View allAll Photos Tagged methodical
High energy (and skill) shenanigans from 'Kin' by Barely Methodical Troupe which is part of the The Underbelly Circus Hub at this year's Edinburgh Fringe.
This show is oodles of fun.
You can book tickets here: www.underbellyedinburgh.co.uk/whats-on/kin
One of calming activities is finding nice sticks while out on walks, taking the bark off and letting them dry in the sun. Then I spend days/weeks/months sitting outside slowly and methodically sanding them down. I work in stages increasing the fineness of the grit to nearly buffing it. I then use local beeswax (often infused with herbs or hemp) and a microfiber cloth to bring the surface to a protected smooth shine. There is no “purpose” to this really, just something nice to do with my hands when my anxiety is high. Plus other than keeping stocked on sandpaper and beeswax, it’s more or less a free activity which I also love.
Gandhara is the name given to an ancient region or province invaded in 326 B.C. by Alexander the Great, who took Charsadda (ancient Puskalavati) near present-day Peshawar (ancient Purusapura) and then marched eastward across the Indus into the Punjab as far as the Beas river (ancient Vipasa). Gandhara constituted the undulating plains, irrigated by the Kabul River from the Khyber Pass area, the contemporary boundary between Pakistan and Afganistan, down to the Indus River and southward towards the Murree hills and Taxila (ancient Taksasila), near Pakistan"s present capital, Islamabad. Its art, however, during the first centuries of the Christian era, had adopted a substantially larger area, together with the upper stretches of the Kabul River, the valley of Kabul itself, and ancient Kapisa, as well as Swat and Buner towards the north.
A great deal of Gandhara sculptures has survived dating from the first to probably as late as the sixth or even the seventh century but in a remarkably homogeneous style. Most of the arts were almost always in a blue-gray mica schist, though sometimes in a green phyllite or in stucco, or very rarely in terracotta. Because of the appeal of its Western classical aesthetic for the British rulers of India, schooled to admire all things Greek and Roman, a great deal found its way into private hands or the shelter of museums.
Gandhara sculpture primarily comprised Buddhist monastic establishments. These monasteries provided a never-ending gallery for sculptured reliefs of the Buddha and Bodhisattvas. The Gandhara stupas were comparatively magnified and more intricate, but the most remarkable feature, which distinguished the Gandhara stupas from the pervious styles were hugely tiered umbrellas at its peak, almost soaring over the total structure. The abundance of Gandharan sculpture was an art, which originated with foreign artisans.
In the excavation among the varied miscellany of small bronze figures, though not often like Alexandrian imports, four or five Buddhist bronzes are very late in date. These further illustrate the aura of the Gandhara art. Relics of mural paintings though have been discovered, yet the only substantial body of painting, in Bamiyan, is moderately late, and much of it belongs to an Iranian or central Asian rather than an Indian context. Non-narrative themes and architectural ornament were omnipresent at that time. Mythical figures and animals such as atlantes, tritons, dragons, and sea serpents derive from the same source, although there is the occasional high-backed, stylized creature associated with the Central Asian animal style. Moldings and cornices are decorated mostly with acanthus, laurel, and vine, though sometimes with motifs of Indian, and occasionally ultimately western Asian, origin: stepped merlons, lion heads, vedikas, and lotus petals. It is worth noting that architectural elements such as pillars, gable ends, and domes as represented in the reliefs tend to follow the Indian forms
.
Gandhara became roughly a Holy Land of Buddhism and excluding a handful of Hindu images, sculpture took the form either of Buddhist sect objects, Buddha and Bodhisattvas, or of architectural embellishment for Buddhist monasteries. The more metaphorical kinds are demonstrated by small votive stupas, and bases teeming with stucco images and figurines that have lasted at Jaulian and Mora Moradu, outpost monasteries in the hills around Taxila. Hadda, near the present town of Jalalabad, has created some groups in stucco of an almost rococo while more latest works of art in baked clay, with strong Hellenistic influence, have been revealed there, in what sums up as tiny chapels. It is not known exactly why stucco, an imported Alexandrian modus operandi, was used. It is true that grey schist is not found near Taxila, however other stones are available, and in opposition to the ease of operating with stucco, predominantly the artistic effects which can be achieved, must be set with its impermanence- fresh deposits frequently had to be applied. Excluding possibly at Taxila, its use emerges to have been a late expansion.
Architectural fundamentals of the Gandhara art, like pillars, gable ends and domes as showcased in the reliefs, were inclined to follow Indian outlines, but the pilaster with capital of Corinthian type, abounds and in one-palace scene Persepolitan columns go along with Roman coffered ceilings. The so-called Shrine of the Double-Headed Eagle at Sirkap, in actuality a stupa pedestal, well demonstrates this enlightening eclecticism- the double-headed bird on top of the chaitya arch is an insignia of Scythian origin, which appears as a Byzantine motif and materialises much later in South India as the ga1J.qa-bheru1J.qa in addition to atop European armorial bearings.
In Gandhara art the descriptive friezes were all but invariably Buddhist, and hence Indian in substance- one depicted a horse on wheels nearing a doorway, which might have represented the Trojan horse affair, but this is under scan. The Dioscuri, Castor and Pollux, familiar from the previous Greek-based coinage of the region, appeared once or twice as standing figurines, presumably because as a pair, they tallied an Indian mithuna couple. There were also female statuettes, corresponding to city goddesses. Though figures from Butkara, near Saidan Sharif in Swat, were noticeably more Indian in physical type, and Indian motifs were in abundance there. Sculpture was, in the main, Hellenistic or Roman, and the art of Gandhara was indeed "the easternmost appearance of the art of the Roman Empire, especially in its late and provincial manifestations". Furthermore, naturalistic portrait heads, one of the high-points of Roman sculpture, were all but missing in Gandhara, in spite of the episodic separated head, probably that of a donor, with a discernible feeling of uniqueness. Some constitutions and poses matched those from western Asia and the Roman world; like the manner in which a figure in a recurrently instanced scene from the Dipankara jataka had prostrated himself before the future Buddha, is reverberated in the pose of the defeated before the defeater on a Trojanic frieze on the Arch of Constantine and in later illustrations of the admiration of the divinised emperor. One singular recurrently occurring muscular male figure, hand on sword, witnessed in three-quarters view from the backside, has been adopted from western classical sculpture. On occasions standing figures, even the Buddha, deceived the elusive stylistic actions of the Roman sculptor, seeking to express majestas. The drapery was fundamentally Western- the folds and volume of dangling garments were carved with realness and gusto- but it was mainly the persistent endeavours at illusionism, though frequently obscured by unrefined carving, which earmarked the Gandhara sculpture as based on a western classical visual impact.
The distinguishing Gandhara sculpture, of which hundreds if not thousands of instances have outlived, is the standing or seated Buddha. This flawlessly reproduces the necessary nature of Gandhara art, in which a religious and an artistic constituent, drawn from widely varied cultures have been bonded. The iconography is purely Indian. The seated Buddha is mostly cross-legged in the established Indian manner. However, forthcoming generations, habituated to think of the Buddha as a monk, and unable to picture him ever possessing long hair or donning a turban, came to deduce the chigon as a "cranial protuberance", singular to Buddha. But Buddha is never depicted with a shaved head, as are the Sangha, the monks; his short hair is clothed either in waves or in taut curls over his whole head. The extended ears are merely due to the downward thrust of the heavy ear-rings worn by a prince or magnate; the distortion of the ear-lobes is especially visible in Buddha, who, in Gandhara, never wore ear-rings or ornaments of any kind. As Foucher puts it, the Gandhara Buddha is at a time a monk without shaving and a prince stripped off jewellery.
The western classical factor rests in the style, in the handling of the robe, and in the physiognomy of Buddha. The cloak, which covers all but the appendages (though the right shoulder is often bared), is dealt like in Greek and Roman sculptures; the heavy folds are given a plastic flair of their own, and only in poorer or later works do they deteriorate into indented lines, fairly a return to standard Indian practice. The "western" treatment has caused Buddha"s garment to be misidentified for a toga; but a toga is semicircular, while, Buddha wore a basic, rectangular piece of cloth, i.e., the samghiifi, a monk"s upper garment. The head gradually swerves towards a hieratic stylisation, but at its best, it is naturalistic and almost positively based on the Greek Apollo, undoubtedly in Hellenistic or Roman copies.
Gandhara art also had developed at least two species of image, i.e. not part of the frieze, in which Buddha is the fundamental figure of an event in his life, distinguished by accompanying figures and a detailed mise-en-scene. Perhaps the most remarkable amongst these is the Visit to the Indrasala Cave, of which the supreme example is dated in the year 89, almost unquestionably of the Kanishka period. Indra and his harpist are depicted on their visit in it. The small statuettes of the visitors emerge below, an elephant describing Indra. The more general among these detailed images, of which approximately 30 instances are known, is presumably related with the Great Miracle of Sravasti. In one such example, one of the adjoining Bodhisattvas is distinguished as Avalokiteshwara by the tiny seated Buddha in his headgear. Other features of these images include the unreal species of tree above Buddha, the spiky lotus upon which he sits, and the effortlessly identifiable figurines of Indra and Brahma on both sides.
