View allAll Photos Tagged millers
Four South Shore GP7's bring a hopper train for the B&O into Miller IN. passing the old shelter in 1977.
Miller Arcade, Preston’s first indoor shopping centre, was constructed in 1899 and modelled on the larger Burlington Arcade in London. This architectural gem still remains a draw, more than a century on.
Standing proud as a Grade II listed Victorian building, Miller Arcade has many grand period features. Step inside where you will find ornate tiling, vintage shop fronts, high glass-panelled ceilings and many benches to view it all from. The building's bygone charm makes it easy to imagine what is was like 100 years ago.
Address: Lancaster Rd, Preston PR1 1DA
© 2019 Tony Worrall
Found along the West Fork Miller River. Scan of a 35mm Velvia slide.
Mt Baker-Snoqualmie Nat'l Forest
This is in the same little shopping center where the Albertson's Store has been bought out by Safeway... Also Bi-Mart is on the north end of this complex.. It's right across the street from the US Bank as well... Happy Windows Wednesday, Everybody!!!!
DGNO SD40-2 no. 3416 leads the Miller Turn past Cadiz toward Mockingbird, with the old Sears complex in the background. Photo May 7, 2016.
Second photo shoot with the lovely, sexy, busty babe Nicole.
Follow her on Instagram to see a lot more amazing content!! @moparmodel_official
DGNO's Miller Turn arrives at Cadiz in downtown Dallas after doing work in Mockingbird Yard. Photo November 11, 2016.
Second photo shoot with the lovely, sexy, busty babe Nicole.
Follow her on Instagram to see a lot more amazing content!! @moparmodel_official
Missed a turn while going to a waterfall and found this. I thought it was a good subjust to try adding texture.
DGNO's Miller Turn, powered by two EMD SD40-2s, heads toward Mockingbird Yard just before sunset, passing Lenway Ave. Photo September 10, 2016.
Second photo shoot with the lovely, sexy, busty babe Nicole.
Follow her on Instagram to see a lot more amazing content!! @moparmodel_official
HXZ 5981 is a Mercedes-Benz 614D/Onyx new to Clark and Smith (Watermill), Fraseburgh in June 2002 as ML02 PFN.
It later worked for McGowan (Whitestar), Neilston as H11 ARB and HXZ 5981 before joining the Miller of Airdrie fleet in June 2018. It was still carrying Whitestar livery in March 2021.
The sexy girls on the Millers Oils stand look perfect from the front, back or side! The gorgeous threesome were at the Autosport International show, Birmingham, United Kingdom.
All Rights Reserved
Shot with Nikon Nikon D-800 and zoom Nikkor 28-300mm IF-ED VR2 and Nikon SB-910 Speedlite.
Please note:
These images are not public domain and are protected by copyright law.
All images © MSI (Motorsport Images Ireland) 2017. All rights reserved.
COPYRIGHT: The copyright and intellectual property rights of this image are owned by MSI (Ireland), and are protected by copyright laws of Ireland and international intellectual property right treaties. You may not copy any portion of the images in any form whatsoever. You may not alter the images in any way.
UNAUTHORISED USE: You may not use, copy, rent, lease, sell, claim ownership, publish to a website, blog or other such electronic hosting medium, modify, de-compile, disassemble, otherwise reverse engineer, or transfer images in any form whatsoever whether electronically, mechanically or any other method. Any such unauthorised use shall result in immediate and automatic termination of this license and may result in civil and/or legal action against you/your company or representative.
If you are interested in the use of this digital photographic image, please contact (via e-mail) at msiireland@yahoo.com or motorsportimagesireland@gmail.com
......................................................................................................................
Photography by JOB/MSI Ireland
© John O’Brien / MSI Ireland 2017
All Rights Reserved
Second photo shoot with the lovely, sexy, busty babe Nicole.
Follow her on Instagram to see a lot more amazing content!! @moparmodel_official
This historic house (by American standards- it dates from 1900) was built and occupied by Robert E Miller the first superintendent of the Teton National Monument. It certainly has a nice view.
Second photo shoot with the lovely, sexy, busty babe Nicole.
Follow her on Instagram to see a lot more amazing content!! @moparmodel_official
Vintage postcard. Photo: Metro-Goldwyn-Mayer.
Ann Miller (1923-2004) was an American dancer, singer and actress. She was famed for her speed in tap dancing and her style of glamour: massive black bouffant hair, heavy makeup with a splash of crimson lipstick, and fashions that emphasized her lithe figure and long dancer's legs. Miller is best remembered for her work in the classic Hollywood musicals Easter Parade (1948), On the Town (1949) and Kiss Me Kate (1953).
