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Model: Tyrell Sparkman
Photographer: Bram van Dal
1/180 F/5.6 100 Canon 5DmkIII Sigma 85mm
Photographing in landscape (landscape) in combination with close-up, often goes hand in hand.
I used three lamps, two I placed on the left side, one of which faces upwards, equipped with a large umbrella, with a reflector below, on the same side a studio lamp with an umbrella at eye level and a studio lamp.
Often with this kind of lighting setup, I look at the shadow instead of the light.
When in transit, the transport cradle and the missile fit snugly on top of the vehicle. The model has working steering on the front two axles, interconnected such that the steering axle of the front wheels is larger than that of the wheels behind them.
Model: Tania d'Anconia
Photographer: Justin Bonaparte
“The secret to modeling is not being perfect. What one needs is a face that people can identify in a second. You have to be given what’s needed by nature, and what’s needed is to bring something new.”
― Karl Lagerfeld
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Model: Jaouhara Elkasmi
Photographer: Bram van Dal
1/750 F/2.8 200 Canon 5DmkIII Sigma 85mm
A small street on Strijp-s, through which the tall buildings and light are controlled in a different way.
Because of her attitude she plays with the light in a beautiful way.
Model: Raya
www.facebook.com/tarreyahmichelle.heardwashington
Photographer: Justin Bonaparte
Model: Natalia Larioshina
Photographer: Justin Bonaparte
The real vehicle has steering on all three axles. So does my model, although -unlike the real vehicle- the vehicle cannot crab steer. The gears I built into it only allow the wheels to turn such that the vehicle has a smaller turn circle.
Model: Victoria Bell
Photographer: Justin Bonaparte
Model: Francesca Mercedes
Photographer: Bram van Dal
Insta: www.instagram.com/the_cinematic_portraits/
1/750 F/2.0 250 Canon 5DmkIII Sigma 85mm
A small part of a terrace where the power of repetition can be seen. Almost all the color tones that you see with Francesca, you see in a certain gradation in the environment.
I think that beer mat under the table is a nice detail.
This is also about learning to see, in principle everything was already there to take this photo. Only it is up to both the photographer and the model to discover the opportunities and possibilities.