Another important aspect of the Gandhara art was the coins of the Graeco-Bactrians. The coins of the Graeco-Bactrians - on the Greek metrological standard, equals the finest Attic examples and of the Indo-Greek kings, which have until lately served as the only instances of Greek art found in the subcontinent. The legendary silver double decadrachmas of Amyntas, possibly a remembrance issue, are the biggest "Greek" coins ever minted, the largest cast in gold, is the exceptional decadrachma of the same king in the Bibliotheque Nationale, with the Dioscuri on the inverse. Otherwise, there was scanty evidence until recently of Greek or Hellenistic influences in Gandhara. A manifestation of Greek metropolitan planning is furnished by the rectilinear layouts of two cities of the 1st centuries B.C./A.D.--Sirkap at Taxila and Shaikhan Pheri at Charsadda. Remains of the temple at Jandial, also at Taxila and presumably dating back to 1st century B.C., also includes Greek characteristics- remarkably the huge base mouldings and the Ionic capitals of the colossal portico and antechamber columns. In contrast, the columns or pilasters on the immeasurable Gandhara friezes (when they are not in a Indian style), are consistently coronated by Indo-Corinthian capitals, the local version of the Corinthian capital- a certain sign of a comparatively later date.
The notable Begram hoard confirms articulately to the number and multiplicity of origin of the foreign artefacts imported into Gandhara. This further illustrates the foreign influence in the Gandhara art. Parallel hoards have been found in peninsular India, especially in Kolhapur in Maharashtra, but the imported wares are sternly from the Roman world. At Begram the ancient Kapisa, near Kabul, there are bronzes, possibly of Alexandrian manufacture, in close proximity with emblemata (plaster discs, certainly meant as moulds for local silversmiths), bearing reliefs in the purest classical vein, Chinese lacquers and Roman glass. The hoard was possibly sealed in mid-3rd century, when some of the subjects may have been approximately 200 years old "antiques", frequently themselves replicates of classical Greek objects. The plentiful ivories, consisting in the central of chest and throne facings, engraved in a number of varied relief techniques, were credibly developed somewhere between Mathura and coastal Andhra. Some are of unrivalled beauty. Even though a few secluded instances of early Indian ivory carving have outlived, including the legendary mirror handle from Pompeii, the Begram ivories are the only substantial collection known until moderately in present times of what must always have been a widespread craft. Other sites, particularly Taxila, have generated great many instances of such imports, some from India, some, like the appealing tiny bronze figure of Harpocrates, undoubtedly from Alexandria. Further cultural influences are authenticated by the Scytho Sarmatian jewellery, with its characteristic high-backed carnivores, and by a statue of St. Peter. But all this should not cloud the all-important truth that the immediately identifiable Gandhara style was the prevailing form of artistic manifestation throughout the expanse for several centuries, and the magnitude of its influence on the art of central Asia and China and as far as Japan, allows no doubt about its integrity and vitality.
In the Gandhara art early Buddhist iconography drew heavily on traditional sources, incorporating Hindu gods and goddesses into a Buddhist pantheon and adapting old folk tales to Buddhist religious purposes. Kubera and Harm are probably the best-known examples of this process.
Five dated idols from Gandhara art though exist, however the hitch remains that the era is never distinguished. The dates are in figures under 100 or else in 300s. Moreover one of the higher numbers are debatable, besides, the image upon which it is engraved is not in the conventional Andhra style. The two low-number-dated idols are the most sophisticated and the least injured. Their pattern is classical Gandhara. The most undemanding rendition of their dates relates them to Kanishka and 78 A.D. is assumed as the commencement of his era. They both fall in the second half of the 2nd century A.D. and equally later, if a later date is necessitated for the beginning of Kanishka`s time. This calculation nearly parallels numismatics and archaeological evidences. The application of other eras, like the Vikrama (base date- 58 B.C.) and the Saka (base date- 78 A.D.), would place them much later. The badly battered figurines portray standing Buddhas, without a head of its own, but both on original figured plinths. They come to view as depicting the classical Gandhara style; decision regarding where to place these two dated Buddhas, both standing, must remain knotty till more evidence comes out as to how late the classical Gandhara panache had continued.
Methodical study of the Gandhara art, and specifically about its origins and expansion, is befuddled with numerous problems, not at least of which is the inordinately complex history and culture of the province. It is one of the great ethnical crossroads of the world simultaneously being in the path of all the intrusions of India for over three millennia. Bussagli has rightly remarked, `More than any other Indian region, Gandhara was a participant in the political and cultural events that concerned the rest of the Asian continent`.
However, Systematic study of the art of Gandhara, and particularly of its origins and development, is bedeviled by many problems, not the least of which is the extraordinarily complex history and culture of the region.
In spite of the labours of many scholars over the past hundred and fifty years, the answers to some of the most important questions, such as the number of centuries spanned by the art of Gandhara, still await, fresh archaeological, inscriptional, or numismatic evidence.
Quneitra was once a bustling town in the Golan Heights and southwestern Syria's administrative capital with a population of 37,000. The word Quneitra derives from Qantara, or 'bridge', between Syria, Lebanon, Jordan, and Palestine. Known for its abundant water resources, it has been continuously inhabited since the Stone Age. Over the millennia, many peoples, including Arameans, Assyrians, Caldeans, Persians, Greeks, and Arabs have occupied it. St. Paul, it is said, passed through Quneitra on his way from Damascus to Jerusalem.
In 1967, during the six-day war, Israel captured Quneitra. It then became a site of many battles but, except for a brief interlude, remained in Israeli hands until 1974, when a UN-brokered agreement led to an Israeli pullback. Before withdrawing, however, Quneitra was evacuated and systematically destroyed by the Israeli army (based on eyewitness accounts; UN General Assembly resolution 3240 in 1974 condemned Israel's role in its destruction. Israel disputes this account). Many prominent Western reporters, agreeing with the UN and Syrian version of events, saw this as nothing short of an act of wanton brutality — a whole town methodically ransacked, dynamited, and bulldozed.
Stars of the Japanese judo Katsuhiko Kashiwazaki 8 DAN.
www.ebay.com/itm/Stars-Japanese-judo-Katsuhiko-Kashiwazak...
Technique of TOMOE-NAGE throw training.
Japanese judo school.
This is the first DVD of the series "Stars of the Japanese judo." Main content of this film is TOMOE-NAGE throw training.K.Kashiwazaki the best master of performing this throw not only in Japan but around the world. The first chapter is devoted entirely to this throw. In the film, you will see six variants of the throw, see methodical exercises for study tomoe-nage, and also some preparatory tasks to the trick. A separate section is a combination of action for throw: tomoenage-sasaetsurikomiashi, tomoenage-uchimata, tomoenage-Udehishigijujigatame. The second chapter is devoted to Hikikomi-gaeshi iwazaki throw. Only K.Kashiwazaki can perform this throw by this way. Unusual variant. The third chapter is devoted to OUCHI-GARI throw. This is a personal version of Kashiwazaki. Unusual for a traditional judo. Performing a throw he uses all parts of the body including the head.
K.Kashiwazaki explains every detail and shows a lot. The film will be useful to all lovers of judo.
Product Features
StandardPAL DVD.
Region CodeDVD: 0/All
ProductionKallista Film. Russia.
Release year2008
DirectionJudo technique.
Duration60min.
Filming locationJapan.
LanguageJapanese
Author Pavlov.
My first soap carving was done spontaneously, developing from a quick test of my newly made carving tools into a stylised relief carving of a face that I made up as I went along, without referring to any external sources.
For my second attempt, I decided to take a slightly more methodical approach and begin with some sketches.
I was keen to have a go at a figurative carving as this is one of the main reasons I've restarted sculpture in the first place and it ties in with (and is very much inspired by) my attendance at life drawing classes.
At the last session I made several sketches of some of the poses from different angles with a view to potentially turning them into sculptures later. When I reviewed them I realised none had quite enough detail, at least for the relatively realistic style I was initially aiming for. Nonetheless I managed to adapt the sketches from one pose (aided by my general observations of this model, Cheyenne, over 3 sessions in the past month and my studies of life drawing and anatomy for slightly longer) into a reasonable starting point for a sculpture.
These are my working sketches. I started by measuring the soap block I was planning to carve and drawing the outlines onto the page, before sketching in the figure, in both front and side views. I did the boxes in pen in case I wanted to erase parts (or all) of the sketches to rework them, although on this occasion I didn't need to do this.
Rather than using the sketches as a careful template for the carving, I just kept them to hand as a reference while I carved, since I wasn't aiming for a particularly accurate reproduction.
www.phaselis.org/en/about/about-project
Phaselis Research
Phaselis
When compared with the previous period of research on the history of the city over the past quarter century it has undergone radical changes. While modern scientists follow the path of their predecessors in collecting data through systematic processes and methodically analysing them, they change the route whereby they approach the city as a context- and a process-oriented structure, having economic, social, cultural, political and environmental dimensions which come together at different levels.
This considerably more inclusive definition expands the discipline concerning the city’s historical research, which consists of archaeology, epigraphy, ancient history and the other ancillary sciences and it encourages scientists from the natural and health sciences to participate within these studies. This is because in the course of the exploration of an ancient settlement the study of both the environment and the ecological setting which make human life possible; together with health issues, such as diet and epidemics, form the context within which human beings live, and which are thereby as important as the human actors.
Within the context of the planned Phaselis Research, even certain knowledge such as the settlement’s appearing on the stage of history as a favorite break-point with its three natural harbours, it being famous for its roses, the frequent seismic upheavals at sea and on its shores and its citizens leaving their homes because of a devastating malaria epidemic suggest the necessity of the application of this multi-dimensional research methodology in order to understand more fully the historical adventure of this city.
