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Title: Concha Renaissance San Juan Resort
Other title: Concha
Creator: Toro, Osvaldo 1914-1995; Ferrer, Miguel, 1915-2004; Salvadori, Mario George, 1907-1997; Marvel & Marchand Architects
Creator role: Architect
Date: 1958 (original) 2008 (renovation)
Current location: San Juan, Puerto Rico
Description of work: Renaissance Hotels tasked architect Jose R. Marchand and interior designer Jorge Rossello with renovating and saving this beachside landmark. "[B]y the mid-1990s the venerable La Concha hotel had been shuttered, abandoned and left to rot...Originally designed by Osvaldo Toro and Miguel Ferrer, with an eccentric but utterly loveable seashell-shaped restaurant by Mario Salvatori [sic], La Concha was a beautifully massed, expertly sited, vividly inventive building perfectly in sync with its time. Closely attuning the hotel to its sun-swept setting, the architects created deep-shading overhangs, open corridors, windows and doors that gave onto lush interior courtyards and provided cross ventilation, and beautifully lacy quiebra-sol (their take on a brise-soleil) for further modulation of the light and heat" (Frank, Michael. "La Concha Revival". Architectural Digest. Aug 2009, p. 103-104. Print).
Description of view: View of the north facade, with the outdoor shower and spa area by the beachfront pool.
Work type: Architecture and Landscape
Style of work: Modern: International Style
Culture: Puerto Rican
Materials/Techniques: Concrete
Plants
Trees
Source: Pisciotta, Henry (copyright Henry Pisciotta)
Date photographed: May 13, 2008
Resource type: Image
File format: JPEG
Image size: 2304H X 3072W pixels
Permitted uses: This image is posted publicly for non-profit educational uses, excluding printed publication. Other uses are not permitted. For additional details see: alias.libraries.psu.edu/vius/copyright/publicrightsarch.htm
Collection: Worldwide Building and Landscape Pictures
Filename: WB2010-0278 Concha.JPG
Record ID: WB2010-0278
Sub collection: resorts
Copyright holder: Copyright Henry Pisciotta
On the bench - symptoms are the typical ring modulation type tones that follow notes, volume pulsing and scratching that follows the notes being played.
BNSF has been installing these trackside units system-wide for some time. They all have this very long low band antenna. It appears that they transmit nationwide on the frequency 44.58 MHz and use 20K0F1D digital modulation. They apparently are used to forward detector info to an off site receiver and possibly into the train itself as part of the PTC system. I have heard that they are connected to a switch status monitoring device but also may relay info from other wayside detectors such as hot box, dragging equipment, and so on. I believe the radios are made by MeteorComm and the antennas are made by Morad. The tall tower in the background is one of the 4 towers for the AM station on 670 kHz in the Denver area.
The recurring search for an appropriate sans serif display typeface led to the creation of Egalitaire Sans – a typeface for the people. Egalitaire Sans is a rationalist geometric display typeface. Fonts such as Verlag, by Hoefler and Frere Jones, and Karbon, by Kris Sowersby are to be noted as influences in the current design process. The first, respectively, for its elegant geometry and reference to Art Deco style, and the second for its unconventional and recurring character shapes, and very slight modulation. The stylistic properties of Egalitaire Sans allow for legibility at a wide range of point sizes, however, headings or large display text are the optimal usages. The thin weight of the typeface elucidates its geometries and stylistic characteristics, whilst making it more versatile than a hairline weight. The design is restrained, yet not spartan in personality, projecting a tone that bridges minimal elegance, and playful oddity. Egalitaire Sans is the first typeface by Gillian McCarthy, a third year design student at the University of Otago.
SMS303 Tantek Tanrak (9 module Modular FX):
- Modulation Oscillator
- Multi Delay
- Fader-Panner
- Dynamic Noise Filter 2
Info:
Mid 1980's Tantek, Tanrak Studio Effects Rack which was available in kit form or ready built. On the face of it, they're simple analogue effects - a bit old-fashioned, really - but that's the charm of them. They've perfectly useable and immediately accessible, so you'll have great fun fiddling with the settings - try sweeping the EQ frequency, or riding the delay time for on-the-fly munchkinisation, for instance.
