View allAll Photos Tagged modulation
New HDQCW base layout. I managed to cram all the electronics into a 12 x 12 base making this coil rather small. It also sports a CM300 full bridge with a CM600 bus modulator and a harmonic drive controller. This thing should be capable of 5kW output in sword like sparks and AM audio modulation. This is an untested drive method hope it works! Also this thing has no cooling fans at all. The whole system is water cooled, everything from the bridge to the modulator.
§ Intuitive apprehension in sizes and distances of the contiguous surroundings associates adherently to the anthropometric measurement rather than its absolute dimension • The element of scale anticipation becomes proportionately significant when perception is engaged as a part of definite spatial series •
§ The immense scale of the corner chamer sikharas and the libraries (pavilions? one far left in the photo which situated on the platform between the third and second gallery) creates total impression and concession in our apprehension when we approach nearer step be step around the terrace • We are liable to be subjugated to the will of its authority and entitled to claim respect to its scale of knowledge • This is the transition of scale between human and God—analogically, the anthropomorphic constraint and the knowledgeable constraint, the practical creation and the technical creation—which particularly concerned the architect as a matter of aesthetic intentionality • Appropriate modulation of scale, or size graduation, can produce a certain contribution to the reconciliation of human by reassuring the building towards alleviation of distress which seems, in some indefinable way, to elaborate the beholders to become respect to its stature simultaneously •
§ Modulation of scale that persisted in all Khmer temples since Bakong is not purposed to serve the utilitarianistic functionality • It is a synthesisation of Hindu philosophy to use architecture as a successful medium to subdue the attachment of the beholders' self (ahamkara—the egoistic bondage) and unify thier subtances with God—geometrically and cosmologically—as which the Khmer architects realised in its power very intimately •
Church by Antoni Bonet i Castellana
architecture.arqhys.com/architects/antoniobonet-biography...
ANTONIO BONET. In 1942, Bonet participates in the constitution of the Organization of the Integral House in the Argentine Republic. The idea of the formation of its work ties it with the ideas suggested by Him Corbusier throughout the process of preparation of the Plan of Buenos Aires. "the routine servitude of conception submissive the outsider does not exist any worthy of consideration argument seriously nor even in that some Argentineans live" So that the initial note of a universal modulation does not take place in our country, whose hope appears in the immediate perspective of the world: on the area in catastrophe of the cities martyred by the war, the genius of the man already begins to project the new forms of the human coexistence. On the contrary, the essential circumstance of our historical youth and the one of our adventurous peace, locate to us in the moral obligation to create new forms of life anticipating us to whatever of project and of dream it even subsists in a world of towns in flames and ruins. This thought of Bonet, is taken from the N° Notebook 1 of OVRA, titled Study of the Contemporary Problems for the organization of the integral house in the Argentine Republic. Without a doubt, the text gathers part of the optimism of the Austral Group. But while this one was directed to the architects and its problems, in the OVRA manifesto the horizon is ampler, next to certain discovered nonfree of messianism of the American, coincident with other similar initiatives in other places of the continent.
Reflections of Antonio Bonet on the architecture: "the architectonic elements that will form the new city will be formed by a series, numerous, of structures little systematized. Those structures will be able to arrive to the maximum from their aesthetic, technical perfection and economic, since besides to be placed in free lands, its study must be based on the progressive improvement of such types, so as it has become in the great architectures of the past. Within those structures, that will be the expression of the effort of the social man, to obtain the order and the harmony of its time, never will be obtained to a freedom reached after the development of the life of the man like individual, and the one of its institutions. It is well certain that we are even far from that stage, But does not fit doubt that once demonstrated that the modern buildings can be developed in simple structures, more and more seemed to each other, it will make the importance powerful of this system. Those buildings will be used and the equipped for but diverse uses, without aging with it, although they will have to work at a time whose social programs, industrial, etc., are in permanent evolution. I am going to finish with the confession of my conviction of which to group the programs for the unification of the structures, is something enormously difficult, but some is no doubt that it is the way that will take us forms to the true architectonic of our time. in that the diverse social programs will be developed freely, cultural hygienic, etc., that must form the structure of the new society.
Medical Records presents the release of its first contemporary artist with the Paris-based Illustration Sonore (I/S). The duo, consisting of Dasz (also in Dolina and Ame De Boue) and Christina (aka Froe Char), expertly craft dark and atmospheric songs laced with unbridled passion in the context of synth-laden melodies, dominant percussion and pensive vocals. I/S started in 2010 and have played many concerts in Belgium, France, Germany, and Italy. I/S uses variations of electricity to control oscillators and frequency modulations. Best described as synth-gaze, dark-wave, or no-future pop, I/S recorded this full length LP in 2013. The opening track “Ulysses,” sets the mood with uncompromising intensity and passion with serious low frequency tones and catchy synth drenched hooks. The dreamy and brooding “Our Bodies” starts the B side and is a definite standout tracks. The wonderful and melancholy pop track “Flying Lights” is also included on the LP and was previously featured on the lovely compilation “Circuit D’Actes 3” on the French La Forme Lente imprint earlier this year. The relentlessly apocalyptic “Cannibals” is yet another magnificent track worth mentioning here. For fans of EBM/synth-heavy industrial crossover, lovers of Cabaret Voltaire, Chris and Cosey, modern synth-wave and the like, these tracks will not disappoint. I/S has no fetishism for the old nor obsessions for the new, and they draw their inspiration in synth pop and surrealism. Presented on high-quality 180gram ultra-clear heavyweight vinyl. Features bonus LP insert with lyrics. Front cover design by Satanik Mike/Temple Vengeance. Limited edition.
