View allAll Photos Tagged monetization
Challenge: take a photo during day time without any visitor on the bridge.
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Copyright: ©2016, Christian Kaden
Licence: Creative Commons BY-NC-ND 4.0
ID: IMG_6977
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Sorry for a bit of inactivity I saw the Mortal Kombat movie last week, it got a lot of hate but all in all it was a great movie & the ending really showed how a part 2 of the movie would set up Johnny Cage, I hope Kitana will be in the sequel as well. I'll be making some figs from the movie. This show was so great, at the time I really wasn't making figs like these at the time but I decided to do it now. I didn't have all the right parts to make Queen Maeve which is why she's not here. I just decided to make some of the many characters from the show, I think I did pretty good. If you haven't watched the show I strongly urge you to watch it, it's on Amazon Prime. I also just bought the LEGO® Marvel Shang-Chi Escape from The Ten Rings (76176) from Amazon so I just have to wait for that to come. Anyways let's get to the figs...
For those of you who don't know The Boys is set in a universe where superpowered individuals are recognized as heroes by the general public and work for the powerful corporation Vought International, which markets and monetizes them. Outside of their heroic personas, most are arrogant and corrupt.
From L-R:
Bottom: A-Train, Starlight, Billy Butcher, Translucent, The Homelander, Black Noir, Hughie Campbell, The Deep, & Lamplighter
Top: Stormfront
Design Inspirations Below:
A-Train - (static2.cbrimages.com/wordpress/wp-content/uploads/2020/0...)
Starlight - (hips.hearstapps.com/hmg-prod.s3.amazonaws.com/images/home...)
Billy Butcher - (pbs.twimg.com/media/D-3-Kr_UEAMpFX9.jpg:large) & (www.nme.com/wp-content/uploads/2020/09/karl-urban.jpg)
Translucent - (comicicons.files.wordpress.com/2019/09/translucent-alex-h...)
The Homelander - (vader.news/__export/1600106020498/sites/gadgets/img/2020/...)
Black Noir - (i0.wp.com/wipy.tv/wp-content/uploads/2020/10/nathan-mitch...)
Hughie Campbell - (i.pinimg.com/736x/db/78/69/db7869f7fa6e178c1a541bcb6e8afd...)
The Deep - (static.wikia.nocookie.net/amazons-the-boys/images/5/56/Th...)
Lamplighter - (www.jacketars.com/wp-content/uploads/2020/09/The-Boys-Lam...)
Stormfront - (static.wikia.nocookie.net/earth--omega/images/7/72/Stormf...)
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Copyright: ©2014, Christian Kaden
Licence: Creative Commons BY-NC-ND 4.0
ID: IMG_3664
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Moss everywhere at the temple ground! Especially the hairy and long sugigoke moss, my personal favorite. Sugigoke moss is life!
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Copyright: ©2015, Christian Kaden
Licence: Creative Commons BY-NC-ND 4.0
ID: IMG_5326
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...leading to the subtemples Ryoginan and Sokushuin.
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Copyright: ©2016, Christian Kaden
Licence: Creative Commons BY-NC-ND 4.0
ID: IMG_6968
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Now what will he do? His brand depends on stoking the fires of fascism. He either needs a new platform or...he runs for office. How big does he think he is?
It irks me that we have to think about twerps like this guy. But it's not really about him. It's about the monetizing of hate and those who are willing to build their careers around that business plan. Carlson's just one of the bunch. Exploiting unhappiness has been an industry on the right since Limbaugh.
Sort of what I've been doing for a while here.
Sick of social media, so I've slowed it to a large degree. I don't want to post much beyond snapshots there because they have to mean something to someone or they don't count, at least that's the culture of IG. When I do share film, which generally is more rooted in an artistic expression, the images aren't well received. And what should I expect anyhow from IGers at large?
Aware of the pitfalls of letting those feelings dictate what I do, I've still taken two steps back as a precaution. For me that's slowing the pace and diminishing the quality of what I post so I don't feel the way I have been about the dynamic that exists there. Oh, and how that will hurt my "brand"!! Ugh, really? If we can't somehow monetize what we do as artists, are we trees falling in the woods?
I have always loved slide film, especially medium format E6. A little over a year ago I had a little show at my favorite little coffee shop in downtown Portland and while I did have prints up to share with the regular customers, I mostly didn't care about those after my opening night. That was because at the slide show that I presented there was a feeling that not only was I present, but so was everyone in the room. There was a story with most images, and a narrative shared among them. The images looked like you could walk into them. Like you were there. For sharing my work, it was the polar opposite of the typical method today seems to be: someone "engaged" in conversation with others, quickly scrolling past 2" images on their phone, liking, liking, liking.
My point is that I have not only been shooting, and mostly on slide film, but I haven't been willing to even scan the film I have processed to share with anyone because I feel the medium is both being disrespected and cannot adequately convey what my P66 or even print can. Hell, flickr is even still the much better place.
So, while I wait to pivot to whatever fills the void, I can't help but only want to be back in a room with my people who are present, soaking in the glow of images that will be just a memory when the lights came back on. And it that's exactly how I would feel had I been there at each instance without a shutter to open–just a memory. And that's all I need.
Maybe I'll find a way to being in LA. But not having the connection I do to a place and not having an outlet like I used to at the moment is leaving a lot of film piling up, waiting for to find the light in a dark room.
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Copyright: ©2016, Christian Kaden
Licence: Creative Commons BY-NC-ND 4.0
ID: IMG_7101
- About sharing ------------------
IT'S ALL ABOUT TRUST
It's really ok to use this photo as your wallpaper etc., but if you reuse it on the web or other public spaces, please read following lines carefully and don't give the impression that you took the photo yourself. A lot of work was done creating it, so please be respectful and help build some 'internet trust', thanks!
Credits as stated below are mandatory, not optional!