Even better, you'll find new ways to patch the modules together. Everything - in, out and sidechain - is accessible from the rear panel (there's a default path from left to right across the rack if you don't want to use patch cords) so you can create LFO-modulated delay effects, frequency-sensitive compression ... you think of it, you can do it.
MULTI-DELAY - This exciting module opens the way to high quality time domain effects including ADT, chorus, echo, vibrato and reverb. It features a built-in limiter, auto-optimising bandwidth, true spatial stereo outputs and multi reflection reverberation.
MODULATION OSCILLATOR - A CV modulation source whose features include sinewave output, variable duty cycle, key or CV controlled depth, triggerable sweeps and two independently variable outputs. Used with the muli-dealy to create chorus, flanging etc.
DYNAMIC NOISE FILTER - An effective single ended, easy to use, stereo noise reducer which will be found invaluable in any home studio set up to enhance the signal to noise ratio of outboard effects including those which exhibit digital quantisation noise.
Group 3_
Alejandro Candela, Georgina Muñoz, Carlos Paz, Berenice Jimenez, Laura Antelo, Gabriel Manriquez
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Phonics teaches children how to decode letters in their respective sounds. This skill is essential for them to read unfamiliar words on their own. Having letter-sound knowledge allows them to link unknown words to their vocalised knowledge. Our reading class encourages students to take part in oral language activities that concentrate on concept and vocabulary development. Children hear good stories, letter recognition and spelling activities by taking part in phonics. Storytelling can be used as a method to teach ethics, values, cultural norms, differences and learning morals via different stories. It is the oldest form of teaching; it creates magic and sense of wonder; it is a unique way for kids to develop an understanding; it is also a great way to improve child’s oral fluency and help them understand concepts. Children had fun learning by sound and voice modulation done by teachers, which made it more interesting, interactive, and understandable to our little pre-schoolers. Different ways of reading activities improve reading skills like fluency, vocabulary, sentence construction, reasoning, and builds general knowledge, increases working memory and attention and allows to promote their reading skills while having fun at the same time.
Check out below link to get more information about activities in the best preschool in Ahmedabad
www.satelliteschool.in/ Activity
#preschoolactivity #Virtuallearning #Virtual Orientation #satelliteschoolforchildren
A filamentous alga. Cells and chloroplasts are clearly visible inside the cell walls. Photomicrograph taken with a Coolpix 885 at 3x zoom, using an Olympus microscope equipped with Hoffman Modulation Contrast optics, oil immersion at 1,000x magnification. Algae are Eukaryotes and probably first appeared in the order of 1.5-billion years ago.
The layering corresponds to Milankovitch cycle
Graham P. Weedon:
"The 21 000 year (21 ka) precession cycle was detected in all three cases, the 100 ka eccentricity cycle in two cases and the 41 ka obliquity cycle in one. Filtering revealed that the supposed 21 ka sedimentary cycles are grouped into packets of four or five small and large amplitude cycles. The packets reflect the 100 ka modulation of the 21 ka precession cycle. Local disruption of the packaging can be used to locate hiatuses in pelagic strata."
source: jgs.lyellcollection.org/cgi/content/abstract/ 146/1/133
A simple sinewave, synthesised on the Arduino by using the PWM (pulse-width modulation) facility. Same Y scale as the photo of the filtered PWM signal, but a much slower timebase. Fuzziness of the signal is due to residual, un-filtered-out, PWM signal at 31.25kHz.
ein historisches "K-Gerät" aus dem Jahr 1970 von dem bekannten Schweizer Hersteller Sommerkamp
bequarzt auf den Kurzwellenfrequenzen 27.225 MHz bis 27.275 MHz im 11 meter Band
Modulation: AM
ASYNCHRONOUS WIRELESS DATA LINK
There are some situations where the data from different sensors is to be monitored and transmitted to monitoring device or a PC. While at some environments the wire
can not be run from the sensor to the monitoring device. In these situations wireless transmissions would be more beneficial. Most of the sensor units need a less amount of data furthermore, transmitted baud rate required is also slow. Since this seems to be a simple data link the efficient alternative is ‘WIRELESS ASYNCHRONOUS DATA LINK’(LOW SPEED). Not only the above industrial application but also the same idea can be implemented for point to point connection of computers in a
workplace or building. This project is expected to yield a Schmart PCB module; which would find applications in many areas. The goal of the project design is simple and easy to implement. Asynchronous
communication and RS232,--- ; since RS232 Interface is widely used and easily compatible /programmable with data terminal equipment, it’s been chosen the RS232 interface for the serial communication of data between DTE and DCE. The signals emanating from the RS232 have been conditioned by Encoder; Then after it needs to be fed to the UHF Transmitter on a single chip. Transmitter employs ASK Modulation and the frequency for transmission is 433.92MHz.
