dal singolo individuo. In Italia numerosi sono i fotografi (ne cito solo qualcuno) che hanno realizzato nella loro lunga carriera immagini colte in località balneari (genericamente si parla di “beach photography” affine alla “street photography”), fotografie spesso uniche nel loro stile, come quello adottato da Franco Fontana, menziono Mimmo Jodice, Ferdinando Scianna (del quale mi onoro di averlo conosciuto personalmente), e Massimo Vitali, famoso fotografo (da alcuni inteso come “il fotografo delle spiagge”), soprattutto per le sue bellissime fotografie realizzate sui lidi (ma non solo), grazie alla presenza di strutture fisse sopraelevate a mò di soppalco, costruite appositamente nei lidi balneari per la realizzazione delle sue fotografie. Questo mio incipit, per introdurre il tema da me affrontato, quello della “beach photography”, con una serie di fotografie realizzate nelle spiagge della Sicilia Orientale, la maggior parte delle quali si trovano nei pressi di Taormina.
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Lunchtime at the house, something rustles around the corner and a moment later the comrade comes around the corner.
He looks past, tongue flickering, in search of food. A good meter long and not at all shy, he tries to get onto our terrace. The broom is within reach and is easily used to direct the lizard in a different direction. A hiss is the response, but after several gentle pressures, the reptile clears the area and goes to the neighboring house.
This Lace Monitor (Goanna) has made it's home in a hollowed out log. It is about the size and weight of a man. Photo taken at Ipswich, Queensland, Australia
15.4" MacBook Pro i7 Core 2.66Ghz, Belkin 7 Ports USB Hub, Dell U2410 24" IPS Monitor, Apple Aluminum Keyboard, Magic Mouse
Items featured on my desk but not readily apparent from this angle:
- Large EuroTrip (the movie) cup full to brim with old keys, coin, and fingernail clippers.
- 1 bathroom token for Baja Fresh
- Girl sunglasses
- Canned air
- Oakley hardcase for the pipe.
- "nobody gives a fuck about your blog"
- "learning how to smile" pouty-face & Radiohead bear
- 1 spool Gold ribbon
- Box of Hot & Spicy Cheez-Its
- CDR spool
- 8 more Dr. Pepper cans
- Rolling tupperware stack used as receptacle for periodic desk-sweep-apocalypse.
- Secret entrance to the magical world of Narnia.
Monitor Memorial
sculptor: Antonio De Filippo, 1938
dedicated: November 6, 1938
Monsignor McGolrick Park
Greenpoint, Brooklyn, New York City, New York
inscription:
ERECTED BY THE PEOPLE OF THE / STATE OF NEW YORK / TO COMMEMORATE THE BATTLE OF THE / MONITOR AND MERRIMAC / MARCH 9TH, 1862 / AND IN MEMORY / OF THE MEN OF THE MONITOR / AND ITS DESIGNER - JOHN ERICSSON
View from inside a small, concrete building adjacent to an abandoned radio station in eastern Washington (note bird's nest on window sill).
I'm experimenting a bit with monitor arrangement. It is interesting to have the big monitor "looming" over the top of the laptop's panel.
Less side to side movement. A bit more vertical though.
R-12: Our Space Station Commander Max Suraev while monitoring the approach of unmanned space ship Progress 57P.
Credits: ESA/NASA
129A0467
I repaired the ViewSonic monitor on the right by replacing about a half-dozen capacitors.
The parts cost about $15; the whole process took about 2 hours.
Learn more about this kind of repair at badcaps.org.
Some more details in the next photo.
Shows the iPhone to scale in a double din environment. The navigation would need to be customised for the car and be accessable in the horizontal config. Something which should be easy to do with the public iPhone SDK.
Here is a good example of how digital electronics has now taken over the operating systems of these facilities. They can monitor all the data relating to the radio telescope and monitoring signals from space, and require so much less space than the old analogue units. The efficiency gains are obvious, but they'll never look as good as the old school electronic equipment.
An Asian water monitor [Varanus salvator salvator (Laurenti, 1768). This sub-species is endemic in Sri Lanka.
The Asian water monitor is a large varanid lizard native to South and Southeast Asia. It is one of the most common monitor lizards in Asia, ranging from Sri Lanka and coastal northeast India to Indochina, Malay Peninsula, and Indonesian islands where it lives close to water. It is among the largest squamates in the world.
The Asian water monitor is also called Malayan water monitor, common water monitor, two-banded monitor, rice lizard, ring lizard, plain lizard and no-mark lizard, as well as simply water monitor.
