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… This girl literally stopped me in the middle of the sidewalk, chose the shooting location herself and took the pose, waiting for me while I was fumbling with my lenses. After the shot, she just meowed happily and disappeared round the back garden.
Shot with 7.98 / 56mm Moment Tele Lens.
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Detail of Westcliff, a 4mm model rail layout based on the Dorset coast, taken at the National Festival of Railway Modelling, Peterborough, October 2009
Model: Karlijn Nijkamp
Photographer: Bram van Dal
1/250 F/1.8 640 Canon 5DmkIII Sigma 85mm
A location on Strijp-S that I have not visited before. The atmosphere of this location really appealed to us and playing with the available light was a nice challenge.
Foto del verano.... queda algo lejos la verdad... sobre todo viendo aún la nieve restante de estos días por la ventana.
Cámara: Canon Model 7
Película: Washi A
ISO: 12
Velocidad Obturación: 1/1000
Apertura : f2.8
Distancia Focal: 50mm
Objetivo: Canon Lens 50mm 1.2 LTM
Datos Revelado
Revelador: R09 One Shot
Paro: Fomacitro
Fijador: Agfa Fix Ag
13 min 20º
Dilución 1:50
Agitación estándar
Model: Ellis Jentjes
Photographer: Bram van Dal
1/2000 F/1.8 250 Canon 5DmkIII Sigma 85mm
A simple photo, where I made use of indirect sunlight, standing on the shadow side of her face and also found the rusty part of the fence to match the color tones in her clothes.
Model: Pauline
Photographer: Bram van Dal
Website: Www.bvdbvphotography.com
Insta: www.instagram.com/bvdbv_photography/
1/1500 F/2.0 320 Canon 5DmkIII Sigma 85mm
You can see every posture as a pose. You can also use the unconscious postures as a pose.
A mobile can help in an easy way to show those unconscious poses.
It doesn't matter to me whether the model is looking at the cell phone or makes eye contact with the camera for a while. The posture appears normal and natural.
I was photographing birds, but when I see this girl at the water I could not resist to capture that moment
Model: Yara
Photographer: Bram van Dal
1/180 F/4.5 100 Canon 5DmkIII Sigma 85mm
A cool record that I keep looking at, her relaxed appearance, this photo has the right power.
Regardless of whether I work on location, I mainly look at the shadows instead of the light.
In this photo, I used a new lighting setup. I have placed two studio lamps on the right side, the first lamp, I have pointed straight up, placed high and equipped with a large umbrella, this provides a hair light, as for profile lighting, the second studio lamp, is at eye level from her and has the function as fill light.
Model: Arine Soem
Backdrop: Backdrops by Andreas
Photographer: Bram van Dal
1/160 F / 2.5 100 Canon 5DmkIII Sigma 85mm
The contrast between the bright gold tones at Arine compared to the beautiful dark brown tones in the background really appeals to me.
In this shoot I tried out my latest backdrop, in which certain color tones in the backdrop repeat themselves.
In the coming period I will look for more options.
But I'm at peace with this photo.
More model trains. I'm not getting out much, so there will be a few model railway/railroad photos to come :-)
From the top, first and fourth are Triang R248 ambulance carriages from the 1960s. Second and fifth are Triang R58 B units
en.wikipedia.org/wiki/B%E2%80%93unit
which were sold unpowered although the bottom one a previous owner did fit a motor too. The other needs some cosmetic repairs. A UK model seen in the US in real life.
Also show in third spot is the locomotive for the B units, and these all date to the late 1950s.
Camera:Nikon D300
Exposure:0.033 sec (1/30)
Aperture:f/6.3
Focal Length:27 mm
Exposure Bias:-4/3 EV
Flash:No Flash
Model: Anastasia
Strobist info:
SB600 in softbox left from the cam. SB600 with umbrella right. Trigged via CLS.
Future skater preforming a grind.
Got some old school Bionicle parts from eBay. I’m definitely a new fan of the building system 😀
I'm also on Instagram www.instagram.com/paddybricksplitter/