LEE AGUINALDO (1933 - 2007)
Green Circulation #9
Estimate: PHP 4,000,000 - 4,500,000
Signed and dated '1981' (back)
Acrylic on marine plywood
81.2 x 81.2 cm (32 x 32 in)
Literature:
Ma. Victoria Herrera, Clarissa Chikiamco, Cid Reyes, Rod. Paras-Perez, The Life and Art of Lee Aguinaldo, 2011, p. 118
Lee Aguinaldo was a seminal figure in the development of Philippine abstract art in the 20th century. His contributions to the field of minimalism and geometric abstraction are particularly noteworthy, especially with his widely-acclaimed Circulation series. Aguinaldo's innovative approach to reductive art is apparent in these series, particularly in the way he played with gradients, symmetry, and hues to create finely tuned compositions.
The works from the Circulation series are characterized by their adherence to strict geometric shapes and the use of a limited color palette. Here, Aguinaldo explored the possibilities of abstraction and minimalism, creating compositions that were at once strikingly simple and endlessly complex. Aguinaldo's work was marked by his masterful use of color and form, which he used to create a sense of harmony and balance in his compositions.
Green Circulation #9 is a prime example. The piece adheres to the series' signature square frame, which is complemented by two broad vertical bands on either side and a central pane filled with gradated fields of hyper-modulated colors of green and blue. The central pane, in particular, is a tour-de-force of color modulation, as the colors blend seamlessly, creating an otherworldly effect that is simultaneously soothing and mesmerizing.
Aguinaldo's virtuosic brushwork is on full display in this piece, attuned to the modulation of light and hues. He used a series of meticulously applied brushstrokes to create a sense of movement and depth, giving the piece a three-dimensional quality that is rare in abstract art. The result is a work that is both calming and engaging, drawing the viewer in and holding their attention.
Lot 33 of the Salcedo Auctions auction on 18 March 2023. Please see www.salcedoauctions.com for more information.
Blacktron Gold - Listening and Assault Unit
Spacecraft equipped with:
- stereo cockpit
- optoechoic head
- white noise generator
- modulation metronome
- dual megabass cannon
- large aperture antenna with phrase scanning
- dual IR (iridium) jam-session-er
- powerful pro-tone torpedo
- dual frequency Hi-Fi-per sonic missiles
These are 6-element, 4-group apochromatic enlarger lenses, using high-modulation glass elements, designed for critical color rendition and precision industrial applications.
Architects: Sauerbruch Hutton
Location: Cologne, Germany
Client: MEAG MunichErgo Asset Managment
Area: 42,700 sqm
Year: 2010
A pair of free-form volumes responds to the landscape qualities of the site – a former floodplain of the Rhine – as well as to the memory of villas in park-like settings that once occupied this now increasingly densified area. In addition the new buildings acknowledge the sculptural characteristics of the adjacent twelve-storey 1960s high-rise, while their vivid polychromy supports the organic character of the external space.
In each building the office areas are arranged around three compact cores. Primary cores are connected to the main entrance hall, while secondary ones are entered from the more intimate patio spaces. Every floor can be subdivided into three distinct units, each identifiable through its own reception area, sculptural stair and elevator core. The varying depth of plan offers a great number of variations in office layout. The generosity of the windows is echoed in the glazed corridor walls that ensure maximum light throughout the depth of the plan, while giving spectacular views out towards the Rhine and Cologne Cathedral.