Breeding maturity is attained for males when they are a relatively modest 40 cm (16 in) long and weigh 1 kg (2.2 lb), and for females at 50 cm (20 in). However, they grow much larger throughout life, with males being larger than females. Adults rarely exceed 1.5–2 m (4.9–6.6 ft) in length, but the largest specimen on record, from Sri Lanka, measured 3.21 m (10.5 ft). A common mature weight of V. salvator can be 19.5 kg (43 lb). However, 80 males killed for the leather trade in Sumatra averaged only 3.42 kg (7.5 lb) and 56.6 cm (22.3 in) snout-to-vent and 142 cm (56 in) in total length; 42 females averaged only 3.52 kg (7.8 lb) and 59 cm (23 in) snout-to-vent and 149.6 cm (58.9 in) in total length, although unskinned outsized specimens weighed 16 to 20 kg (35 to 44 lb).
Another study from the same area by the same authors similarly estimated mean body mass for mature specimens at 20 kg (44 lb) while yet another study found a series of adults to weigh 7.6 kg (17 lb). The maximum weight of the species is over 50 kg (110 lb). In exceptional cases, the species has been reported to reach 75 to 90 kg (165 to 198 lb), though most such reports are unverified and may be unreliable.
They are the world's second-heaviest lizard, after the Komodo dragon. Their bodies are muscular, with long, powerful, laterally compressed tails. The scales in this species are keeled; scales found on top of the head have been noted to be larger than those located on the back. Water monitors are often defined by their dark brown or blackish coloration with yellow spots found on their underside- these yellow markings have a tendency to disappear gradually with age. This species is also denoted by the blackish band with yellow edges extending back from each eye.
These monitors have very long necks and an elongated snout. They use their powerful jaws, serrated teeth and sharp claws for both predation and defense. In captivity, Asian water monitors' life expectancy has been determined to be anywhere between 11–25 years depending on conditions, in the wild it is considerably shorter.
The Asian water monitor is widely distributed from India, Bangladesh, Sri Lanka, Myanmar and Thailand, Cambodia, Laos, Vietnam, the Chinese Guangxi and Hainan provinces, Malaysia, Singapore to the Sunda islands Sumatra, Java, Bali, Borneo and Sulawesi. It inhabits primarily lowland freshwater and brackish wetlands. It has been recorded up to an altitude of 1,800 m (5,900 ft).
Asian water monitors are semiaquatic and opportunistic; they inhabit a variety of natural habitats though predominantly this species resides in primary forests and mangrove swamps. It has been noted that these monitors are not deterred from living in areas of human disturbance. In fact, they have been known to adapt and thrive in agricultural areas as well as cities with canal systems (such as in Sri Lanka, where they are not hunted or persecuted by humans). This species does not thrive in habitats with extensive loss of natural vegetation and aquatic resources. Habitats that are considered to be most important to this species are mangrove vegetation, swamps, wetlands, and altitudes below 1000 meters.
Water monitors defend themselves using their tails, claws, and jaws. They are excellent swimmers, using the raised fin on their tails to steer through water. They are carnivores, and consume a wide range of prey. They are known to eat fish, frogs, rodents, birds, crabs, and snakes. They have also been known to eat turtles, as well as young crocodiles and crocodile eggs. Water monitors have been observed eating catfish in a fashion similar to a mammalian carnivore, tearing off chunks of meat with their sharp teeth while holding it with their front legs and then separating different parts of the fish for sequential consumption.
In dominantly aquatic habitats their semiaquatic behavior is considered to provide a measure of safety from predators. Paired with their generalist diet, this is thought to contribute to their ecological plasticity.ref name=IUCN /> When hunted by predators such as the king cobra (Ophiophagus hannah) they will climb trees using their powerful legs and claws. If this evasion is not enough to escape danger, they have also been known to jump from trees into streams for safety, a tactic similar to that of the green iguana (Iguana iguana).[19]
Like the Komodo dragon, the water monitor will often eat carrion. They have a keen sense of smell and can smell a carcass from far away. They are known to feed on dead human bodies. While on the one hand their presence can be helpful in locating a missing person in forensic investigations, on the other hand they can inflict further injuries to the corpse, complicating ascertainment of the cause of death.
The first description of the water monitor and its behaviour in English literature was made in 1681 by Robert Knox, who observed it during his long confinement in the Kingdom of Kandy: “There is a Creature here called Kobberaguion, resembling an Alligator. The biggest may be five or six feet long, speckled black and white. He lives most upon the Land, but will take the water and dive under it: hath a long blue forked tongue like a sting, which he puts forth and hisseth and gapeth, but doth not bite nor sting, tho the appearance of him would scare those that knew not what he was. He is not afraid of people, but will lie gaping and hissing at them in the way, and will scarce stir out of it. He will come and eat Carrion with the Dogs and Jackals, and will not be scared away by them, but if they come near to bark or snap at him, with his tail, which is long like a whip, he will so slash them, that they will run away and howl.”
Water monitors should be handled with care since they have many sharp teeth and can give gashing bites that can sever tendons and veins, causing extensive bleeding. The bite of a large pet water monitor was described by its American owner as being worse than that of a rattlesnake.
Reference: en.wikipedia.org/wiki/Asian_water_monitor