By presenting this research project, we aim to implement and realize this multi-dimensional research method, which as yet lacks widespread application in the field in our country, however conceptually and practically with a multi-disciplinary research team consisting of both national and international scientists, we intend to register systematically every kind of data/information regarding all contexts of the city employing modern methods and to present the results to the scientific world in the form of regular reports and monographic studies, thus forming a strong tie between past and future research.
Phaselis Territorium
The boundaries of the ancient city of Phaselis’ territorium are today within the administrative borders of the township of Tekirova, in Kemer District, determined from the archaeological, epigraphic and historical-geographical evidence, reaching the Gökdere valley to the north, continue on a line drawn from Üç Adalar to Mount Tahtalı to the south and extend along the Çandır valley to the west.
Phaselis was discovered in 1811-1812 by Captain F. Beaufort during his work of charting the southern coastline of Asia Minor for the British Royal Navy. Beaufort drew Phaselis’ plan and in the course of conducting his cartographic studies, he saw the word Φασηλίτης ethnikon on the inscriptions and consequently identified these ruins with Phaselis. C. R. Cockerell, the English architect, archaeologist and author came to Phaselis by ship and met Beaufort there. Then in 1838 C. Fellows, the English archaeologist visited the city. He found the fragments of the dedicatory inscription over the monumental gate built in honour of the Emperor Hadrianus and mistakenly thought the Imperial Period main street was the stadion due to the seats-steps on either side of the street. In 1842 Lt. T. A. B. Spratt, the English hydrographer and geographer, and the Rev. E. Forbes, the naturalist came to Phaselis via the Olympos and Khimaira routes. Due to the fact that they all came by sea and they only stayed for a short time, their descriptions of the topography inland are without detailed and there are serious errors in orientation.
PhaselisThose researchers who visited Phaselis between the late 19th and the early 20th centuries concentrated primarily upon the discovery of inscriptions. In 1881-1882 while the Austrian archaeologist and the epigraphist O. Benndorf, the founder of the Austrian Archaeological Institute, and his team were conducting research in southwestern Asia Minor, they examined Phaselis. In the winter of 1883 and 1884 F. von Luschan from the Austrian team took the first photographs which provide information concerning the regional features of Phaselis’ shoreline. In the same year the French scientist V. Bérard also visited Phaselis. In 1892 the members of the Austrian research team, O. Benndorf, E. Kalinka and their colleagues continued their architectural, archaeological and epigraphical studies in Phaselis. In 1904 they were followed by D. G. Hogarth, R. Norton and A. W. van Buren from the British research team. In 1908 the Austrian classical philologist E. Kalinka visited the settlement again, collected epigraphic documents and conducted research on the history of city (published in TAM II in 1944). The Italian researchers R. Paribeni and P. Romanelli visited Phaselis in1913 and C. Anti in 1921. Anti returned to Antalya overland and in consequence discovered several epigraphs and the ruins of structures within the territorium of Phaselis.
Further archaeological, epigraphical and historical-geographical studies of Phaselis were conducted by the English researchers F. M. Stark and G. Bean, who came to the region after World War II. In 1968 H. Schläger, the German architect and underwater archaeologist began exploring the topographical and architectural structures of Phaselis’s harbours. After Schläger’s death in 1969, the research was conducted under the leadership of the archaeologist J. Schäfer in 1970. H. Schläger, J. Schäfer and their colleagues obtained important data concerning the architecture and history of Phaselis through the surface exploration of the city and its periphery. Following the excavations conducted along the main axial street of the city, in 1980 under the direction of Kayhan Dörtlük, the then Director of the Antalya Museum and between 1981-1985 under the leadership of the archaeologist Cevdet Bayburtluoğlu; underwater exploration was carried out in the South Harbour under the direction of Metin Pehlivaner, the then Director of the Antalya Museum.
www.phaselis.org/en/about/about-project
Phaselis Research
Phaselis
When compared with the previous period of research on the history of the city over the past quarter century it has undergone radical changes. While modern scientists follow the path of their predecessors in collecting data through systematic processes and methodically analysing them, they change the route whereby they approach the city as a context- and a process-oriented structure, having economic, social, cultural, political and environmental dimensions which come together at different levels.
This considerably more inclusive definition expands the discipline concerning the city’s historical research, which consists of archaeology, epigraphy, ancient history and the other ancillary sciences and it encourages scientists from the natural and health sciences to participate within these studies. This is because in the course of the exploration of an ancient settlement the study of both the environment and the ecological setting which make human life possible; together with health issues, such as diet and epidemics, form the context within which human beings live, and which are thereby as important as the human actors.
Within the context of the planned Phaselis Research, even certain knowledge such as the settlement’s appearing on the stage of history as a favorite break-point with its three natural harbours, it being famous for its roses, the frequent seismic upheavals at sea and on its shores and its citizens leaving their homes because of a devastating malaria epidemic suggest the necessity of the application of this multi-dimensional research methodology in order to understand more fully the historical adventure of this city.
By presenting this research project, we aim to implement and realize this multi-dimensional research method, which as yet lacks widespread application in the field in our country, however conceptually and practically with a multi-disciplinary research team consisting of both national and international scientists, we intend to register systematically every kind of data/information regarding all contexts of the city employing modern methods and to present the results to the scientific world in the form of regular reports and monographic studies, thus forming a strong tie between past and future research.
Phaselis Territorium
The boundaries of the ancient city of Phaselis’ territorium are today within the administrative borders of the township of Tekirova, in Kemer District, determined from the archaeological, epigraphic and historical-geographical evidence, reaching the Gökdere valley to the north, continue on a line drawn from Üç Adalar to Mount Tahtalı to the south and extend along the Çandır valley to the west.
Phaselis was discovered in 1811-1812 by Captain F. Beaufort during his work of charting the southern coastline of Asia Minor for the British Royal Navy. Beaufort drew Phaselis’ plan and in the course of conducting his cartographic studies, he saw the word Φασηλίτης ethnikon on the inscriptions and consequently identified these ruins with Phaselis. C. R. Cockerell, the English architect, archaeologist and author came to Phaselis by ship and met Beaufort there. Then in 1838 C. Fellows, the English archaeologist visited the city. He found the fragments of the dedicatory inscription over the monumental gate built in honour of the Emperor Hadrianus and mistakenly thought the Imperial Period main street was the stadion due to the seats-steps on either side of the street. In 1842 Lt. T. A. B. Spratt, the English hydrographer and geographer, and the Rev. E. Forbes, the naturalist came to Phaselis via the Olympos and Khimaira routes. Due to the fact that they all came by sea and they only stayed for a short time, their descriptions of the topography inland are without detailed and there are serious errors in orientation.
PhaselisThose researchers who visited Phaselis between the late 19th and the early 20th centuries concentrated primarily upon the discovery of inscriptions. In 1881-1882 while the Austrian archaeologist and the epigraphist O. Benndorf, the founder of the Austrian Archaeological Institute, and his team were conducting research in southwestern Asia Minor, they examined Phaselis. In the winter of 1883 and 1884 F. von Luschan from the Austrian team took the first photographs which provide information concerning the regional features of Phaselis’ shoreline. In the same year the French scientist V. Bérard also visited Phaselis. In 1892 the members of the Austrian research team, O. Benndorf, E. Kalinka and their colleagues continued their architectural, archaeological and epigraphical studies in Phaselis. In 1904 they were followed by D. G. Hogarth, R. Norton and A. W. van Buren from the British research team. In 1908 the Austrian classical philologist E. Kalinka visited the settlement again, collected epigraphic documents and conducted research on the history of city (published in TAM II in 1944). The Italian researchers R. Paribeni and P. Romanelli visited Phaselis in1913 and C. Anti in 1921. Anti returned to Antalya overland and in consequence discovered several epigraphs and the ruins of structures within the territorium of Phaselis.
Further archaeological, epigraphical and historical-geographical studies of Phaselis were conducted by the English researchers F. M. Stark and G. Bean, who came to the region after World War II. In 1968 H. Schläger, the German architect and underwater archaeologist began exploring the topographical and architectural structures of Phaselis’s harbours. After Schläger’s death in 1969, the research was conducted under the leadership of the archaeologist J. Schäfer in 1970. H. Schläger, J. Schäfer and their colleagues obtained important data concerning the architecture and history of Phaselis through the surface exploration of the city and its periphery. Following the excavations conducted along the main axial street of the city, in 1980 under the direction of Kayhan Dörtlük, the then Director of the Antalya Museum and between 1981-1985 under the leadership of the archaeologist Cevdet Bayburtluoğlu; underwater exploration was carried out in the South Harbour under the direction of Metin Pehlivaner, the then Director of the Antalya Museum.
Construction is steadily moving forward on the 18,000 sq. ft. Possum Creek Skatepark in Gainesville, Florida.
Led by Spohn Ranch's COO, Mark Bradford, the crews in Gainesville are quickly turning what were once just some dreams scribbled on paper into one of Florida's premiere concrete skateparks.
Through a combination of advanced pre-cast concrete technology and methodical on-site concrete pours, the skatepark is nearing a flawless finish with less than 30 days on site.
Construction is steadily moving forward on the 18,000 sq. ft. Possum Creek Skatepark in Gainesville, Florida.
Led by Spohn Ranch's COO, Mark Bradford, the crews in Gainesville are quickly turning what were once just some dreams scribbled on paper into one of Florida's premiere concrete skateparks.