# If you want to use this photo under the given Creative-Commons-Licence, please credit it with:
©Christian Kaden / www.Japan-Kyoto.de
# If sharing or reuploading to Facebook, in addition to the above mentioned credits please add a link to the Facebook-Page of Japan-Kyoto as well. Either directly linked via @Japan-Kyoto (preferred) or fb.me/Japan.Kyoto.de (if @Japan-Kyoto is not possible).
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From a series of illustrations on Bitcoin's emerging role as both a currency/store of value, and as a way to monetize stranded renewable energy.
For example: Hydro, wind and solar are all cyclical. Meaning they only produce part of the time. Wind when it is windy, solar in the daytime and hydro (mostly) in the rainy season. This leads to a feast-or-famine calculation that can make renewables more costly to implement.
You can transmit/sell excess power. But that is only economical up to a distance of 1,000 miles. You can store excess power in batteries, but that is expensive to scale. Using stranded renewable energy for Bitcoin mining gives you a way to monetize the periodic excess power much more efficiently.
Even more significant, shipping container-sized Bitcoin mining rigs are being used to monetize the vents from natural gas wells, which would otherwise periodically be *venting unburnt methane directly into the atmosphere.*
Yes, BTC uses a lot of power when viewed empirically, as does any scaled store of value. But the top-line numbers are very misleading, until you start to dig more underneath the surface.
________________________
This photo was done in-camera, all natural light, with only toning adjustments and cleaning up the imperfections on the coin in post.
The check in at the Mirage Hotel and Casino, Las Vegas Nevada.
If you look close you'll see that yes, she's riding on her suitcase. Pretty sure that she was some sort of "INFLUENCER" on some social media site, along with the guy behind her at the desk. They both shot me dirty looks when they saw the camera as they zipped away. I figured they were probably mad because there wasn't a way for them to "MONETIZE" the shot!
If you should recognize these folks please let them know I'm open to having a "COLLAB" with them even though I think they're self absorbed narcissistic twits! 😄
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Copyright: ©2016, Christian Kaden
Licence: Creative Commons BY-NC-ND 4.0
ID: IMG_7062
- About sharing ------------------
IT'S ALL ABOUT TRUST
It's really ok to use this photo as your wallpaper etc., but if you reuse it on the web or other public spaces, please read following lines carefully and don't give the impression that you took the photo yourself. A lot of work was done creating it, so please be respectful and help build some 'internet trust', thanks!
Credits as stated below are mandatory, not optional!
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Examples
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In-depth article: japan-kyoto.de/fundain-subtempel-tofukuji-kyoto/
...at the best seats in front of the famous round window.
This picture is part of my "Best of Japan"-album, check it out here: flic.kr/s/aHsjBHeaBb
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Copyright: ©2015, Christian Kaden
Licence: Creative Commons BY-NC-ND 4.0
ID: IMG_5064
-----------------------------------------
-- About sharing -----------------
-----------------------------------------
IT'S ALL ABOUT TRUST
It's really ok to use this photo as your wallpaper etc., but if you reuse it on the web or other public spaces, please read following lines carefully and don't give the impression that you took the photo yourself. A lot of work was done creating it, so please be respectful and help build some 'internet trust', thanks!
Credits as stated below are mandatory, not optional!
# If you want to use this photo under the given Creative-Commons-Licence, please credit it with:
©Christian Kaden / www.Japan-Kyoto.de
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1. Palm
The Creator of the first handheld. There was a time when the company was valued more than McDonalds itself. The manufacturer produced pocket computers. As a result, the company was bought out in 2010 for $ 1.2 billion. And a little later, they completely ceased to exist.
⠀
2. Blockbuster
🇨🇩 DVD discs with movies. Everyone knew about this rental. Which was located in the United States. But in 2010, the video rental company filed for bankruptcy. The debt to creditors amounted to more than 900 million 💵dollars.
⠀
3. AltaVista
Search engine. Established in 1995. It was fast enough. And it could process millions of requests every day.
Today, the search engine could easily become similar to Google. But the owners didn't know how to do monetization. And the project went to different companies.
⠀
4. Vertu
They created too fashionable gadgets. Made of precious metals. But consumers wanted something smart from their phones, and the company couldn't provide it in a short time. And the price almost did not suit anyone.
⠀
💬Share in the comments if you knew about these companies?
#White #Clothing #Black #Red #Beauty #Pencil_skirt #Fashion #Skin #Waist #Shoulder #Long_hair #Model #Standing #Lip #Dress #Outerwear #Formal_wear #Photo_shoot #Photography #Abdomen #Trunk #Fashion_design #Neck #Uniform #Style #Businessperson #Top #Fashion_accessory #Sleeve #Fashion_model #Brown_hair #White-collar_worker #Blazer #NikonD4
After more than two years of wanting to do so, I am now beginning my Illinois Railway Museum Diesel Days series, going all the way back to my very first one in 2004.
I began working on this series just after Diesel Days (now Diesel Weekend) in 2023. That year marked IRM's 70th anniversary, and it also happened to be my 20th consecutive Diesel Days. I was looking for a way to show just how far IRM has come over the course of time, and what better way than to feature one of IRM's signature events.
Most of the photos featured in this series were made into a two-part video. The first video features images of Diesel Days from 2004 to 2014. It was finished in 2023 and first presented at a small gathering of railfans known as Clarkefest, which honors the legacy of renowned railroad photographer Clarke Renard. That video can be seen here:
www.youtube.com/watch?v=68NAnaKjxFc
The second video, featuring images from Diesel Weekend 2015-2024, was completed in 2024 to honor my 20 years attending this event and was presented at Clarkefest that year. As of this writing, YouTube still has not published it. This is due to a change in policies that took place in the few months between each video that prevents it from being published due to music that the algorithm deems in dispute, even though my channel is not, has never been, and will never be, monetized.
Seen at Jonangu shrine, Kyoto.
