View allAll Photos Tagged mixedlighting
Shot in front of a hand painted wall depicting the World Famous Mysore Dasara Procession.
Lit with a combination of available light and Godox TT600 flash.
Rosalia alpina (Coleoptera, Cerambycidae) male sitting on a fallen trunk of a beech (Fagus sylvatica) in a mixed forest in North Hungary.
This is another shot taken with the Sigma 15mm ƒ/2.8 fisheye lens at its closest focusing point, but here no flash used for the foreground. The light conditions were rather lucky to be able to get such illumination.
Bigger size:
One more from my recent shoot with Katie Nicole. Who knew that a long retired ore unloader could provide such a cool backdrop!
Cleveland, OH USA
I am busy catching up with this Photoshop update of an decade. The program ha gotten better. Somethings seems like pure magic. like the noise reduction tools in the raw editor.
I love the color version of this photo, but it made for a great B&W as well, and the scene just felt like it lent itself to a vintage look. (a timeless moment)
This street food corner is squished between old buildings amd have some nice warm lights collection, they are creating some cozy atmosphere;
_____
Tech:
Nikon D810
Nikkor AF-S 28mm f/1.4E
kodachrom'ish by self developed color grading preset.
A change of focus and the lights along the riverside reveal a different world :~)
Taken with an old school 50mm manual lens opened up to f2 to throw the lights and their reflections in the background completely out of focus.
Double Locks, Exeter Ship Canal after dark.
Camera Canon 600D
Lens Canon 18-55mm @ 29mm
Exposure 30 seconds
Aperture f16
ISO 800
Thanks for viewing my image, if you’re interested in more images from Earl Adams Photography check out my website at www.earladamsphotography.com, and “Like” my photography page on Facebook at www.facebook.com/EarlAdams.Photography
If you enjoy good people, good cigars, good coffee and good music, the Leaf and Bean is the place for you!
Pittsburgh, PA USA
16:56, Sunday 23rd January 2011 ·
St Nicolas church, Great Bookham, Surrey, England ·
Pentax K1000 (35mm SLR) ·
Kodak Ektar 100 colour negative film (ISO 100) ·
Pentax-M f2 85mm lens · f8|11 · 8 secs ·
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#AbFav_BOATS_YACHTS_⛵️
The sun was going down still a lovely afterglow, the people driving home still smiling after a lovely day, the lights came on to work for the night, shops and attractions were closing down grateful for a well-earned rest, DONE FOR THE DAY...
Photographically an interesting time, this is a pond on the North Beach, in Bridlington, where kids can ride little boats, the promenade light reflecting in the still water.
Another aspect of Summer... again from all over!
Have a lovely day and thanks for your comments, M, (*_*)
For more of my work: www.indigo2photography.com
Please do not COPY or use any of my images on websites, blogs or any other media without my explicit permission. © All rights reserved
Bridlington, resting, moored, North-Yorkshire, Heritage-Coast, harbour, dusk, buoy, reflection, rope, evening, mixed-light, boats, beach, houses, chains, seafront, nautical, colour, horizontal, Nikon D7000, "Magda indigo"
A digitally enhanced artistic rendering of a ceiling full of empty bottles at Wiggles Whiskey.
Pittsburgh, PA USA
Morimus funereus (Coleoptera, Cerambycidae) sitting on a fallen branch surrounded by more dead wood effected by a storm.
Hand-held, mixed light shot taken with a fish-eye lens,. The beetle was lit with a twin flash.
#AbFav_ SKIES_⛅️
How super when it is still light and yet, the lights come on... mixed light in photography terms.
Often great for imageries.
No matter where you are, or what time of year, always moody, even a little nostalgic.
Have a lovely day and thanks for viewing, Magda, (*_*)
For more: www.indigo2photography.com
Please do not use this image on websites, blogs or any other media without my explicit permission. © All rights reserved
Evening, mixed lights, electric, lights, skies, cloud, Flanders, Ostend, landscape, colour, horizontal, "Nikon7200", "Magda indigo"
Flathead Lake, Montana. Mixed lighting caused by multiple bright light sources located behind and to the right of camera.
Mixed light (ambient and AD400pro in a 85cm octa).
D850, 85mm f/1.8 @ f/8.
Model: @_san_drine_modele_
© Michel Vanaken 2022-2023, All rights reserved.
A mixture of lighting: vibrant orange tones of Stirling contrasting with the cobalt blue night sky above.