Through a combination of advanced pre-cast concrete technology and methodical on-site concrete pours, the skatepark is nearing a flawless finish with less than 30 days on site.
Here Spohn Ranch COO, Mark Bradford nears completion on the wooden forms for "The Shield".
Took this photo simply because I was thinking about my brother this afternoon ( I mean yesterday afternoon - that's what happens when you are up the whole night without a second's sleep!) - and he was an architect, who tended to spend a lot of his time doing research on historic buildings, especially as I believe he was out of work quite a lot of the time. His real passion was methodically and meticulously researching until he had found the very last "piece of the puzzle". Some of you may have seen these metal stars before, maybe in a craft store - or maybe you've noticed them on the outside walls of some old building. Later, I will add some information about them, but I need to get to bed pretty soon, as it's 8:15 a.m. and I was unable to get to sleep last night. Unfortunately, I feel wide awake, despite being extremely tired : )
Also known as Masonry Stars, they were originally used as reinforcement for brick walls. It was difficult finding information about these on the Internet, but here are a few comments found on the following website:
www.apartmenttherapy.com/chicago/good-questions/chi-good-...
"These are the stars that are found on the sides of old brick buildings. There is a long metal rod that would serve as part of the support of the building itself, and these were a sort of "finial" for the outside where the rod ends."
"They are decorative ends for tie rods. when still in use, you can see the bolt that screws on to the end of the threaded rod. tie rods were used to hold the walls of brick buildings together"
"The stars are just decorative, and basically big washers."
"Cast same as the originals, from originals, you can buy naturally rusty reproductions that can still perform that same task as well as having countless other uses—decoratively speaking"
NOT FORGOTTEN * By Oscar H. Matatquin
It was a sunny, brisk early afternoon in the month of March at the Vietnam Memorial here in Washington, D.C., when I noticed a man crouched down; his face only inches away from the ground. He was reading the names on one of the middle sections of the dark granite wall. He then methodically and painstakingly searched up and down, side to side for maybe a brother, relative, acquaintance, friend, comrade. I watched him for ten minutes before I marshaled enough courage to ask him if he might grant me an interview. I wanted to make some pictures as well. Knowing that I might suddenly get pummeled for intruding into his precious time or flat rejected, I had second thoughts. After all, I’ve heard stories of how upset and angry some Veterans could be because of the way they were treated after returning home. A green photojournalist like myself is not someone they’d necessarily want to chum around with, especially at one of their most sacred shrines.
Taking a deep gulping breath, I walked up to his right, faced him and lightly tapped his shoulder and introduced myself before he could even turn to face me! His eyes bore straight through me for the longest five seconds of my life, then finally replied in a pleasant, mellow California accent, “Mike Gonzalez”.
A Native American from Los Angeles, and veteran soldier of Vietnam, the story of his duty in south East Asia was both harrowing and tragic, and very, very personal, and still powerful, long after coming home. After listening to Mike’s story, I felt he was here for more than one purpose, so I asked him, “Why, why now?” He looked at me nodding with approval and answered, “I just finally felt it was time..” He not only came to honor his fallen comrades, but to also look for his dearest childhood friend, Andy Sorcini. While still in Vietnam, Mike had gotten word from Andy’s cousin who was with Andy at the time, that he was killed by a sniper’s bullet (a fatal shot to the back of his head) while driving a supply truck down an unfamiliar jungle road. Mike’s paramount mission, was to bring Andy back home to Los Angeles to reassure family and friends that he will never be forgotten.
Claudius Rosen has served as chief medical examiner in Aguagente for as long as anyone can remember. He is a quiet man, slow in speech and slower still in his actions. He possesses the critical eye and methodical patience his profession demands, but a recent error has him overly upset. Last week an officer delivered to his office bones that a farmer had pulled out of a bog near the River Avestruz. Claudius accidentally placed them to soak overnight in what he thought was water but what in reality was a highly corrosive acid. No trace of the bones remained when Claudius opened his office the following morning.
I generally do not shoot children in public places, but this little girl was just fascinating. She was truly fearless. She was climbing on this large stainless steel sculpture on the FIU campus before the start of the Color Run. She moved methodically and with purpose; very much unaware that one misstep on the smooth metal tubing would end in tears. The freedom of a child's mind is something we as adults should covet.
These funerary portraits were carved in the great ancient city of Palmyra almost two thousand years ago. Then part of the Roman Empire, Palmyra grew internationally sophisticated and wealthy as a major outpost for trade caravans in the Syrian Desert. The local population embraced Roman ways in many aspects of their lives, as evidenced in the hairstyles and clothes depicted here, as well as by spectacular architecture and sculpture.
The form of this work—with side-by-side figures posed frontally—was inspired by traditional Roman tomb monuments. Couples usually depict a husband and wife, but the inscription in the Palmyrene dialect of Aramaic identifies the people as Yarkhai, son of Ogga, and his daughter Balya. The father’s right arm is held in a sling created by the draping of his cloak. The daughter raises her right hand to touch her veil and, with her left hand, holds the end of her cloak. These gestures follow the conventions of hundreds of surviving Palmyrene funerary sculptures and offer clues as to how wealthy men and women of Palmyra wanted to be seen and remembered by their families and their peers. Scholars believe that these poses may have indicated virtues, such as dignity and modesty. The sculpture was made for a wall tomb in a tower or temple setting and would have been accessible to later generations. We know Balya died before her father did from the drape suspended behind her on pins with palm fronds. The figures have a strong sense of presence appropriate to their function of commemorating the departed.
This sculpture carries special significance in light of the recent destruction of many ancient works of art and architecture in Syria. From the first to the third century, the art and architecture of Palmyra, standing at the crossroads of several civilizations, united Greco-Roman, Persian, and Indigenous elements in a strongly original style. The ruins of the ancient city were designated a UNESCO World Heritage Site in 1980 in recognition of its history as one of the most important cultural centers of the ancient world. However, the country of Syria has been engulfed in civil war since 2011, when a civil uprising escalated into a brutal, multiparty conflict between the government of Bashar al-Assad and various armed factions. One of these factions is the Islamic State, also known as ISIS. ISIS militants have methodically destroyed numerous artworks and ancient sites across Syria and Iraq, claiming that the works are blasphemous, while also profiting from the illegal trade in looted antiquities. In the spring of 2015, Khaled Asaad, the elderly former curator at Palmyra, his colleagues, and his family worked heroically to conceal or evacuate artifacts as Islamic State forces approached. ISIS overran Palmyra in May 2015, publicly executed Khaled Asaad, and blasted the ancient ruins with explosives. Syrian government forces recaptured Palmyra in March 2017 and archeologists have begun to assess the damage to the historic sites. Human rights organizations report that, as of March 2017, over 465,000 people have been killed in Syria’s civil war. Eleven million people have been forced to flee their homes and seek safety in other parts of Syria and, as refugees, in other countries.
I've been taking nightly photos of the bruise on my hip, to chart the healing process.
I wish I'd been a bit more methodical about the framing of the shot. Still, it's kind of fun watching the colours change.
Construction is steadily moving forward on the 18,000 sq. ft. Possum Creek Skatepark in Gainesville, Florida.
Led by Spohn Ranch's COO, Mark Bradford, the crews in Gainesville are quickly turning what were once just some dreams scribbled on paper into one of Florida's premiere concrete skateparks.
Through a combination of advanced pre-cast concrete technology and methodical on-site concrete pours, the skatepark is nearing a flawless finish with less than 30 days on site.
Mycenae (Greek: Μυκῆναι) is an archaeological site in Greece, located about 90 km south-west of Athens, in the north-eastern Peloponnese. Argos is 11 km to the south; Corinth, 48 km to the north. From the hill on which the palace was located one can see across the Argolid to the Saronic Gulf.
In the second millennium BC Mycenae was one of the major centres of Greek civilization, a military stronghold which dominated much of southern Greece. The period of Greek history from about 1600 BC to about 1100 BC is called Mycenaean in reference to Mycenae.
The first excavations at Mycenae were carried out by the Greek archaeologist Kyriakos Pittakis in 1841. He found and restored the Lion Gate. In 1874 Heinrich Schliemann arrived at the site and undertook a complete excavation. Schliemann believed in the historical truth of the Homeric stories and interpreted the site accordingly. He found the ancient shaft graves with their royal skeletons and spectacular grave goods. Upon discovering a human skull beneath a gold death mask in one of the tombs, he declared: "I have gazed upon the face of Agamemnon".
Since Schliemann's day more scientific excavations have taken place at Mycenae, mainly by Greek archaeologists but also by the British School at Athens. The acropolis was excavated in 1902, and the surrounding hills have been methodically investigated by subsequent excavations.
Laundry is a never-ending challenge for a family of five. When one load is complete two additional loads magically appear. I tried wearing the same outfit for several days in a row and my kids did the same. Yet the laundry pile continued to multiply faster than rabbits in the Scottish Highlands. The piles became overwhelming when we were sick- they took over the bedroom, hallway and spilled into the kitchen. Think of Silverstien's "Sarah Cynthia Sylvia Stout" without the rotting banana peels.
So, my health restored, I diligently and methodically tackled the laundry pile washing load after load after load after load. But, our dryer is in poor shape. It takes two to three full cycles to get the laundry dry. And, the lint trap lost its cover thus continuously spits fluffy dusty lint into the room. In addition, the dog kennel is housed in this room and labradork fur mingles with the lint giving the room a lovely clean laundry dirty dog aroma.