This picture is part of my "Best of Japan"-album, check it out here: flic.kr/s/aHsjBHeaBb
Facebook: fb.me/Japan.Kyoto.de
Copyright: ©2019, by the photographer
Licence: Creative Commons BY-NC-ND 4.0
ID: 20190427-IMG_4028
-----------------------------------------
-- About sharing -----------------
-----------------------------------------
IT'S ALL ABOUT TRUST
It's really ok to use this photo as e.g. your wallpaper and in any non-commercial(!) project, but if you reuse it on the web or other public spaces, please give credits to the creator as stated below and don't give the impression that you took the photo yourself. A lot of work was done creating it, so please be respectful and help build some 'internet trust', thanks!
Please use credits as follow:
# Anywhere on the internet: ©Christian Kaden on Flickr
# Want to use it in a commercial or monetized project? Leave me a message.
Thank you for your understanding.
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Hi guys Cam and Brenny here .. yes 'click bait' lol.. but in all seriousness we are trying to grow our YouTube channel so that we can monetize a bit .. and we NEED your help .. all we need are for our videos to be played... pretty please ....
Thank you much,
After more than two years of wanting to do so, I am now beginning my Illinois Railway Museum Diesel Days series. These are images from my second trip in 2005.
I began working on this series just after Diesel Days (now Diesel Weekend) in 2023. That year marked IRM's 70th anniversary, and it also happened to be my 20th consecutive Diesel Days. I was looking for a way to show just how far IRM has come over the course of time, and what better way than to feature one of IRM's signature events.
Most of the photos featured in this series were made into a two-part video. The first video features images of Diesel Days from 2004 to 2014. It was finished in 2023 and first presented at a small gathering of railfans known as Clarkefest, which honors the legacy of renowned railroad photographer Clarke Renard. That video can be seen here:
www.youtube.com/watch?v=68NAnaKjxFc
The second video, featuring images from Diesel Weekend 2015-2024, was completed in 2024 to honor my 20 years attending this event and was presented at Clarkefest that year. As of this writing, YouTube still has not published it. This is due to a change in policies that took place in the few months between each video that prevents it from being published due to music that the algorithm deems in dispute, even though my channel is not, has never been, and will never be, monetized.
Facebook: fb.me/Japan.Kyoto.de
Copyright: ©2015, Christian Kaden
Licence: Creative Commons BY-NC-ND 4.0
ID: IMG_5288
- About sharing ------------------
IT'S ALL ABOUT TRUST
It's really ok to use this photo as your wallpaper etc., but if you reuse it on the web or other public spaces, please read following lines carefully and don't give the impression that you took the photo yourself. A lot of work was done creating it, so please be respectful and help build some 'internet trust', thanks!
Credits as stated below are mandatory, not optional!
# If you want to use this photo under the given Creative-Commons-Licence, please credit it with:
©Christian Kaden / www.Japan-Kyoto.de
# If sharing or reuploading to Facebook, in addition to the above mentioned credits please add a link to the Facebook-Page of Japan-Kyoto as well. Either directly linked via @Japan-Kyoto (preferred) or fb.me/Japan.Kyoto.de (if @Japan-Kyoto is not possible).
# Want to use it in a commercial or monetized project? Leave me a message.
Examples
In general: ©Christian Kaden - www.Japan-Kyoto.de
On Facebook: ©Christian Kaden - www.Japan-Kyoto.de - @Japan-Kyoto (linked)
Thank you for your understanding.
GPS data available, check out the link:
Facebook: fb.me/Japan.Kyoto.de
Copyright: ©2015, Christian Kaden
Licence: Creative Commons BY-NC-ND 4.0
ID: IMG_4110
# If you want to use this photo under the given Creative-Commons-Licence, please credit it with:
©Christian Kaden / www.Japan-Kyoto.de
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GPS data not available, link below will not work
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Copyright: ©2016, Christian Kaden
Licence: Creative Commons BY-NC-ND 4.0
ID: IMG_5806
# If you want to use this photo under the given Creative-Commons-Licence, please credit it with
' ©Christian Kaden / www.Japan-Kyoto.de '
If sharing or reuploading to Facebook, in addition to the above mentioned credits please add a link to the Facebook-Page of Japan-Kyoto as well. Either with @Japan-Kyoto or fb.me/Japan.Kyoto.de
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This issue is from Norman Osborn’s perspective.
----
“I was mistaken about Peter Parker. The Oz “injection” may have granted him extraordinary abilities, but it has also ensured a premature death. I fear that an autopsy will lead to a game of ‘connect the dots,’ thus pinning his death on OsCorp. That’s why I’d like you to perform a hit, Horatio.”
Clearing his mind, Horatio takes a deep breath and shuts his eyes. To an onlooker, it may seem as if he’s stressing over the risks involved. In reality, he’s decisively planning the killing shot. His eyes jolt open and he mouths his two favorite words…
“Gladly, sir.”
Easing out of the building, Horatio slides on his sunglasses with surprising finesse. With the conversation cut short, Norman Osborn throws himself back in time.
I formerly believed that Peter Parker would be the key to creating the next super soldier. In the wake of a freak accident, he unintentionally became the first human test subject for my Oz formula. Fortunately, we had the forethought to observe him. The results were spectacular. Having been injected with the Oz through the bite of a spider, he gained unique abilities similar to the arachnid’s.
Things quickly turned sour, though. Anxious to monetize Oz, I subjected myself to it. However, I went for a more direct approach and left the spider out of the equation. Seconds after doing so, a violent reaction occurred. I was ablaze: veiled in flames. Something else we were working on didn’t agree with the introduction of fire and a nasty explosion took out a large chunk of the building. Impervious to the heat, I streaked out of the facility and found an alley to hide in.
That’s when I first noticed that the Oz had horribly disfigured me. Having startled a homeless man, I looked at my palms to see gnarled, green skin. Suddenly the warmth my body was emanating dissipated and I felt cold. As the heat left me, my hands returned to their original state. Everything from there was a blur. I woke up in my bed, far away from the chaos.
