View allAll Photos Tagged modulation
A synthetic vibraphone, synthesised on the Arduino by using the PWM (pulse-width modulation) facility. Same Y scale as the photo of the filtered PWM signal, but a much slower timebase. Fuzziness of the signal is due to residual, un-filtered-out, PWM signal at 31.25kHz.
wakefield, massachusetts
1957
trade show display
from the transitron line of electronic products
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
CNC milled tree trunk from Linden wood based on a form modeled in 3D. Milled at the HfG Offenbach with the kind assistance of Mr. Wolfgang Heide. Digital image taken at the exhibition "Natur-Struktur" in March-April 2008 in Frankfurt am Main, Germany.
Corners of Houston, Lafayette, Mulberry and Jersey, Nolita
The Puck Building, originally the home of Puck magazine, is one of the great surviving buildings from New York's old publishing and printing district.
The red-brick round-arched structure occupies the entire block bounded by East Houston, Lafayette, Mulberry and Jersey Streets, and has been one of the most prominent architectural presences in the area since its construction one hundred years ago. The building is further distinguished by the large statue of Puck at the building's East Houston and Mulberry Street corner; this is among the city 's most conspicuous pieces of architectural sculpture.
Puck was, from its founding in 1876 until its demise in 1918, the city's and one of the country's best-known humor magazines. Published in both English and German-language editions , Puck satirized most of the public events of the day. The magazine featured color lithographic cartoons produced by the J. Ottman Lithographic Company, largest in the country, which shared the Puck Bllilding space.
The current building is the result of three stages of construction, all supervised by architect Albert Wagner; the building and its additions read as a single unified composit ion. The style is an adaptation of the Romanesque
Revival, which had reached great popularity in the 1880s through the works of H. H. Richardson. Wagner's Romanesque, however, was not Richardsonian. A German-born architect, Wagner had worked in New York for Prague-trained Leopold Eidlitz, and his version of the Romanesque appears to reflect the round-arched Gernan "Rundbogenstil" that Eidlitz had brought to New York several decades earlier.
The Puck Building remains one of the most striking 19th-century industrial buildings in lower Manhattan. The comic magazine was founded by Joseph Keppler (1838-1894) and Adolph Schwarzman first appeared in German in 1876. Puck's attitude varied from d humor to merciless satire. Politicallv, in Keppler's time, supported the Democratic Party, but it was never a partisan magazine. It ridiculed poiitical corruption, monopolies, labor unions, suffragism, and all forms of graft, extravagance, and unjustice. It reviewed theater and musical performances. It laughed at fashions and different fads.
In March 1885, with the magazine's circulation and success on the rise, Keppler, Schwarzmann and Ottman purchased property on the southwest corner of East Houston and Mulberry Streets to be the site of a building to house both Puck and the Ottman company. The location was at the fringes of what was then New York's printing district, whose -center was the Astor Library on Lafayette Street (then Lafayette Place). The authors of a Puck supplement issued on the occasion of its tenth anniversary wrote that "Houston street marks the southernmost boundary of a region much affected by large publishing houses."
Publishing houses, periodicals, and printers were located throughout the neighborhood during the 1880s and 1890s, and it was a natural choice for Puck. The original building was erected in 1885-86 to the designs of Albert Wagner, but went through several additions and alterations. In August 1890, spurred by the continuing growth of the magazine, Keppler, Schwarzann, and J. Ottman's heirs bought the adjoining property to the south at 281 Mulberry Street and erected an addition to the Puck Building in 1892-93, again to Albert Wagner's design. The two-year delay was caused by uncertainty in 1890, about the potential route of a proposed new rapid transit line.
Although the Puck Building is too late to be considered part of the Rundbogenstil, it appears to show the influence of Wagner's earlier experience with it. Such a connection would help explain both the references to the style as "Renaissance," and its dissimilarity to the then more popular Richardsonian version of the Romanesque.
The enormous red brick structure has been a commanding presence in the neighborhood since the time of its construction. Its identity was further announced by the statue of Puck at the Houston and Mulberry Street corner of the building, where the two main entrances originally met, one on either street. There is also a smaller statue over the Lafayette Street entrance. The larger '"Puck" on East Houston Street was apparently designed by Henry Baerer, the sculptor of the bust of Beethoven in Central Park. The designer of the smaller "Puck" is not known.