Ann Miller was born Johnnie Lucille Ann Collier in 1923 on her grandparents ranch in Chireno, Texas. Her father wanted a boy, so Ann was named Johnnie, and she later went by Lucille. Her father was a well-known criminal lawyer who had defended famous gangsters Bonnie and Clyde and Baby Face Nelson. Mrs. Collier enrolled her three-year-old little girl in dancing lessons to help strengthen her legs, which had become weakened from a case of rickets. When Miller was ten she met Bill 'Bojangles' Robinson at a local theatre and he gave her a quick tap-dancing lesson. She liked that style of dance very much, and decided to concentrate on it with further lessons. After her parents divorced, she went with her mother to Hollywood, determined to get into show business. The eleven-year-old brunette, pretending to be of legal age, was soon hired to dance for $25 a week at the Sunset Club, a small lounge where gambling went on upstairs. Using the stage name of Ann Miller, she practiced her machine-gun tapping for the thrilled patrons. She also danced at the seedy Black Cat Club, where she scooped up the coins customers threw into her skirt to help pay the bills. Before long, Ann was netting unbilled extra roles in the films Anne of Green Gables (1934) and The Good Fairy (1935), and she got to dance in Devil On Horseback (1936). The next year the thirteen-year-old was dancing for a four-month run in a show at the popular Bal Tabarin nightclub in San Francisco. There, she was discovered by comedian Benny Rubin and future comedian, actress Lucille Ball. Ball introduced Miller to executives at RKO Studios. Pretending she was eighteen with the help of a fake birth certificate supplied by her father, Ann landed a seven-year contract and a role in the film New Faces of 1937 (1937).
Ann Miller's first great part was in Stage Door (1937), in which she danced with Ginger Rogers and acted with Lucille Ball, Katharine Hepburn, and Eve Arden. Other films in which Ann appeared include Radio City Revels (1937), the Oscar winner You Can't Take It With You (1938) with Jean Arthur and James Stewart, and Room Service (1938) with the Marx Brothers. Miller introduced Lucille Ball to Desi Arnaz, and, some years later, the famous couple bought RKO and re-named it DesiLu. Ann's last film at the studio was Too Many Girls (1940), in which she co-starred with friends Lucy and Desi. She then appeared on Broadway in George White's Scandals in 1939 and 1940, for which she won rave reviews. In 1940 Miller moved to Republic Pictures, where she enlivened Melody Ranch (1940) with Gene Autrey in his first musical film, and Hit Parade of 1941 (1941). Other films followed, many aimed at promoting the war effort, which include True To The Army (1942), Priorities On Parade (1942), Reveille With Beverly (1943), What's Buzzin' Cousin? (1943), Hey Rookie (1944), and Jam Session (1944). In 1945, Ann briefly dated powerful MGM boss Louis B. Mayer. When the much older mogul asked Ann to marry him, she turned him down. Moaning and groaning to her on the phone, the dramatic Mayer swallowed sleeping pills, and immediately sent his chauffeur to summon Ann to his death bed. An ambulance arrived first and he recovered. Later, Ann married Reese Milner, a rich steel heir, and they lived on the biggest ranch in California where they raised prized Hereford cattle. The marriage ended quickly after Reese threw Ann down the stairs of their home. Pregnant Miller filed for divorce from her hospital bed, with her broken back in a steel harness. Her baby, Mary, died a few hours after birth. Later, painfully returning to Mayer for a job, he told her, "If you'd married me, none of this would have happened."