Dealing with the media was easier than someone might expect. Because I didn’t know what really caused the explosion, I didn’t need to lie.
Why was Parker so—so perfect? I needed to know, so I decided to run tests on his blood. In doing so, I learned that the Oz is slowly killing him.
The silence breaks as quickly as a twig underfoot. Norman is severed from his cloud of thoughts as the only other person in the room speaks.
“Norman, the kid’s not dying.”
After more than two years of wanting to do so, I am now beginning my Illinois Railway Museum Diesel Days series. These are images from my second trip in 2005.
I began working on this series just after Diesel Days (now Diesel Weekend) in 2023. That year marked IRM's 70th anniversary, and it also happened to be my 20th consecutive Diesel Days. I was looking for a way to show just how far IRM has come over the course of time, and what better way than to feature one of IRM's signature events.
Most of the photos featured in this series were made into a two-part video. The first video features images of Diesel Days from 2004 to 2014. It was finished in 2023 and first presented at a small gathering of railfans known as Clarkefest, which honors the legacy of renowned railroad photographer Clarke Renard. That video can be seen here:
www.youtube.com/watch?v=68NAnaKjxFc
The second video, featuring images from Diesel Weekend 2015-2024, was completed in 2024 to honor my 20 years attending this event and was presented at Clarkefest that year. As of this writing, YouTube still has not published it. This is due to a change in policies that took place in the few months between each video that prevents it from being published due to music that the algorithm deems in dispute, even though my channel is not, has never been, and will never be, monetized.
The famous little moss island which some of you may have already seen competely in pink. Believe me, that was photoshop ;-)
This picture is part of my "Best of Japan"-album, check it out here: flic.kr/s/aHsjBHeaBb
Facebook: fb.me/Japan.Kyoto.de
Copyright: ©2012, Christian Kaden
Licence: Creative Commons BY-NC-ND 4.0
ID: 20120910-IMG_0337
-----------------------------------------
-- About sharing -----------------
-----------------------------------------
IT'S ALL ABOUT TRUST
It's really ok to use this photo as e.g. your wallpaper and in any non-commercial(!) project, but if you reuse it on the web or other public spaces, please give credits to the creator as stated below and don't give the impression that you took the photo yourself. A lot of work was done creating it, so please be respectful and help build some 'internet trust', thanks!
Please use credits as follow:
# Anywhere on the internet: ©Christian Kaden on Flickr
# Want to use it in a commercial or monetized project? Leave me a message.
Thank you for your understanding.
GPS data available, check out the link:
Facebook: fb.me/Japan.Kyoto.de
Copyright: ©2016, Christian Kaden
Licence: Creative Commons BY-NC-ND 4.0
ID: IMG_5898-HDR
- About sharing ------------------
IT'S ALL ABOUT TRUST
It's really ok to use this photo as your wallpaper etc., but if you reuse it on the web or other public spaces, please read following lines carefully and don't give the impression that you took the photo yourself. A lot of work was done creating it, so please be respectful and help build some 'internet trust', thanks!
Credits as stated below are mandatory, not optional!
# If you want to use this photo under the given Creative-Commons-Licence, please credit it with:
©Christian Kaden / www.Japan-Kyoto.de
# If sharing or reuploading to Facebook, in addition to the above mentioned credits please add a link to the Facebook-Page of Japan-Kyoto as well. Either directly linked via @Japan-Kyoto (preferred) or fb.me/Japan.Kyoto.de (if @Japan-Kyoto is not possible).
# Want to use it in a commercial or monetized project? Leave me a message.
Examples
In general: ©Christian Kaden - www.Japan-Kyoto.de
On Facebook: ©Christian Kaden - www.Japan-Kyoto.de - @Japan-Kyoto (linked)
Thank you for your understanding.
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9.4.09
The flight arrived on time; and the twelve hours while on board passed quickly and without incident. To be sure, the quality of the Cathay Pacific service was exemplary once again.
Heathrow reminds me of Newark International. The décor comes straight out of the sterile 80's and is less an eyesore than an insipid background to the rhythm of human activity, such hustle and bustle, at the fore. There certainly are faces from all races present, creating a rich mosaic of humanity which is refreshing if not completely revitalizing after swimming for so long in a sea of Chinese faces in Hong Kong.
Internet access is sealed in England, it seems. Nothing is free; everything is egregiously monetized from the wireless hotspots down to the desktop terminals. I guess Hong Kong has spoiled me with its abundant, free access to the information superhighway.
11.4.09
Despite staying in a room with five other backpackers, I have been sleeping well. The mattress and pillow are firm; my earplugs keep the noise out; and the sleeping quarters are as dark as a cave when the lights are out, and only as bright as, perhaps, a dreary rainy day when on. All in all, St. Paul's is a excellent place to stay for the gregarious, adventurous, and penurious city explorer - couchsurfing may be a tenable alternative; I'll test for next time.
Yesterday Connie and I gorged ourselves at the borough market where there were all sorts of delectable, savory victuals. There was definitely a European flavor to the food fair: simmering sausages were to be found everywhere; and much as the meat was plentiful, and genuine, so were the dairy delicacies, in the form of myriad rounds of cheese, stacked high behind checkered tabletops. Of course, we washed these tasty morsels down with copious amounts of alcohol that flowed from cups as though amber waterfalls. For the first time I tried mulled wine, which tasted like warm, rancid fruit punch - the ideal tonic for a drizzling London day, I suppose. We later killed the afternoon at the pub, shooting the breeze while imbibing several diminutive half-pints in the process. Getting smashed at four in the afternoon doesn't seem like such a bad thing anymore, especially when you are having fun in the company of friends; I can more appreciate why the English do it so much!
