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The Series Sixty-two was a model produced by Cadillac from 1940 through 1964 when it was renamed “Calais” for the 1965 model year. It was one of Cadillac’s most popular models. For the 1949 model year, the Series Sixty-two spawned the “Coupe deVille.”
For the 1953 model year the world was introduced to the very first Series Sixty-two Eldorado. The Series Sixty-two convertible was one of America’s most luxurious convertibles. Cadillac’s magnificent new design and craftsmanship were dramatically displayed in the 1957 Cadillac Series Sixty-two convertible.
Cadillac for the 1957 model year was completely redesigned. A Cadillac convertible was the celebrity among Cadillacs. There was no more gracious manner in which to enjoy open-air touring than the 1957 Series Sixty-two convertible. Its aristocratic flair was dramatic and pronounced.
Apart from the Biarritz convertible, the Series Sixty-two convertible was the most elegant convertible built in the land. It was the synthesis of two motoring worlds; it had all the panache of a ragtop and the comfort of a luxury car. Style code #6267F Series Sixty-two convertible had a base price of $5,225. (Cadillac repairs today run up tabs along these same dollar amounts…amazing)
The 1957 Cadillacs were all-new in design from the 1956 models. The 1957 cars presented a new sleekness in every line as witnessed by the Series Sixty-two convertible. They were built almost 3” lower in overall height.
The front end ensemble was boldly aggressive. It retained the “Dagmars.” The sweep of its new fender lines extended back to the redesign of the iconic Cadillac tail fins.
The convertible’s silhouette was highlighted by chrome-framed wheel openings and extended contour lines to both front and rear fenders. The fender skirts were dropped for a cleaner more contemporary look at the time.
All Cadillac bodies were built by the Fleetwood Division of Fisher Body under relentless quality control procedures. The Series Sixty-two convertible rode upon a long 129.5” wheelbase, had the luxury length of 220.9” and an 80” wide stance.
The Cadillac 6.0 litre 365 CID 16-valve V8 engine had five main bearings, intake silencer, and hydraulic lifters. It was constructed with cast iron, block and cylinder heads. The engine was equipped with a Rochester 4-bbl downdraft Quadrajet carburetor with equalized manifold, and automatic choke. It produced 300 hp @ 4,800 rpm with 542 Nm of peak torque @ 2,800 rpm. Performance was rated as 0-60 mph in 11.2 seconds, 0-100 mph in 33.1 seconds with a top speed of 119 mph. It could do the ¼ mile @ 81 mph in 18.1 seconds.
The Cadillac Series sixty-two convertible was a triumph of motoring distinction. Its unmatched comfort and spacious dignity was the finest expression of Cadillac’s dramatically new styling. In the way it looked and the way it drove, the 1957 Cadillac Series Sixty-two convertible introduced a brand new measure of excitement to modern luxury motoring…done in the manner only the “Standard of the World” could provide. This is another classic encore presentation…in the continuing saga of “As the Standard of the World Turns.”
notoriousluxury.com/2014/06/21/1957-cadillac-series-sixty...
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Detail of Westcliff, a 4mm model rail layout based on the Dorset coast, taken at the National Festival of Railway Modelling, Peterborough, October 2009
Model: Karlijn Nijkamp
Photographer: Bram van Dal
1/250 F/1.8 640 Canon 5DmkIII Sigma 85mm
A location on Strijp-S that I have not visited before. The atmosphere of this location really appealed to us and playing with the available light was a nice challenge.
Foto del verano.... queda algo lejos la verdad... sobre todo viendo aún la nieve restante de estos días por la ventana.
Cámara: Canon Model 7
Película: Washi A
ISO: 12
Velocidad Obturación: 1/1000
Apertura : f2.8
Distancia Focal: 50mm
Objetivo: Canon Lens 50mm 1.2 LTM
Datos Revelado
Revelador: R09 One Shot
Paro: Fomacitro
Fijador: Agfa Fix Ag
13 min 20º
Dilución 1:50
Agitación estándar
Model: Ellis Jentjes
Photographer: Bram van Dal
1/2000 F/1.8 250 Canon 5DmkIII Sigma 85mm
A simple photo, where I made use of indirect sunlight, standing on the shadow side of her face and also found the rusty part of the fence to match the color tones in her clothes.
Hi Guies
ik rat aisi aye k maine kaha hud se chalo aaj fotographi kerte hain
mere ander k model ne kaha k tasweeren to sab lete hain aaj kuch new hona chayey
to maine apne apko kuch new tarah se model banan chaha
aur kuch new ker k dekha
mujhe umeed hai k apko ye kaam acha lage ga
mujhe feed back zaroor dejiega mujhe acha lage ga thx
Model + Editer = Yasin
Fotographer = Phir kabi lolz
Model: Pauline
Photographer: Bram van Dal
Website: Www.bvdbvphotography.com
Insta: www.instagram.com/bvdbv_photography/
1/1500 F/2.0 320 Canon 5DmkIII Sigma 85mm
You can see every posture as a pose. You can also use the unconscious postures as a pose.
A mobile can help in an easy way to show those unconscious poses.
It doesn't matter to me whether the model is looking at the cell phone or makes eye contact with the camera for a while. The posture appears normal and natural.
Model: Yara
Photographer: Bram van Dal
1/180 F/4.5 100 Canon 5DmkIII Sigma 85mm
A cool record that I keep looking at, her relaxed appearance, this photo has the right power.
Regardless of whether I work on location, I mainly look at the shadows instead of the light.
In this photo, I used a new lighting setup. I have placed two studio lamps on the right side, the first lamp, I have pointed straight up, placed high and equipped with a large umbrella, this provides a hair light, as for profile lighting, the second studio lamp, is at eye level from her and has the function as fill light.
Model: Anastasia
Strobist info:
SB600 in softbox left from the cam. SB600 with umbrella right. Trigged via CLS.
I wonder what she's thinking...
I have an 80 year old photographer as a mentor, and since the pool we were using was near his condo, he dropped in. Frank is a retired veteran of photography, so when he is on the scene, I like to get him to help. Frank's specialty was photographing women, and his nickname was Hef, so, well, he is quite at home working with a swimsuit model. I forgot to tell him that Page had some reservations about looking like she fell out of a Playboy magazine. So I thought she might be a bit hesitant when he was coaching her in cleavage enhancing poses like this one. But the professional that Page is, she never wavered, and even looks like she is having some fun.
She's probably thinking - "My boyfriend's really going to like this."