The Puck Building today comprises the original 1885-86 structure and the 1892 addition, less the western portion of each removed in 1898; the Lafayette Street elevation dates from the latter alteration, but duplicates the earlier design. The building occupies an irregular lot bounded by East Houston Street on the north, Mulberry Street on the east, Jersey Street on the south, and Lafayette Street on the west.43 Despite the complexity of its building history, the Puck reads as a single structure retaining the integrity of its original design. The original portion is seven stories high, and the addition nine, but otherwise they are practically identical in design and material.
The building's architectural effects derive from the rhythms set up by arches of varying width, within bays of equal width, and from an adept use of red brick which creates the modulations in the piers, the definition of the arches, and the corbeling of the cornice. Cast-iron window enframements, statuary, and wrought-iron entrance gates, and the cast-iron and glass vault-lighting, provide the necessary contrast in materials.
The original section now comprises four bays on Lafayette Street, three bays on East Houston, and six bays on Mulberry. On Mulberry, the bays are defined by large brick piers that run the full height of the building. Each pier is actually in two sections: a wider pier at the first and second stories, and a narrower pier above. Each pier has a small brownstone base and rests on a five-foot high block of polished gray granite; each is banded in projecting brick. Within each bay at the first and second stories is a double-story brick arch, with projecting brick edges. Ihthin the arch, each bay consists of an upper arched lunette and a lower rectangle, separated by a cast-iron transom. The lunette contains a central double-hung one-over-one window, flanked on either side by a swing window topped by a quarter-arch pane. Beneath the spandrel are three large rectangular windows with transoms above and six-paned basement windows below.
The second and fourth bays south of East Houston Street contain secondary storefront entrances; the door replaces the central rectangular window of each storefront. The first and second stories are set off from those above by a brownstone stringcourse, beneath which is a band of corbeling.
The second section of pier, running from the third story to the seventh story, is narrower than the lower section; each is banded and adorned with an elegant iron ornamental tie-rod end at the fourth story, and a smaller one at the top. At the third and fourth story each bay comprises a pair of two-story arches, each half the width of the arches below. These arches rest on small brick piers with patterned brick "capitals." Within each arch are a pair of four-over-four doublehung windows above the brick spandrel, and a similar pair below the spandrel; each window in the pair is separated from the one next to it by a slender cast-iron pier with neo-Grec detailing. The third and fourth story bay is topped by corbeling and a brownstone sillcourse above.
- From the 1983 NYCLPC Landmark Designation report
These are 6-element, 4-group apochromatic enlarger lenses, using high-modulation glass elements, designed for critical color rendition and precision industrial applications.
Some color modulation and washes. Still lots of work to do.
The top word is "fascists" - anyone know what the bottom word is?
One of the most known fountains of Heraklion, point of reference for its inhabitants, but also for the visitors.
Today it is one of the most beautiful monuments of the city situated at the center of the most busy square - Eleftherios Venizelos sq. - of the town
The Venetian General Provisioner of Candia (Crete and Iraklion in Venetian times) Francesco Morosini ordered and supervised its construction in 1628. He managed to bring water from the Archanes' springs to the thirsty town of Heraklion through a complicated - for that period - system of pipelines and channels.
The eight-lobe cistern, which is based on a special stand, is decorated with embossed mythological depictions and maritime figures like tritons, dolphins and various coats of arms, while the water was flowing from the mouths of four lions. At the very top of the fountain there was a supernatural statue of Poseidon that was standing out but fell probably due to an earthquake.
During the Turkish period the fountain went into a vulgar modulation with the addition of a baldachin (ciborium) around it which was later taken away.
Morosini, on the occasion of the inauguration coined a special medal with his figure from one side and the fountain on the other.
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
i like that this one has a simplicity that some of the others do not.
the pure black and greyish base make the colours pop more than on the other images which are more beige/brown and blue/black base.