credits
released 14 November 2013
By virtue of its design the X-Wing has many flat planes, and although these are detailed with fine panel lines, it is important to make the miniature visually appealing from any distance. A key way to add dynamism and realism to a model is by modulating or highlighting specific details which will add interesting visual texture to the object; this is a technique frequently misused by modellers and can render a piece to appear almost cel-shaded, or cartoonish. Restraint is key in this regard, modulation ought to be indiscernible to the untrained eye and yet bring the model to life in a very refined manner
By virtue of its design the X-Wing has many flat planes, and although these are detailed with fine panel lines, it is important to make the miniature visually appealing from any distance. A key way to add dynamism and realism to a model is by modulating or highlighting specific details which will add interesting visual texture to the object; this is a technique frequently misused by modellers and can render a piece to appear almost cel-shaded, or cartoonish. Restraint is key in this regard, modulation ought to be indiscernible to the untrained eye and yet bring the model to life in a very refined manner
Desayunador 2da y Miramar -
Ensenada, Baja California
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
CCSC Riviera de Ensenada -
Ensenada, Baja California
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Radium 49 Key M-Audio polyphonic Keyboard.
Features
USB connection with power - power it off your laptop.
Pitch and Modulation wheels
999 programmable options
Multi-octave presets
8 little sliders and 8 little dials
plugs for sustain switch, midi out to keyboard and USB, runs off battery, usb or power adapter.
Works great with GarageBand.
The best wellness item I have ever bought is this little thing: Zōk. It provides light, inner ear pressure modulation that stops my sinus pain before it can progress from a mild annoyance to a full-blown headache and nausea.
SKU: UW150-04
Product Name: 150Mbps Wireless WLAN USB Dongle with Realtek RTL8188CUS Chipset
Overview
Its a mini size USB wireless adapter ,it adopt the REALTEK RTL8188CUS and the transfer rate could be up to 150Mbps, This product can be used to computer, PSP, media player and other device which need the wireless application.
This high gain design will raise the performance in longer range and worse environment, it supports the soft AP and soft WPS ,the AUTO-RUN CD makes it easier to install its utility and driver.
Feaures
Standards: IEEE 802.11n, IEEE 802.11g, IEEE 802.11b
Chipset: Realtek RTL8188CUS
Interface: USB2.0 Hi-Speed connector
LED indicator: Link/Activity
Working channel: 1~13
FrequencyRange: 2.4-2.4835GHz
RF power: 20dBm(Maximum)
RF gain: 2dBi internal smart antenna
Network protocol: CSMA / CA with ACK
Work Mode: Ad-Hoc, Infrastructure ,soft AP
Wireless Security: 64/128 bit WEP, WPA/WPA2, WPA-PSK/WPA2-PSK (TKIP/AES)
Software features support for WPS,Quick Setup wireless encryption
Dimension: 1.8 x 1.4 x 0.6 cm (approx.)
Range
Indoors: 50-100m (Theoretical Value)
Outdoors: 100-200m ( Theoretical Value)
Wireless Signal Rates:
11n: Up to 150Mbps (Dynamic)
11g: Up to 54Mbps (Dynamic)
11b: Up to 11Mbps (Dynamic)
Data Modulation
11b: CCK,DQPSK,DBPSK
11g: OFDM
11n: OFDM with PSK,BPSK,16-QAM,64-QAM
Receiver Sensitivity
135M: -68dBm@10% PER
54M: -68dBm@10% PER
11M: -85dBm@8% PER
Operating Temperature 0°C~40°C (32°F~104°F)
Storage Temperature -40°C~70°C (-40°F~158°F)
Relative Humidity 10% ~ 90%, non condensation
Storage Humidity 5%~95% non-condensing
Support Operating System
Windows 2000/XP/VISTA/Win7/8 / Linux/Mac
Package Contents:
1 x USB WLAN Dongle
1 x Driver CD
Live Impex Technology
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This jazz waltz features vocal, saxophone, and flute performances accompanied by a jazz trio.
Vocal - Lee Fitzsimmons * Live Yamaha tenor saxophone (YTS - 21) - Lee Fitzsimmons * Live Gemeinhardt flute - Lee Fitzsimmons
Piano - Lee Fitzsimmons * Acoustic bass - Lee Fitzsimmons * Drum kit and ride cymbals - Lee Fitzsimmons
LYRICS
"Think I'm gonna go sail away, forever and a day. Through the clouds and over the trees, think I'm gonna go sail away.
Gonna get me a big balloon, so I can fly away to the moon. Through the stars on Mercury's tune, gonna get me a big balloon...
Breathe deep the golden air, swirling through our minds. We'll find a solace there, an essence so sublime."
"Maybe we could fly away to Mars, the whole universe is ours. See the light wherever we are, maybe we could fly away to Mars.
Jupiter and Venus, too. That's what I'm really gonna do. Saturn in it's hazy dew, Jupiter and Venus, too...
Breathe deep the golden air, swirling through our minds. We'll find a solace there, an essence so sublime."