One innovative development lies in the series of finger-shaped canopies that were prototyped as an alternative to a suspended ceiling, so as to take advantage of thermal mass and to increase clear height. All necessary services – lighting, air distribution, sprinklers and acoustic modulation – are unobtrusively integrated in these overhead elements. The offices use groundwater from the Rhine as a source of geothermal energy and to supplement the heating and cooling systems, while also carefully building above the 100-year water level and to flood defence specifications.
So I moulded and casted an improved cockpit from my vac-formed master, cleaned it up, and hey, not bad!
All credit for the electronics and programming work goes to my dad, who is just roughing out the sequencing for the micropython system. He assures me the modulation and frequency can be made a lot smoother, but these tests are just to understand what we're trying to acheive
Designed by Robert Moog in 1970, the Minimoog Model D synthesizer is still regarded as the Rolls Royce equivalent for analog keyboard-based synthesizers. Specifically designed for touring musicians, the minimoog exported electronic music experiments from university labs out to the masses - and her deep farting bass-sounds (think of Kraftwerk's Autobahn), lead and space bleeps and sweeps have become HUGELY popular over the last 38 years.
There were originally 13,000 minimoogs produced between 1970 and 1981. After a brief hiatus during the digital-synth craze in the 1980s, the minimoog enjoyed a resurgence of interest among musicians since the 1990s...and yes, it's becoming harder to get a hold on one.
I obtained this Mini from a studio garage sale back in 1989 for US$ 150 (in prime condition - save the crackling external input knob). After lying dormant for 7 years now, it's time to bring life back into this 1973 model D mini. Tropical humidity heavily damaged the furnishing. It needs re-tuning of the oscillators, cleaning of the electronic board, new switches for filter modulation, and thinking about a new base panel.
Specification:
‧ Tracks up to 32 satellites
‧ Receiver : L1, 1575.42 MHz
‧ C/A code:1.023 MHz
‧ Update rate : 1 HZ.
‧ Antenna type : Built in patch antenna
‧ Minimum signal tracked : -159dBm
‧ Dimension : 67 × 23 × 16 mm.
‧ Weight : 30g.
‧ On/Off switch : slide switcher
‧ Lithium-ion battery lasts for 23 hours of use
‧ Operation temperature : -10 ℃ to + 60 ℃
‧ Store temperature : -20 ℃ to + 60 ℃
‧ Store temperature : -30 ℃ to + 80 ℃ (Without Lithium-ion battery )
‧ Operation humidity : 5% to 95% no condensing
Position:
‧ Non DGPS (Differential GPS)：
‧ Position : 3.0 m CEP without SA
‧ Velocity : 0.1m. / sec2
‧ Time : 0.1 microsecond. sync GPS time
‧ DGPS(RTCM/EGNOS/WAAS/MSAS)：
‧ Position : < 2.2 m., horizontal 95 % of time < 5 m., vertical 95 % of time
‧ Above data follows MediaTek Inc. MT3318 chipset specification.
Acquisition Time:
‧ Reacquisition < 0.1 sec. Average
‧ Hot start 1 sec.
‧ Warm start 33 sec
‧ Cold start 36 sec.
‧ Above data follows MediaTek Inc. MT3318 chipset specification.
Protocol & Interface:
‧ Compatible with Bluetooth devices with Serial Port Profile (SPP)
‧ Bluetooth version 1.2 compliant
‧ Bluetooth Class 2 operation (up to 10 meters range in open space)
‧ Frequency : 2.400 to 2.480 GHz
‧ Modulation: FHSS / GFSK
‧ RF channels: 79
‧ Input sensitivity: -85dBm
‧ Output level: +2dB
‧ Output terminal: Mini-USB (CMOS Level)
‧ NMEA protocol output : V 3.01
‧ Baud rate : 38400 bps
‧ Data bit : 8
‧ Parity : N
‧ Stop bit : 1
‧ Output format :
Standard : GPGGA (1time/1 sec), GPGSA (1 time/5 sec.), GPGSV (1time /5 sec.), GPRMC (1time /1 sec.), GPVTG (1 time/1 sec).
‧ Optional : GLL, or MTK NMEA Command.
Dynamic Conditions:
‧ Altitude :Max 18,000 m ( 60,000 feet )
‧ Velocity : Max 515 m./sec ( 1000 knots )
‧ Acceleration : Max 4G
‧ Jerk : 20 m/ second3, max.