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
O TL-WR741ND é um combinado com fio / dispositivo de conexão de rede sem fio integrado com Internet-sharing Router and 4-port Switch. O Lite roteador Wireless-N é 802.11b & g compatíveis com base na tecnologia 802.11n e dá-lhe 802.11n desempenho de até 150Mbps, a um preço ainda mais acessível. Limítrofe de 11n e superando 11g de alta velocidade permite aplicações que consomem largura de banda como streaming de vídeo a ser mais fluida. Você pode desfrutar de uma experiência de alta qualidade em streaming de vídeo, VoIP, jogos on-line ou sem fios, com produtos tradicionais g nunca foi muito prático, de qualquer lugar em sua casa inteira. Passo para a idade 11n com Lite Wireless N!
Ao trabalhar com dispositivos IEEE802.11n, o router fornece conexões robusto e estável, mesmo em longas distâncias a partir do roteador ou obstáculos existentes no caminho em que normalmente 11G produtos seriam fracas e instáveis. Melhor ainda, é compatível com 802.11b / g existentes produtos.
Easy Setup Assistant
O roteador vem com um CD com um assistente de configuração fácil que ajuda a você passo a passo para completar a sua ligação à Internet, sem fio as configurações de rede e configurações de segurança. Esta característica permite que os usuários novatos até mesmo configurar o roteador de produtos sem sacrificar recursos-chave, joga a reprodução automática de CD incluído para ter sua rede estabelecida de forma rápida e hassle-livre.
Quick Configuração de Segurança
QSS para Quick Configuração de Segurança é um recurso útil que permite aos usuários instalação quase que instantaneamente a sua segurança, simplesmente pressionando o botão QSS no roteador sem fio, que estabelece automaticamente uma conexão WPA2 seguro, de imediato, proteger a sua rede.
O roteador também possui funções avançadas, SPI firewall protegendo sua rede impedindo ataques externos, gestão de controle de acesso, que ajudam pais e administrador de rede, IP QoS para organizar a largura de banda, etc
BI VOLTS
Software Specification
Standards IEEE 802.11n*,IEEE 802.11g, IEEE 802.11b
Wireless Signal Rates Up to 150Mbps
Frequency Range 2.4-2.4835GHz
Wireless Transmit Power 20dBm(MAX)(EIRP-total effective radiated power is 20 dBm(100mW), antenna gain will not influence wireless transmit power)
Modulation Technology DBPSK, DQPSK, CCK, OFDM, 16-QAM, 64-QAM
Receiver Sensitivity 130M: -68dBm@10% PER
54M: -68dBm@10% PER
11M: -85dBm@8% PER
6M: -88dBm@10% PER
1M: -90dBm@8% PER
Hardware Specification
Interface 4 10/100M LAN Ports
1 10/100M WAN Port
Antenna 3dBi Detachable Omni Directional Antenna
Power Supply Unit Input: Localized to Country of Sale
Ouput: 9VDC/0.85A Switching PSU
Operating temperature 0oC~40oC (32oF~104oF)
Storage temperature -40oC~70oC (-40oF~158oF)
Relative humidity 10% ~ 90%, Non-Condensing
Storage Humidity 5%~95% Non-Condensing
Dimensions 6.9 x 4.4 x 1.2 in. (174 x 111 x 30 mm)
Compre na CDmidia.com: www.cdmidia.com/comprar/roteador-tp-link-tl-wr741-150mbps...
Designed by Robert Moog in 1970, the Minimoog Model D synthesizer is still regarded as the Rolls Royce equivalent for analog keyboard-based synthesizers. Specifically designed for touring musicians, the minimoog exported electronic music experiments from university labs out to the masses - and her deep farting bass-sounds (think of Kraftwerk's Autobahn), lead and space bleeps and sweeps have become HUGELY popular over the last 38 years.
There were originally 13,000 minimoogs produced between 1970 and 1981. After a brief hiatus during the digital-synth craze in the 1980s, the minimoog enjoyed a resurgence of interest among musicians since the 1990s...and yes, it's becoming harder to get a hold on one.
I obtained this Mini from a studio garage sale back in 1989 for US$ 150 (in prime condition - save the crackling external input knob). After lying dormant for 7 years now, it's time to bring life back into this 1973 model D mini. Tropical humidity heavily damaged the furnishing. It needs re-tuning of the oscillators, cleaning of the electronic board, new switches for filter modulation, and thinking about a new base panel.