The jazz trio sets up a spirited groove; the vocal begins. A soulful tenor saxophone fills the gaps of the vocal melody during the verses. In the chorus, a playful flute plays during the vocal breaks as a clever modulation occurs. After the chorus, the saxophone takes a lively be-bop style ride and is then joined by the flute, so the pair can present a two part harmony that sets the stage for the second verse. The entire form repeats and the song ends on the final note of a brief coda.
The philosophical essence of this tune is the concept of "floatation" as an allegory for the ascent of the kundalini energies up the spinal cord. The planetary chakras of alchemical lore are mentioned in the lyrics as guiding beacons of light that guarantee that the balloon's pilot is never lost. The golden air of the chorus is symbolic of the heliosphere that permeates all of the solar system that lets all of the inhabitants of its golden realms know that they are never alone.
This "essence so sublime" is the true solace of Sol.
Drone Ranger : 4 Oscillators, 2 white noise sources, 2 ring mod, 2 Fuzz, 2 resonant low pass filters with LFO modulation.
my friends kyle and tali performed at warmup today, which is a big-ass party outdoors at the queens outpost of the MOMA. it's a veritable nyc summer must-do. thousands of people dancing to electronica, drinking beer, and roaming around the museum. all i can say is it's a lot more fun when you can sit in the VIP area and drink free beer. it's good to have cool friends.
kyle and tali are world-class artists who work with sound and visuals. they build machines and circuits out of random junk. their pieces are interactive, in that they are 'played' in some way. something about oscillations and modulations. don't ask me. in this piece, 'help us carry a tune', they wrapped 5 giant spools of different colored wire around dozens of people in the courtyard, then plugged the wires in to the apparatus, thereby modulating the signal. it was cool.
also, i took one good picture.
... simplified block diagram ... A.M. transmitter ...
... the 'Q Type’ transmitter was an evolution of that designed by Marconi's Wireless Telegraph Company Limited for the experimental station MZX and broadcasting station 2MT. These designs were, in turn, based on earlier telephony transmitters that used amplitude modulation (A.M.) dating back to the first world war.
The 'Q Type’ was designed by Captain Henry Joseph Round MC, assisted by C. S. Franklin, and incorporated enhancements over the earlier design used for 2MT. These included a higher rated output power of approximately 1 kW and the elimination of some single points of failure to increase the system's availability. The first 'Q' type transmitter was used in November 1922 as an upgrade for station 2LO, located in London. The subsequent British Broadcasting Company stations, including 6BM at Bournemouth, also used the 'Q' type transmitter.
The designers could have chosen to modulate the grid of the Modulated Amplifier triode but the valve had a non-linear gain characteristic. This method would therefore have introduced too much distortion. They instead selected direct 'plate' or anode modulation to optimise the quality of the modulated signal, even though this needed four MT7B high power triodes to generate the necessary audio frequency power.
A large iron-cored ‘speech choke’ ensured that the amplified audio frequency signal was impressed on the Modulated Amplifier’s EHT plate supply and reflected away from the EHT supply smoothing filter. This enabled the radio frequency signal to become amplitude modulated, with a modulation factor of nearly 100%.
The high power triode valves were developed by Marconi's and manufactured at the Osram Lamp Works (Marconi-Osram Valves or MOV). These large air-cooled valves were fairly primitive triodes:
MT4 - medium power triode, 80 watts anode dissipation. Maximum cathode current: 0.3 amps. Filament: 12.5 volts, 6.3 amps. Used for the Sub-Modulator at audio frequency.
MT7B - high power triode, 500 watts maximum anode dissipation. Four MT7B's were used in parallel for the Modulator at audio frequency.
MT2 - medium power triode, 300 watts continuous anode dissipation. Maximum cathode current: 1.0 amps. Filament: 17 volts, 15 amps. The MT2's were used for the Master Oscillator and the Modulated Amplifier at radio frequency.
Unlike most of the other BBC stations commissioned in 1923, Bournemouth had a purpose-built transmitter hut with a battery room, motor room, transmitter room and office.
Reference: 'The Saga of Marconi-Osram Valves' by Barry Vyse and George Jessop.
Reference: Description of 2LO Transmitter, by Rod Viveash, Appendix A to ‘From Hidden Technology to Exhibition Showpiece: The Journey of 2LO, the BBC’s First Radio Transmitter, 1922-2012’ by Dr. Alison Hess, Royal Holloway, University of London.
Engineers assigned to 6BM included:
L. A. V. Everitt
A. Walker
R. Haworth
R. G. ‘Tiny’ Durham
My dad had a small portable Oscilloscope and a spectrum analyzer set up. That's what I was watching. I can’t tell from the picture angle but it could have been one or both.
It was a very early home studio which was all on MIDI. The computer was an ATARI 130XE, before we switched to Intel PCs.
The main synthesizer was a Casio Phase Modulation series with some of the sounds programmed by Isao Tomita. Big recording studios that my dad used to record bands in were still very expensive, so he was trying to see if one could make an affordable home production studio using all MIDI. It came close, but it took about ten years for home computers to start getting powerful enough to do the job properly.
At Technicolor, my dad still uses specialized computer systems and cloud style high-speed storage to do true professional on-air video.
Group 4_
Aaron Onchi, Betty Sanchez, Roberto Gutierrez, Frank Durán , Belén Olaya García
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Converge high-speed, high-bandwidth data and video distribution at the edge of your cable access network with the Cisco RF Gateway Series. These standards-based universal edge quadrature amplitude modulation (U-EQAM) products support switched digital video (SDV), video on demand (VoD), and DOCSIS 3.0/ Modular-CMTS (M-CMTS), making the Cisco RF Gateway Series a powerful platform for end-to-end triple-play services.
