View allAll Photos Tagged modelshoot
Model is JessicaBaker
Strobist: 4 lights. Key is from 2 B800s in strip boxes, each side, f/8. There is a B1600 on a 20º grid on the background, approximately f/4. SB28 in a Stofen lighting her shoes, unmetered but 1/16 power. Triggered by Pocket Wizards.
PP in LR4/CS5.
Mayhem #806843
More on this at kidona.com.
Strobist: Quadra "A" head in 5" reflector/diffuser, camera right, f/4. Shutter dragged at 1/80. Triggered by Skyport.
PP in LR5/CC.
© Donald J. Fadel, Jr. | kidona.com
From a hair series for the LE 52 Weeks project, assignment 21.
This has an extreme amount of retouching, which I normally don't like/do. However, for this image, I felt like the retouching almost had to be surreal, the skin flawless. EVen if it was supposed to be about hair.
I still don't know how I feel about it.
Strobist: B400 in a large octa, camera left, f/8. 2 B800s in softboxes for background, approximately f/16.
Triggered by Pocket Wizards.
PP in LR3/CS5
Strobist: 2 B800s in strip boxes right/left and slightly behind model, f/8. ABR800 as fill. B800s triggered by Pocket Wizards, the ABR by a sync cord.
PP in Lightroom/CS4.
Same image as here without the edge treatment and with some additional (slight) editing.
Strobist: 4 lights.
Key is a Quadra "A" head in the 39" Deep Octa, camera right and high, f/2.8. Fill is a B800 in a large octa, low and camera left, ~ f/2.. 2 B800s on the background, f/5.6.
Triggered by Skyport.
PP in LR4/CS5.
Mayhem #806843
Brandi is a body builder who is entering a fitness competition. I would say her level of fitness is high. She is also quite beautiful (I know I had to tell you that); I removed a couple of small blemishes but that was it for post. No general skin retouching.
Strobist: Key is an X1600 in a white 86" PLM in shoot-thru mode, camera left, f/11 at ISO 200. The background is lit with 2 B800s in reflective umbrellas, 1/2 stop over. Triggered by PWs.
PP in Lightroom/CS4
Previously unpublished work from earlier in the year. This month is apparently "post processing practice month."
I know Zack Arias said not to bother shooting fashion unless you are in NY or Paris or maybe seasonally in Miami (which is down the road a bit) but I'm not shooting for my portfolio. This is more in the vein of what Sue Bryce of Lindsay Adler do - shooting for their client base.
I actually think the flatter lighting is easier than traditional portrait lighting.
Strobst: Key is a B800 im a large octa, camera right, f/4. Fill from camera left from a large softbox, f/2.
Triggered by Pocket Wizards.
PP in LR4/CS6/Color Efex
Mayhem #806843
Model/HMUA: Charlie Burns
From the archives.
I keep hoping that the photographer/model group(s) in this area will revive BEFORE I drown in the archives.
Strobist: 4 lights. A variation on clamshell lighting I call "over/under". The key is an Elinchrom Quadra A head in the Deep Octa, without the outer baffle, boomed over camera axis, at f/5.6. Under this is a B800 in a large octa, providing fill at f/4. B800 on a 20º grid at the background (which is a white cyc), Another B800 as a rim/hairlight behind and camera right. The 2 accent lights are seasoned to taste - no meter readings.
Triggered by Skyport.
PP in LR3/CS5
Mayhem #806843
Aboard Monarch of the Seas
Strobist: Speedlight in a Westcott Orb, camera right, f/6.3.
Triggered by Pocket Wizards.
Mayhem #806843
PP in LR3/CS5/Color Efex Pro 3.
Strobist: 4 lights. A variation on clamshell lighting I call "over/under". The key is an Elinchrom Quadra A head in the Deep Octa, without the outer baffle, boomed over camera axis, at f/5.6. Under this is a B800 in a large octa, providing fill at f/4. B800 on a 20º grid at the background (which is a white cyc), Another B800 as a rim/hairlight behind and camera right. The 2 accent lights are seasoned to taste - no meter readings.
Triggered by Skyport.
PP in LR3/CS5
Mayhem #806843
from my archives, januari is month of the archive
my first modelshoot, unfortunately he doesn't co-operate
©all rights reserved.
Copyright ©Zino2009 (bob van den berg) . All my images are protected under international authors copyright laws and may not be downloaded, reproduced, copied, transmitted or manipulated without my written explicit permission.