William Hazlitt, writing in 1823, described the colors of the costume worn by the sitter in this memorable portrait as resembling 'the leaves and flower of the water-lily, and so clear'. The drawing and modeling are equally assured in the firm delineation of the features and the gentle modulation of light. The tilt of the head and the angle of the shoulders provide a distinctive characterization for this unknown figure. Similar attention has been given to the costume with its slashed sleeves, puff shoulders, embroidered chemise and elegant headgear. The artist has combined the simplicity of form, attention to detail and high degree of finish often associated with his work. However, it lacks the abstract qualities of Bronzino's mature portraits which transcend a feeling of reality in favor of the metaphysical.
An attribution to Bronzino has not been universally accepted and some scholars have favored an artist from north Italy, specifically from Emilia or Lombardy. The mitigating factor in such an argument lies in the costume which is not Central Italian in style. If the portrait is by Bronzino, then it must be early in date, between the 'Portrait of a Lady with a Lap-dog' (Frankfurt, Städelsches Kunstinstitut) or the 'Portrait of a Boy with a Book', dating from the early 1530's (Milan, Castello Sforzesca, Trivulzio collection), and the 'Portrait of a Young Man with a Lute' (Florence, Uffizi) or the 'Portrait of Ugolino Martelli', dating from the mid-1530's (Berlin, Staatliche Museen). It was at the beginning of this decade that Bronzino worked in Pesaro for the court of Urbino (1530-2) and it is possible that he took the opportunity to travel in Emilia, to places like Bologna, Ferrara or Modena. Alternatively, north Italian fashions could have been seen in the Marches, either at Urbino itself or in Pesaro, owing to the strong dynastic connections between Italian courts.
Sarah Perkins | Springfield MO
"Austere Lemon Bowl" (2009)
copper, enamel
As a maker of hollowware, I use properties of the metal: the plasticity, the permanence and the dimensionality. As an enameler, I use properties of the glass: the preciousness, the surface qualities and the color. In my work these properties function together to make a whole, with the two materials complementing and completing each other, rather than one being visually more important than the other.
My work reflects my emotional response to my environment, often referring to landscape, body part or natural object. Some of the forms are based directly on plants, fruits, rock formations and other natural objects. The colors and enamel imagery are derived from natural objects as well because I find the natural modulations of color, texture and surface very appealing and very intimate.
Specification
Coach Model MAN 18.350 HOCL/R
Chassis Length 11,850 mm
Chassis Width 2,526 mm
GVW 18,200 kg
Engine Type
Vertical, Water Cooled 6-cylinder 4-stroke Diesel Engine
With Common Rail Injection,
Exhaust Turbocharger and Intercooler
ECR, Replaceable Cylinders Liners
Engine Model MAN D2066 LUH13 Euro 4
Displacement 10,518 c.c
Maximum Output 257 kW (350 hp) @ 1,700 rpm
Maximum Torque 1,750 Nm @ 1,000-1,400 rpm
Bore 120 mm
Stroke 155 mm
Fuel Capacity 300 dm³
Transmission ZF 6S 1900 BO 6-speed Synchromesh Manual Transmission
ZF 6 HP 504C 6-speed Automatic Transmission
Voith D864.5 4-speed Automatic Transmission
Drive Axle MAN HY-1336-B
Suspension Capacity 13,000 kg
Front Axle MAN V9-82 SL
Suspension Capacity 8,200 kg
Brake
Dual Circuit Air Brake System to ADR Directives by Wabco
Front and Rear Axle Disc Brakes
Electronic brake system EBS (ABS, TCS)
Auxiliary Brake Manual Transmission: Engine Brake Valve (EBV)
Automatic Transmission: Integrated Retarder and
Water Cooled with Electric Pressure Modulation
Suspension
Air suspension with 6 identical rolling seals
With Integrated Elastic Stroke Limiter
Electronically Controlled Constant Entrance Height
Suspension Characteristics Under All Load Conditions
Front Suspension 2 x Air Bellows
2 x Shock Absorbers
1 x Level Control Values
1 x Stabilizers
Rear Suspension 4 x Air Bellows
4 x Shock Absorbers
2 x Level Control Values
1 x Stabilizers
The recurring search for an appropriate sans serif display typeface led to the creation of Egalitaire Sans – a typeface for the people. Egalitaire Sans is a rationalist geometric display typeface. Fonts such as Verlag, by Hoefler and Frere Jones, and Karbon, by Kris Sowersby are to be noted as influences in the current design process. The first, respectively, for its elegant geometry and reference to Art Deco style, and the second for its unconventional and recurring character shapes, and very slight modulation. The stylistic properties of Egalitaire Sans allow for legibility at a wide range of point sizes, however, headings or large display text are the optimal usages. The thin weight of the typeface elucidates its geometries and stylistic characteristics, whilst making it more versatile than a hairline weight. The design is restrained, yet not spartan in personality, projecting a tone that bridges minimal elegance, and playful oddity. Egalitaire Sans is the first typeface by Gillian McCarthy, a third year design student at the University of Otago.