This set has separate receiver and power supply/deflection chassis. Apart from the cabinet, it is apparently the same as the TV53 and TV63.
ArtScience celebrates 25th anniversary
Paradiso, Amsterdam 2015
Loudthings is an audiovisual account of an expedition into the inside world of the computer. Using a set of elementary instructions such as modulation, masking, and feedback, Telcosystems programmed a self-organizing network of algorithmic processes for the creation of spatial image and sound. The result is a non-referential world which strains the senses; an exploration along the borders of human perception, through worlds of multiplying and mushrooming clouds of light and sound, through worlds of mesmerizing spatiality and interfering landscapes.
Loudthings has been nominated for a Tiger Awards for Short Film at IFFR 2008 and won the Gus Van Sant Award for Best Experimental Film at the Ann Arbor Film Festival 2009 and the Grand Prix 2008 at 25 FPS festival in Zagreb Croatia.
Loudthings premiered at the IFFR film festival Rotterdam in 2008, and has been shown since at festivals such as Ann Arbor film festival, EX-IS Seoul, EMAF Osnabruck, IKFF Hamburg, VideEx Zurch, 25FPS Zagreb, NFF Utrecht, ISFF Lille, Spectropia Riga.
Loudthings was made possible by the generous support from: Netherlands Foundation for Visual Arts, Design and Architecture, The Netherlands Film Fund, The Rotterdam Film Fund, ThuisKopie Fonds.
Telcosystems
Gideon Kiers, David Kiers and Lucas van der Velden are the founding members of Telcosystems. Lucas van der Velden (1976, Eindhoven) and Gideon Kiers (1975, Amsterdam) studied at the Interfaculty Image and Sound, a department of the Royal Conservatoire and the Royal Academy of Art in The Hague. David Kiers (1977, Amsterdam) studied at the Sonology department of the Royal Conservatoire.
In their audiovisual works Telcosystems research the relation between the behavior of programmed numerical logic and the human perception of this behavior; they aim at an integration of human expression and programmed machine behavior. This becomes manifest in the immersive audiovisual installations they make, in films, videos, soundtracks, prints and in live performances. The software they write enables them to compose ever-evolving audiovisual worlds. Telcosystems’ installations and films focus on real-time, self-structuring, generative processes, in their live performances they focus on the interaction with these processes. Their work is the result of an ongoing search for an own language of non-referential image and sound, and is characterized by lucid and restrained aesthetics, closely related to the technology they use. In interaction with machines Telcosystems fuse the auditive and visual domains into one immersive spatial experience that explores the limits of the human sensory apparatus.
The NetClock/2 receives and demodulates the WWVB 60 KHz time signal. Once the signal is decoded, the NetClock/2 provides accurate and traceable time data. Or did...
Above is an historical picture, clock locked to WWVB on April 1, 2012.
WARNING: Spectracom receivers extract the carrier from WWVB using a PLL to discipline a local oscillator. The new phase modulation scheme, to be activated by NIST in July, 2012, does not allow carrier extraction... and impacts Spectracom's WWVB products ability to decode time-of-day reliably.
Translation: Netclock/2 will fail. It will unlock from "time sync" and begin freewheeling when the change is initiated. It will become a boat anchor.
The good news: cheap consumer clocks will work better.
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Kate Beck
Modulation , 2010
Graphite of paper on aluminum floated in maple frame
12 x 12 inches
PG# KB.0014
Pelavin Gallery is proud to announce a solo exhibition of recent work by American artist, Kate Beck. This show will include large scale poured oil paintings and graphite drawings on aluminum panel. This will be Beck’s first solo exhibition at the gallery, and in New York City.
In this new body of work, Beck continues her engagement with repetitive tonal rendering as a means of interaction between light and shadow, human thought and consciousness, and the dynamic architectonics of space. This time she takes the essence of form further by using aluminum substrates, allowing modulating marks of graphite and poured oil to accumulate and shift amidst the confines of the geometric shapes. Tension oscillates between formalistic geometry and existential space; an allusion to thought and consciousness, and the passage of time.
For more information, please visit pelavingallery.com
This is the model R/C tank I am designing on a gearbox + Tracks & wheels from Tamiya. The radio is Hitec and two receiver servo outputs feed the microcontroller-based Pulse Position Modulation output to Pulse Width Modulation converter.
Full details at www.5volt.eu
Evil Twin : Circuit Bent Twin Neck Toy Guitar.
Each neck has a range of sounds, top one are leads, bottom one, riffs and rhythms.
The 2 necks can be pitched independently of each other and have their own volume controls and an LFO for modulation, with speed and depth controls. The original toy was a hideous orange colour with tiger stripes so I gave it a nice hazard warning stripes paint job.
