View allAll Photos Tagged model

♫♪♪ Music link ♫♪♪ - Models: Byrdylady & Joe

(+1 photo in 1st comment)

Model is Remy @ Wallflower

 

PLEASE PLEASE PLEASE continue to rate my portfolio 5 stars and help me win 2,000 dollars!!!

 

It would mean the absolute world to me if you could take just 10 seconds out of your day and vote for me. Thank you to everyone who has, and continues to do so. And you can vote every 24 hours!

Model: Marissa Stack

Shooting an arctic fox is the ultimate illusion of my mind but got a chance to work with Marissa couple of weeks ago while we had the season's first snow fall. Though the shooting was merely for 30 mins but still got a number of shots to share..

female model on steps in ligerie

Model: Charlotte Kloosterman

Photographer: Bram van Dal

www.bvdbvphotography.com

 

1/250 F/1.4 640 Canon 5DmkIII Sigma 85mm

 

I never have an idea in advance, but by using insights from each other, you can discover new opportunities and possibilities at every location.

 

Also in this photo it is not that I took the photo, I did that together with the model.

I couldn't resist posting this photo today. It was taken on the fourth of July, 2014 at the parade in Paris, Idaho, but I used it as #17 in my 1 to 100 project. The owner and driver is Vaughn Pugmire, and we went to his 90th birthday party today. He is a great guy who has given us rides in his two restored Model A's, and used to bring us lots of fresh vegetables from his big garden. He can't manage a garden anymore, but is still fun to visit with.

1931 Ford Model A Phaeton at the Essen Motorshow.

Model: Frits Houwaart

 

Photographer: Bram van Dal

 

Camera settings:

 

Shutterspeed: 1/1600

 

Aperture: F / 1.6

 

ISO: 200

 

Camera: 5DmkIII

 

Lens: 85 mm

 

Curiosity, not telling the whole story, can be a nice part that you can play with as a photographer.

 

With this I give the viewer the opportunity to complete the story myself.

 

Photography is not always about what people see, but you can also play with the feeling of the viewer. An easy way to achieve this is to ask the person standing in front of the camera to let go of contact with the camera, there is a chance that the person will stare, but it is important to be a real model look somewhere and see something. If the model has contact with something, you will see that in the photo.

Kodak T-MAX 400 Olympus OM-1n 28/2.8

Model: Carolina Gianotti

1 2 ••• 6 7 9 11 12 ••• 79 80