LEE AGUINALDO (1933 - 2007)
Green Circulation #9
Estimate: PHP 4,000,000 - 4,500,000
Signed and dated '1981' (back)
Acrylic on marine plywood
81.2 x 81.2 cm (32 x 32 in)
Literature:
Ma. Victoria Herrera, Clarissa Chikiamco, Cid Reyes, Rod. Paras-Perez, The Life and Art of Lee Aguinaldo, 2011, p. 118
Lee Aguinaldo was a seminal figure in the development of Philippine abstract art in the 20th century. His contributions to the field of minimalism and geometric abstraction are particularly noteworthy, especially with his widely-acclaimed Circulation series. Aguinaldo's innovative approach to reductive art is apparent in these series, particularly in the way he played with gradients, symmetry, and hues to create finely tuned compositions.
The works from the Circulation series are characterized by their adherence to strict geometric shapes and the use of a limited color palette. Here, Aguinaldo explored the possibilities of abstraction and minimalism, creating compositions that were at once strikingly simple and endlessly complex. Aguinaldo's work was marked by his masterful use of color and form, which he used to create a sense of harmony and balance in his compositions.
Green Circulation #9 is a prime example. The piece adheres to the series' signature square frame, which is complemented by two broad vertical bands on either side and a central pane filled with gradated fields of hyper-modulated colors of green and blue. The central pane, in particular, is a tour-de-force of color modulation, as the colors blend seamlessly, creating an otherworldly effect that is simultaneously soothing and mesmerizing.
Aguinaldo's virtuosic brushwork is on full display in this piece, attuned to the modulation of light and hues. He used a series of meticulously applied brushstrokes to create a sense of movement and depth, giving the piece a three-dimensional quality that is rare in abstract art. The result is a work that is both calming and engaging, drawing the viewer in and holding their attention.
Lot 33 of the Salcedo Auctions auction on 18 March 2023. Please see www.salcedoauctions.com for more information.
So I moulded and casted an improved cockpit from my vac-formed master, cleaned it up, and hey, not bad!
All credit for the electronics and programming work goes to my dad, who is just roughing out the sequencing for the micropython system. He assures me the modulation and frequency can be made a lot smoother, but these tests are just to understand what we're trying to acheive
So I moulded and casted an improved cockpit from my vac-formed master, cleaned it up, and hey, not bad!
All credit for the electronics and programming work goes to my dad, who is just roughing out the sequencing for the micropython system. He assures me the modulation and frequency can be made a lot smoother, but these tests are just to understand what we're trying to acheive
Chinese Buddhist prayer machine circuit bent by A.S.M.O.
Beech wood case, translucent polycarbonate pannel, LFO modulation with speed, wave shape, depth controls and LED indicator. Pitch control, touch contacts, mashup / distortion switch, loop selector, built in speaker and 1/4 inch jack audio out.
asmo23.wordpress.com/2013/03/30/screaming-buddha-prayer-m...