Earlier in the day, we visited the Tate Modern. Its turbine room lived up to its prominent billing what with a giant spider, complete with bulbous egg sac, anchoring the retrospective exhibit. The permanent galleries, too, were a delight upon which to feast one's eyes. Picasso, Warhol and Pollock ruled the chambers of the upper floors with the products of their lithe wrists; and I ended up becoming a huge fan of cubism, while developing a disdain for abstract art and its vacuous images, which, I feel, are devoid of both motivation and emotion.
My first trip yesterday morning was to Emirates Stadium, home of the Arsenal Gunners. It towers imperiously over the surrounding neighborhood; yet for all its majesty, the place sure was quiet! Business did pick up later, however, once the armory shop opened, and dozens of fans descended on it like bees to a hive. I, too, swooped in on a gift-buying mission, and wound up purchasing a book for Godfrey, a scarf for a student, and a jersey - on sale, of course - for good measure.
I'm sitting in the Westminster Abbey Museum now, resting my weary legs and burdened back. So far, I've been verily impressed with what I've seen, such a confluence of splendor and history before me that it would require days to absorb it all, when regretfully I can spare only a few hours. My favorite part of the abbey is the poets corner where no less a literary luminary than Samuel Johnson rests in peace - his bust confirms his homely presence, which was so vividly captured in his biography.
For lunch I had a steak and ale pie, served with mash, taken alongside a Guinness, extra cold - 2 degrees centigrade colder, the bartender explained. It went down well, like all the other delicious meals I've had in England; and no doubt by now I have grown accustomed to inebriation at half past two. Besides, Liverpool were playing inspired football against Blackburn; and my lunch was complete.
Having had my fill of football, I decided to skip my ticket scalping endeavor at Stamford Bridge and instead wandered over to the British Museum to inspect their extensive collections. Along the way, my eye caught a theater, its doors wide open and admitting customers. With much rapidity, I subsequently checked the show times, saw that a performance was set to begin, and at last rushed to the box office to purchase a discounted ticket - if you call a 40 pound ticket a deal, that is. That's how I grabbed a seat to watch Hairspray in the West End.
The show was worth forty pounds. The music was addictive; and the stage design and effects were not so much kitschy as delightfully stimulating - the pulsating background lights were at once scintillating and penetrating. The actors as well were vivacious, oozing charisma while they danced and delivered lines dripping in humor. Hairspray is a quality production and most definitely recommended.
12.4.09
At breakfast I sat across from a man who asked me to which country Hong Kong had been returned - China or Japan. That was pretty funny. Then he started spitting on my food as he spoke, completely oblivious to my breakfast becoming the receptacle in which the fruit of his inner churl was being placed. I guess I understand the convention nowadays of covering one's mouth whilst speaking and masticating at the same time!
We actually conversed on London life in general, and I praised London for its racial integration, the act of which is a prodigious leap of faith for any society, trying to be inclusive, accepting all sorts of people. It wasn't as though the Brits were trying in vain to be all things to all men, using Spanish with the visitors from Spain, German with the Germans and, even, Hindi with the Indians, regardless of whether or not Hindi was their native language; not even considering the absurd idea of encouraging the international adoption of their language; thereby completely keeping English in English hands and allowing its proud polyglots to "practice" their languages. Indeed, the attempt of the Londoners to avail themselves of the rich mosaic of ethnic knowledge, and to seek a common understanding with a ubiquitous English accent is an exemplar, and the bedrock for any world city.
I celebrated Jesus' resurrection at the St. Andrew's Street Church in Cambridge. The parishioners of this Baptist church were warm and affable, and I met several of them, including one visiting (Halliday) linguistics scholar from Zhongshan university in Guangzhou, who in fact had visited my tiny City University of Hong Kong in 2003. The service itself was more traditional and the believers fewer in number than the "progressive" services at any of the charismatic, evangelical churches in HK; yet that's what makes this part of the body of Christ unique; besides, the message was as brief as a powerpoint slide, and informative no less; the power word which spoke into my life being a question from John 21:22 - what is that to you?
Big trees; exquisite lawns; and old, pointy colleges; that's Cambridge in a nutshell. Sitting here, sipping on a half-pint of Woodforde's Wherry, I've had a leisurely, if not languorous, day so far; my sole duty consisting of walking around while absorbing the verdant environment as though a sponge, camera in tow.
I am back at the sublime beer, savoring a pint of Sharp's DoomBar before my fish and chips arrive; the drinking age is 18, but anyone whose visage even hints of youthful brilliance is likely to get carded these days, the bartender told me. The youth drinking culture here is almost as twisted as the university drinking culture in America.
My stay in Cambridge, relaxing and desultory as it may be, is about to end after this late lunch. I an not sure if there is anything left to see, save for the American graveyard which rests an impossible two miles away. I have had a wonderful time in this town; and am thankful for the access into its living history - the residents here must demonstrate remarkable patience and tolerance what with so many tourists ambling on the streets, peering - and photographing - into every nook and cranny.
13.4.09
There are no rubbish bins, yet I've seen on the streets many mixed race couples in which the men tend to be white - the women also belonging to a light colored ethnicity, usually some sort of Asian; as well saw some black dudes and Indian dudes with white chicks.
People here hold doors, even at the entrance to the toilet. Sometimes it appears as though they are going out on a limb, just waiting for the one who will take the responsibility for the door from them, at which point I rush out to relieve them of such a fortuitous burden.
I visited the British Museum this morning. The two hours I spent there did neither myself nor the exhibits any justice because there really is too much to survey, enough captivating stuff to last an entire day, I think. The bottomless well of artifacts from antiquity, drawing from sources as diverse as Korea, and Mesopotamia, is a credit to the British empire, without whose looting most of this amazing booty would be unavailable for our purview; better, I think, for these priceless treasures to be open to all in the grandest supermarket of history than away from human eyes, and worst yet, in the hands of unscrupulous collectors or in the rubbish bin, possibly.