After the umpteenth load of laundry I had a mild freak out and went to the Home Depot for therapy. I came home a cash poor but proud owner of a new washer and dryer - front loading, black, sleek and beautiful. They will be delivered in 7 to 10 days.
I hauled the dog kennel to my son's room (something he was excited about). Pulled the existing washer and dryer out from the wall to clean up the loads of kibble, lint, fur and other amorphous debris from the previously unexplored depths. I vacuumed and washed the walls. And, finally, put on a coat of new bright cheery yellow paint. Of course, it still needs one or two additional coats of paint.
And now Ava is home and wants to help. I have visions of yellow paint all over my house. My husband thinks I am certifiable and indeed I must be crazy ...
www.phaselis.org/en/about/about-project
Phaselis Research
Phaselis
When compared with the previous period of research on the history of the city over the past quarter century it has undergone radical changes. While modern scientists follow the path of their predecessors in collecting data through systematic processes and methodically analysing them, they change the route whereby they approach the city as a context- and a process-oriented structure, having economic, social, cultural, political and environmental dimensions which come together at different levels.
This considerably more inclusive definition expands the discipline concerning the city’s historical research, which consists of archaeology, epigraphy, ancient history and the other ancillary sciences and it encourages scientists from the natural and health sciences to participate within these studies. This is because in the course of the exploration of an ancient settlement the study of both the environment and the ecological setting which make human life possible; together with health issues, such as diet and epidemics, form the context within which human beings live, and which are thereby as important as the human actors.
Within the context of the planned Phaselis Research, even certain knowledge such as the settlement’s appearing on the stage of history as a favorite break-point with its three natural harbours, it being famous for its roses, the frequent seismic upheavals at sea and on its shores and its citizens leaving their homes because of a devastating malaria epidemic suggest the necessity of the application of this multi-dimensional research methodology in order to understand more fully the historical adventure of this city.
By presenting this research project, we aim to implement and realize this multi-dimensional research method, which as yet lacks widespread application in the field in our country, however conceptually and practically with a multi-disciplinary research team consisting of both national and international scientists, we intend to register systematically every kind of data/information regarding all contexts of the city employing modern methods and to present the results to the scientific world in the form of regular reports and monographic studies, thus forming a strong tie between past and future research.
Phaselis Territorium
The boundaries of the ancient city of Phaselis’ territorium are today within the administrative borders of the township of Tekirova, in Kemer District, determined from the archaeological, epigraphic and historical-geographical evidence, reaching the Gökdere valley to the north, continue on a line drawn from Üç Adalar to Mount Tahtalı to the south and extend along the Çandır valley to the west.
Phaselis was discovered in 1811-1812 by Captain F. Beaufort during his work of charting the southern coastline of Asia Minor for the British Royal Navy. Beaufort drew Phaselis’ plan and in the course of conducting his cartographic studies, he saw the word Φασηλίτης ethnikon on the inscriptions and consequently identified these ruins with Phaselis. C. R. Cockerell, the English architect, archaeologist and author came to Phaselis by ship and met Beaufort there. Then in 1838 C. Fellows, the English archaeologist visited the city. He found the fragments of the dedicatory inscription over the monumental gate built in honour of the Emperor Hadrianus and mistakenly thought the Imperial Period main street was the stadion due to the seats-steps on either side of the street. In 1842 Lt. T. A. B. Spratt, the English hydrographer and geographer, and the Rev. E. Forbes, the naturalist came to Phaselis via the Olympos and Khimaira routes. Due to the fact that they all came by sea and they only stayed for a short time, their descriptions of the topography inland are without detailed and there are serious errors in orientation.
PhaselisThose researchers who visited Phaselis between the late 19th and the early 20th centuries concentrated primarily upon the discovery of inscriptions. In 1881-1882 while the Austrian archaeologist and the epigraphist O. Benndorf, the founder of the Austrian Archaeological Institute, and his team were conducting research in southwestern Asia Minor, they examined Phaselis. In the winter of 1883 and 1884 F. von Luschan from the Austrian team took the first photographs which provide information concerning the regional features of Phaselis’ shoreline. In the same year the French scientist V. Bérard also visited Phaselis. In 1892 the members of the Austrian research team, O. Benndorf, E. Kalinka and their colleagues continued their architectural, archaeological and epigraphical studies in Phaselis. In 1904 they were followed by D. G. Hogarth, R. Norton and A. W. van Buren from the British research team. In 1908 the Austrian classical philologist E. Kalinka visited the settlement again, collected epigraphic documents and conducted research on the history of city (published in TAM II in 1944). The Italian researchers R. Paribeni and P. Romanelli visited Phaselis in1913 and C. Anti in 1921. Anti returned to Antalya overland and in consequence discovered several epigraphs and the ruins of structures within the territorium of Phaselis.
Further archaeological, epigraphical and historical-geographical studies of Phaselis were conducted by the English researchers F. M. Stark and G. Bean, who came to the region after World War II. In 1968 H. Schläger, the German architect and underwater archaeologist began exploring the topographical and architectural structures of Phaselis’s harbours. After Schläger’s death in 1969, the research was conducted under the leadership of the archaeologist J. Schäfer in 1970. H. Schläger, J. Schäfer and their colleagues obtained important data concerning the architecture and history of Phaselis through the surface exploration of the city and its periphery. Following the excavations conducted along the main axial street of the city, in 1980 under the direction of Kayhan Dörtlük, the then Director of the Antalya Museum and between 1981-1985 under the leadership of the archaeologist Cevdet Bayburtluoğlu; underwater exploration was carried out in the South Harbour under the direction of Metin Pehlivaner, the then Director of the Antalya Museum.
Construction is steadily moving forward on the 18,000 sq. ft. Possum Creek Skatepark in Gainesville, Florida.
Led by Spohn Ranch's COO, Mark Bradford, the crews in Gainesville are quickly turning what were once just some dreams scribbled on paper into one of Florida's premiere concrete skateparks.
Through a combination of advanced pre-cast concrete technology and methodical on-site concrete pours, the skatepark is nearing a flawless finish with less than 30 days on site.
Here a few of the pre-cast concrete features have been placed. By precision-casting time-consuming features like stairs, while site prep is still occurring, construction timelines are dramatically reduced.
Lot-840-10: “Firemen of the Fleet,” August 15, 1943. In peace or war, there is one foe eternally feared by every man that goes to sea – fire. In wartime, fire is twice as deadly in peace. Ignited by enemy shells or bombs, the flames menace personnel already busy at their battle stations – and every man called from his post gives the foe that much more advantage during action. Thus the Navy has founded fire-fighting schools to train specialists in the grim art of extinguishing fires anywhere aboard ship quickly and methodically. Different methods are taught the seagoing fireman for combatting flames in different sections of the ship. To lend realism to the courses, substantial “mock-ups” of vessels have been built, in which the trainees learn their grim lessons, mater the use of their flame-fighting equipment. Shown: Officers Fight Flames Too! Enrollment in firefighting school isn’t limited to enlisted men. These two officers get pointers from an instructor during assault on an open tank oil fire. U.S. Navy Photograph. Courtesy of the Library of Congress. (2016/04/14). Photographed through Mylar sleeve.
www.phaselis.org/en/about/about-project
Phaselis Research
Phaselis
When compared with the previous period of research on the history of the city over the past quarter century it has undergone radical changes. While modern scientists follow the path of their predecessors in collecting data through systematic processes and methodically analysing them, they change the route whereby they approach the city as a context- and a process-oriented structure, having economic, social, cultural, political and environmental dimensions which come together at different levels.
This considerably more inclusive definition expands the discipline concerning the city’s historical research, which consists of archaeology, epigraphy, ancient history and the other ancillary sciences and it encourages scientists from the natural and health sciences to participate within these studies. This is because in the course of the exploration of an ancient settlement the study of both the environment and the ecological setting which make human life possible; together with health issues, such as diet and epidemics, form the context within which human beings live, and which are thereby as important as the human actors.
Within the context of the planned Phaselis Research, even certain knowledge such as the settlement’s appearing on the stage of history as a favorite break-point with its three natural harbours, it being famous for its roses, the frequent seismic upheavals at sea and on its shores and its citizens leaving their homes because of a devastating malaria epidemic suggest the necessity of the application of this multi-dimensional research methodology in order to understand more fully the historical adventure of this city.
By presenting this research project, we aim to implement and realize this multi-dimensional research method, which as yet lacks widespread application in the field in our country, however conceptually and practically with a multi-disciplinary research team consisting of both national and international scientists, we intend to register systematically every kind of data/information regarding all contexts of the city employing modern methods and to present the results to the scientific world in the form of regular reports and monographic studies, thus forming a strong tie between past and future research.
Phaselis Territorium
The boundaries of the ancient city of Phaselis’ territorium are today within the administrative borders of the township of Tekirova, in Kemer District, determined from the archaeological, epigraphic and historical-geographical evidence, reaching the Gökdere valley to the north, continue on a line drawn from Üç Adalar to Mount Tahtalı to the south and extend along the Çandır valley to the west.