3 Led Function:
‧ Bluetooth , navigation update and battery/charger status Indication
The Minilogue. There's still a couple of knobs I haven't got the hang of yet. Cross-modulation depth? Ring modulation?
“Keep your language. Love its sounds, its modulation, its rhythm. But try to march together with men of different languages, remote from your own, who wish like you for a more just and human world.”
- Hélder Câmara, Spiral Of Violence -
www.goodreads.com/quotes/tag/multiculturalism
Use or illustrate the Golden Triangle in a photograph today. www.todaysposting.com/TPAssignment.php?TP=429
Group 3_
Alejandro Candela, Georgina Muñoz, Carlos Paz, Berenice Jimenez, Laura Antelo, Gabriel Manriquez
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
The fellow I got this from has about 4 of these things. I'm trying to get this one up to snuff for the tandem. Needs cable stops and rubber o ring for axle. They act as more of a drag brake. Feeling much unlike regular disc brakes they have a fair amount of modulation. This can be a nice feature when descending on a tandem. I plan to hook it up to a stem shifter, set it and forget it. Thanks Mike T for that tip.
12 Interlocking Irregular Hyperboloidal Dodecahedra 360 units
3-fold view.
Following an initial prototype with only a singular unit type which attempted a hexahedral symmetry analog of 30 Dodecahedra, I developed this more nuanced version, which has a different exterior weaving pattern and multiple paper proportions. However, as a constraint, I attempted to use only one pocket type for all of the units. This makes some vertices different than others in terms of the dihedral angles of the surrounding units, but the edges shafts are long enough to accommodate modulation between vertices without appreciable difficulty in most cases. This is constructed via scaffolding so that each dodecahedron represents one edge of a cube. The resulting compound is at the time of writing this, the largest interlocking origami cubic symmetry wireframe compound by unit count that I know of.
Designed by me.
Folded out of Cordenons’ Stardream paper.
My 1/35 scale AFV Club Stryker M1126 8X8 infantry combat vehicle is done! Much to my surprise, this kit went together with only a couple minimal fit issues, self induced! I had expected it to be a bit on the iffy side as the kit has been in my stash for many years now, and older kits tend to be less engineered than recent ones, but it turned out to be an enjoyable build.
I decided to to it as a vehicle that has been in the field for a while during the summer, perhaps on maneuvers in a training facility, so the weathering is not that heavy. I did use burnt sienna oils with mineral spirits (my first use of this thinner with oils as I usually use the less odorous Turpenol) to do some of the filtering and dirtying but the majority of the modulation is done using the usual black undercoat with white accent under main color coat method.
I also used a very light coat of Tamiya buff thinned way down and sprayed on at a foot or so from the model to create a light dusty look as well. That especially worked well on the tires, which are vinyl mounted to plastic hubs (really nicely detailed tires I might add). I did do some panel accenting with Tamiya Black Panel Liner around the raised hull elements. I sanded the tire treads to make them look worn which really brought out that detail, in my opinion.
The decals went on quite easily and released from their carrier sheet with little to no time needed, not like the previous couple of kits i have worked on…a very delightful development! I did use the Micro Set and Sol method to embed them, but the vehicle numbers all silvered on me (think I should have used more gloss under them to relieve this issue). I am still ok with that as you can always weather to compensate after the fact. Prior to weathering, everything was clear coated with Testor’s Dull Coat…still my favorite flat coat.
For once I have few criticisms of the kit and am delighted to add it to my ever growing shelf of diverse armor builds. Definitely a fun build!
We produce this model as “Pick-up Activator” FET design preamp for bass guitar, under “Alen Geere”, our other brand. This is electric guitar version that boost the signal +5dB at maximum volume level. It has improved tone control and a switch for boost/cut between 200-800 Hz of frequencies. This option bring all humbucker-loaded guitars to standard “Tele” side an incredible way. High input and low output impedances are ideal for driving long cables. It’s also suitable with bass.