The foreground hill is Craigforth, a plagioclase-macrophyric basalt outcrop amongst the superficial deposits of holocene silt and clay.
Thanks for viewing my image, if you’re interested in more images from Earl Adams Photography check out my website at www.earladamsphotography.com, and “Like” my photography page on Facebook at www.facebook.com/EarlAdams.Photography
Very subtle light illuminating beech leaves starting to turn autumnal orange above a small waterfall in the river, Gleann nan Eildeag (just off Glen Lyon).
The Sanctuary in St John's, Perth.
The things one can do with a 5-shot HDR and a 7-14mm lens - standing right by the front pew...
Nice aurora - very bright greens and purples with rays - against the Milky Way in the background.
Taken outside Balgowan, Perthshire
I've been trying to find a way to photograph this waterfall for about a year; very tricky to find an angle, especially in daylight, in which the fragment of sky doesn't form an annoying distraction.
So after a bit of thought and several flashes of inspiration later, I returned and spent 1.5hr standing in the waterfall as dusk fell, watching blue-hour turn to twilight and seeing the relative contribution of my own lighting increase.
In the final selection of frames, the ambient light was low - at ISO 200, wide aperture and long 2s exposure, the water barely left any impression on the image.
To light-paint the scene, I chose:
two Manfrotto continuous LED lights - one supporting a glass ball on the rocks, one held up high+left angled to skim the rocks both near and far;
two Yongnuo 560IV flash units - one on camera, very low power with a Rogue Flashbender diffuser to gently illuminate the foreground rocks, one held by hand up high+right, full power, pointing at the bulk of the waterfall, biassed toward the top of the cascade.
One of the advantages of pixel-shift is that any exposure happens four times in quick succession: this allowed me to vary the angles of the two hand-held lights between frames before blending the favourite images together.
Lighting by area: sky: natural ambient; rocks top-left and distant right: LED light-painted; rocks bottom-left: flash; waterfall: flash, with the intentional consequence of freezing the fast-flowing water despite the low light levels. Makes a change from long-exposure brushed-cotton-wool water!
Prints and things are available from the website: www.shinyphoto.co.uk/photo/Waterfall--Strath-Fionan-23c4a...
When I arrived at the Burlington Bay Canal East pier area during Blue Hour earlier this week, I passed by a pair of barriers warning you the area was closed. This is all that is left of attempts to prevent public access to the pier after public uproar after the federal government department responsible for managing the pier had unilaterally decided about a year ago that they did not want to any liability should someone fall into the water. This is after almost 200 years of operation. People have been strolling out on the piers projecting out into Lake Ontario as well as fishing since before living memory. Similarly the other end of the canal’s piers (behind me) provide similar strolling and fishing opportunities as that end projects into Burlington Bay. All that is left of the short-lived public access barriers is seen here. You go out there, then on your head be it, so use your head, especially in rough weather. That is as it should be. The couple seen here were enjoying a warm Autumn evening to relax and do some Blue Hour fishing, albeit with no luck, as it turned out. - JW
Date Taken: 2021-10-06
(c) Copyright 2021 JW Vraets
Tech Details:
Taken using a tripod-mounted Nikon D800 fitted with an AF-D Nikkor 50mm 1:1.8, ISO250, Auto WB, Aperture Priority Mode, f/8.0, 13 sec with an EV+0.33 exposure bias (based on test exposure) PLUS a second image taken at ISO6400 to get shutter speed up and get the couple sharp (aperture same as first image just shutter speed adjusted to get an otherwise similar look). PP in free Open Source RAWTherapee from Nikon RAW/NEF source file: set final image size to be 12000px wide (in anticipation of cropping in Gimp NOT RAWTherapee), sharpen (edges only), save (same for both images). PP in free Open Source GIMP: loaded both images as layers, top image (high ISO for the couple, bottom layer for image overall (fine grain/low noise, static image), ad a black/transparent layer mask to the top/couple image, paint in the couple on the top layer using a soft-edged brush and white paint to reveal the couple from the top layer (grainy but acceptably low motion blur), create new working layer from visible result, crop to 4x5 format to get rid of a distracting stand of trees on the left), sharpen, save, scale image to 6000 px wide, sharpen, save, add fine black-and-white frame, add bar and text on left, save, scale image to 3000 px wide for posting online, sharpen very slightly, save.