Here is my new Horror OC, Killer Clown Orgodemir, the horror form of Orgodemir who is a killer clown who scares, terrorizes, attacks, tortures and kills people. He is empowered by madness and chaos. He even has his original powers from Dragon Quest VII with some ghoulish abilities (flight, superhuman speed, superhuman agility, superhuman strength, superhuman durability, superhuman flexibility, high-level intellect, mastery of disguises, sleeplessness, weapon proficiency, improbable weapon proficiency, feral rage, tracking, stealth, telekinesis, teleportation, immortality, shapeshifting, mischief mastery, reality warping, mind control, size modulation, dream manipulation, illusion manipulation, phobia intuition, clown mimicry, demonic clown mimicry, horror villain mimicry, insanity empowerment, chaos empowerment, balloon creation, balloon manipulation, card generation, card manipulation, toy manipulation, pain suppression, regenerative healing factor, body separation, head liberation, head reattachment, limb liberation, limb reattachment, rocket fists, performance art intuition, juggling intuition, magicians intuition, prank intuition, cartoon physics, fourth wall breaking, gag weaponry, miming, rule bending, clown magic, circus skills, demonic magic, madness manipulation, madness magic, chaos manipulation, chaos magic, dark arts, night vision, power fists, megaton punch, cutting, enhanced combat, impale, multi-hit strike, multi slash, severing, photokinesis/light manipulation, light generation, light infusion, light ball projection, light beam emission, light bolt projection, light blast, light vision, light bullet projection, light pillar projection, light spike projection, light slash, umbrakinesis/darkness manipulation, darkness generation, darkness infusion, darkness ball projection, darkness beam emission, darkness bolt projection, darkness blast, dark vision, darkness bullet projection, darkness pillar projection, darkness spike projection, darkness slash, elemental mixture, photo-umbrakinesis/light-darkness manipulation, fear inducement, death inducement, insanity inducement, chaos inducement and killing intent). He is based on Pennwise the Dancing Clown from IT (both miniseries and movie), Jason Voorhees (Friday the 13th), Harley Quinn, the Funtime Animatronics from Five Nights at Freddy's: Sister Location and various clown villains and serial killers from various media.
Dragon Quest (c) Square-Enix and Armor Project
Killer Clown Orgodemir, idea and artwork (c) me
Serotonin (pronounced /ˌsɛrəˈtoʊnɨn/) or 5-Hydroxytryptamine (5-HT) is a monoamine neurotransmitter. Biochemically derived from tryptophan, serotonin is primarily found in the gastrointestinal (GI) tract, platelets, and in the central nervous system (CNS) of humans and animals.
It is a well-known contributor to feelings of well-being, therefore it is also known as a happiness hormone.
Approximately 80 percent of the human body's total serotonin is located in the enterochromaffin cells in the gut, where it is used to regulate intestinal movements. The remainder is synthesized in serotonergic neurons in the CNS where it has various functions. These include the regulation of mood, appetite, sleep, as well as muscle contraction. Serotonin also has some cognitive functions, including in memory and learning.
Modulation of serotonin at synapses is thought to be a major action of several classes of pharmacological antidepressants.
Serotonin secreted from the enterochromaffin cells eventually finds its way out of tissues into the blood. There, it is actively taken up by blood platelets, which store it. When the platelets bind to a clot, they disgorge serotonin, where it serves as a vasoconstrictor and helps to regulate hemostasis and blood clotting. Serotonin also is a growth factor for some types of cells, which may give it a role in wound healing.
Serotonin is mainly metabolized to 5-HIAA, chiefly by the liver. Metabolism involves first oxidation by monoamine oxidase ( MAO ) to the corresponding aldehyde. This is followed by oxidation by aldehyde dehydrogenase to 5-HIAA, the indole acetic acid derivative. The latter is then excreted by the kidneys. One type of tumor, called carcinoid, sometimes secretes large amounts of serotonin into the blood, which causes various forms of the carcinoid syndrome of flushing, diarrhea, and heart problems. Because of serotonin's growth promoting effect on cardiac myocytes, persons with serotonin-secreting carcinoid may suffer a right heart (tricuspid) valve disease syndrome, caused by proliferation of myocytes onto the valve.
In addition to animals, serotonin is also found in fungi and plants. Serotonin's presence in insect venoms and plant spines serves to cause pain, which is a side effect of serotonin injection. Serotonin is produced by pathogenic amoebas, and its effect on the gut causes diarrhea. I
ts widespread presence in many seeds and fruits may serve to stimulate the digestive tract into expelling the seeds. (Wikipedia, 2010)
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The mess of today's experiment of generating DC signals in Reason and routing them to moogerfoogers -> Like a ReVolta!