Phaselis was discovered in 1811-1812 by Captain F. Beaufort during his work of charting the southern coastline of Asia Minor for the British Royal Navy. Beaufort drew Phaselis’ plan and in the course of conducting his cartographic studies, he saw the word Φασηλίτης ethnikon on the inscriptions and consequently identified these ruins with Phaselis. C. R. Cockerell, the English architect, archaeologist and author came to Phaselis by ship and met Beaufort there. Then in 1838 C. Fellows, the English archaeologist visited the city. He found the fragments of the dedicatory inscription over the monumental gate built in honour of the Emperor Hadrianus and mistakenly thought the Imperial Period main street was the stadion due to the seats-steps on either side of the street. In 1842 Lt. T. A. B. Spratt, the English hydrographer and geographer, and the Rev. E. Forbes, the naturalist came to Phaselis via the Olympos and Khimaira routes. Due to the fact that they all came by sea and they only stayed for a short time, their descriptions of the topography inland are without detailed and there are serious errors in orientation.
PhaselisThose researchers who visited Phaselis between the late 19th and the early 20th centuries concentrated primarily upon the discovery of inscriptions. In 1881-1882 while the Austrian archaeologist and the epigraphist O. Benndorf, the founder of the Austrian Archaeological Institute, and his team were conducting research in southwestern Asia Minor, they examined Phaselis. In the winter of 1883 and 1884 F. von Luschan from the Austrian team took the first photographs which provide information concerning the regional features of Phaselis’ shoreline. In the same year the French scientist V. Bérard also visited Phaselis. In 1892 the members of the Austrian research team, O. Benndorf, E. Kalinka and their colleagues continued their architectural, archaeological and epigraphical studies in Phaselis. In 1904 they were followed by D. G. Hogarth, R. Norton and A. W. van Buren from the British research team. In 1908 the Austrian classical philologist E. Kalinka visited the settlement again, collected epigraphic documents and conducted research on the history of city (published in TAM II in 1944). The Italian researchers R. Paribeni and P. Romanelli visited Phaselis in1913 and C. Anti in 1921. Anti returned to Antalya overland and in consequence discovered several epigraphs and the ruins of structures within the territorium of Phaselis.
Further archaeological, epigraphical and historical-geographical studies of Phaselis were conducted by the English researchers F. M. Stark and G. Bean, who came to the region after World War II. In 1968 H. Schläger, the German architect and underwater archaeologist began exploring the topographical and architectural structures of Phaselis’s harbours. After Schläger’s death in 1969, the research was conducted under the leadership of the archaeologist J. Schäfer in 1970. H. Schläger, J. Schäfer and their colleagues obtained important data concerning the architecture and history of Phaselis through the surface exploration of the city and its periphery. Following the excavations conducted along the main axial street of the city, in 1980 under the direction of Kayhan Dörtlük, the then Director of the Antalya Museum and between 1981-1985 under the leadership of the archaeologist Cevdet Bayburtluoğlu; underwater exploration was carried out in the South Harbour under the direction of Metin Pehlivaner, the then Director of the Antalya Museum.
Construction is steadily moving forward on the 18,000 sq. ft. Possum Creek Skatepark in Gainesville, Florida.
Led by Spohn Ranch's COO, Mark Bradford, the crews in Gainesville are quickly turning what were once just some dreams scribbled on paper into one of Florida's premiere concrete skateparks.
Through a combination of advanced pre-cast concrete technology and methodical on-site concrete pours, the skatepark is nearing a flawless finish with less than 30 days on site.
Below the surface of Shantell Martin’s characteristic black and white compositions is an artists’ inquiry into the role of artist and viewer. In Martin’s world, a work of art is inseparable from its creator and its audience, and art is more than an object of admiration disconnected from the process of its inception. Rather, she sees her work as a vehicle to forge new connections between education, design, philosophy and technology — the glue in an increasingly interdisciplinary world. Her methodical practice of bringing the audience and surroundings into her drawings is a reflection on ever changing time and space.
Swaythling lies between Southampton and Eastleigh and has witnessed this sight any number of times. But no longer. Slam door stock was all but outlawed in the early 2000s so sights like this 4VEP unit making its slow, methodical way to Waterloo are now but a memory.
Construction is steadily moving forward on the 18,000 sq. ft. Possum Creek Skatepark in Gainesville, Florida.
Led by Spohn Ranch's COO, Mark Bradford, the crews in Gainesville are quickly turning what were once just some dreams scribbled on paper into one of Florida's premiere concrete skateparks.
Through a combination of advanced pre-cast concrete technology and methodical on-site concrete pours, the skatepark is nearing a flawless finish with less than 30 days on site.
Below the surface of Shantell Martin’s characteristic black and white compositions is an artists’ inquiry into the role of artist and viewer. In Martin’s world, a work of art is inseparable from its creator and its audience, and art is more than an object of admiration disconnected from the process of its inception. Rather, she sees her work as a vehicle to forge new connections between education, design, philosophy and technology — the glue in an increasingly interdisciplinary world. Her methodical practice of bringing the audience and surroundings into her drawings is a reflection on ever changing time and space.
Construction is steadily moving forward on the 18,000 sq. ft. Possum Creek Skatepark in Gainesville, Florida.
Led by Spohn Ranch's COO, Mark Bradford, the crews in Gainesville are quickly turning what were once just some dreams scribbled on paper into one of Florida's premiere concrete skateparks.
Through a combination of advanced pre-cast concrete technology and methodical on-site concrete pours, the skatepark is nearing a flawless finish with less than 30 days on site.
Below the surface of Shantell Martin’s characteristic black and white compositions is an artists’ inquiry into the role of artist and viewer. In Martin’s world, a work of art is inseparable from its creator and its audience, and art is more than an object of admiration disconnected from the process of its inception. Rather, she sees her work as a vehicle to forge new connections between education, design, philosophy and technology — the glue in an increasingly interdisciplinary world. Her methodical practice of bringing the audience and surroundings into her drawings is a reflection on ever changing time and space.
The story of Margareten
For the first time in 1373 has been an estate named, the in contrast to an "upper court" at the height of the Viennese mountain (Wienerberg) as "lower court" on (today) Margaretenplatz is designated. 1395 donated Rudolf Tirna, an owner of the facility, together with his wife Anna and his brother Louis one to Saint Margaret of Antioch dedicated chapel. As other early mentions of the "Lower Court" and the chapel we find in 1411 the St. Margaretenkapelln to Metzleinstorff, 1548 St. Margareten, 1568 Sandt Margareten and in 1594 hoff to St Margareten. The around this Margaretner Hof in todays area Margaretenplatz - Hofgasse - Schlossgasse emerged estate hamlet constituted the starting point for the development of the suburb. The estate, it is shown on the circular plan of Niklas Meldemann in 1530 armed with a mighty tower, has been at the siege of 1529 of Turkish groups of fighters set on fire - a commemorative plaque on the house Margaretenplatz 3 remembers at it. The court subsequently changed hands several times until it purchsed Olav Nicholas, Archbishop of Gran, 1555 commercially. Olai had the courtyard and the chapel partially rebuild and he layed out a large castle garden.
He appointed settlers to Margareten and founded south of his farm Nikolsdorf. In the middle of the 17th Century, 1647-1667, finally completed the envoy to the Sublime Porte, Johann Rudolf Schmidt von Schwarzhorn the building. In the 1662 appeared "Topographia Archiducatus Austriae Inferioris Modernae" by Georg Matthäus Vischer the present castle is represented as a two-storey building whose siebenachsiger (7-axle) residential wing in the east is reinforced by a corner tower with loggia-like ambulatory and to the west is surmounted by an onion-shape crowned clock tower. In this figure, however, lacks the this very day preserved with mighty rusticaded stones cladded castle portal. After the destruction of the Türkenjahr (Siege of Vienna) 1683 the construction was rebuilt. Already about 1725 had in the front of the castle developed in the run of today Margaretenstraße through building development the methodic rectangular shape of today's Margaret Square.
1727 sold Earl of Sonnau the manorial system Margareten to the city of Vienna. Between 1749 and 1783 was located in the large deserted castle garden, which served partly as a grain field and pasture, the first Mulberry School in Vienna. In the premises of the castle in 1751 a factory of Leonean goods was established, but which burned down in 1768. 1786 Anton Schwarzleithner moved the factory to Mannersdorf (Lower Austria). Thereafter, the entire reality was measured and came up for auction. The largest parcel, the old castle at Margaretenplatz with the adjacent factory building at 23 Schlossgasse, bought the silk ribbon maker and judge of Margareten, Francis Plumper. By a daughter Prallers, Elizabeth, married Pichler, the building complex came into the possession of a book printer family, which to 1869 handled a print shop here. The new factory building at 21 Schlossgasse was purchased by auction by Johann Brauneck who in the same year petitioned for an increase. On the neighbouring to the west to the castle connecting parcel (Margaretenplatz 3) the silk stuff promoter Paul Hochholzer in 1787 by architect Johann Michael Adelpodinger the existing buildings had adapted, over the entrance gate the building inscription of the old castle of 1651 was immured. The to the west adjoining parcel with the in 1783 deconsecrated St Margaret's Chapel acquired the Samtmacher (velvet maker) Leopold Urspringer, who had the chapel demolished and the ground for the construction of a residential building (77 Margaret Street) used. Also the area of the small castle garden that had the Vienna municipal judge Leopold van Ghelen on lease, was parceled out and developed through newly created streets. In the period from 1781 to 1788 arised on the site of the great palace garden in the of the Gartengasse and Schlossgasse on the one hand and Margaretenstraße and Siebenbrunnengasse surrounded territory on the other not less than 41 parcels.