Irene and I took in the ballet Giselle at The Royal Opera House in the afternoon. The building is a plush marvel, and a testament to this city's love for the arts. The ballet itself was satisfying, the first half being superior to the second, in which the nimble dancers demonstrated their phenomenal dexterity in, of all places, a graveyard covered in a cloak of smoke and darkness. I admit, their dance of the dead, in such a gloomy necropolis, did strike me as, strange.
Two amicable ladies from Kent convinced me to visit their hometown tomorrow, where, they told me, the authentic, "working" Leeds Castle and the mighty interesting home of Charles Darwin await.
I'm nursing a pint of Green King Ruddles and wondering about the profusion of British ales and lagers; the British have done a great deed for the world by creating an interminable line of low-alcohol session beers that can be enjoyed at breakfast, lunch, tea and dinner; and their disservice is this: besides this inexhaustible supply of cheap beer ensnaring my inner alcoholic, I feel myself putting on my freshman fifteen, almost ten years after the fact; I am going to have to run a bit harder back in Hong Kong if I want to burn all this malty fuel off.
Irene suggested I stop by the National Art Gallery since we were in the area; and it was an hour well spent. The gallery currently presents a special exhibit on Picasso, the non-ticketed section of which features several seductive renderings, including David spying on Bathsheba - repeated in clever variants - and parodies of other masters' works. Furthermore, the main gallery houses two fabulous portraits by Joshua Reynolds, who happens to be favorite of mine, he in life being a close friend of Samuel Johnson - I passed by Boswells, where its namesake first met Johnson, on my way to the opera house.
14.4.09
I prayed last night, and went through my list, lifting everyone on it up to the Lord. That felt good; that God is alive now, and ever present in my life and in the lives of my brothers and sisters.
Doubtless, then, I have felt quite wistful, as though a specter in the land of the living, being in a place where religious fervor, it seems, is a thing of the past, a trifling for many, to be hidden away in the opaque corners of centuries-old cathedrals that are more expensive tourist destinations than liberating homes of worship these days. Indeed, I have yet to see anyone pray, outside of the Easter service which I attended in Cambridge - for such an ecstatic moment in verily a grand church, would you believe that it was only attended by at most three dozen spirited ones. The people of England, and Europe in general, have, it is my hope, only locked away the Word, relegating it to the quiet vault of their hearts. May it be taken out in the sudden pause before mealtimes and in the still crisp mornings and cool, silent nights. There is still hope for a revival in this place, for faith to rise like that splendid sun every morning. God would love to rescue them, to deliver them in this day, it is certain.
I wonder what Londoners think, if anything at all, about their police state which, like a vine in the shadows, has taken root in all corners of daily life, from the terrorist notifications in the underground, which implore Londoners to report all things suspicious, to the pair of dogs which eagerly stroll through Euston. What makes this all the more incredible is the fact that even the United States, the indomitable nemesis of the fledgling, rebel order, doesn't dare bombard its citizens with such fear mongering these days, especially with Obama in office; maybe we've grown wise in these past few years to the dubious returns of surrendering civil liberties to the state, of having our bags checked everywhere - London Eye; Hairspray; and The Royal Opera House check bags in London while the museums do not; somehow, that doesn't add up for me.
I'm in a majestic bookshop on New Street in Birmingham, and certainly to confirm my suspicions, there are just as many books on the death of Christianity in Britain as there are books which attempt to murder Christianity everywhere. I did find, however, a nice biography on John Wesley by Roy Hattersley and The Screwtape Letters by C.S. Lewis. I may pick up the former.
Lunch with Sally was pleasant and mirthful. We dined at a French restaurant nearby New Street - yes, Birmingham is a cultural capitol! Sally and I both tried their omelette, while her boyfriend had the fish, without chips. Conversation was light, the levity was there and so was our reminiscing about those fleeting moments during our first year in Hong Kong; it is amazing how friendships can resume so suddenly with a smile. On their recommendation, I am on my way to Warwick Castle - they also suggested that I visit Cadbury World, but they cannot take on additional visitors at the moment, the tourist office staff informed me, much to my disappointment!
Visiting Warwick Castle really made for a great day out. The castle, parts of which were established by William the Conquerer in 1068, is as much a kitschy tourist trap as a meticulous preservation of history, at times a sillier version of Ocean Park while at others a dignified dedication to a most glorious, inexorably English past. The castle caters to all visitors; and not surprisingly, that which delighted all audiences was a giant trebuchet siege engine, which for the five p.m. performance hurled a fireball high and far into the air - fantastic! Taliban beware!
15.4.09
I'm leaving on a jet plane this evening; don't know when I'll be back in England again. I'll miss this quirky, yet endearing place; and that I shall miss Irene and Tom who so generously welcomed me into their home, fed me, and suffered my use of their toilet and shower goes without saying. I'm grateful for God's many blessings on this trip.
On the itinerary today is a trip to John Wesley's home, followed by a visit to the Imperial War Museum. Already this morning I picked up a tube of Oilatum, a week late perhaps, which Teri recommended I use to treat this obstinate, dermal weakness of mine - I'm happy to report that my skin has stopped crying.
John Wesley's home is alive and well. Services are still held in the chapel everyday; and its crypt, so far from being a cellar for the dead, is a bright, spacious museum in which all things Wesley are on display - I never realized how much of an iconic figure he became in England; at the height of this idol frenzy, ironic in itself, he must have been as popular as the Beatles were at their apex. The house itself is a multi-story edifice with narrow, precipitous staircases and spacious rooms decorated in an 18th century fashion.
I found Samuel Johnson's house within a maze of red brick hidden alongside Fleet Street. To be in the home of the man who wrote the English dictionary, and whose indefatigable love for obscure words became the inspiration for my own lexical obsession, this, by far, is the climax of my visit to England! The best certainly has been saved for last.