11 ply Birch Plywood Construction
120 Watt Solid State Amp
2 X 12” 8Ohm Speakers
Single Input
3 Channel = Clean, Overdrive & High Gain (Switchable)
Clean Channel = Volume, Low, Mids & Highs
Overdrive Channel = Gain, Lows, Mids, Highs & Level
High Gain Channel = Gain, Shape & Level
3 DSP Effects = Reverb, Modulation & Delay
Top mounted LED Guitar Tuner
Extension Speaker output, DSP Input, Channel Input & External Input
26 1/4” x 20” x 13”
Black Tolex
Title: Concha Renaissance San Juan Resort
Other title: Concha
Creator: Toro, Osvaldo 1914-1995; Ferrer, Miguel, 1915-2004; Salvadori, Mario George, 1907-1997; Marvel & Marchand Architects
Creator role: Architect
Date: 1958 (original) 2008 (renovation)
Current location: San Juan, Puerto Rico
Description of work: Renaissance Hotels tasked architect Jose R. Marchand and interior designer Jorge Rossello with renovating and saving this beachside landmark. "[B]y the mid-1990s the venerable La Concha hotel had been shuttered, abandoned and left to rot...Originally designed by Osvaldo Toro and Miguel Ferrer, with an eccentric but utterly loveable seashell-shaped restaurant by Mario Salvatori [sic], La Concha was a beautifully massed, expertly sited, vividly inventive building perfectly in sync with its time. Closely attuning the hotel to its sun-swept setting, the architects created deep-shading overhangs, open corridors, windows and doors that gave onto lush interior courtyards and provided cross ventilation, and beautifully lacy quiebra-sol (their take on a brise-soleil) for further modulation of the light and heat" (Frank, Michael. "La Concha Revival". Architectural Digest. Aug 2009, p. 103-104. Print).
Description of view: View of the north facade, with the outdoor shower and spa area by the beachfront pool.
Work type: Architecture and Landscape
Style of work: Modern: International Style
Culture: Puerto Rican
Materials/Techniques: Concrete
Plants
Trees
Source: Pisciotta, Henry (copyright Henry Pisciotta)
Date photographed: May 13, 2008
Resource type: Image
File format: JPEG
Image size: 2304H X 3072W pixels
Permitted uses: This image is posted publicly for non-profit educational uses, excluding printed publication. Other uses are not permitted. For additional details see: alias.libraries.psu.edu/vius/copyright/publicrightsarch.htm
Collection: Worldwide Building and Landscape Pictures
Filename: WB2010-0278 Concha.JPG
Record ID: WB2010-0278
Sub collection: resorts
Copyright holder: Copyright Henry Pisciotta
On the bench - symptoms are the typical ring modulation type tones that follow notes, volume pulsing and scratching that follows the notes being played.
Sneak in a discussion topic! - (This is a fake add, for you caption readers). I want to tell you about an exciting new technology I just came across this morning and had to put in this presentation. Virtual Worlds are growing in interest, but for those involved, you know that the requirements of high end PCs and fast networks are limiting factors. Skyworlds is going to change all of that. Through a revolutionary development in fractal frequency modulation and S2 scalable data store housing, you will be able to move seamlessly between virtial worlds on a PC and on any mobile device.
Okay- let’s say this has just come across your attention screen. How to do react to a new technology? What do you do? What is your approach?
My 1/35 scale AFV Club Stryker M1126 8X8 infantry combat vehicle is done! Much to my surprise, this kit went together with only a couple minimal fit issues, self induced! I had expected it to be a bit on the iffy side as the kit has been in my stash for many years now, and older kits tend to be less engineered than recent ones, but it turned out to be an enjoyable build.
I decided to to it as a vehicle that has been in the field for a while during the summer, perhaps on maneuvers in a training facility, so the weathering is not that heavy. I did use burnt sienna oils with mineral spirits (my first use of this thinner with oils as I usually use the less odorous Turpenol) to do some of the filtering and dirtying but the majority of the modulation is done using the usual black undercoat with white accent under main color coat method.
I also used a very light coat of Tamiya buff thinned way down and sprayed on at a foot or so from the model to create a light dusty look as well. That especially worked well on the tires, which are vinyl mounted to plastic hubs (really nicely detailed tires I might add). I did do some panel accenting with Tamiya Black Panel Liner around the raised hull elements. I sanded the tire treads to make them look worn which really brought out that detail, in my opinion.
The decals went on quite easily and released from their carrier sheet with little to no time needed, not like the previous couple of kits i have worked on…a very delightful development! I did use the Micro Set and Sol method to embed them, but the vehicle numbers all silvered on me (think I should have used more gloss under them to relieve this issue). I am still ok with that as you can always weather to compensate after the fact. Prior to weathering, everything was clear coated with Testor’s Dull Coat…still my favorite flat coat.
For once I have few criticisms of the kit and am delighted to add it to my ever growing shelf of diverse armor builds. Definitely a fun build!