Margaretenplatz as a historical center of Margareten is particularly accentuated by the 1835/36 before the House Margaretenplatz 3 built well, on those square base the by Johann Nepomuk Schaller modelled statue of the over the dragon triumphant hl. Margaret, the eponym of the suburb rises. As part of the regulation of 1886, the Margaret Square fountain was offset by 20m to the southwest, and received its present location .
In the west the square is surrounded by the instead of the in 1883 demolished brewery according to plans of the architects Ferdinand Fellner and Hermann Helmer by builder Joseph Müller for Baroness Amalie Lipthay 1884/85 established Margartenhof. The castle-like complex occupies an extremely important position as regards urban development in the district. Historically, it represents the symbolic succession building of the old, today only in fragments existing Margaretner Castle (Margaretenplatz 2,3). The large residential complex with the street-like designed "Zierhof" is an early example of urban development concepts, which in Vienna otherwise only could unfold in the interwar period.
To the east the Margaretenplatz is dominated by an according to plans of Ferdinand Seif 1898 built monumental palace-like structured tenement, where forms of the Venetian city palace of the 16th Century were used. Buildings of the Gründerzeit round off the Margaretenplatz in the north.
Construction is steadily moving forward on the 18,000 sq. ft. Possum Creek Skatepark in Gainesville, Florida.
Led by Spohn Ranch's COO, Mark Bradford, the crews in Gainesville are quickly turning what were once just some dreams scribbled on paper into one of Florida's premiere concrete skateparks.
Through a combination of advanced pre-cast concrete technology and methodical on-site concrete pours, the skatepark is nearing a flawless finish with less than 30 days on site.
Here is a panoramic view of the pre-cast concrete pieces that have been set.
This Winter, Blue Bottle Coffee will open a café in San Francisco's Ferry Building. We have a beautifully restored Probat coffee roaster which dates from the early sixties currently on the ocean steaming slowly and methodically towards the port of Oakland. After it lands and is installed in our roastery, we will be able to open our café in the Ferry Building. Until then, we are subject to the normal vicissitudes of the sea: typhoons, pirates, huge ocean creatures, etc.
The café will offer espresso drinks, brewed coffee, New Orleans-style iced coffee, and a menu of breakfast, lunch
www.phaselis.org/en/about/about-project
Phaselis Research
Phaselis
When compared with the previous period of research on the history of the city over the past quarter century it has undergone radical changes. While modern scientists follow the path of their predecessors in collecting data through systematic processes and methodically analysing them, they change the route whereby they approach the city as a context- and a process-oriented structure, having economic, social, cultural, political and environmental dimensions which come together at different levels.
This considerably more inclusive definition expands the discipline concerning the city’s historical research, which consists of archaeology, epigraphy, ancient history and the other ancillary sciences and it encourages scientists from the natural and health sciences to participate within these studies. This is because in the course of the exploration of an ancient settlement the study of both the environment and the ecological setting which make human life possible; together with health issues, such as diet and epidemics, form the context within which human beings live, and which are thereby as important as the human actors.
Within the context of the planned Phaselis Research, even certain knowledge such as the settlement’s appearing on the stage of history as a favorite break-point with its three natural harbours, it being famous for its roses, the frequent seismic upheavals at sea and on its shores and its citizens leaving their homes because of a devastating malaria epidemic suggest the necessity of the application of this multi-dimensional research methodology in order to understand more fully the historical adventure of this city.
By presenting this research project, we aim to implement and realize this multi-dimensional research method, which as yet lacks widespread application in the field in our country, however conceptually and practically with a multi-disciplinary research team consisting of both national and international scientists, we intend to register systematically every kind of data/information regarding all contexts of the city employing modern methods and to present the results to the scientific world in the form of regular reports and monographic studies, thus forming a strong tie between past and future research.
Phaselis Territorium
The boundaries of the ancient city of Phaselis’ territorium are today within the administrative borders of the township of Tekirova, in Kemer District, determined from the archaeological, epigraphic and historical-geographical evidence, reaching the Gökdere valley to the north, continue on a line drawn from Üç Adalar to Mount Tahtalı to the south and extend along the Çandır valley to the west.
Phaselis was discovered in 1811-1812 by Captain F. Beaufort during his work of charting the southern coastline of Asia Minor for the British Royal Navy. Beaufort drew Phaselis’ plan and in the course of conducting his cartographic studies, he saw the word Φασηλίτης ethnikon on the inscriptions and consequently identified these ruins with Phaselis. C. R. Cockerell, the English architect, archaeologist and author came to Phaselis by ship and met Beaufort there. Then in 1838 C. Fellows, the English archaeologist visited the city. He found the fragments of the dedicatory inscription over the monumental gate built in honour of the Emperor Hadrianus and mistakenly thought the Imperial Period main street was the stadion due to the seats-steps on either side of the street. In 1842 Lt. T. A. B. Spratt, the English hydrographer and geographer, and the Rev. E. Forbes, the naturalist came to Phaselis via the Olympos and Khimaira routes. Due to the fact that they all came by sea and they only stayed for a short time, their descriptions of the topography inland are without detailed and there are serious errors in orientation.
PhaselisThose researchers who visited Phaselis between the late 19th and the early 20th centuries concentrated primarily upon the discovery of inscriptions. In 1881-1882 while the Austrian archaeologist and the epigraphist O. Benndorf, the founder of the Austrian Archaeological Institute, and his team were conducting research in southwestern Asia Minor, they examined Phaselis. In the winter of 1883 and 1884 F. von Luschan from the Austrian team took the first photographs which provide information concerning the regional features of Phaselis’ shoreline. In the same year the French scientist V. Bérard also visited Phaselis. In 1892 the members of the Austrian research team, O. Benndorf, E. Kalinka and their colleagues continued their architectural, archaeological and epigraphical studies in Phaselis. In 1904 they were followed by D. G. Hogarth, R. Norton and A. W. van Buren from the British research team. In 1908 the Austrian classical philologist E. Kalinka visited the settlement again, collected epigraphic documents and conducted research on the history of city (published in TAM II in 1944). The Italian researchers R. Paribeni and P. Romanelli visited Phaselis in1913 and C. Anti in 1921. Anti returned to Antalya overland and in consequence discovered several epigraphs and the ruins of structures within the territorium of Phaselis.
Further archaeological, epigraphical and historical-geographical studies of Phaselis were conducted by the English researchers F. M. Stark and G. Bean, who came to the region after World War II. In 1968 H. Schläger, the German architect and underwater archaeologist began exploring the topographical and architectural structures of Phaselis’s harbours. After Schläger’s death in 1969, the research was conducted under the leadership of the archaeologist J. Schäfer in 1970. H. Schläger, J. Schäfer and their colleagues obtained important data concerning the architecture and history of Phaselis through the surface exploration of the city and its periphery. Following the excavations conducted along the main axial street of the city, in 1980 under the direction of Kayhan Dörtlük, the then Director of the Antalya Museum and between 1981-1985 under the leadership of the archaeologist Cevdet Bayburtluoğlu; underwater exploration was carried out in the South Harbour under the direction of Metin Pehlivaner, the then Director of the Antalya Museum.
Construction is steadily moving forward on the 18,000 sq. ft. Possum Creek Skatepark in Gainesville, Florida.
Led by Spohn Ranch's COO, Mark Bradford, the crews in Gainesville are quickly turning what were once just some dreams scribbled on paper into one of Florida's premiere concrete skateparks.
Through a combination of advanced pre-cast concrete technology and methodical on-site concrete pours, the skatepark is nearing a flawless finish with less than 30 days on site.
Construction is steadily moving forward on the 18,000 sq. ft. Possum Creek Skatepark in Gainesville, Florida.
Led by Spohn Ranch's COO, Mark Bradford, the crews in Gainesville are quickly turning what were once just some dreams scribbled on paper into one of Florida's premiere concrete skateparks.
Through a combination of advanced pre-cast concrete technology and methodical on-site concrete pours, the skatepark is nearing a flawless finish with less than 30 days on site.
Construction is steadily moving forward on the 18,000 sq. ft. Possum Creek Skatepark in Gainesville, Florida.
Led by Spohn Ranch's COO, Mark Bradford, the crews in Gainesville are quickly turning what were once just some dreams scribbled on paper into one of Florida's premiere concrete skateparks.
Through a combination of advanced pre-cast concrete technology and methodical on-site concrete pours, the skatepark is nearing a flawless finish with less than 30 days on site.
Big shout out to Artisan Skateparks who did an amazing job on the bowl construction.
A mature maple tree needed to be removed from next to a neighbor's house. This crew, using a crane, a "cherry picker" and a ground crew methodically took the tree apart. Professional, efficient job. This shot shows the wound left on the trunk from q fallen branch system that fell into the roof.
The Grote Markt (Great Market) with (background) Sint Bavokerk in Haarlem, the Netherlands. It became the main church of Haarlem in the 1400's, and its organ is one of the great Organs of the world. When the organ was completed in 1738, it was the largest organ in the world. Famous composers like Mendelssohn, Handel, andMozart played on the Haarlem organ. Herman_Melville had this to say about it in Moby Dick:
"Seeing all these colonnades of bone so methodically ranged about, would you not think you were inside of the great Haarlem organ, and gazing upon its thousand pipes?"