Ann Miller was still in a back brace when she danced to Shakin' The Blues Away in Easter Parade (1948), co-starring Fred Astaire and Judy Garland. She received fantastic reviews, and MGM gave Ann a seven-year contract. Ann then proceeded to make her most spectacular Technicolor musicals that include On The Town (1949), Small Town Girl (1952), Kiss Me Kate (1953) which was extravagantly filmed in 3-D, and Hit The Deck (1955). Her last musical was a remake of the 1939 film The Women, named The Opposite Sex (1956). The glamorous, outgoing and articulate Ann was also hired as MGM's Good Will Ambassador. She travelled the world in gorgeous designer ensembles while representing her studio with personal appearances and speaking engagements. When she flew to Morocco in July of 1957 to appear with Bob Hope on the Timex TV Hour, she entertained five thousand troops in 120 degree weather as she sang 'Too Darn Hot', and soon set a record for the world's fastest tap-dancing at 500 taps a minute. In 1958, Miller married her second millionaire, Texas oil man Bill Moss who, she quipped, "...looked exactly like my first husband. Three months later, he broke my arm." A third marriage to another oilman, Arthur Cameron, was annulled within a year, though they remained friends. From 1966-1970, Ann became a hit on Broadway in 'Mame'. In 1970 she turned to television and starred in a commercial for Heinz's Great American Soups, in which Miller tap-danced on an eight foot can of soup surrounded by dozens of high-kicking chorus girls, 20-foot fountains, and a 24- piece orchestra. Then, tapping her way back into her kitchen, her husband cried, "Why must you make such a big production out of everything?" The song she sang was written by humorist Stan Freberg and choreographed by Danny Daniels. In 1972, in St. Louis, on opening night of the musical show 'Anything Goes', Ann was knocked in the head by the steel beam of a fire curtain. Although as a consequence she was unable to walk for two years and suffered permanant vertigo, her life actually had been saved by her well-known, stiff, enormous, lacquered black wig. In 1979, she made a comeback and a fortune in 'Sugar Babies' with former teenage Hollywood acting schoolmate Mickey Rooney. The popular show ran for two years on Broadway and seven more years on the road. In 1998 she appeared in a successful revival of Stephen Sondheim's 'Follies' at the Paper Mill Playhouse in New Jersey. In 1972, Miller published her autobiography, 'Miller's High Life', and more memoirs in 1981 with 'Tops In Taps'. Her last screen appearance was playing Coco in director David Lynch's critically acclaimed Mulholland Drive (2001). Ann Miller died of lung cancer in Los Angeles, California in 2004. She was buried next to her miscarried daughter, which reads "Beloved Baby Daughter Mary Milner November 12, 1946". The Smithsonian Institution displays her favourite pair of tap shoes, which she playfully nicknamed "Moe and Joe".
Sources: Steve Starr (The Entertainment Magazine), Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
maps.secondlife.com/secondlife/Miller%20Creek/116/119/24
Welcome to Tranquilla - January 2025. Thank you for viewing these visions.
Link to the Tranquilla album:
www.flickr.com/photos/sadiezeephotos/albums/7217772032307...
All photos in the Tranquilla album, with this outfit, were taken at Southern Roots. In the South we...
Say Grace, Enjoy Flip Flops, Listen to Mama, Sweeten Our Tea, Move a Lil' Slower, Know our Neighbors, Bless Hearts, Use our Manners, Love like Crazy, Catch Lightnin' Bugs, Live Simple, Say Hey Y'all, Count our Blessings, Wave at Strangers, Drive Trucks, Give Warm Hugs, Grow Gardens, Sit on Porches and Marry for Love.
Sweater & Blouse: Mossu Charlie Set
marketplace.secondlife.com/p/Mossu-Charlie-Set-Megapack/2...
Leggings: Pixicat Oakley Tights
marketplace.secondlife.com/p/Pixicat-Oakley-Tights-fatpac...
Pantyhose: Vannie's Nicole
marketplace.secondlife.com/p/VANNIES-Pantyhose-Nicole-App...
Heels - KC Couture Greta
marketplace.secondlife.com/p/KC-GRETA-HEELS-MAITREYA-LEGA...
Necklace & Earrings: EarthStones Flight of Fancy
marketplace.secondlife.com/p/EarthStones-Flight-of-Fancy-...
Bracelet: EarthStones Monarch Fantasy Bracelet
marketplace.secondlife.com/p/EarthStones-Monarch-Fantasy-...
CSS #2000 rounds the curve west of Miller station with PF-10 bound for Curtis Yard. The right-of-way in the foreground roughly parallels what was originally the Lake Shore and Michigan Southern's Chicago-Buffalo mainline, laid in 1851. The LS&MS crossed the Baltimore and Ohio at-grade at the intersection of Miller and Lake.
In 1906, during the formation of Gary and the construction of the US Steel works, the LS&MS mainline was relocated to the north, and a segment of the original right-of-way from downtown Gary to Miller became a part of the newly-formed interurban railroad Chicago, Lakeshore, and South Bend, which would later become Insull's CSS&SB. The interurban right-of-way would become grade-separated during the interurban era when a flyover was built over the B&O just slightly east of the junction.
And that's how you get the rollercoaster of a mainline here at Miller Beach.
Second photo shoot with the lovely, sexy, busty babe Nicole.
Follow her on Instagram to see a lot more amazing content!! @moparmodel_official
Based on characters in the Canterbury Tales, but transposed to today and Second Life. The machinima is here: The Digital Pilgrims.
This image taken from filming at Foxcity maps.secondlife.com/secondlife/FOXCITY/189/32/22)