I have jumped, with these new shots, into high JPEG definition (JPEG Fine - 4 Mo) because now (as I educate my eye and improve my gaze...) I can sense and perceive the differences with the previous shots in JPEG Normal (2 Mo). And indeed, the picture is (much) more vivid, crystal clear, profound and with rejoicing and soft/brilliant colours and light modulations. :))
Specification
Coach Model MAN 18.350 HOCL/R
Chassis Length 11,850 mm
Chassis Width 2,526 mm
GVW 18,200 kg
Engine Type
Vertical, Water Cooled 6-cylinder 4-stroke Diesel Engine
With Common Rail Injection,
Exhaust Turbocharger and Intercooler
ECR, Replaceable Cylinders Liners
Engine Model MAN D2066 LUH13 Euro 4
Displacement 10,518 c.c
Maximum Output 257 kW (350 hp) @ 1,700 rpm
Maximum Torque 1,750 Nm @ 1,000-1,400 rpm
Bore 120 mm
Stroke 155 mm
Fuel Capacity 300 dm³
Transmission ZF 6S 1900 BO 6-speed Synchromesh Manual Transmission
ZF 6 HP 504C 6-speed Automatic Transmission
Voith D864.5 4-speed Automatic Transmission
Drive Axle MAN HY-1336-B
Suspension Capacity 13,000 kg
Front Axle MAN V9-82 SL
Suspension Capacity 8,200 kg
Brake
Dual Circuit Air Brake System to ADR Directives by Wabco
Front and Rear Axle Disc Brakes
Electronic brake system EBS (ABS, TCS)
Auxiliary Brake Manual Transmission: Engine Brake Valve (EBV)
Automatic Transmission: Integrated Retarder and
Water Cooled with Electric Pressure Modulation
Suspension
Air suspension with 6 identical rolling seals
With Integrated Elastic Stroke Limiter
Electronically Controlled Constant Entrance Height
Suspension Characteristics Under All Load Conditions
Front Suspension 2 x Air Bellows
2 x Shock Absorbers
1 x Level Control Values
1 x Stabilizers
Rear Suspension 4 x Air Bellows
4 x Shock Absorbers
2 x Level Control Values
1 x Stabilizers
After lots of research into Fine Art giclée printing and artwork reproduction capture I am pleased to announce the arrival of my new print, 'If They Were Bunnies'. With this print I worked closely with the amazing Mark Parry, of The Artist's Print Room, whose eye for detail spot on. I was so impressed with Mark's work that I also commissioned him to photograph the artwork that I produced for the new Scaramanga Six album.
Aside from Mark's unparalleled photographic and reproduction skills, one of the major selling points for me, in using The Artist's Print Room, is his use of cutting edge Epson® HDX Ultrachrome archival pigments inks, as opposed to ordinary dye-base inks, which are more prone to fading over prolonged exposure to UV light.
At this point I'd like to interject an apology for the white balance on the photograph (which you see here) that I took of the finished 'If They Were Bunnies' print. In the actual print, the bunnies and border are the pure white of the paper, as opposed to the off white that you see here. My Bad!
I created the original image for 'If They Were Bunnies' by first selecting a newspaper image of British police officers attacking demonstrators. I then placed a clear animation cell over the image, and painted out the protestors - replacing them with my own cartoon rabbits. After scanning the image I then tidied up a few bits on my laptop to heighten the contrast between the crisp graphic line work of the bunnies and the just about perceptible halftone modulations of the newspaper image.
As well as the archival pigment inks, that I previously mentioned, 'If They Were Buinnies' is printed on Hahnemuhle Bright White 310 gsm; an acid-free, premium heavy-weight archival paper. The image is 45.5 x 33 cm, and the paper size is 50.5 x 39.3 cm. Each print is signed and editioned (being from a limited edition of 100). The prints are also embossed with an authentication stamp in the lower left corners of the border.
For a limited period I'll be offering 'If They Were Bunnies' at the reduced price of £120 (usual price £150) to members of my mailing list, or to anyone wishing to join the list. So, if you are interested in one of the new prints, or just in joining my mailing list, please feel free to drop me a line at waynechisnall@yahoo.co.uk
Get It From: www.24freepostage.com/
Blue Aluminum Bluetooth (White Keyboard) Wireless Thinnest Slim Case Cover For iPad 2 3 Gen
Feather:
Blue Background Aluminum Faceplate (White Keyboard)
1.The Bluetooth keyboard of ipad is the world's thinnest, and it is just 16.5mm after the merger with ipad. single thickness of Bluetooth keyboard of ipad is only 11mm. The machine weighs just 280 grams, so that it is the world's best carry-on performance Bluetooth keyboard.
2.Maximum Scissor keyboard is designed for ipad, the keyboard pitch to 16.6mm. Chocolate-style keycap's design allows users to experience a more good sense compared to other Bluetooth keyboard. Undoubtedly, the experience of mobile Bluetooth keyboard is the best.
3.Enclosure made of aluminum alloys is used to make the machine more attractive, fashionable, and more integration with ipad native.
4.The Bluetooth keyboard of ipad can be used just by a movement to place ipad on the slot of machine, and is the world's most convenient to use
Description:
Function:
1.Bluetooth 2.0 interface standard
2.Operating Distance to 10 meters.