Kate Beck
Modulation , 2010
Graphite of paper on aluminum
12 x 12 inches
PG# KB.0014
Pelavin Gallery is proud to announce a solo exhibition of recent work by American artist, Kate Beck. This show will include large scale poured oil paintings and graphite drawings on aluminum panel. This will be Beck’s first solo exhibition at the gallery, and in New York City.
In this new body of work, Beck continues her engagement with repetitive tonal rendering as a means of interaction between light and shadow, human thought and consciousness, and the dynamic architectonics of space. This time she takes the essence of form further by using aluminum substrates, allowing modulating marks of graphite and poured oil to accumulate and shift amidst the confines of the geometric shapes. Tension oscillates between formalistic geometry and existential space; an allusion to thought and consciousness, and the passage of time.
For more information, please visit pelavingallery.com
Camera Axe and supplementary electronics now all installed though alignment and much tidying remains to be done. Sensitivity with the opamp-based ac-coupled amplifier and diode peak-to-peak detector is remarkable. The camera is reliably triggered by a piece of wire about 0.3mm in diameter at 50cms. The small changes to the shutter mechanism - a larger diameter (8mm) thinner (1.5mm) and stronger magnet (N52) combined with moving the pivot point of the armature closer to the coil) have resulted in open times of ~5mS. Closing times are little longer. I hope to improve these using a highly elastic "bumper". The supplementary electronics to enable the Camera Axe to control the rig are; the amplifier mentioned above, a 555 timer-based power supply that enables the modulation of the 3.2V 980nm laser at about 5kHz, and a MosFet-based switch that gates the power to the shutter coil. Despite being a 3.2V device, the laser is currently driven by 5.8V pulses. This may or may not kill the laser. At ~50% duty cycle, and driven at a frequency at which the electronics in the laser module never reach full power, may mean this is OK ..... or not! We will see.
Group 3_
Alejandro Candela, Georgina Muñoz, Carlos Paz, Berenice Jimenez, Laura Antelo, Gabriel Manriquez
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Ion introduced the iDiscovery keyboard for the iPhone at CES 2010.
The iDiscovery iPhone keyboard features pitch and modulation wheels and variety of other controls which interface directly with the keyboard tutor application the board is designed to operate with.
No word on how this may or may not work with other apps - but this could be cool.
Pricing is TBA.
1. IR LED is driven at DC (No modulation in this version)
2. A high-gain transimpedance amplifier converts the photocurrent to a voltage.
3. High-pass filter to strip out the DC component and get the audio only
4. Gain stage: non-inverting amplifier with 1/2 Vcc reference voltage
5. Another high-pass capacitor, to remove the DC reference voltage.
More on this project at:
This my version of the Tellun Neural Agonizer, a maxed out version of a reverb unit. It drives and controls 2 reverb tanks, and adds quite a few controls and alternative modulations to the mix. The front panel is from the Bridechamber.
Camera: Polaroid SX-70 Land Camera PolaSonic Model2. Film: Impossible Project PX 70 Cool Color Shade.
My first successful attempt to build my own little radio station =)
I used a square wave generator module to produce the carrier wave and modulated it with a simple normal transistor (Circuit diagram will follow though!)
The signal can be received from a distance of one meter with the small antenna, and more than 15 meters (I havent found out the actual range yet, but the radio in our garage receives it quite well =) ) with a very long wire i found laying around in my room.
The experiment is part of our radio station project at school.
Group 1_
Cynthia Castillo, Moises Talavera, Amir Hanna, Guillermo Perez, Osvaldo Andrade
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
[9:27] Quentin Morrisey leans in and whispers to Dazy.
[9:27] Bailey Dazy stands perfectly still.
[9:27] Saj Zenovka cocks his head
[9:27] Quentin Morrisey whispers without modulation "You're quite beautiful."
[9:28] Bailey Dazy blinks and her head jerks back. She says nothing.
[9:28] Quentin Morrisey: "Not a word to the others?"
[9:28] Bailey Dazy nods.
[9:29] Quentin Morrisey smiles and speaks again modulated. "I'm glad we have an understanding Miss Dazy."
[9:29] Q says OOCly: crotch gazer.
[9:29] (OOC) Dazy the Pink Wrath of Doom: stoooopit!
[9:29] Bailey Dazy nods and watches the bird until he's out of sight.