View allAll Photos Tagged mondrian
Inspired by Cole Blaq's 'Enter the Brick' series and Piet Mondrian's Composition II.
I only wish I'd been able to do old Piet more justice. I had tried to create a more complex snot version, but could not keep the dimensions perfect. I will not give up though, this will be revisted someday. I believe if Mondrian were alive today, he would be an AFOL and very very old.
If you think this looks like I was trying for a Mondrian abstract here, you'd be 100% right. : ))
Thanks once again to Ernst Haas who showed us the benefits of looking down.
Cards from a game called Continuo. All cards have brightly coloured squares in patterns, aim of the game to have the longest coloured snake.
With its lines, angles and translucent, coloured panels, the exterior of the Westminster Bridge Park Plaza Hotel (at the south end of Westminster Bridge, London) immediately brings to mind the work of Piet Mondrian. It’s beautifully designed and an excellent shooting opportunity.
wall quilt size is 35.5" x 34" (90 x86cm)
Cotton & linen top, cotton backing, machine pieced and quilted
Blogged here
nogaquilts.blogspot.com/2011/03/homage-to-mondrian-finish...
Mondrianesque detail of one of Avon Valley Railway's shunting locomotives - a Ruston and Hornsby 0-6-0DH No 429 "River Annan".
Erinnerung an den Bildhauer und Grafiker Alfred Hrdlicka.
Die blutleeren Flächen von Mondrians Blattgeometrien füllte er in harten hell-dunkel Kontrasten und schneller Strichführung…
Memory of the sculptor and graphic artist Alfred Hrdlicka.
It filled the blood-empty surfaces of Mondrians page geometry in hard light-darkly contrasts and fast line guidance…
SFMOMA was the place I most wanted to visit in San Francisco.
Beautiful museum with beautiful collections, we were also lucky to see the Steins Collect exhibition.
They even have a cake called "Mondrian Cake" which I really really liked :D
Eric tried the chocolate fudgesicle and he said it was definitely the best fudgesicle he ever had.
SFMOMA, San Francisco.
Huile sur toile, 145 x 120 cm, 1939-1943, Moma, New-York.
En septembre 1938, Mondrian quitte Paris pour Londres pour échapper à la menace d'une invasion allemande et y a réalisé Trafalgar Square, le premier d'une série de peintures intitulées d'après des lieux dans des villes qui lui ont servi de refuge pendant la Seconde guerre mondiale. Les petits plans subtilement texturés de couleurs primaires qui semblent vibrer à l'intérieur de leurs périmètres noirs sont plus petits et leur disposition plus syncopée que dans de nombreuses toiles antérieures des artistes. Des segments de couleur s'étendent sur deux champs rectangulaires dans la plus grande grille noire et des blocs épaissis de noir fonctionnent à la fois comme ligne et comme plan (en bas à droite, par exemple). La date 9–43, inscrite sur le châssis de la toile originale, suggère que Mondrian a revisité ce tableau après sa fuite à New York en 1940 pour échapper à l'escalade de la guerre (cf. Moma).
Mondrian Wall. © Copyright 2020 G Dan Mitchell – all rights reserved.
A wall of a school building closed during the pandemic.
Why, yes, this is from the “Postcards from Pandemia” series of photographs made on my almost-daily walks in the greater neighborhood, an area including a range of subjects in suburban neighborhoods, apartment complexes, closed schools, nearly empty parks, a largely shuttered business district, and light industries trying to stay afloat.
This is a detail of a wall at the front of a school that is became deserted at about the time when students would have been pushing through the last part of the academic year and looking forward to summer. If you are like me, you might find more than one way to look at this scene.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.