3.Modulation System:GFSK
4.Lithium Battery Capacity:160mA
5.Uninterrupted Working Time:55hours
6.Operatin Voltage:3.0-5.0V
7.Standby Time:60days
8.Charging Time:4-5hours
Material:Aluminum & Electronic Components
Package:1 x Wireless Keyboard (iPad 2/3 & Support is not include)
1 x USB Power Charger Cable
Compatible:
iPad 2/3 Gen
Heading: 1-2 business day
SELL $ 40.00
RETAIL PRICE $57.98
Speed and Range with Internet Security
•Good for surfing the Internet, email and online chat
•Simple and secure way to share your high-speed Internet connection
•Easy set-up with Smart Wizard® installation CD
•Works with computers with internal Wi-Fi adapter
•Automatically upgrades to the latest router firmware during installation
Features
•Internet sharing broadband router and 4-port switch
•Automatically upgrades to the latest router firmware during installation
•Configurable for private networks and public hotspots
•Double firewall protection from external hackers attacks
•Touchless WiFi Security makes securing your network easy
•Second internal antenna improves range
•Broadband (cable, DSL) Internet service and modem with Ethernet connection
•2.4 GHz wireless adapter or Ethernet adapter and cable for each computer
•Microsoft® Windows® Vista™, XP, 2000, NT, 98, Me, and any other operating system running a TCP/IP network
•Microsoft Internet Explorer™ 5.0 or Netscape® 7.0 or higher
Physical Specifications
•Dimensions: 28 x 175 x 118 mm (1.1 x 6.9 x 4.7 in)
•Weight: 0.26 kg (0.57 lb)
Routing Protocols
•Static routing with TCP/IP, VPN pass-through (IPsec, L2TP), NAT, PPTP, PPPoE, DHCP (client & server)
Application Support
•Works with most Internet gaming and instant messaging applications
Functions
•Automatically detects your ISP type, exposed host (DMZ), MAC address authentication, URL content filtering, logs of Internet activity
Physical Interfaces
•Internet/WAN: 10/100 Mbps (auto-sensing) Ethernet, RJ-45
•LAN: 4 ports 10/100 Mbps (auto-sensing) Ethernet, RJ-45
Wireless
•Network Speeds: 1, 2, 5.5, 6, 9, 11, 12, 18, 24, 36, 48, & 54 Mbps (auto rate capable)
•Modulation Type: 802.11b: DSSS, CCK, DBPSK, DQPSK, 802.11g: BPSK, QPSK, 16QAM, 64QAM
Features
•Parental control
•Double firewall protection
•Denial-of-service (DoS) attack prevention
•Wi-Fi Protected Access™ (WPA2-PSK, WPA-PSK) and WEP
Antenna
•2 dBi
Power Adapter
•12.0V DC, 1.0A; plug is localized to country of sale
Warranty
•NETGEAR 1-year Warranty
Package Contents
•Wireless-G Router (WGR614v9)
•Smart Wizard installation CD
•Power adapter, localized to country of sale
•Ethernet cable
•Vertical stand
www.quizyourprofile.com/guessyournumber.swf
OK. Try this out. The computer knows what number you have chosen! Every time!
My first thought was that the government had progressed to being able to listen in to our conversations via computer....so I did the exercise using a silent count.....to my amazement the machine was able to predict my number......so...i knew something was up.....I knew that in order for the government to be able to use our computers in this way (without a simple listening device) they had to have an outside source which would bombard us with microwaves...out computers alone could not bring about the results that I was seeing, so what was the source of these waves?
of course, with an RF signal detector I knew I would probably be able to find the signal that the government was using in conjunction with a home computer, in order to either read our minds or cause us to do or think certain things....sxo i made some phone calls.....
Using a microwave signal strength meter, I borrowed from W.P.I. I have made several objective observations about these signals:
1. they tend to be beamed through the window of a room where one spends the most time, usually the window facing the front street
2. they are specifically directed to target and track a person inside his home
3. the tracking speed is slow, and when the target moves, the signal takes several seconds or minutes to search and find the target at his new location.
4. when the target enters an area in his home that the signal cannot reach, the signal goes on a wide search mode, thinking the target has left his home and is traveling about town.
5. when the primary window is blocked off, within days the signal finds another window or thin wall to penetrate
6. one can feel the effects of this signal, which may induce a dull headache or pressure in the temples
I now believe cell phone towers are used to generate these signals by triangulating hotspots on selected tracked targets. our own home computers perform the calculations necessary to alter the signal of each of three cell phone towers so as to triangulate a hotspot of signal at the target’s location. When the target moves, new calculations have to be made, which takes several seconds. Maybe something else generates the beams, like satellites.
These signals must consist of microwave carriers with ELF modulation, and perhaps with audio or text encoded messages. Some possibilities:
1. the microwaves resonate with DNA, can penetrate flesh and bone, pass through some walls and windows, and are already in use by cell phones.
2. these signals entrain brainwaves into a high-beta state, which causes aggression and stress, or an alpha level that induces hypnotic states and can induce one to think of a specific number.
3. besides the ELF waves that entrain brain states, the carrier may also convey audio messages. I have not verified what these messages are, but they could be something along the lines of “You are angry, You cannot think, You give up, You have no energy, or of course pick number 8…” These audio messages could be modulated into the microwave carrier via frequency modulation, while the ELF brain-entrainment signals could be amplitude modulated.
4. there may also be emotional signatures frequency-modulated into the carrier. These can induce anger, frustration, sadness, or essentially any human emotion into susceptible targets
so after much consideration there are two things I believe you can do. First, you can learn to better cope with these signals. The more you are in control of your own mind and emotions, and the more observant you are about your own behavior, the less influence these signals have upon your thoughts, feelings, and behavior. Knowing is half the battle.
Second, you can take additional steps to reduce the level of EM radiation in your home, by blocking these signals.Standard methods of blocking microwave mind programming signals consist of Faraday cages, but Faraday cages are difficult and expensive to build.
but by using this simple to construct hat you can block most but not all of the signals.....If you need assistance I can help you construct a hat of the right height. When using the hat the machine was only able to predict my number 3 out of the ten tries. One of the times the hat had slid down on my head so we can discount that as a false positive....
So,there you have it! Anybody need a hat?
Evil Twin : Circuit Bent Twin Neck Toy Guitar.
Each neck has a range of sounds, top one are leads, bottom one, riffs and rhythms.
The 2 necks can be pitched independently of each other and have their own volume controls and an LFO for modulation, with speed and depth controls. The original toy was a hideous orange colour with tiger stripes so I gave it a nice hazard warning stripes paint job.