The LS is the quintessential top-of-the-line luxury model for the Lexus brand and continues to evolve to satisfy upper echelon automotive connoisseurs. Recently updated with various performance modalities; Takumi craftsmanship (or detailed artisanship build quality); Omotenashi hospitality, an array of preemptive services to cater to customers' needs; and Lexus Driving Signature, a modern design approach to the vehicle’s development and refinement. As a frequent visitor to Nihon (Nippon), aka “The Land of the Rising Sun,” Automotive RHythms can attest firsthand to the methodical philosophies instilled into Japanese engineering. Yet, it is accomplished with a semblance of meditative balance.
Maybe it doesn’t slip through the air and soar over the trees but the canoe does offer a wonderful way to slip through the water silently and to move among the many animals that inhabit the bayou. I would say that around 95% of my photos are taken from my canoe and are all hand held that there is absolute no way that you can hide a 16 foot canoe from an animal that has two good eyes. It's a matter of using a slow and methodical approach.
In spite of the beautiful sky the wonderful colors that were in the sky about 20 minutes earlier were a wonder to behold, but I am at the mercy of the gate keepers of the park. I have to say that they do let us in early, but on this particular day it was not early enough. In this view Bay Area Park and the major part of Armand Bayou are to the right. Heading toward will take you down the last portions of Armand Bayou and toward Mud Lake and Horsepen Bayou. Hope everyone had a wonderful Memorial Day and that you’ll have great week. The good news is that we are finally getting some much needed rain here in Texas.
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This is another frame capture from HD video using the Canon EOS Rebel T6 Camera, using the Canon 18-55mm zoom lens.
This group (probably performance artists and mimes) were now doing their thing in feeling up the fence. I'm not sure of the significance of the gloves that were already there when the mud people showed up. But they did their slow, methodical walk to the fence, while I and a lot of other people shot video of them.
Construction is steadily moving forward on the 18,000 sq. ft. Possum Creek Skatepark in Gainesville, Florida.
Led by Spohn Ranch's COO, Mark Bradford, the crews in Gainesville are quickly turning what were once just some dreams scribbled on paper into one of Florida's premiere concrete skateparks.
Through a combination of advanced pre-cast concrete technology and methodical on-site concrete pours, the skatepark is nearing a flawless finish with less than 30 days on site.
Here the crew is preparing rebar for placement in the cast-on-site grind boxes.
took this on the way back up to office. needed an artistic outlet... away from the logical, process oriented, methodical, meticulous, systematic project management. i like the texture.
George Monck, 1st Duke of Albemarle, KG (6 December 1608 – 3 January 1670) was an English soldier and politician and a key figure in the restoration of Charles II.
He was born at Potheridge, near Great Torrington, in Devon, second son of Sir Thomas Monck, a gentleman of a good Devon family but in straitened financial circumstances. Having assaulted the undersheriff of the county in revenge for a wrong done to his father, he was forced to go abroad. Becoming a soldier, he served as a volunteer in the expedition to Cádiz (1626), and the next year fought well at the siege of the Île de Ré (an abortive attempt to aid French Protestants in the city of La Rochelle).
In 1629 Monck went to the Netherlands, then a centre of warfare, and there he gained a high reputation as a leader and a disciplinarian. In 1638 he threw up his commission in consequence of a quarrel with the civil authorities of Dordrecht, and returned to England. He obtained the lieutenant-colonelcy of Newport's regiment.
During the operations on the Scottish border in the Bishops' Wars (1639–1640) he showed his skill and coolness in the dispositions by which he saved the English artillery at the Battle of Newburn (1640), though he had little ammunition.
At the outbreak of the Irish rebellion (1641) Monck became colonel of Lord Leicester's regiment under the command of Ormonde. All the qualities for which he was noted through life—his talent of making himself indispensable, his imperturbable temper and his impenetrable secrecy—were fully displayed in this post. The governorship of Dublin stood vacant, and Leicester appointed Monck.
Charles I, however, overruled the appointment in favour of Lord Lambart, and Monck with great shrewdness surrendered the appointment without protest. The Duke of Ormonde, however, viewed him with suspicion as one of two officers who refused to take the oath to support the Royal cause in England, and sent him under guard to Bristol.
Monck justified himself to Charles in person, and his astute criticisms of the conduct of the Irish war impressed the king, who gave him a command in the army brought over from Ireland during the English Civil War. Taken prisoner by the Roundheads at the Battle of Nantwich in 1644, he spent the next two years in the Tower. He spent his imprisonment writing his Observations on Military and Political Affairs.
Monck's experience in Ireland, however, led to his release. He was made major general in the army sent by parliament against the Irish rebels. Making a distinction like other soldiers of the time[1] between fighting the Irish and taking arms against the king, he accepted the offer and swore loyalty to the parliamentary cause. He made little headway against the Irish and concluded an armistice (called then a "convention") with the rebel leaders upon terms which he knew the parliament would not ratify[2]. The convention was indeed a military expedient to deal with a military necessity, and although most of his army went over to the Royalist cause, he himself remained faithful to his employers and returned to England.
Although parliament, as expected, disavowed the terms of the truce, no blame was attached to Monck's recognition of military necessity. He next fought at Oliver Cromwell's side in Scotland at the Battle of Dunbar, a resounding victory. Made commander-in-chief in Scotland by Cromwell, Monck completed the subjugation of the country.
In February 1652 Monck left Scotland to recover his broken health at Bath, and in November of the same year he became a general at sea in the First Anglo-Dutch War, which ended in a decisive victory for the Commonwealth's fleet and marked the beginning of England's climb to supremacy over the Dutch at sea.
On his return to shore Monck married Anne Radford (nee Clarges). Next year he returned to Scotland, methodically beating down a Royalist insurrection in the Highlands. At Cromwell's request, Monck remained in Scotland as governor.
In 1654, the timely discovery of a plot fomented by Robert Overton, his second in command, gave Monck an excuse for purging his army of all dissident religious elements, then called "enthusiasts", deemed "dangerous" to the Cromwell regime.
In 1655 Monck received a letter from Charles II, a copy of which he at once sent to Cromwell, who is said to have written to him in 1657: "There be [those] that tell me that there is a certain cunning fellow in Scotland called George Monck, who is said to lye in wait there to introduce Charles Stuart; I pray you, use your diligence to apprehend him, and send him up to me." Monck's personal relations with Cromwell were those of sincere friendship on both sides.
During the confusion which followed Cromwell's death on 3 September 1658, Monck remained silent and watchful at Edinburgh, careful only to secure his hold on his troops. At first he contemplated armed support of Richard Cromwell, but on realising the young man's incapacity for government, he gave up this idea and renewed his waiting policy. In July 1659 direct and tempting proposals were again made to him by the king. Monck's brother Nicholas, a clergyman, brought to him the substance of Charles's letter. He bade his brother go back to his books, and refused to entertain any proposal. No bribe could induce him to act one moment before the right time.
That right time came when Gen. John Lambert declared against the Rump Parliament. On 23 October 1659, Monck at once took measures of active opposition against this move.
Holding Lambert in play without fighting until Lambert's army began to melt away for want of pay, Monck received the commission of commander-in-chief of the parliamentary forces on 24 November 1659. He entered the capital on 3 February 1660. In all this his ultimate purpose remained mysterious. At one moment he secretly encouraged the demands of the Royalist City of London, at another he urged submission to the existing parliament, then again he refused to swear an oath abjuring the house of Stuart, and further he hinted to the Rump of the Long Parliament the urgent necessity of a dissolution.
He forced the dissolution of the Rump Parliament, while at the same time breaking up, as a matter affecting discipline, the political camarillas that had formed in his own regiments. He was now master of the situation.
Though he protested his adherence to republican principles, it was a matter of common knowledge that the new parliament would have a strong Royalist colour. Monck himself, now in communication with Charles II, accepted the latter's Declaration of Breda, which was largely based on Monck's recommendations. The new parliament met on 25 April 1660, and on 1 May voted the restoration of the monarchy.
Soldier though he was, he had played the difficult game of politics in a fluid and uncertain situation with incomparable skill. That he was victor sine sanguine, i.e., "without blood", as the preamble of his patent of nobility stated, was generally applauded as the greatest service of all, especially after the violence of the Civil Wars.
Charles II rewarded Monck suitably for his services in restoring him to his throne. He was knighted, invested with the Order of the Garter, and made Master of the Horse in the King's household. Charles also raised him to the Peerage as Duke of Albemarle, Earl of Torrington, in the County of Devon, Baron Monck, of Potheridge in the County of Devon, Baron Beauchamp, of Beauchamp in the County of Devon, and Baron of Teyes, in the County of Devon, and he received a pension of £700 a year.
He entirely concurred in the disbandment of the New Model Army, and only the regiment of which he was colonel, the Coldstream (Guards), survives to this day, one of the oldest military formations in the world and the last representing the army of the English Civil War.
As a further token of Charles II's gratitude, in 1663 Albemarle was named one of eight Lords Proprietors given title to a huge tract of land in North America which became the Province of Carolina, the present-day American states of North and South Carolina. The town of Moncks Corner, South Carolina is named after him.
His last military services to England were rendered in the Second Anglo-Dutch War when he was appointed commander-in-chief of the English fleet. [3]
After that war's dismal conclusion,[4] he returned to private life (although he officially served as First Lord of the Treasury). He died of oedema on 3 January 1670, "like a Roman general with all his officers about him".[citation needed] He is buried in Westminster Abbey.
His titles were inherited by his only son, Christopher, Earl of Torrington (1653–1688), on whose death they became extinct.