There are a multitude of portraits hanging around the house like ornaments on a tree. Every likeness has its own story, meticulously retold on the crib sheets in each room. Celebrities abound, including David Garrick and Sir Joshua Reynolds, who painted several of the finer images in the house. I have developed a particular affinity for Oliver Goldsmith, of whom Boswell writes, "His person was short, his countenance coarse and vulgar, his deportment that of a scholar awkwardly affecting the easy gentleman. It appears as though I, too, could use a more flattering description of myself!
I regretfully couldn't stop to try the curry in England; I guess the CityU canteen's take on the dish will have to do. I did, however, have the opportune task of flirting with the cute Cathay Pacific counter staff who checked me in. She was gorgeous in red, light powder on her cheeks, with real diamond earrings, she said; and her small, delicate face, commanded by a posh British accent rendered her positively irresistible, electrifying. Not only did she grant me an aisle seat but she had the gumption to return my fawning with zest; she must be a pro at this by now.
I saw her again as she was pulling double-duty, collecting tickets prior to boarding. She remembered my quest for curry; and in the fog of infatuation, where nary a man has been made, I fumbled my words like the sloppy kid who has had too much punch. I am just an amateur, alas, an "Oliver Goldsmith" with the ladies - I got no game - booyah!
Some final, consequential bits: because of the chavs, Burberry no longer sells those fashionable baseball caps; because of the IRA, rubbish bins are no longer a commodity on the streets of London, and as a result, the streets and the Underground of the city are a soiled mess; and because of other terrorists from distant, more arid lands, going through a Western airport has taken on the tedium of perfunctory procedure that doesn't make me feel any safer from my invisible enemies.
At last, I saw so many Indians working at Heathrow that I could have easily mistaken the place for Mumbai. Their presence surprised me because their portion of the general population surely must be less than their portion of Heathrow staff, indicating some mysterious hiring bias. Regardless, they do a superb job with cursory airport checks, and in general are absurdly funny and witty when not tactless.
That's all for England!
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Battlefield 1 • Beta • Hattiwatti Cinematic Tools • ReShade
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Description • I decided to start monetizing my screenshots. The ad will be removed once you upgrade to Flickr Pro or buy a Chevrolet.
After more than two years of wanting to do so, I am now beginning my Illinois Railway Museum Diesel Days series. These are images from my second trip in 2005.
I began working on this series just after Diesel Days (now Diesel Weekend) in 2023. That year marked IRM's 70th anniversary, and it also happened to be my 20th consecutive Diesel Days. I was looking for a way to show just how far IRM has come over the course of time, and what better way than to feature one of IRM's signature events.
Most of the photos featured in this series were made into a two-part video. The first video features images of Diesel Days from 2004 to 2014. It was finished in 2023 and first presented at a small gathering of railfans known as Clarkefest, which honors the legacy of renowned railroad photographer Clarke Renard. That video can be seen here:
www.youtube.com/watch?v=68NAnaKjxFc
The second video, featuring images from Diesel Weekend 2015-2024, was completed in 2024 to honor my 20 years attending this event and was presented at Clarkefest that year. As of this writing, YouTube still has not published it. This is due to a change in policies that took place in the few months between each video that prevents it from being published due to music that the algorithm deems in dispute, even though my channel is not, has never been, and will never be, monetized.
After more than two years of wanting to do so, I am now beginning my Illinois Railway Museum Diesel Days series, going all the way back to my very first one in 2004.
I began working on this series just after Diesel Days (now Diesel Weekend) in 2023. That year marked IRM's 70th anniversary, and it also happened to be my 20th consecutive Diesel Days. I was looking for a way to show just how far IRM has come over the course of time, and what better way than to feature one of IRM's signature events.
Most of the photos featured in this series were made into a two-part video. The first video features images of Diesel Days from 2004 to 2014. It was finished in 2023 and first presented at a small gathering of railfans known as Clarkefest, which honors the legacy of renowned railroad photographer Clarke Renard. That video can be seen here:
www.youtube.com/watch?v=68NAnaKjxFc
The second video, featuring images from Diesel Weekend 2015-2024, was completed in 2024 to honor my 20 years attending this event and was presented at Clarkefest that year. As of this writing, YouTube still has not published it. This is due to a change in policies that took place in the few months between each video that prevents it from being published due to music that the algorithm deems in dispute, even though my channel is not, has never been, and will never be, monetized.
In-depth article: japan-kyoto.de/shojiji-tempel-westen-kyoto/
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It's really ok to use this photo as your wallpaper etc., but if you reuse it on the web or other public spaces, please read following lines carefully and don't give the impression that you took the photo yourself. A lot of work was done creating it, so please be respectful and help build some 'internet trust', thanks!
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IT'S ALL ABOUT TRUST
It's really ok to use this photo as your wallpaper etc., but if you reuse it on the web or other public spaces, please read following lines carefully and don't give the impression that you took the photo yourself. A lot of work was done creating it, so please be respectful and help build some 'internet trust', thanks!
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After more than two years of wanting to do so, I am now beginning my Illinois Railway Museum Diesel Days series, going all the way back to my very first one in 2004.
I began working on this series just after Diesel Days (now Diesel Weekend) in 2023. That year marked IRM's 70th anniversary, and it also happened to be my 20th consecutive Diesel Days. I was looking for a way to show just how far IRM has come over the course of time, and what better way than to feature one of IRM's signature events.
Most of the photos featured in this series were made into a two-part video. The first video features images of Diesel Days from 2004 to 2014. It was finished in 2023 and first presented at a small gathering of railfans known as Clarkefest, which honors the legacy of renowned railroad photographer Clarke Renard. That video can be seen here:
www.youtube.com/watch?v=68NAnaKjxFc
The second video, featuring images from Diesel Weekend 2015-2024, was completed in 2024 to honor my 20 years attending this event and was presented at Clarkefest that year. As of this writing, YouTube still has not published it. This is due to a change in policies that took place in the few months between each video that prevents it from being published due to music that the algorithm deems in dispute, even though my channel is not, has never been, and will never be, monetized.