For Handmade Music Austin #5 (Feb 28), the Space Baby Modulated Digital Delay:
- Controls for delay, feedback, delay-modulation, and ring-modulation
- Beat-syncs wirelessly through IR to other Andromeda Space Rocker devices from Eric Archer, 4ms, and Bleep Labs
- Lo-fi 12 bit / 14 Khz analog/digital conversion for mellow echoes
ein historisches "K-Gerät" aus dem Jahr 1970 von dem bekannten Schweizer Hersteller Sommerkamp
bequarzt auf den Kurzwellenfrequenzen 27.225 MHz bis 27.275 MHz im 11 meter Band
Modulation: AM
Group 3_
Alejandro Candela, Georgina Muñoz, Carlos Paz, Berenice Jimenez, Laura Antelo, Gabriel Manriquez
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Phonics teaches children how to decode letters in their respective sounds. This skill is essential for them to read unfamiliar words on their own. Having letter-sound knowledge allows them to link unknown words to their vocalised knowledge. Our reading class encourages students to take part in oral language activities that concentrate on concept and vocabulary development. Children hear good stories, letter recognition and spelling activities by taking part in phonics. Storytelling can be used as a method to teach ethics, values, cultural norms, differences and learning morals via different stories. It is the oldest form of teaching; it creates magic and sense of wonder; it is a unique way for kids to develop an understanding; it is also a great way to improve child’s oral fluency and help them understand concepts. Children had fun learning by sound and voice modulation done by teachers, which made it more interesting, interactive, and understandable to our little pre-schoolers. Different ways of reading activities improve reading skills like fluency, vocabulary, sentence construction, reasoning, and builds general knowledge, increases working memory and attention and allows to promote their reading skills while having fun at the same time.
Check out below link to get more information about activities in the best preschool in Ahmedabad
www.satelliteschool.in/ Activity
#preschoolactivity #Virtuallearning #Virtual Orientation #satelliteschoolforchildren
A filamentous alga. Cells and chloroplasts are clearly visible inside the cell walls. Photomicrograph taken with a Coolpix 885 at 3x zoom, using an Olympus microscope equipped with Hoffman Modulation Contrast optics, oil immersion at 1,000x magnification. Algae are Eukaryotes and probably first appeared in the order of 1.5-billion years ago.
A simple sinewave, synthesised on the Arduino by using the PWM (pulse-width modulation) facility. Same Y scale as the photo of the filtered PWM signal, but a much slower timebase. Fuzziness of the signal is due to residual, un-filtered-out, PWM signal at 31.25kHz.
Photomicrograph 1000x Hoffman Modulation Contrast with Nikon Coolpix 885. From Heron's Head Park salt marsh pond, Cyanobacteria and Melosira diatom with bubble.
The fellow I got this from has about 4 of these things. I'm trying to get this one up to snuff for the tandem. Needs cable stops and rubber o ring for axle. They act as more of a drag brake. Feeling much unlike regular disc brakes they have a fair amount of modulation. This can be a nice feature when descending on a tandem. I plan to hook it up to a stem shifter, set it and forget it. Thanks Mike T for that tip.
ASYNCHRONOUS WIRELESS DATA LINK
There are some situations where the data from different sensors is to be monitored and transmitted to monitoring device or a PC. While at some environments the wire
can not be run from the sensor to the monitoring device. In these situations wireless transmissions would be more beneficial. Most of the sensor units need a less amount of data furthermore, transmitted baud rate required is also slow. Since this seems to be a simple data link the efficient alternative is ‘WIRELESS ASYNCHRONOUS DATA LINK’(LOW SPEED). Not only the above industrial application but also the same idea can be implemented for point to point connection of computers in a
workplace or building. This project is expected to yield a Schmart PCB module; which would find applications in many areas. The goal of the project design is simple and easy to implement. Asynchronous
communication and RS232,--- ; since RS232 Interface is widely used and easily compatible /programmable with data terminal equipment, it’s been chosen the RS232 interface for the serial communication of data between DTE and DCE. The signals emanating from the RS232 have been conditioned by Encoder; Then after it needs to be fed to the UHF Transmitter on a single chip. Transmitter employs ASK Modulation and the frequency for transmission is 433.92MHz.