As if I needed another large, unwieldy vintage organ...I found this awesome Hammond B-3 clone for $100 in a local store. It's an Italian-made Crumar T2. I've seen them go for $300-$500 with a dead key..there's no foot pedal for swells, and I don't think the fold down legs were still on the case body (it's one that stays "in" the case when you take the lid off....but I have total Stereolab delusions I'm seriously considering indulging.
Untitled
2009
Mica acrylic
Rosana Castrillo Díaz, Spanish, born 1971
Commissioned through a gift of Robert and Claudia Allen and the Mary Heath Keesling Fund, 2009.85
"I was very interested in exploring how the light would act with the mica. I knew there was going to be a lot of light, even though the space was not created yet. When I think about light, I always think about marble sculptures. The modulation of light in the Renaissance sculptures by Michelangelo and Bernini fascinates me. I was looking at the drapery in these works, and made some drawings. That was a reference for the conception of this work." -- Rosana Castrillo Díaz, interview with the SFMOMA Education Department, 2010
The San Francisco Museum of Modern Art (SFMoMA) was opened in 1935 under director Grace L. McCann Morley as the San Francisco Museum of Art, the first museum on the West Coast devoted solely to 20th-century art. For its first sixty years, the museum occupied upper floors of the War Memorial Veterans Building in the Civic Center. Under director Henry T. Hopkins, the museum added "Modern" to its title in 1975, and established an international reputation. In 1995 the museum moved to its current location, a large cubistic building designed by Mario Botta Architetto of Hellmuth, Obata & Kassabaum at 151 Third Street.
www.drosophila-images.org/2015.shtml
This image shows the nutritional plasticity of a terminal tracheal cell (visualised in green using DSRF>mCD8GFP) populating the larval hindgut (highlighted in blue with an actin staining). In well fed larvae, the enteric tracheal terminal cells are profusely branched (top panel). A mild dietary restriction that does not affect growth rate or the size of other organs results in preferentially reduced branching of these enteric tracheal cells (bottom panel), but not other tracheal subsets.
Our study further showed that tracheal branching is controlled by nutrient responsive-neurons through their release of insulin-like and Pigment-dispersing factor (Pdf) neuropeptides. It also demonstrated that the plasticity of enteric trachea plays a key role in driving adaptations to malnutrition. Together, our findings uncovered a new mechanism by which nutritional cues modulate neuronal activity to give rise to organ-specific, long-lasting changes in tracheal architecture.
Linneweber GA, Jacobson J, Busch KE, Hudry B, Christov CP, Dormann D, Yuan M, Otani T, Knust E, de Bono M, et al. (2014). ”Neuronal Control of Metabolism through Nutrient-Dependent Modulation of Tracheal Branching.” Cell 156, 69-83.
ArtScience celebrates 25th anniversary
Paradiso, Amsterdam 2015
Loudthings is an audiovisual account of an expedition into the inside world of the computer. Using a set of elementary instructions such as modulation, masking, and feedback, Telcosystems programmed a self-organizing network of algorithmic processes for the creation of spatial image and sound. The result is a non-referential world which strains the senses; an exploration along the borders of human perception, through worlds of multiplying and mushrooming clouds of light and sound, through worlds of mesmerizing spatiality and interfering landscapes.
Loudthings has been nominated for a Tiger Awards for Short Film at IFFR 2008 and won the Gus Van Sant Award for Best Experimental Film at the Ann Arbor Film Festival 2009 and the Grand Prix 2008 at 25 FPS festival in Zagreb Croatia.
Loudthings premiered at the IFFR film festival Rotterdam in 2008, and has been shown since at festivals such as Ann Arbor film festival, EX-IS Seoul, EMAF Osnabruck, IKFF Hamburg, VideEx Zurch, 25FPS Zagreb, NFF Utrecht, ISFF Lille, Spectropia Riga.
Loudthings was made possible by the generous support from: Netherlands Foundation for Visual Arts, Design and Architecture, The Netherlands Film Fund, The Rotterdam Film Fund, ThuisKopie Fonds.
Telcosystems
Gideon Kiers, David Kiers and Lucas van der Velden are the founding members of Telcosystems. Lucas van der Velden (1976, Eindhoven) and Gideon Kiers (1975, Amsterdam) studied at the Interfaculty Image and Sound, a department of the Royal Conservatoire and the Royal Academy of Art in The Hague. David Kiers (1977, Amsterdam) studied at the Sonology department of the Royal Conservatoire.
In their audiovisual works Telcosystems research the relation between the behavior of programmed numerical logic and the human perception of this behavior; they aim at an integration of human expression and programmed machine behavior. This becomes manifest in the immersive audiovisual installations they make, in films, videos, soundtracks, prints and in live performances. The software they write enables them to compose ever-evolving audiovisual worlds. Telcosystems’ installations and films focus on real-time, self-structuring, generative processes, in their live performances they focus on the interaction with these processes. Their work is the result of an ongoing search for an own language of non-referential image and sound, and is characterized by lucid and restrained aesthetics, closely related to the technology they use. In interaction with machines Telcosystems fuse the auditive and visual domains into one immersive spatial experience that explores the limits of the human sensory apparatus.
Evil Twin : Circuit Bent Twin Neck Toy Guitar.
Each neck has a range of sounds, top one are leads, bottom one, riffs and rhythms.
The 2 necks can be pitched independently of each other and have their own volume controls and an LFO for modulation, with speed and depth controls. The original toy was a hideous orange colour with tiger stripes so I gave it a nice hazard warning stripes paint job.