I was having a coffee on the other side of the street, playing around with my 70-200 mm and it's only when I zoomed into the shot on the back of my camera display that I noticed this old gentlemen was keen to monetize his daily doze of news with 1$ for a photo.
In-depth article: japan-kyoto.de/entokuin-subtempel-kodaiji-kyoto/
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IT'S ALL ABOUT TRUST
It's really ok to use this photo as your wallpaper etc., but if you reuse it on the web or other public spaces, please read following lines carefully and don't give the impression that you took the photo yourself. A lot of work was done creating it, so please be respectful and help build some 'internet trust', thanks!
Credits as stated below are mandatory, not optional!
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©Christian Kaden / www.Japan-Kyoto.de
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Copyright: ©2016, Christian Kaden
Licence: Creative Commons BY-NC-ND 4.0
ID: IMG_5970
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IT'S ALL ABOUT TRUST
It's really ok to use this photo as your wallpaper etc., but if you reuse it on the web or other public spaces, please read following lines carefully and don't give the impression that you took the photo yourself. A lot of work was done creating it, so please be respectful and help build some 'internet trust', thanks!
Credits as stated below are mandatory, not optional!
# If you want to use this photo under the given Creative-Commons-Licence, please credit it with:
©Christian Kaden / www.Japan-Kyoto.de
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In general: ©Christian Kaden - www.Japan-Kyoto.de
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Thank you for your understanding.
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Facebook: fb.me/Japan.Kyoto.de
Copyright: ©2016, Christian Kaden
Licence: Creative Commons BY-NC-ND 4.0
ID: IMG_5887
- About sharing ------------------
IT'S ALL ABOUT TRUST
It's really ok to use this photo as your wallpaper etc., but if you reuse it on the web or other public spaces, please read following lines carefully and don't give the impression that you took the photo yourself. A lot of work was done creating it, so please be respectful and help build some 'internet trust', thanks!
Credits as stated below are mandatory, not optional!
# If you want to use this photo under the given Creative-Commons-Licence, please credit it with:
©Christian Kaden / www.Japan-Kyoto.de
# If sharing or reuploading to Facebook, in addition to the above mentioned credits please add a link to the Facebook-Page of Japan-Kyoto as well. Either directly linked via @Japan-Kyoto (preferred) or fb.me/Japan.Kyoto.de (if @Japan-Kyoto is not possible).
# Want to use it in a commercial or monetized project? Leave me a message.
Examples
In general: ©Christian Kaden - www.Japan-Kyoto.de
On Facebook: ©Christian Kaden - www.Japan-Kyoto.de - @Japan-Kyoto (linked)
Thank you for your understanding.
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I'm really struggling to get along with this redesign. I'm not opposed to change if it's in the right spirit and for honourable reasons. But in this case I'm finding it difficult to see the rationale (other than boosting the monetization).
I know it always takes time to adapt to 'the shock' of the new, but surely with interface design the goal should always be to increase the intuitiveness - in other words, we should be able to grasp the benefits and adapt very quickly if done well.
I'm also quite surprised at the lack of engagement with (especially Pro) users prior to this change. Yahoo boasted of the speed at which this redesign was implemented (apparently the project was only initiated in March) but perhaps a more considered approach would have lead to better results.
Anyway, enjoy this massive photo of Emily (press 'L' to view on....oh...)
Kiev 60
Biometar 80 / 2.8
Ektar
Facebook: fb.me/Japan.Kyoto.de
Copyright: ©2009, Christian Kaden
Licence: Creative Commons BY-NC-ND 4.0
ID: CIMG2296
IT'S ALL ABOUT TRUST
It's really ok to use this photo as your wallpaper etc., but if you reuse it on the web or other public spaces, please read following lines carefully and don't give the impression that you took the photo yourself. A lot of work was done creating it, so please be respectful and help build some 'internet trust', thanks!
Credits as stated below are mandatory, not optional!
# If you want to use this photo under the given Creative-Commons-Licence, please credit it with:
©Christian Kaden / www.Japan-Kyoto.de
# If sharing or reuploading to Facebook, in addition to the above mentioned credits please add a link to the Facebook-Page of Japan-Kyoto as well. Either directly linked via @Japan-Kyoto (preferred) or fb.me/Japan.Kyoto.de (if @Japan-Kyoto is not possible).
# Want to use it in a commercial or monetized project? Leave me a message.
Examples
In general: ©Christian Kaden - www.Japan-Kyoto.de
On Facebook: ©Christian Kaden - www.Japan-Kyoto.de - @Japan-Kyoto (linked)
Thank you for your understanding.
GPS data available, check out the link:
Facebook: fb.me/Japan.Kyoto.de
Copyright: ©2015, Christian Kaden
Licence: Creative Commons BY-NC-ND 4.0
ID: IMG_5201
- About sharing ------------------
IT'S ALL ABOUT TRUST
It's really ok to use this photo as your wallpaper etc., but if you reuse it on the web or other public spaces, please read following lines carefully and don't give the impression that you took the photo yourself. A lot of work was done creating it, so please be respectful and help build some 'internet trust', thanks!
Credits as stated below are mandatory, not optional!
# If you want to use this photo under the given Creative-Commons-Licence, please credit it with:
©Christian Kaden / www.Japan-Kyoto.de
# If sharing or reuploading to Facebook, in addition to the above mentioned credits please add a link to the Facebook-Page of Japan-Kyoto as well. Either directly linked via @Japan-Kyoto (preferred) or fb.me/Japan.Kyoto.de (if @Japan-Kyoto is not possible).
# Want to use it in a commercial or monetized project? Leave me a message.
Examples
In general: ©Christian Kaden - www.Japan-Kyoto.de
On Facebook: ©Christian Kaden - www.Japan-Kyoto.de - @Japan-Kyoto (linked)
Thank you for your understanding.
GPS data available, check out the link: