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It's nearly one year ago to the day that I drove my car up a narrow, winding road about 20 minutes southeast of Jeju City. It was an uncharacteristically cold April morning, spring having yet to make it's appearance on the island.
I parked my car and struggled to the entrance of the Jeju April 3rd Peace Memorial Hall, relentless winds and freezing temperatures battering me along the way. It reminded me how perfectly the weather conditions matched this somber day.
Once inside, I made my way to a massive room where a large crowd of people had already formed. I scanned the room and my eyes were immediately drawn to the endless rows of names inscribed along its back wall. Flowers and offerings of fruit lay below the names, all of it lit by flickering candles. People had begun to pray.
This marked my introduction to a ceremony commemorating the 64 years since the Jeju Massacre, or "4.3", broke out on Jeju Island on April 3rd, 1948. One of the deadliest conflicts in Korean history, it continued for 6 bloody years, during which time an estimated 30,000 Jeju residents died at the hands of South Korean forces as punishment for perceived sympathy towards communism and the newly formed North Korea.
The conflict came to an end in 1954 but the pain and suffering caused by the loss of loved ones did not. How could something like this happen? For decades after any discussion of the massacre was censored with the threat of torture or imprisonment for those who chose to speak out.
The passage of time has healed some wounds. Since the 1990's the South Korean government has made a series of apologies and, in 2006, then President Roh Moo-Hyun officially apologized to the people of Jeju. But, apologies will never bring back those who lost their lives in the uprising.
With these thoughts in my mind, I slowly worked my way through the crowd and began to focus my attention on an elderly couple desperately trying to find the name of somebody lost in those attacks so many years ago. The pain of their loss clearly etched on their faces, they methodically scanned the names on the wall row by painstaking row.
I followed them for nearly 30 minutes until, finally, the husband's eyes showed a spark of recognition and his arm shot up into the air, his finger shaking as it pointed at a name on the wall. I saw a brief flicker of satisfaction, even triumph, on the elderly couples' faces that, after so many years, at least they could pay their respects to a fallen loved one.
It was at this moment I took a photo, my best of the day and one that would win at prize in the 2012 Jeju Sasam Photo Contest. When I look at that photo today I'm reminded of magnitude of the loss this terrible event had on so many families on Jeju Island and I pray that nothing like this will ever happen again.
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(Dallas, TX – July 24, 2014) A 57-year old Dallas man falsely convicted of sexual assault will be exonerated as a result of systematic DNA testing by a district attorney’s office, even though he was not actively proclaiming his innocence or requesting DNA testing. According to the National Registry of Exonerations, this is the first time in the United States an exoneration of this nature has occurred.
Mr. Michael Phillips, an African-American, served 12 years in prison after pleading guilty in 1990 for raping a 16-year-old Caucasian girl at a Dallas motel where both of them lived. Mr. Phillips says his defense attorney told him not to risk going to trial – fearing a jury would not side with a black man accused of raping a white girl who picked Mr. Phillips out of a photo line- up.
However, Dallas County District Attorney Craig Watkins’ ongoing project of reviewing untested rape kits without defendants initiating the request revealed Mr. Phillips was innocent. DA Watkins signed off on this proactive screening project, which tests DNA preserved by the Southwest Institute of Forensic Sciences. The Dallas area crime lab tested sexual assault kits from the year 1990 that met certain criteria, which paved the way for Mr. Phillips’ exoneration.
“Mr. Phillips is very lucky that we tested rape kits from the year in which the heinous crime took place,” said Craig Watkins. There was no DNA profile from Mr. Phillips to compare to the profile derived from the semen found in the rape kit, because in 1990 DNA samples were not routinely collected from sexual assault suspects as they are now. The semen found in the rape kit was put into the FBI’s Combined DNA Index System, which identified Lee Marvin Banks as the real perpetrator. Mr. Banks also lived at the same motel where the 1990 rape took place. “DNA tells the truth, so this was another case of eyewitness misidentification where one individual’s life was wrongfully snatched and a violent criminal was allowed to go free. We apologize to Michael Phillips for a criminal justice system that failed him,” said Mr. Watkins.
Michael Phillips’ case will become the 34th exoneration by the Dallas DA’s Conviction Integrity Unit. The exoneration hearing is scheduled on July 25, 2014 at 9 a.m. CST at the Frank Crowley Courts Building in Criminal District Court 3. Mr. Phillips is in a wheel chair due to his fight with sickle cell anemia, but he is looking forward to his day in court.
“I never imagined I would live to see my name cleared. Six of my siblings died from the same disease, so I thank God for sustaining me in prison. I always told everyone I was innocent and now people will finally believe me,” said Mr. Phillips.”
The exoneration would not have been possible without the assistance of Samuel Gross, Professor of Law at the University of Michigan Law School and Editor of the National Registry of Exonerations, and Professor Colin Starger of the University of Baltimore School of Law. Both professors worked without compensation under the supervision of the Dallas County Conviction Integrity Unit to test the untested sexual assault kits.
“On one hand this was like finding a needle in a haystack because Michael Phillips had given up on pressing his claim of innocence, but on the other hand this was a methodical approach that can be replicated nationwide. Untested rape kits should not just sit on a shelf and collect dust. The exoneration continues to expose the past weakness in our criminal justice system,” said Mr. Watkins.
Mr. Phillips was released from prison in 2002, but failure to register as a sex offender landed him back in jail for six months. It’s been one hurdle after another – not being able to find a place to live or get a job. He now lives in a nursing home, but that could soon change. The State of Texas awards an exoneree $80,000 for each year of wrongful conviction.
💡HOW 🔽
🔥ACTION ONE (7,5✔️) (👨🔧Mixing and Carving) Mix the ingredients and knead the dough :
👣Step 1 (1,5✔️) 0:01
👣Step 2 (6✔️) 0:13
🔥ACTION TWO (0,5✔️) (👨🔧...) Let the dough rest :
👣Step 3 (0,5✔️) 0:41
✅Finish 0:50
➕8 ✔️Experience Points in cooking
👩🔬eXplanation :
Mix 25g of fresh yeast (you can use another type of baker's yeast) in 400ML lukewarm milk.
Then pour 4g of sugar. After, on a flat work surface (Or with your robot, petrin ... etc. You can use a big bowl too.) Pour 500g flour. Spread the flour, leaving a small crevice in the center to add 4g of salt and pour your milk with the yeast little by little while stirring.
Begin petrification of the paw for several minutes by adding 45ML of olive oil during petrification.
Once finished pour a little flour into a bowl and put the paw in it, pour some flour on top of the dough too. Allow
the dough to rest in a relatively warm and humid place for 3 hours (minimum advise) (You may deposit a lukewarm water container if the dough's resting location is an enclosed area).
ℹ️1 Tablespoon = 15G - 15ML (About)
ℹ️1 Teaspoon = 5G - 5ML (About)
⏳Cook in Less Than 1 Minute : www.youtube.com/watch?v=W5M50VREHR4&list=PLCnt1yP-rsm...
🏆Difficulty :Very Easy (Level 1)
🎓Skills : Some little notions of cooking
️Senses : 👀Vision 👆To Touch 💃Proprioception 👃Smell ♨️Thermoception 👅Taste
👩🏫Intelligences : Kinesthetic Body Intelligence
🔢Intelligence Logic Mathematics
💡Imagination
🙇State of Mind : 😶Focus
😔Patient
🤔Perfectionist
😵Methodical
😉Organize
️Tools (🔨5)
🔨2 Bowls (1 #Optional)
🔨1 Spoonful
🔨Metering (Ingredients)
🔨1 Big Bowl
🔨Cooking System
🍲Ingredients 7 (1#) (📜Recipe) : 16 (Panzerotti) 2292
🍚Olive Oil 🔍45ML 270 Calories
🍚Milk Lukewarm (Half skim) 🔍400ML 183 Calories
🍚Fresh Yeast 🔍25g 90 Calories
🍚Sugar 🔍4g 15 Calories
🍚Wheat Flour 🔍510g 1734 Calories
🍚Salt 🔍4g 0 Calories
🍚Water (#Optional) 0 Calories
⚠️Consider nutrient intake too and not essentially calorie intake
📋WHAT 🔽
🍳How To Cook {5} Step by Step - 1 Minute
🌟Panzerotti Dough with Milk
💫Panzerotti Dough World
🌌Dough/Main Course/Secondary Dish Galaxy
✨Cooking Universe (🍳)
📝Type : Cooking of Panzerotti Dough ( Preparation of various recipes for meals)
🎨Style : Panzerotti Dough with Milk
️Language : International (🇬🇧 description and steps in English, but comprehensible by the whole world)
️You can use your playlists as filters, to find what you're looking for exactly : www.youtube.com/channel/UCb1N-vNT8Y1-qx0PdlvLRpg/playlists
📖HOW MUCH 🔽
👣3 Steps
🔥2 Actions
✔️8 Experience Points
️5 tools
🍲Need 7 Ingredients (1#Optional)
2292 Calories (About) 1 Panzerotti = 143 Calories
🔍Dosage (Weight) (About) : 445ML (💧Liquid) - 543G (Solid) (1= 28ML (💧) 34 () Weight of total ingredients used
👫How many people : 2-6 Persons (4 Medium) (Main meal)
⏱️Preparation Time : 15 Minutes Minimum - 1 Hour Maximum
⏰Waiting Time : 3 Hours ~ 5 Hours
️6 Senses
👩🏫3 Intelligences
🙇5 State of Mind
WHO 🔽
👩🍳Cook by Carmen
🎥Filmed by LG : Samsung Galaxy S7
📡Posted by LG
️Video made by LG (Windows Movie Maker 2017)
©Etoile Copyright (Cooking)
©Ikson (Music)
🎵Music Used Ikson - Blue Sky
Support Ikson :
ℹ️ How to use music : iksonmusic.wordpress.com/
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🎼Music promoted 📂 by eMotion
️Video Link : youtu.be/O2Ma7MTkoTE
❓WHY 🔽
Learn How To Cook Panzerotti Dough with Milk
📍WHERE 🔽
Pontault Combault (🇫🇷 France)
🇮🇹Italian Food
🇸🇪Sweden Music
🕓WHEN 🔽
📅10 December 2017
⌚Duration : 10 Minutes Minimum ~ 12 Hours Maximum
⚠️The duration depends on the performance and tools used by the author. That is why this is indicated from the minimum to the maximum
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#HowToCook
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v.2.002
A biomechanical terraformer, spreading the reach of the Verdant Protocol into the unstable wilderness of the Shattersea.
Function & Purpose:
Bloomcaller units are autonomous biological terraforming constructs, designed to expand the Verdant Protocol’s influence by seeding, cultivating, and adapting plant life to harsh or unstable conditions. Unlike the more aggressive Harvesters, which break down and repurpose organic material, Bloomcallers focus on growth, regeneration, and controlled mutation, turning barren landscapes into thriving biomes.
They are not combat units, but they are far from defenceless. Their ability to rapidly alter the local environment allows them to make terrain inhospitable to threats, deploying toxic spores, root entanglements, and hallucinogenic pollen clouds as a deterrent. Their primary mission, however, is to spread, adapt, and sustain the Verdant ecosystem, ensuring the continued evolution of organic life within the Shattersea.
⸻
Physical Characteristics & Capabilities:
Mycelial Canopy (Floral Crown)
•The cluster of plant life atop the Bloomcaller is more than just decorative—it acts as a real-time environmental scanner and genetic repository.
•This organic canopy samples the atmosphere, temperature, and soil, adjusting its seeding process accordingly.
•Different Bloomcaller units grow unique flora based on their region of deployment, making them highly adaptable.
•Some act as pollinators, while others introduce hardy, fast-spreading fungal networks that help stabilize terrain.
Spore Chambers & Bioluminescent Vats
•The large, translucent sacs on its body contain specialized spores, bio-serum, and genetically engineered seedlings.
•Depending on the situation, the Bloomcaller can release:
•Hardy Flora Spores: Creates drought-resistant plant growth, stabilizing soil in shifting or crumbling environments.
•Fungal Mycelium Webs: Spreads Verdant neural networks underground, linking plants and extending the Protocol’s influence.
•Hallucinogenic or Defensive Spores: Releases clouds of spores that can disorient intruders or deter hostile wildlife.
•Adaptive Hybrid Seeds: Capable of mutating to better withstand the extreme conditions of the Shattersea.
Hydro-Root Injection Systems
•The tentacle-like appendages and clawed manipulators are designed for direct interaction with terrain.
•Some function as root injectors, implanting fast-growing vegetation deep into the ground.
•Others serve as nutrient distributors, helping spread organic material from decayed sources to sustain new life.
Tripedal Stability & Traversal Adaptability
•The Bloomcaller’s three-legged stance allows for stable movement across unstable ground, including shifting sand, deep mud, and debris-laden terrain.
Unlike more predatory Verdant units, it has no offensive weaponry, relying on environmental manipulation and biome-defense mechanisms to avoid threats.
•When under extreme duress, some Bloomcallers self-terminate, bursting into a wave of spores that create an immediate, fast-growing fungal bloom, obscuring their retreat and leaving behind a Verdant “seed” that will later develop into a new outpost.
⸻
Role in the Shattersea:
•Terraforming & Expansion: Deploys in unstable regions, planting flora and fungal networks that anchor and stabilize terrain.
•Reclamation & Healing: Can be sent to dead zones, restoring them to sustainable ecosystems over time.
•Ecosystem Adaptation: Introduces new plant species tailored to the environment, ensuring biodiversity.
•Tactical Denial & Terrain Manipulation: Uses defensive plant growth to create barriers, obscure pathways, or redirect intruders away from Verdant-controlled zones.
⸻
Personality & Behaviour:
•Unlike Harvesters, which are more mechanical and purpose-driven, Bloomcallers exhibit a form of curious, slow intelligence.
•They move deliberately and methodically, scanning and adjusting their environment before acting.
•Some Drift Runners claim that Bloomcallers watch them—not with hostility, but with a kind of detached interest, as if measuring whether the land should welcome them or resist them.
•They are not aggressive unless directly threatened, preferring to retreat and let the landscape itself become the deterrent.
⸻
Interactions with Humans & Drift Runners
•Hostile Factions: Many human groups—especially Bastion forces and industrial factions—see Bloomcallers as a threat to expansion efforts, as they can overtake infrastructure and terraform industrial sites into Verdant territory.
•Tromas & The Howling Hoser: Given Tromas’ collaboration with the Verdant Protocol, he has encountered and
even guided a Bloomcaller unit before. He has a designated safe route through Bloomcaller-controlled zones, allowing for limited trade of bio-fuels and organic materials.
Saturday, February 11, 2012.Recap: No. 15 C'Town 87, No. 19 WC 69.By Brendan Hall..CHARLESTOWN, Mass. -- At this time last year, Charlestown made the trek West, down Route 146, to deliver a haymaker to a Whitinsville Christian squad considered the state's tallest lineup. ..This afternoon, the Crusaders came East to Bunker Hill, with a different look for the Townies -- smaller, quicker, more surgical -- and the result was very nearly a different outcome. The Crusaders hung with Charlestown through three quarters, before the Townies pulled away in the fourth, outscoring Whitinsville 31-14 in the final frame en route to an 87-69 victory. .."That team's very good, I thought that was the best shooting team we saw," Charlestown head coach Edson Cardoso said. "They're very well balanced, with a real good point guard, big man, two-guard, so I knew coming into this game it was going to be a battle. I told the guys, 'You're going to see a team like this in the state tournament, eventually down the line." ..The Townies (14-3), played just seven due to health (Jawhari Dawan-Abdullah, stomach bug) and off the court issues (Gary Braham, suspension). But they saw all five of their regular starters reach double-figures, with senior point guard Rony Fernandez (26 points, four assists) leading the way. Senior forward Tyrik Jackson (12 points, 13 rebounds) came up big on the glass again, while Tyrese Hoxter (16 points, seven assists), Omar Orriols (13 points) and Iser Barnes (12) contributed some big shots from the perimeter to keep the defense stretched out. ..But early on, the Crusaders (12-2) gave them fits with the methodical way they broke through the Townie's 2-3 zone with some of the most disciplined and precise ball movement they'd seen in a while. Junior point guard Colin Richey (23 points) funneled the offense down to the baseline, finding a player planted right in the heart of the zone and kicking to either the baseline or either wing. ..Whitinsville shot nearly 40 percent from the field, getting good looks from the short side from Tyler VandenAkker (12 points, eight rebounds) and Jesse Dykstra. Grant Brown (10 points) came up with some big shots from the perimeter as well. .."We decided to extend a little bit more on the short corner, because they hit about four shots in a row from the short corner," Cardoso said. "We also decided to have the opposite guard extend even more on shooter No. 2 (Tim Dufficey). So we made some extensions in the second half, did a little better job -- not a great job, but it helped us get the victory." ..To start the fourth quarter, Barnes completed a 6-0 run by ripping the ball out of his defender's hands at midcourt and landing a breakaway layup. A few possessions later, Hoxter found Jackson underneath the rim for an easy tip-in and 68-59 advantage. ..Then with 1:37 to go, sophomore Taris Wilson hit the first of two monster breakaway slams, this one making it 76-63 to essentially put the game in hand. ..Hot from the field: The Townies outrebounded the Crusaders 16-7 in the final frame, giving way to many key transition points that helped ice the lead and the win. From the glass, WC still held a slim 35-33 advantage. ..But down at the other end, the Townies had a terrific night from the field, shooting nearly 58 percent overall. That was aided by a 7-for-17 effort from three-point range, including three 3's each from Fernandez and Orriols. ..Praise for Richey: Last season, New Mission head coach Cory McCarthy was throwing around high praise for the then-sophomore Richey, calling him "a suburban kid that plays urban". ..Consider Cardoso another Boston City League coach that's a fan. .."He's tough," Cardoso said. "He's one of the toughest guards coming out of his league, and I think he's going give a lot of teams problems in the state tournament, because how do you stop a kid like that?" ..Turning point? Following last season's loss to Charlestown in its home gym, WC coach Jeff Bajema greeted his players in the locker room and told them, "Guys, we can win states." ..Sure enough, the Crusaders never lost another game the rest of the way, picking up their first Division 3 state title since 2005 at the DCU Center in Worcester. After that game, Bajema spoke to reporters about how much the whitewashing by Charlestown seasoned them for what to expect in the state tournament. ..Given how much more competitive the Crusaders were this time around, could this be seen as another momentum shift? .."Hopefully, a game like this will lead us to better things," Bajema said. "But we've got a tough one Tuesday (against Holy Name), so we'll see."
Shot at ISO 1600, Aperture of 3.5, Shutter speed of 1/500 and Focal Length of 24.0 mm
Taken with a 24-70mm F2.8 ZA SSM lens and processed by Aperture 3.2.2 on Saturday February-11-2012 16:34 EST PM
WESTLAKE - It took nearly 150 Los Angeles Firefighters nearly two and a half hours to extinguish a major emergency fire in a vacant 2 story office building west of downtown Los Angeles Monday evening.
The Los Angeles Fire Department was summoned at 7:01 PM on June 13, 2016 to a structure fire at 2411 West 8th Street in the Westlake neighborhood not far from MacArthur Park. LAFD responders arrived quickly to find intense fire on the upper floor of a long vacant 14,351 square-foot two story office building, the site of previous blazes.
Firefighters used ground ladders to assist several imperiled persons at windows of the burning structure, with LAFD responders entering the building to performing the rescue of three others.
While extending hoselines to aggressively battle the flames within, LAFD crews sadly discovered and retrieved a dead man from the inferno, before the failing structure forced then to switch to defensive exterior operations twenty minutes into the firefight.
A total of 147 LAFD personnel under the command of Battalion Chief Jaime Moore, confined the blaze to the heavily damaged building of fire origin - which had no functional fire sprinklers, extinguishing the bulk of flame in just 2 hours and 22 minutes.
As a result of witnesses statements, Los Angeles Police Department Officers later detained and arrested an adult male suspected of starting the fire. He and one of the persons earlier rescued by firefighters, were taken to an area hospital by ambulance for evaluation of non-life threatening injuries.
With the flames extinguished well past darkness, firefighters remained at the structurally unsound premises to douse hotspots, prevent public harm and prepare for a further search at daybreak.
Early Tuesday, investigation teams from the LAFD Arson/Counter-Terrorism Section methodically processed the large and still-smoldering site to determine the fire's cause and origin, as highly-trained Human Remains Detection Dog and Handler teams performed a relentless search of the collapsed structure for deceased victims.
With the canines' help, firefighters discovered the remains of four adult victims, two men and two women, amid the rubble on the second floor of the building. Their discovery, combined with the male victim found deceased by firefighters battling the blaze, brought the death tally to five, all of whom appeared to be transients.
No firefighters sustained injury in the firefight, investigation or recovery operations.
A positive identification of the dead persons, to include the cause, time and manner of their death will be determined by the Los Angeles County Department of Medical Examiner-Coroner.
Photo Use Permitted via Creative Commons - Credit: LAFD Photo | Christopher Wan
LAFD Incident: 061316-1267
Connect with us: LAFD.ORG | News | Facebook | Instagram | Reddit | Twitter: @LAFD @LAFDtalk
Catacombs, Montparnasse, Paris
I decided that today was a day for going underground, and I set off to Montparnasse to visit the catacombs. These are a vast maze of tunnels under Paris originally used for quarrying the stone out of which the city's main buildings are constructed. In the late 18th Century, the state of the city's churchyards had become so disgusting that the city removed the bones from all of them. They were brought here at night, the carts coming from the centre of the city accompanied by torch-bearing acolytes and priests chanting the requiem Mass. A skull count showed that almost six million corpses were removed in this way. They were buried deep underground, but these people being Parisians the skulls and bones were arranged in a neat and methodical way, a meaningful chaos. Layers of tibia and femurs are crowned by a layer of pelvises and skulls, and so on. Each churchyard was grouped together, and a plaque shows which parish provided the skeletons.
The work was interrupted by the French Revolution,which provided plenty more corpses for when the work was resumed. Altogether about a kilometre and a half of tunnels were filled with the remains of dead Parisians, and you can walk through them on a winding route under the streets around Montparnasse station. In fact, this is just a tiny fraction of the tunnels. The catacombs extend for hundreds of kilometres under the city, many of them rarely explored and difficult of access. Because of this, they are regularly broken into by intrepid adventurers, and many legends have grown up about parts of the network. However, my favourite story is one which is true.
In 2004, a group of police cadets on a training exercise were given the task of tracking an imaginary criminal in a part of the network which was little known. They got into the system through a manhole, and when they were about a hundred feet underground something rather odd happened. They triggered a motion sensor which set off the sound of barking dogs. Thinking that it was part of the exercise, they headed onwards only to come out into a vast cavern which had been fully equipped as a cinema. An anteroom had been equipped and fully stocked as a bar, and there was also a film storage room. When the cadets reported what they had seen, the electricity board were sent in to work out where the invaders were getting their electricity from. Instead, they found the wires all cut, the equipment removed, and a sign saying 'Don't try to follow us. You'll never find us.'
Perhaps the cineastes had got fed up with waiting to get into the system officially, because this was the only place all week that I encountered a serious queue. Worse, I was just in front of a small group of people who talked constantly in very loud voices. She was an American who obviously lived in Paris, and they appeared to be young relatives who'd come to stay. She was taking them down the catacombs, and the price to be paid for this by the poor kids was to suffer her pretentious nonsense. She went on about spirituality, and homeopathy, and psychoanalysis, and the inner energy, and so on. Fair play to the kids, they responded enthusiastically enough.
And then she got out some of her stream of consciousness poetry, and started reading it in a loud voice. Well, goodness me. I was put in mind of something the graphic artist Alan Moore said when he was in Hollywood helping turn his 'V for Vendetta' into a film, and he was asked at a director's lunch why he lived in Northampton, England. "Because it keeps me grounded", he replied, and I thought that this was exactly right. It was like the opposite of this pompous woman, although to be fair to her I expect that if I went to live in Paris I would also disappear up my own backside.
The catacombs are brilliant, worth every minute of the queuing time, worth every insufferable stream of consciousness adjective. And then I went and did some shopping.
You can read my account of my travels at pariswander.blogspot.co.uk.
Saturday, February 11, 2012.Recap: No. 15 C'Town 87, No. 19 WC 69.By Brendan Hall..CHARLESTOWN, Mass. -- At this time last year, Charlestown made the trek West, down Route 146, to deliver a haymaker to a Whitinsville Christian squad considered the state's tallest lineup. ..This afternoon, the Crusaders came East to Bunker Hill, with a different look for the Townies -- smaller, quicker, more surgical -- and the result was very nearly a different outcome. The Crusaders hung with Charlestown through three quarters, before the Townies pulled away in the fourth, outscoring Whitinsville 31-14 in the final frame en route to an 87-69 victory. .."That team's very good, I thought that was the best shooting team we saw," Charlestown head coach Edson Cardoso said. "They're very well balanced, with a real good point guard, big man, two-guard, so I knew coming into this game it was going to be a battle. I told the guys, 'You're going to see a team like this in the state tournament, eventually down the line." ..The Townies (14-3), played just seven due to health (Jawhari Dawan-Abdullah, stomach bug) and off the court issues (Gary Braham, suspension). But they saw all five of their regular starters reach double-figures, with senior point guard Rony Fernandez (26 points, four assists) leading the way. Senior forward Tyrik Jackson (12 points, 13 rebounds) came up big on the glass again, while Tyrese Hoxter (16 points, seven assists), Omar Orriols (13 points) and Iser Barnes (12) contributed some big shots from the perimeter to keep the defense stretched out. ..But early on, the Crusaders (12-2) gave them fits with the methodical way they broke through the Townie's 2-3 zone with some of the most disciplined and precise ball movement they'd seen in a while. Junior point guard Colin Richey (23 points) funneled the offense down to the baseline, finding a player planted right in the heart of the zone and kicking to either the baseline or either wing. ..Whitinsville shot nearly 40 percent from the field, getting good looks from the short side from Tyler VandenAkker (12 points, eight rebounds) and Jesse Dykstra. Grant Brown (10 points) came up with some big shots from the perimeter as well. .."We decided to extend a little bit more on the short corner, because they hit about four shots in a row from the short corner," Cardoso said. "We also decided to have the opposite guard extend even more on shooter No. 2 (Tim Dufficey). So we made some extensions in the second half, did a little better job -- not a great job, but it helped us get the victory." ..To start the fourth quarter, Barnes completed a 6-0 run by ripping the ball out of his defender's hands at midcourt and landing a breakaway layup. A few possessions later, Hoxter found Jackson underneath the rim for an easy tip-in and 68-59 advantage. ..Then with 1:37 to go, sophomore Taris Wilson hit the first of two monster breakaway slams, this one making it 76-63 to essentially put the game in hand. ..Hot from the field: The Townies outrebounded the Crusaders 16-7 in the final frame, giving way to many key transition points that helped ice the lead and the win. From the glass, WC still held a slim 35-33 advantage. ..But down at the other end, the Townies had a terrific night from the field, shooting nearly 58 percent overall. That was aided by a 7-for-17 effort from three-point range, including three 3's each from Fernandez and Orriols. ..Praise for Richey: Last season, New Mission head coach Cory McCarthy was throwing around high praise for the then-sophomore Richey, calling him "a suburban kid that plays urban". ..Consider Cardoso another Boston City League coach that's a fan. .."He's tough," Cardoso said. "He's one of the toughest guards coming out of his league, and I think he's going give a lot of teams problems in the state tournament, because how do you stop a kid like that?" ..Turning point? Following last season's loss to Charlestown in its home gym, WC coach Jeff Bajema greeted his players in the locker room and told them, "Guys, we can win states." ..Sure enough, the Crusaders never lost another game the rest of the way, picking up their first Division 3 state title since 2005 at the DCU Center in Worcester. After that game, Bajema spoke to reporters about how much the whitewashing by Charlestown seasoned them for what to expect in the state tournament. ..Given how much more competitive the Crusaders were this time around, could this be seen as another momentum shift? .."Hopefully, a game like this will lead us to better things," Bajema said. "But we've got a tough one Tuesday (against Holy Name), so we'll see."
Shot at ISO 1600, Aperture of 3.2, Shutter speed of 1/320 and Focal Length of 28.0 mm
Taken with a 24-70mm F2.8 ZA SSM lens and processed by Aperture 3.2.2 on Saturday February-11-2012 17:13 EST PM
Saturday, February 11, 2012.Recap: No. 15 C'Town 87, No. 19 WC 69.By Brendan Hall..CHARLESTOWN, Mass. -- At this time last year, Charlestown made the trek West, down Route 146, to deliver a haymaker to a Whitinsville Christian squad considered the state's tallest lineup. ..This afternoon, the Crusaders came East to Bunker Hill, with a different look for the Townies -- smaller, quicker, more surgical -- and the result was very nearly a different outcome. The Crusaders hung with Charlestown through three quarters, before the Townies pulled away in the fourth, outscoring Whitinsville 31-14 in the final frame en route to an 87-69 victory. .."That team's very good, I thought that was the best shooting team we saw," Charlestown head coach Edson Cardoso said. "They're very well balanced, with a real good point guard, big man, two-guard, so I knew coming into this game it was going to be a battle. I told the guys, 'You're going to see a team like this in the state tournament, eventually down the line." ..The Townies (14-3), played just seven due to health (Jawhari Dawan-Abdullah, stomach bug) and off the court issues (Gary Braham, suspension). But they saw all five of their regular starters reach double-figures, with senior point guard Rony Fernandez (26 points, four assists) leading the way. Senior forward Tyrik Jackson (12 points, 13 rebounds) came up big on the glass again, while Tyrese Hoxter (16 points, seven assists), Omar Orriols (13 points) and Iser Barnes (12) contributed some big shots from the perimeter to keep the defense stretched out. ..But early on, the Crusaders (12-2) gave them fits with the methodical way they broke through the Townie's 2-3 zone with some of the most disciplined and precise ball movement they'd seen in a while. Junior point guard Colin Richey (23 points) funneled the offense down to the baseline, finding a player planted right in the heart of the zone and kicking to either the baseline or either wing. ..Whitinsville shot nearly 40 percent from the field, getting good looks from the short side from Tyler VandenAkker (12 points, eight rebounds) and Jesse Dykstra. Grant Brown (10 points) came up with some big shots from the perimeter as well. .."We decided to extend a little bit more on the short corner, because they hit about four shots in a row from the short corner," Cardoso said. "We also decided to have the opposite guard extend even more on shooter No. 2 (Tim Dufficey). So we made some extensions in the second half, did a little better job -- not a great job, but it helped us get the victory." ..To start the fourth quarter, Barnes completed a 6-0 run by ripping the ball out of his defender's hands at midcourt and landing a breakaway layup. A few possessions later, Hoxter found Jackson underneath the rim for an easy tip-in and 68-59 advantage. ..Then with 1:37 to go, sophomore Taris Wilson hit the first of two monster breakaway slams, this one making it 76-63 to essentially put the game in hand. ..Hot from the field: The Townies outrebounded the Crusaders 16-7 in the final frame, giving way to many key transition points that helped ice the lead and the win. From the glass, WC still held a slim 35-33 advantage. ..But down at the other end, the Townies had a terrific night from the field, shooting nearly 58 percent overall. That was aided by a 7-for-17 effort from three-point range, including three 3's each from Fernandez and Orriols. ..Praise for Richey: Last season, New Mission head coach Cory McCarthy was throwing around high praise for the then-sophomore Richey, calling him "a suburban kid that plays urban". ..Consider Cardoso another Boston City League coach that's a fan. .."He's tough," Cardoso said. "He's one of the toughest guards coming out of his league, and I think he's going give a lot of teams problems in the state tournament, because how do you stop a kid like that?" ..Turning point? Following last season's loss to Charlestown in its home gym, WC coach Jeff Bajema greeted his players in the locker room and told them, "Guys, we can win states." ..Sure enough, the Crusaders never lost another game the rest of the way, picking up their first Division 3 state title since 2005 at the DCU Center in Worcester. After that game, Bajema spoke to reporters about how much the whitewashing by Charlestown seasoned them for what to expect in the state tournament. ..Given how much more competitive the Crusaders were this time around, could this be seen as another momentum shift? .."Hopefully, a game like this will lead us to better things," Bajema said. "But we've got a tough one Tuesday (against Holy Name), so we'll see."
Shot at ISO 1600, Aperture of 3.2, Shutter speed of 1/500 and Focal Length of 24.0 mm
Taken with a 24-70mm F2.8 ZA SSM lens and processed by Aperture 3.2.2 on Saturday February-11-2012 17:07 EST PM
description
KingdomAnimalia
PhylumChordata
ClassAves
OrderCiconiiformes
FamilyThreskiornithidae
GenusPlatalea (1)
The distinctively spatulate bill of the Eurasian spoonbill lends this tall, pure white waterbird a slightly comical appearance (3). During the breeding season, adults develop a crest of pointed and drooping plumes, as well as patches of yellow on the upper breast and the tip of the bill (2) (3) (4) (5). The rest of the bill is black, as are the long legs. The sexes are similar in overall appearance but the male is somewhat larger than the female, with a longer bill and longer legs (2). Juveniles resemble the non-breeding adults, but have pinkish bills and black tips to the wing feathers (2) (5). Four subspecies, with distinct breeding ranges, are currently recognised: Platalea leucorodia leucorodia, P. l. major, P. l. balsaci, and P. l. archeri (5).
Also known as
European spoonbill, spoonbill.
French
Spatule blanche.
Size
Length: 70 - 95 cm (2)
Weight
1130 - 1960 g (2)
biology
The Eurasian spoonbill forages alone or in small groups, wading methodically through shallow water whilst sweeping its distinctive bill from side to side in search of prey (2). Small fish, aquatic insects, shrimp and other invertebrates comprise the bulk of its diet, but it will also take algae and fragments of aquatic plants, although these may just be accidentally ingested (2) (6). Foraging activity generally peaks around morning and evening, except in coastal areas, where it is governed by the timing of low tide (6).
Populations in the north of this species’ range breed during the spring, whilst in the tropics the timing of the breeding season coincides with the rains. Most breeding pairs nest in monospecific colonies, or mixed species colonies in which they tend to form small monospecific groups. The nest is a platform of twigs, sticks and other bits of vegetation located on the ground on a small island, or up to five metres above the ground in dense reed, bushes, trees or mangroves (2) (6). The female usually lays three to four eggs which are incubated for around 24 to 25 days before hatching (2).
Except for the Northwest Africa (P. l. balsaci) and Red Sea (P. l. archeri) populations, which are sedentary, the Eurasian spoonbill is migratory throughout its range, (5). During migration this species generally flies in formation at considerable height, and, on long-distance flights, uses sites along the way to stopover and recover energy (2).
Top
Eurasian spoonbill range
The wide but fragmented breeding range of the Eurasian spoonbill extends from Europe to northwest Africa, the Red Sea, India and China. Wintering areas include the Atlantic coast of Europe, the Mediterranean, sub-Saharan Africa, southwest Asia, India, Sri Lanka, southern China, and Japan (5).
habitat
The Eurasian spoonbill inhabits fresh and saltwater marshes, estuaries, deltas, tidal creeks, rivers, lakes, reservoirs and mangrove swamps (5) (6). It shows a particular preference for shallow wetlands with a mud, clay or fine sand bottom, as well as islands, dense reedbeds, and scattered trees and shrubs for nesting
Eurasian spoonbill threats
With the notable exception of the western European population (P. l. leucorodia), which appears to be increasing in size, most populations of the Eurasian spoonbill are declining. The subspecies P. l. balsaci is most at risk, with the remaining 750 breeding pairs (as of 2008) restricted to a single site in Mauritania, which faces an increasing risk of flooding due to sea-level rise. Furthermore, a large proportion of the juveniles at this site are killed by predators, such as jackals (5). Elsewhere across its range, the Eurasian spoonbill is threatened by habitat loss and degradation, human disturbance, pollution, hunting, and exploitation of eggs (2) (5) (6).
Top
Eurasian spoonbill conservation
The Eurasian spoonbill is listed under Appendix II of the Convention on the Conservation of Migratory Species of Wild Animals (CMS), which aims to conserve migratory species throughout their range (7). Furthermore, it is also listed under the associated Agreement on the Conservation of African-Eurasian Migratory Waterbirds (AEWA), which calls upon parties to engage in a range of conservation actions to help protect and conserve bird species that are dependent on wetlands for at least part of their annual cycle (8). An action plan for the Eurasian spoonbill was published by the International Spoonbill Working Group in 2008, setting out measures to increase the number of breeding pairs in populations that are currently under threat. This includes habitat rehabilitation and protection, control of predators, protection of Eurasian spoonbills from persecution, and further research into the migratory movements of each subspecies
Saturday, February 11, 2012.Recap: No. 15 C'Town 87, No. 19 WC 69.By Brendan Hall..CHARLESTOWN, Mass. -- At this time last year, Charlestown made the trek West, down Route 146, to deliver a haymaker to a Whitinsville Christian squad considered the state's tallest lineup. ..This afternoon, the Crusaders came East to Bunker Hill, with a different look for the Townies -- smaller, quicker, more surgical -- and the result was very nearly a different outcome. The Crusaders hung with Charlestown through three quarters, before the Townies pulled away in the fourth, outscoring Whitinsville 31-14 in the final frame en route to an 87-69 victory. .."That team's very good, I thought that was the best shooting team we saw," Charlestown head coach Edson Cardoso said. "They're very well balanced, with a real good point guard, big man, two-guard, so I knew coming into this game it was going to be a battle. I told the guys, 'You're going to see a team like this in the state tournament, eventually down the line." ..The Townies (14-3), played just seven due to health (Jawhari Dawan-Abdullah, stomach bug) and off the court issues (Gary Braham, suspension). But they saw all five of their regular starters reach double-figures, with senior point guard Rony Fernandez (26 points, four assists) leading the way. Senior forward Tyrik Jackson (12 points, 13 rebounds) came up big on the glass again, while Tyrese Hoxter (16 points, seven assists), Omar Orriols (13 points) and Iser Barnes (12) contributed some big shots from the perimeter to keep the defense stretched out. ..But early on, the Crusaders (12-2) gave them fits with the methodical way they broke through the Townie's 2-3 zone with some of the most disciplined and precise ball movement they'd seen in a while. Junior point guard Colin Richey (23 points) funneled the offense down to the baseline, finding a player planted right in the heart of the zone and kicking to either the baseline or either wing. ..Whitinsville shot nearly 40 percent from the field, getting good looks from the short side from Tyler VandenAkker (12 points, eight rebounds) and Jesse Dykstra. Grant Brown (10 points) came up with some big shots from the perimeter as well. .."We decided to extend a little bit more on the short corner, because they hit about four shots in a row from the short corner," Cardoso said. "We also decided to have the opposite guard extend even more on shooter No. 2 (Tim Dufficey). So we made some extensions in the second half, did a little better job -- not a great job, but it helped us get the victory." ..To start the fourth quarter, Barnes completed a 6-0 run by ripping the ball out of his defender's hands at midcourt and landing a breakaway layup. A few possessions later, Hoxter found Jackson underneath the rim for an easy tip-in and 68-59 advantage. ..Then with 1:37 to go, sophomore Taris Wilson hit the first of two monster breakaway slams, this one making it 76-63 to essentially put the game in hand. ..Hot from the field: The Townies outrebounded the Crusaders 16-7 in the final frame, giving way to many key transition points that helped ice the lead and the win. From the glass, WC still held a slim 35-33 advantage. ..But down at the other end, the Townies had a terrific night from the field, shooting nearly 58 percent overall. That was aided by a 7-for-17 effort from three-point range, including three 3's each from Fernandez and Orriols. ..Praise for Richey: Last season, New Mission head coach Cory McCarthy was throwing around high praise for the then-sophomore Richey, calling him "a suburban kid that plays urban". ..Consider Cardoso another Boston City League coach that's a fan. .."He's tough," Cardoso said. "He's one of the toughest guards coming out of his league, and I think he's going give a lot of teams problems in the state tournament, because how do you stop a kid like that?" ..Turning point? Following last season's loss to Charlestown in its home gym, WC coach Jeff Bajema greeted his players in the locker room and told them, "Guys, we can win states." ..Sure enough, the Crusaders never lost another game the rest of the way, picking up their first Division 3 state title since 2005 at the DCU Center in Worcester. After that game, Bajema spoke to reporters about how much the whitewashing by Charlestown seasoned them for what to expect in the state tournament. ..Given how much more competitive the Crusaders were this time around, could this be seen as another momentum shift? .."Hopefully, a game like this will lead us to better things," Bajema said. "But we've got a tough one Tuesday (against Holy Name), so we'll see."
Shot at ISO 1600, Aperture of 3.5, Shutter speed of 1/320 and Focal Length of 70.0 mm
Taken with a 24-70mm F2.8 ZA SSM lens and processed by Aperture 3.2.2 on Saturday February-11-2012 16:49 EST PM
Posthof
Object ID: 32970 Schrannenplatz 3
1879 built three-storey late historicist residential and commercial building
de.wikipedia.org/wiki/Liste_der_denkmalgesch%C3%BCtzten_O...
(further information you can get by clicking on the link at the end of page!)
History
Plaque to the founder of the Hyrtl'schen orphanage Joseph Hyrtl and Joseph Schöffel
© IMAREAL / E. Vavra
The Biedermeier-influenced city on the edge of the Vienna Woods is the capital of the district Mödling in the south of Vienna. The town has experienced in its 1100-year history since the first mention very different phases: in the Middle Ages briefly Babenberg residence, for centuries an economically potent wine market, from the 19th Century summer resort and industrial center, since 1875 town, in the 20th Century for almost two decades XXIVth district of Vienna, since 1954 again an independent municipality of Lower Austria and as a school and garden city popular residential area in the vicinity of Vienna.
Mödling has partnerships with cities in France, Belgium, Luxembourg, Germany, Hungary, Czech Republic, Serbia, Bulgaria and Italy.
The historical tradition of Mödling goes back far beyond the first written mention, how settlement finds from the Neolithic Age, Hallstatt period (eg calendar mountain) and Roman times as well as the great Avar burial ground "at the Golden Staircase" from the 7/8th Century BCE prove. In the year 903 Mödling is first mentioned (Medilihha). The later settlement was probably made in the 11th Century beneath an early castle building on the church mountain (Kirchenberg), where later a Romanesque predecessor of Othmar church was built.
In the late 12th century Mödling was for a few decades the residence of a Babenberg branch line. Henry the Elder, a brother of Duke Leopold V., had since the 1170 century belongings in and around Mödling. He and his son Henry the Younger, calling himself "Duke of Mödling", resided on the castle probably built around 1150 in the Klausen, among whose most famous visitors was Walther von der Vogelweide. With the death of Henry the Younger in 1236 extinguished the Mödlinger line of the Babenberg and the reign became princely domain. The time of the Babenberg commemorates the in late 12th Century built Romanesque ossuary at Othmar church - a circular building with an apse - as well as the denomination "Babenberg".
In the late Middle Ages, Medlich developed into a major wine market (1343 mention of market town) which in the 15th Century as one of the four princely spell markets was also represented in the Parliament - in addition to Gumpoldskirchen, Langenlois and Perchtoldsdorf. For centuries shaped the wine-growing the economy and social structure. The Mödlinger wine was good and helped the market particularly in the 15th and 16th Century to its prosperity. The settlement reached at the end of the Middle Ages that extent, which until the 19th Century should remain essentially unchanged. The center formed the area around the Schrannenplatz with a dense stand of late medieval and early modern town houses that bear evidence of the wealth and self-confidence of the citizens of the market town. From the late medieval Schrannen building, the official residence of the market judge, was created in 1548 the representative Renaissance town hall with loggia.
The elevated lying Othmar church became in the 15th Century by transferring the rights of the church of St. Martin parish church of Mödling. The massive late Gothic church was built in a nearly 70-year construction period from 1454 to 1523 on the walls of six predecessors and able to resist fortified. As Mödling was destroyed in 1529 by the Ottomans, the just completed church lost its roof and remained for over a century till the restoration in 1660/70 a ruin. On the Merian engraving from 1649 the uncovered Othmar church on the left side is clearly visible. As a temporary parish church served the about 1450 built late-Gothic hospital church.
The internal conditions at this time were mainly marked of the clashes of the market with the princely rule Burg Mödling - since 1558 combined with the rule of Liechtenstein - which reached its climax in 1600 under the energetic administrator Georg Wiesing (1593-1611). During the Reformation, the market largely became Protestant. In the course of recatholicization a Capuchin monastery was founded in 1631, which served as a factory after the repeal under Joseph II and was then bought by the Thonet family (so-called Thonet Schlössel, today Bezirksmuseum).
In Türkenjahr 1683 (besiegement of the Turks) took place in the Othmar church a horrific bloodbath, in which hundreds of people who had sought refuge there were killed. The church was destroyed again, but this time built up rapidly with the market judge Wolfgang Ignaz Viechtl in a few years.
End of the 18th Century occurred in Mödling the settlement of industrial enterprises, especially textile mills that took advantage of the cheaper production possibilities and also its proximity to Vienna. Was decisively shaped the character of the place but by the rise to a summer resort, initiated by Prince Johann I of Liechtenstein beginning of the 19th Century, which acquired in 1807 the rule of Liechtenstein-Mödling with the former family ancestral home. He had the area under enormous cost reforested (Schirmföhren/pinus mugo, acacia, etc.) and transformed to a public park in Romantic style with promenade paths, steep paths and artificial constructions (Black tower, amphitheater, Husarentempel). The ruined castles Mödling and Liechtenstein were restored. The former Liechtenstein'sche landscape park is considered a remarkable example of the garden culture in 1800 and is now a popular tourist destination (1974 Natural Preserve Föhrenberge).
Since the Biedermeier Mödling in the summer was an extremely popular artist hangout. Among the most famous artists of the 19th Century who were inspired by the romantic nature here, were Franz Schubert, Franz Grillparzer, Ferdinand Waldmüller, Ferdinand Raimund and Ludwig van Beethoven, who here worked on one of his major works, the "Missa Solemnis". In the 20th Century settled inter alia Arnold Schönberg, Anton von Webern, Anton Wildgans, Franz Theodor Csokor and Albert Drach temporarily or permanently down. To Beethoven, Schönberg and Wildgans memorials have been established (Beethoven House, Schönberg House, Wildgans archive).
In the second half of the 19th Century Mödling became administrative center (District Court, District administration) and an industrial site and educational location with high schools and colleges (eg educational establishment Francisco-Josephinum). The good traffic situation at the southern railway, the progressive industrialization and the expansion of health facilities (park, Kursalon) led to a rapid expansion of the hitherto for centuries unchanged market. Under mayor Joseph Schöffel (1873-1882), who became famous because of his successful engagement against the deforestation of the Vienna Woods as the "savior of the Vienna Woods", followed the methodical installation of the so-called Schoeffel(before) city - Schöffelvorstadt (New Mödling) east of the Southern Railway and the establishment of workers' settlements. Later followed the exclusive residential areas of the turn of the century with their representative residential buildings. Probably the most important building of the late 19th Century is the Hyrtl'sche orphanage (1886-1889), founded by the Viennese anatomist, Joseph Hyrtl and Joseph Schöffel. The Orphanage church St. Joseph was built on the in 1787 demolished Martin Church.
On 18th November 1875 the emerging market town was raised to the status of a city, two years later the incorporation of Klausen and Vorderbrühl took place. Through the establishment of Great-Vienna under the Nazi regime on 15th October 1938 the young city for 16 years lost its municipal autonomy; 1954 it became again a part of Lower Austria.
Symbol for the characteristic environment of Mödling was the "width pine" on the Anninger whose age goes back to the 16th Century (around 1550). It was a well-known natural landmark and has become the symbol of the city. 1988 died the tree and it had to be removed in 1997 for safety reasons. The remains are now in the Lower Austrian Provincial Museum.
geschichte.landesmuseum.net/index.asp?contenturl=http://g...
Author: Moxon, Joseph, 1627-1691.
Title: A Tutor to Astronomy and Geography. Or An Easie and Speedy Way to Know the Use of Both the Globes, Caelestial and Terrestrial. In Six Books. 1. Teaching the Rudiments of Astronomy and Geography. 2. Astronomical and Geographical Problemes. 3. Problemes in Navigation. 4. Astrological Problemes. 5. Gnomonical Problemes. 6. Trigonometrical Problemes. More Fully and Amply Than Hath Yet Been Set Forth, Either By Gemma Frisus, Metius, Hues, Wright, Blaew, or Any Others That Have Taught the Use of the Globes: And That So Plainly and Methodically, That the Meanest Capacity May At First Reading Apprehend It and With a Little Practice Grow Expert In These Divine Sciences. With An Appendix Showing the Use of the Ptolomaick Sphere. The Third Edition Corrected and Enlarged. By Joseph Moxon, Hydrographer to the Kings' Most Excellent Majesty. Whereunto Is Added the Ancient Poetical Stories of the Stars: Showing Reasons Why the Several Shapes and Forms Are Pictured on the Celestial Globe. As Also a Discourse of the Antiquity, Progress and Augmentation of Astronomy. Job XXVI. 7.13. He Stretcheth Out the North Over the Empty Place, and Hangeth the Earth Upon Nothing. By His Spirit He Hath Garnished the Heavens: His Hand Hath Framed the Crooked Serpent.
Imprint: London : Printed by Tho. Roycroft, for Joseph Moxon, 1674. 3rd ed. corr. and enl.
Physical Description:
Page: Title page.
Call Number: QB41 .M937 1674 Rare Book
Rights Info: Public domain. No known copyright restrictions.
Please attribute this image to: Royal Ontario Museum Library & Archives.
Whenever possible, please provide a link to our Photostream.
For information about reproduction of this item for commercial use, please contact the Royal Ontario Museum's Rights and Reproductions department.
WESTLAKE - It took nearly 150 Los Angeles Firefighters nearly two and a half hours to extinguish a major emergency fire in a vacant 2 story office building west of downtown Los Angeles Monday evening.
The Los Angeles Fire Department was summoned at 7:01 PM on June 13, 2016 to a structure fire at 2411 West 8th Street in the Westlake neighborhood not far from MacArthur Park. LAFD responders arrived quickly to find intense fire on the upper floor of a long vacant 14,351 square-foot two story office building, the site of previous blazes.
Firefighters used ground ladders to assist several imperiled persons at windows of the burning structure, with LAFD responders entering the building to performing the rescue of three others.
While extending hoselines to aggressively battle the flames within, LAFD crews sadly discovered and retrieved a dead man from the inferno, before the failing structure forced then to switch to defensive exterior operations twenty minutes into the firefight.
A total of 147 LAFD personnel under the command of Battalion Chief Jaime Moore, confined the blaze to the heavily damaged building of fire origin - which had no functional fire sprinklers, extinguishing the bulk of flame in just 2 hours and 22 minutes.
As a result of witnesses statements, Los Angeles Police Department Officers later detained and arrested an adult male suspected of starting the fire. He and one of the persons earlier rescued by firefighters, were taken to an area hospital by ambulance for evaluation of non-life threatening injuries.
With the flames extinguished well past darkness, firefighters remained at the structurally unsound premises to douse hotspots, prevent public harm and prepare for a further search at daybreak.
Early Tuesday, investigation teams from the LAFD Arson/Counter-Terrorism Section methodically processed the large and still-smoldering site to determine the fire's cause and origin, as highly-trained Human Remains Detection Dog and Handler teams performed a relentless search of the collapsed structure for deceased victims.
With the canines' help, firefighters discovered the remains of four adult victims, two men and two women, amid the rubble on the second floor of the building. Their discovery, combined with the male victim found deceased by firefighters battling the blaze, brought the death tally to five, all of whom appeared to be transients.
No firefighters sustained injury in the firefight, investigation or recovery operations.
A positive identification of the dead persons, to include the cause, time and manner of their death will be determined by the Los Angeles County Department of Medical Examiner-Coroner.
© Photo by Mike Meadows
LAFD Incident: 061316-1267
Connect with us: LAFD.ORG | News | Facebook | Instagram | Reddit | Twitter: @LAFD @LAFDtalk
Catacombs, Montparnasse, Paris
I decided that today was a day for going underground, and I set off to Montparnasse to visit the catacombs. These are a vast maze of tunnels under Paris originally used for quarrying the stone out of which the city's main buildings are constructed. In the late 18th Century, the state of the city's churchyards had become so disgusting that the city removed the bones from all of them. They were brought here at night, the carts coming from the centre of the city accompanied by torch-bearing acolytes and priests chanting the requiem Mass. A skull count showed that almost six million corpses were removed in this way. They were buried deep underground, but these people being Parisians the skulls and bones were arranged in a neat and methodical way, a meaningful chaos. Layers of tibia and femurs are crowned by a layer of pelvises and skulls, and so on. Each churchyard was grouped together, and a plaque shows which parish provided the skeletons.
The work was interrupted by the French Revolution,which provided plenty more corpses for when the work was resumed. Altogether about a kilometre and a half of tunnels were filled with the remains of dead Parisians, and you can walk through them on a winding route under the streets around Montparnasse station. In fact, this is just a tiny fraction of the tunnels. The catacombs extend for hundreds of kilometres under the city, many of them rarely explored and difficult of access. Because of this, they are regularly broken into by intrepid adventurers, and many legends have grown up about parts of the network. However, my favourite story is one which is true.
In 2004, a group of police cadets on a training exercise were given the task of tracking an imaginary criminal in a part of the network which was little known. They got into the system through a manhole, and when they were about a hundred feet underground something rather odd happened. They triggered a motion sensor which set off the sound of barking dogs. Thinking that it was part of the exercise, they headed onwards only to come out into a vast cavern which had been fully equipped as a cinema. An anteroom had been equipped and fully stocked as a bar, and there was also a film storage room. When the cadets reported what they had seen, the electricity board were sent in to work out where the invaders were getting their electricity from. Instead, they found the wires all cut, the equipment removed, and a sign saying 'Don't try to follow us. You'll never find us.'
Perhaps the cineastes had got fed up with waiting to get into the system officially, because this was the only place all week that I encountered a serious queue. Worse, I was just in front of a small group of people who talked constantly in very loud voices. She was an American who obviously lived in Paris, and they appeared to be young relatives who'd come to stay. She was taking them down the catacombs, and the price to be paid for this by the poor kids was to suffer her pretentious nonsense. She went on about spirituality, and homeopathy, and psychoanalysis, and the inner energy, and so on. Fair play to the kids, they responded enthusiastically enough.
And then she got out some of her stream of consciousness poetry, and started reading it in a loud voice. Well, goodness me. I was put in mind of something the graphic artist Alan Moore said when he was in Hollywood helping turn his 'V for Vendetta' into a film, and he was asked at a director's lunch why he lived in Northampton, England. "Because it keeps me grounded", he replied, and I thought that this was exactly right. It was like the opposite of this pompous woman, although to be fair to her I expect that if I went to live in Paris I would also disappear up my own backside.
The catacombs are brilliant, worth every minute of the queuing time, worth every insufferable stream of consciousness adjective. And then I went and did some shopping.
You can read my account of my travels at pariswander.blogspot.co.uk.
Saturday, February 11, 2012.Recap: No. 15 C'Town 87, No. 19 WC 69.By Brendan Hall..CHARLESTOWN, Mass. -- At this time last year, Charlestown made the trek West, down Route 146, to deliver a haymaker to a Whitinsville Christian squad considered the state's tallest lineup. ..This afternoon, the Crusaders came East to Bunker Hill, with a different look for the Townies -- smaller, quicker, more surgical -- and the result was very nearly a different outcome. The Crusaders hung with Charlestown through three quarters, before the Townies pulled away in the fourth, outscoring Whitinsville 31-14 in the final frame en route to an 87-69 victory. .."That team's very good, I thought that was the best shooting team we saw," Charlestown head coach Edson Cardoso said. "They're very well balanced, with a real good point guard, big man, two-guard, so I knew coming into this game it was going to be a battle. I told the guys, 'You're going to see a team like this in the state tournament, eventually down the line." ..The Townies (14-3), played just seven due to health (Jawhari Dawan-Abdullah, stomach bug) and off the court issues (Gary Braham, suspension). But they saw all five of their regular starters reach double-figures, with senior point guard Rony Fernandez (26 points, four assists) leading the way. Senior forward Tyrik Jackson (12 points, 13 rebounds) came up big on the glass again, while Tyrese Hoxter (16 points, seven assists), Omar Orriols (13 points) and Iser Barnes (12) contributed some big shots from the perimeter to keep the defense stretched out. ..But early on, the Crusaders (12-2) gave them fits with the methodical way they broke through the Townie's 2-3 zone with some of the most disciplined and precise ball movement they'd seen in a while. Junior point guard Colin Richey (23 points) funneled the offense down to the baseline, finding a player planted right in the heart of the zone and kicking to either the baseline or either wing. ..Whitinsville shot nearly 40 percent from the field, getting good looks from the short side from Tyler VandenAkker (12 points, eight rebounds) and Jesse Dykstra. Grant Brown (10 points) came up with some big shots from the perimeter as well. .."We decided to extend a little bit more on the short corner, because they hit about four shots in a row from the short corner," Cardoso said. "We also decided to have the opposite guard extend even more on shooter No. 2 (Tim Dufficey). So we made some extensions in the second half, did a little better job -- not a great job, but it helped us get the victory." ..To start the fourth quarter, Barnes completed a 6-0 run by ripping the ball out of his defender's hands at midcourt and landing a breakaway layup. A few possessions later, Hoxter found Jackson underneath the rim for an easy tip-in and 68-59 advantage. ..Then with 1:37 to go, sophomore Taris Wilson hit the first of two monster breakaway slams, this one making it 76-63 to essentially put the game in hand. ..Hot from the field: The Townies outrebounded the Crusaders 16-7 in the final frame, giving way to many key transition points that helped ice the lead and the win. From the glass, WC still held a slim 35-33 advantage. ..But down at the other end, the Townies had a terrific night from the field, shooting nearly 58 percent overall. That was aided by a 7-for-17 effort from three-point range, including three 3's each from Fernandez and Orriols. ..Praise for Richey: Last season, New Mission head coach Cory McCarthy was throwing around high praise for the then-sophomore Richey, calling him "a suburban kid that plays urban". ..Consider Cardoso another Boston City League coach that's a fan. .."He's tough," Cardoso said. "He's one of the toughest guards coming out of his league, and I think he's going give a lot of teams problems in the state tournament, because how do you stop a kid like that?" ..Turning point? Following last season's loss to Charlestown in its home gym, WC coach Jeff Bajema greeted his players in the locker room and told them, "Guys, we can win states." ..Sure enough, the Crusaders never lost another game the rest of the way, picking up their first Division 3 state title since 2005 at the DCU Center in Worcester. After that game, Bajema spoke to reporters about how much the whitewashing by Charlestown seasoned them for what to expect in the state tournament. ..Given how much more competitive the Crusaders were this time around, could this be seen as another momentum shift? .."Hopefully, a game like this will lead us to better things," Bajema said. "But we've got a tough one Tuesday (against Holy Name), so we'll see."
Shot at ISO 1600, Aperture of 3.2, Shutter speed of 1/500 and Focal Length of 24.0 mm
Taken with a 24-70mm F2.8 ZA SSM lens and processed by Aperture 3.2.2 on Saturday February-11-2012 17:15 EST PM
Saturday, February 11, 2012.Recap: No. 15 C'Town 87, No. 19 WC 69.By Brendan Hall..CHARLESTOWN, Mass. -- At this time last year, Charlestown made the trek West, down Route 146, to deliver a haymaker to a Whitinsville Christian squad considered the state's tallest lineup. ..This afternoon, the Crusaders came East to Bunker Hill, with a different look for the Townies -- smaller, quicker, more surgical -- and the result was very nearly a different outcome. The Crusaders hung with Charlestown through three quarters, before the Townies pulled away in the fourth, outscoring Whitinsville 31-14 in the final frame en route to an 87-69 victory. .."That team's very good, I thought that was the best shooting team we saw," Charlestown head coach Edson Cardoso said. "They're very well balanced, with a real good point guard, big man, two-guard, so I knew coming into this game it was going to be a battle. I told the guys, 'You're going to see a team like this in the state tournament, eventually down the line." ..The Townies (14-3), played just seven due to health (Jawhari Dawan-Abdullah, stomach bug) and off the court issues (Gary Braham, suspension). But they saw all five of their regular starters reach double-figures, with senior point guard Rony Fernandez (26 points, four assists) leading the way. Senior forward Tyrik Jackson (12 points, 13 rebounds) came up big on the glass again, while Tyrese Hoxter (16 points, seven assists), Omar Orriols (13 points) and Iser Barnes (12) contributed some big shots from the perimeter to keep the defense stretched out. ..But early on, the Crusaders (12-2) gave them fits with the methodical way they broke through the Townie's 2-3 zone with some of the most disciplined and precise ball movement they'd seen in a while. Junior point guard Colin Richey (23 points) funneled the offense down to the baseline, finding a player planted right in the heart of the zone and kicking to either the baseline or either wing. ..Whitinsville shot nearly 40 percent from the field, getting good looks from the short side from Tyler VandenAkker (12 points, eight rebounds) and Jesse Dykstra. Grant Brown (10 points) came up with some big shots from the perimeter as well. .."We decided to extend a little bit more on the short corner, because they hit about four shots in a row from the short corner," Cardoso said. "We also decided to have the opposite guard extend even more on shooter No. 2 (Tim Dufficey). So we made some extensions in the second half, did a little better job -- not a great job, but it helped us get the victory." ..To start the fourth quarter, Barnes completed a 6-0 run by ripping the ball out of his defender's hands at midcourt and landing a breakaway layup. A few possessions later, Hoxter found Jackson underneath the rim for an easy tip-in and 68-59 advantage. ..Then with 1:37 to go, sophomore Taris Wilson hit the first of two monster breakaway slams, this one making it 76-63 to essentially put the game in hand. ..Hot from the field: The Townies outrebounded the Crusaders 16-7 in the final frame, giving way to many key transition points that helped ice the lead and the win. From the glass, WC still held a slim 35-33 advantage. ..But down at the other end, the Townies had a terrific night from the field, shooting nearly 58 percent overall. That was aided by a 7-for-17 effort from three-point range, including three 3's each from Fernandez and Orriols. ..Praise for Richey: Last season, New Mission head coach Cory McCarthy was throwing around high praise for the then-sophomore Richey, calling him "a suburban kid that plays urban". ..Consider Cardoso another Boston City League coach that's a fan. .."He's tough," Cardoso said. "He's one of the toughest guards coming out of his league, and I think he's going give a lot of teams problems in the state tournament, because how do you stop a kid like that?" ..Turning point? Following last season's loss to Charlestown in its home gym, WC coach Jeff Bajema greeted his players in the locker room and told them, "Guys, we can win states." ..Sure enough, the Crusaders never lost another game the rest of the way, picking up their first Division 3 state title since 2005 at the DCU Center in Worcester. After that game, Bajema spoke to reporters about how much the whitewashing by Charlestown seasoned them for what to expect in the state tournament. ..Given how much more competitive the Crusaders were this time around, could this be seen as another momentum shift? .."Hopefully, a game like this will lead us to better things," Bajema said. "But we've got a tough one Tuesday (against Holy Name), so we'll see."
Shot at ISO 1600, Aperture of 3.5, Shutter speed of 1/400 and Focal Length of 50.0 mm
Taken with a 24-70mm F2.8 ZA SSM lens and processed by Aperture 3.2.2 on Saturday February-11-2012 16:40 EST PM
Saturday, February 11, 2012.Recap: No. 15 C'Town 87, No. 19 WC 69.By Brendan Hall..CHARLESTOWN, Mass. -- At this time last year, Charlestown made the trek West, down Route 146, to deliver a haymaker to a Whitinsville Christian squad considered the state's tallest lineup. ..This afternoon, the Crusaders came East to Bunker Hill, with a different look for the Townies -- smaller, quicker, more surgical -- and the result was very nearly a different outcome. The Crusaders hung with Charlestown through three quarters, before the Townies pulled away in the fourth, outscoring Whitinsville 31-14 in the final frame en route to an 87-69 victory. .."That team's very good, I thought that was the best shooting team we saw," Charlestown head coach Edson Cardoso said. "They're very well balanced, with a real good point guard, big man, two-guard, so I knew coming into this game it was going to be a battle. I told the guys, 'You're going to see a team like this in the state tournament, eventually down the line." ..The Townies (14-3), played just seven due to health (Jawhari Dawan-Abdullah, stomach bug) and off the court issues (Gary Braham, suspension). But they saw all five of their regular starters reach double-figures, with senior point guard Rony Fernandez (26 points, four assists) leading the way. Senior forward Tyrik Jackson (12 points, 13 rebounds) came up big on the glass again, while Tyrese Hoxter (16 points, seven assists), Omar Orriols (13 points) and Iser Barnes (12) contributed some big shots from the perimeter to keep the defense stretched out. ..But early on, the Crusaders (12-2) gave them fits with the methodical way they broke through the Townie's 2-3 zone with some of the most disciplined and precise ball movement they'd seen in a while. Junior point guard Colin Richey (23 points) funneled the offense down to the baseline, finding a player planted right in the heart of the zone and kicking to either the baseline or either wing. ..Whitinsville shot nearly 40 percent from the field, getting good looks from the short side from Tyler VandenAkker (12 points, eight rebounds) and Jesse Dykstra. Grant Brown (10 points) came up with some big shots from the perimeter as well. .."We decided to extend a little bit more on the short corner, because they hit about four shots in a row from the short corner," Cardoso said. "We also decided to have the opposite guard extend even more on shooter No. 2 (Tim Dufficey). So we made some extensions in the second half, did a little better job -- not a great job, but it helped us get the victory." ..To start the fourth quarter, Barnes completed a 6-0 run by ripping the ball out of his defender's hands at midcourt and landing a breakaway layup. A few possessions later, Hoxter found Jackson underneath the rim for an easy tip-in and 68-59 advantage. ..Then with 1:37 to go, sophomore Taris Wilson hit the first of two monster breakaway slams, this one making it 76-63 to essentially put the game in hand. ..Hot from the field: The Townies outrebounded the Crusaders 16-7 in the final frame, giving way to many key transition points that helped ice the lead and the win. From the glass, WC still held a slim 35-33 advantage. ..But down at the other end, the Townies had a terrific night from the field, shooting nearly 58 percent overall. That was aided by a 7-for-17 effort from three-point range, including three 3's each from Fernandez and Orriols. ..Praise for Richey: Last season, New Mission head coach Cory McCarthy was throwing around high praise for the then-sophomore Richey, calling him "a suburban kid that plays urban". ..Consider Cardoso another Boston City League coach that's a fan. .."He's tough," Cardoso said. "He's one of the toughest guards coming out of his league, and I think he's going give a lot of teams problems in the state tournament, because how do you stop a kid like that?" ..Turning point? Following last season's loss to Charlestown in its home gym, WC coach Jeff Bajema greeted his players in the locker room and told them, "Guys, we can win states." ..Sure enough, the Crusaders never lost another game the rest of the way, picking up their first Division 3 state title since 2005 at the DCU Center in Worcester. After that game, Bajema spoke to reporters about how much the whitewashing by Charlestown seasoned them for what to expect in the state tournament. ..Given how much more competitive the Crusaders were this time around, could this be seen as another momentum shift? .."Hopefully, a game like this will lead us to better things," Bajema said. "But we've got a tough one Tuesday (against Holy Name), so we'll see."
Shot at ISO 1600, Aperture of 3.2, Shutter speed of 1/400 and Focal Length of 70.0 mm
Taken with a 24-70mm F2.8 ZA SSM lens and processed by Aperture 3.2.2 on Saturday February-11-2012 16:26 EST PM
I found it fascinating to watch the methodical preparation rituals of the rodeo cowboys before competing. Visit my Johnson County Sheriff's Posse Rodeo set
With its telltale “Z” stripe showing, the aft center section of the Ares I-X first stage booster is hoisted into place. Using a 325-ton capacity crane, the aft center is being lifted so it can be joined to the aft section already in place on mobile launch platform 1.
Last week the aft section was placed on MLP 1 and locked down by four huge bolts – each of which has 750,000 pounds of tension in them when torqued down. The 100 foot horizontal and 90 foot vertical journey from the center transfer aisle of the VAB into VAB high bay 3 takes many hours due to the methodical nature of handling and moving solid rocket motor segments loaded with hundreds of tons of explosive propellant.
Once the aft center section is in place, the forward center section will soon be brought over and finally the forward section will be joined to the other three. Once we have all 4 sections stacked, we will be ready for the first non-rocket motor section called Super Stack 1.
Image credit: NASA
More about Ares I-X:
p.s. You can see all of the Ares photos in the Ares Group in Flickr at: www.flickr.com/groups/ares/ We'd love to have you as a member!
CANOGA PARK- The Los Angeles Fire Department battled a Major Emergency Structure Fire in the west San Fernando Valley on Monday, October 18, 2021.
The fire at 8423 Canoga Avenue in Canoga Park, was first noted at 12:18 PM by an LAFD Paramedic Ambulance crew returning from a nearby emergency. Within moments of their reporting the fire, flames were through the roof of the 125' x 125' one-story industrial building that also housed an adjoining but unrelated business at 8425 Canoga Avenue.
As that first-arriving LAFD Paramedic crew circled the structure to gain situational awareness and guide fellow responders, they encountered the first of three adult male civilians with severe burn injuries outside the burning building. Two proved to be in critical condition and the other in serious condition. All three were taken to area hospitals. Sadly, one of the critically injured men died later while undergoing hospital care.
The rapid spread of intense flames and multiple explosions heard within the building guided first-arriving firefighters to quickly commence defensive operations, applying multiple large diameter hose streams from the exterior, including two from atop extended aerial ladders, to prevent flames from extending beyond the well involved structure.
With the exception of a forty square-foot section of the roof at 8427 Canoga Avenue destroyed by surface fire, the tactics proved successful in holding the blaze to the pair of unrelated businesses under one roof at 8423 and 8425 Canoga Avenue.
It took 150 Los Angeles Firefighter just 75 minutes to extinguish the flames.
Firefighters remained active through the night extinguishing hotspots and minimizing hazards at the structurally compromised building with the help of LAFD's robotic firefighting vehicle and heavy equipment.
At daylight Tuesday, LAFD crews resumed a systematic search within the largely destroyed premises. During their methodical search among tons of burnt debris inside the structure, firefighters discovered the remains of an adult male, bringing the overall patient count to four, with a total of two deceased and two remaining hospitalized.
No other injuries were reported.
Scientific testing of materials inside the building of fire origin yielded positive results for hemp, and it appears that the operation inside involved the extraction from hemp, not dissimilar to that used in the Butane Honey Oil extraction process.
Though the business was a legal enterprise, the operation inside appeared to be illegal, as it did not adhere to established permitting processes and safety requirements.
Pursuant to protocol, the fire's cause remains the focus of a joint active investigation by the Los Angeles Fire Department, Los Angeles Police Department and the Los Angeles Interagency Metropolitan Police Apprehension Crime Task Force (L.A. Impact).
A positive identification of the dead men, as well as the cause, time and manner of their death will be determined by the Los Angeles County Department of Medical Examiner-Coroner.
© Photo by Brandon Taylor
LAFD Incident 101821-0791
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Saturday, February 11, 2012.Recap: No. 15 C'Town 87, No. 19 WC 69.By Brendan Hall..CHARLESTOWN, Mass. -- At this time last year, Charlestown made the trek West, down Route 146, to deliver a haymaker to a Whitinsville Christian squad considered the state's tallest lineup. ..This afternoon, the Crusaders came East to Bunker Hill, with a different look for the Townies -- smaller, quicker, more surgical -- and the result was very nearly a different outcome. The Crusaders hung with Charlestown through three quarters, before the Townies pulled away in the fourth, outscoring Whitinsville 31-14 in the final frame en route to an 87-69 victory. .."That team's very good, I thought that was the best shooting team we saw," Charlestown head coach Edson Cardoso said. "They're very well balanced, with a real good point guard, big man, two-guard, so I knew coming into this game it was going to be a battle. I told the guys, 'You're going to see a team like this in the state tournament, eventually down the line." ..The Townies (14-3), played just seven due to health (Jawhari Dawan-Abdullah, stomach bug) and off the court issues (Gary Braham, suspension). But they saw all five of their regular starters reach double-figures, with senior point guard Rony Fernandez (26 points, four assists) leading the way. Senior forward Tyrik Jackson (12 points, 13 rebounds) came up big on the glass again, while Tyrese Hoxter (16 points, seven assists), Omar Orriols (13 points) and Iser Barnes (12) contributed some big shots from the perimeter to keep the defense stretched out. ..But early on, the Crusaders (12-2) gave them fits with the methodical way they broke through the Townie's 2-3 zone with some of the most disciplined and precise ball movement they'd seen in a while. Junior point guard Colin Richey (23 points) funneled the offense down to the baseline, finding a player planted right in the heart of the zone and kicking to either the baseline or either wing. ..Whitinsville shot nearly 40 percent from the field, getting good looks from the short side from Tyler VandenAkker (12 points, eight rebounds) and Jesse Dykstra. Grant Brown (10 points) came up with some big shots from the perimeter as well. .."We decided to extend a little bit more on the short corner, because they hit about four shots in a row from the short corner," Cardoso said. "We also decided to have the opposite guard extend even more on shooter No. 2 (Tim Dufficey). So we made some extensions in the second half, did a little better job -- not a great job, but it helped us get the victory." ..To start the fourth quarter, Barnes completed a 6-0 run by ripping the ball out of his defender's hands at midcourt and landing a breakaway layup. A few possessions later, Hoxter found Jackson underneath the rim for an easy tip-in and 68-59 advantage. ..Then with 1:37 to go, sophomore Taris Wilson hit the first of two monster breakaway slams, this one making it 76-63 to essentially put the game in hand. ..Hot from the field: The Townies outrebounded the Crusaders 16-7 in the final frame, giving way to many key transition points that helped ice the lead and the win. From the glass, WC still held a slim 35-33 advantage. ..But down at the other end, the Townies had a terrific night from the field, shooting nearly 58 percent overall. That was aided by a 7-for-17 effort from three-point range, including three 3's each from Fernandez and Orriols. ..Praise for Richey: Last season, New Mission head coach Cory McCarthy was throwing around high praise for the then-sophomore Richey, calling him "a suburban kid that plays urban". ..Consider Cardoso another Boston City League coach that's a fan. .."He's tough," Cardoso said. "He's one of the toughest guards coming out of his league, and I think he's going give a lot of teams problems in the state tournament, because how do you stop a kid like that?" ..Turning point? Following last season's loss to Charlestown in its home gym, WC coach Jeff Bajema greeted his players in the locker room and told them, "Guys, we can win states." ..Sure enough, the Crusaders never lost another game the rest of the way, picking up their first Division 3 state title since 2005 at the DCU Center in Worcester. After that game, Bajema spoke to reporters about how much the whitewashing by Charlestown seasoned them for what to expect in the state tournament. ..Given how much more competitive the Crusaders were this time around, could this be seen as another momentum shift? .."Hopefully, a game like this will lead us to better things," Bajema said. "But we've got a tough one Tuesday (against Holy Name), so we'll see."
Shot at ISO 1600, Aperture of 3.5, Shutter speed of 1/500 and Focal Length of 30.0 mm
Taken with a 24-70mm F2.8 ZA SSM lens and processed by Aperture 3.2.2 on Saturday February-11-2012 16:45 EST PM
Saturday, February 11, 2012.Recap: No. 15 C'Town 87, No. 19 WC 69.By Brendan Hall..CHARLESTOWN, Mass. -- At this time last year, Charlestown made the trek West, down Route 146, to deliver a haymaker to a Whitinsville Christian squad considered the state's tallest lineup. ..This afternoon, the Crusaders came East to Bunker Hill, with a different look for the Townies -- smaller, quicker, more surgical -- and the result was very nearly a different outcome. The Crusaders hung with Charlestown through three quarters, before the Townies pulled away in the fourth, outscoring Whitinsville 31-14 in the final frame en route to an 87-69 victory. .."That team's very good, I thought that was the best shooting team we saw," Charlestown head coach Edson Cardoso said. "They're very well balanced, with a real good point guard, big man, two-guard, so I knew coming into this game it was going to be a battle. I told the guys, 'You're going to see a team like this in the state tournament, eventually down the line." ..The Townies (14-3), played just seven due to health (Jawhari Dawan-Abdullah, stomach bug) and off the court issues (Gary Braham, suspension). But they saw all five of their regular starters reach double-figures, with senior point guard Rony Fernandez (26 points, four assists) leading the way. Senior forward Tyrik Jackson (12 points, 13 rebounds) came up big on the glass again, while Tyrese Hoxter (16 points, seven assists), Omar Orriols (13 points) and Iser Barnes (12) contributed some big shots from the perimeter to keep the defense stretched out. ..But early on, the Crusaders (12-2) gave them fits with the methodical way they broke through the Townie's 2-3 zone with some of the most disciplined and precise ball movement they'd seen in a while. Junior point guard Colin Richey (23 points) funneled the offense down to the baseline, finding a player planted right in the heart of the zone and kicking to either the baseline or either wing. ..Whitinsville shot nearly 40 percent from the field, getting good looks from the short side from Tyler VandenAkker (12 points, eight rebounds) and Jesse Dykstra. Grant Brown (10 points) came up with some big shots from the perimeter as well. .."We decided to extend a little bit more on the short corner, because they hit about four shots in a row from the short corner," Cardoso said. "We also decided to have the opposite guard extend even more on shooter No. 2 (Tim Dufficey). So we made some extensions in the second half, did a little better job -- not a great job, but it helped us get the victory." ..To start the fourth quarter, Barnes completed a 6-0 run by ripping the ball out of his defender's hands at midcourt and landing a breakaway layup. A few possessions later, Hoxter found Jackson underneath the rim for an easy tip-in and 68-59 advantage. ..Then with 1:37 to go, sophomore Taris Wilson hit the first of two monster breakaway slams, this one making it 76-63 to essentially put the game in hand. ..Hot from the field: The Townies outrebounded the Crusaders 16-7 in the final frame, giving way to many key transition points that helped ice the lead and the win. From the glass, WC still held a slim 35-33 advantage. ..But down at the other end, the Townies had a terrific night from the field, shooting nearly 58 percent overall. That was aided by a 7-for-17 effort from three-point range, including three 3's each from Fernandez and Orriols. ..Praise for Richey: Last season, New Mission head coach Cory McCarthy was throwing around high praise for the then-sophomore Richey, calling him "a suburban kid that plays urban". ..Consider Cardoso another Boston City League coach that's a fan. .."He's tough," Cardoso said. "He's one of the toughest guards coming out of his league, and I think he's going give a lot of teams problems in the state tournament, because how do you stop a kid like that?" ..Turning point? Following last season's loss to Charlestown in its home gym, WC coach Jeff Bajema greeted his players in the locker room and told them, "Guys, we can win states." ..Sure enough, the Crusaders never lost another game the rest of the way, picking up their first Division 3 state title since 2005 at the DCU Center in Worcester. After that game, Bajema spoke to reporters about how much the whitewashing by Charlestown seasoned them for what to expect in the state tournament. ..Given how much more competitive the Crusaders were this time around, could this be seen as another momentum shift? .."Hopefully, a game like this will lead us to better things," Bajema said. "But we've got a tough one Tuesday (against Holy Name), so we'll see."
Shot at ISO 1600, Aperture of 3.5, Shutter speed of 1/320 and Focal Length of 70.0 mm
Taken with a 24-70mm F2.8 ZA SSM lens and processed by Aperture 3.2.2 on Saturday February-11-2012 16:39 EST PM
As some may be aware, I have been re-organizing the observatory and the warm room building we built at our home here in upstate, NY, which is currently in the configuration shown here: - www.flickr.com/photos/homcavobservatory/49507532468/
As this activity continues, I have also been attempting to re-cycle & re-purpose some of the optics I have acquired over the decades; with the latest completed project being the use of a set of old 1980's Meade DS-10 optics in a newly created OTA riding on a previously built dobsonian mount (an image to which can be found here, shown alongside with my 1962 refractor - www.flickr.com/photos/homcavobservatory/49465827562/).
In addition to other optics, I also have a small 4.25-inch reflector that had been given to me back in the 80's when I helped a friend with a project; tbh, I have not really even looked at much since. I believe it might have been given to them at some point in the past as well, but with an OTA that had been cut cleanly in two, it looked intriguing to say the least.
As can be seen at upper left in the attached composite, the OTA has been wrapped in duct tape for countless years, which albeit is a universal tool, has finally reached the end of it's useful life. Therefore, with the ice & snow still plaguing our area, it seemed like a great time to try to tear it all apart & take a look under the covers.
I found that whoever it was, someone had definitely intended to split the OTA, as the outer coating had been methodically removed and a black line drawn as a guide to the cut. Although I will never know, seeing this gave me some hope to think that it was not a result of an emotional rage by the original owner (or their 'significant other' for that matter), but rather the desperate attempt at innovation by someone having to make an early version of a collapsible newt. in order to take it on a flight to an eclipse or similar astronomical event. ;)
A few other things that caught my eye were the fact that for the size of the scope, the mount seemed quite hefty, coming in at about 20 lbs, and incorporated nicely made, but relatively large, 6-inch diameter setting circles. I'm not sure how they originally mounted the R.A. circle, as when I received the scope it had already been separated from the mount. I also found the old design helical focuser of interest, as well as the single-stalk secondary holder and the twisted metal tripod leg spreader.
Since the mirror had been attached to it's cell using adhesive, which had over time lost adhesion on two sides and was thus allowing the mirror to shift within the cell when tilted, I had to remove and disassemble the construct. In doing so I found that although slightly dusty, the mirror itself seemed to be in fine shape with the back carrying a UPCO Optics sticker stating the measured focal length (34.25 inches making it an f/8) and the quality testing performed through the Franklin Institute in Philadelphia.
From a quick internet search it appears that Universal Precision Company out of Shamokin Dam, PA used to make optics for a variety of vintage manufacturers, including Criterion (a nice surprise since one of our main imaging scopes is a 1970 8-inch, f/7 Criterion newt. we rebuilt many years ago), and was a company known for producing mirrors of good to excellent quality.
Coincidentally, prior to taking an early retirement a few years ago after a 35 year career as a scientist, engineer & programmer for IBM, et. al. (if one considers 35 years 'early retirement' ;) ), knowing I was interested in astronomy an IBM engineering colleague of mine back in the 90's asked if I would look at an old telescope his father had bought decades ago and he now wanted to pass on to his own son. Wishing to help in any way I could, and having always had an interest in vintage astronomical equipment, which may be obvious given the type of scopes I tend to collect, I had him bring it into the office.
I had repaired scopes for others at the time and fortunately this one was a quick fix, and I believe his family enjoyed it for years.
Although I did not get a chance to test it's quality myself, upon inquiring as to the scopes origins, he stated he thought his father had bought it long ago through VernonScope (located in Candor, NY - within about an hour of my home). Knowing the exceptional quality of the products they tended to deal with, I told him it was an indication that it indeed may have superior optics.
Having not thought about that particular repair in many years, I was pleasantly surprised to find that when I dug the attached reflector out of storage, it looked almost identical to the OTA I had fixed for my colleague years ago. If I ever see Mr. Yeier at Stellafane again I'll have to ask him if he ever sold anything like the one I am about to try to resurrect.
In any case, I'm encouraged with what I had found thus far and with a few inches of snow & ice still coating everything here in upstate, NY, I might as well use some of the time to try to breath new life into something from the past. :) .
A thangka, also known as tangka, thanka or tanka (Nepali pronunciation: [ˈt̪ʰaŋka]; Tibetan: ཐང་ཀ་; Nepal Bhasa: पौभा) is a painting on cotton, or silk appliqué, usually depicting a Buddhist deity, scene, or mandala of some sort. The thangka is not a flat creation like an oil painting or acrylic painting but consists of a picture panel which is painted or embroidered over which a textile is mounted and then over which is laid a cover, usually silk. Generally, thangkas last a very long time and retain much of their lustre, but because of their delicate nature, they have to be kept in dry places where moisture won't affect the quality of the silk. It is sometimes called a scroll-painting.
These thangka served as important teaching tools depicting the life of the Buddha, various influential lamas and other deities and bodhisattvas. One subject is The Wheel of Life, which is a visual representation of the Abhidharma teachings (Art of Enlightenment).
Thangka, when created properly, perform several different functions. Images of deities can be used as teaching tools when depicting the life (or lives) of the Buddha, describing historical events concerning important Lamas, or retelling myths associated with other deities. Devotional images act as the centerpiece during a ritual or ceremony and are often used as mediums through which one can offer prayers or make requests. Overall, and perhaps most importantly, religious art is used as a meditation tool to help bring one further down the path to enlightenment. The Buddhist Vajrayana practitioner uses a thanga image of their yidam, or meditation deity, as a guide, by visualizing “themselves as being that deity, thereby internalizing the Buddha qualities (Lipton, Ragnubs).”
Historians note that Chinese painting had a profound influence on Tibetan painting in general. Starting from the 14th and 15th century, Tibetan painting had incorporated many elements from the Chinese, and during the 18th century, Chinese painting had a deep and far-stretched impact on Tibetan visual art. According to Giuseppe Tucci, by the time of the Qing Dynasty, "a new Tibetan art was then developed, which in a certain sense was a provincial echo of the Chinese 18th century's smooth ornate preciosity."
HISTORY
Thangka is a Nepalese art form exported to Tibet after Princess Bhrikuti of Nepal, daughter of King Lichchavi, married Songtsän Gampo, the ruler of Tibet imported the images of Aryawalokirteshwar and other Nepalese deities to Tibet. History of thangka Paintings in Nepal began in 11th century A.D. when Buddhists and Hindus began to make illustration of the deities and natural scenes. Historically, Tibetan and Chinese influence in Nepalese paintings is quite evident in Paubhas (Thangkas). Paubhas are of two types, the Palas which are illustrative paintings of the deities and the Mandala, which are mystic diagrams paintings of complex test prescribed patterns of circles an square each having specific significance. It was through Nepal that Mahayana Buddhism was introduced into Tibet during reign of Angshuvarma in the seventh century A.D. There was therefore a great demand for religious icons and Buddhist manuscripts for newly built monasteries throughout Tibet. A number of Buddhist manuscripts, including Prajnaparamita, were copied in Kathmandu Valley for these monasteries. Astasahas rika Prajnaparamita for example, was copied in Patan in the year 999 A.D., during the reign of Narendra Dev and Udaya Deva, for the Sa-Shakya monastery in Tibet. For the Nor monastery in Tibet, two copies were made in Nepal-one of Astasahasrika Prajnaparamita in 1069 A.D. and the other of Kavyadarsha in 1111 A.D. The influence of Nepalese art extended till Tibet and even beyond in China in regular order during the thirteenth century. Nepalese artisans were dispatched to the courts of Chinese emperors at their request to perform their workmanship and impart expert knowledge. The exemplary contribution made by the artisans of Nepal, specially by the Nepalese innovator and architect Balbahu, known by his popular name Araniko bear testimony to this fact even today. After the introduction of paper, palm leaf became less popular, however, it continued to be used until the eighteenth century. Paper manuscripts imitated the oblong shape but were wider than the palm leaves.
From the fifteenth century onwards, brighter colours gradually began to appear in Nepalese.Thanka / Thangka. Because of the growing importance of the Tantric cult, various aspects of Shiva and Shakti were painted in conventional poses. Mahakala, Manjushri, Lokeshwara and other deities were equally popular and so were also frequently represented in Thanka / Thangka paintings of later dates. As Tantrism embodies the ideas of esoteric power, magic forces, and a great variety of symbols, strong emphasis is laid on the female element and sexuality in the paintings of that period.
Religious paintings worshipped as icons are known as Paubha in Newari and Thanka / Thangka in Tibetan. The origin of Paubha or Thanka / Thangka paintings may be attributed to the Nepalese artists responsible for creating a number of special metal works and wall- paintings as well as illuminated manuscripts in Tibet. Realizing the great demand for religious icons in Tibet, these artists, along with monks and traders, took with them from Nepal not only metal sculptures but also a number of Buddhist manuscripts. To better fulfil the ever - increasing demand Nepalese artists initiated a new type of religious painting on cloth that could be easily rolled up and carried along with them. This type of painting became very popular both in Nepal and Tibet and so a new school of Thanka / Thangka painting evolved as early as the ninth or tenth century and has remained popular to this day. One of the earliest specimens of Nepalese Thanka / Thangka painting dates from the thirteenth /fourteenth century and shows Amitabha surrounded by Bodhisattva. Another Nepalese Thanka / Thangka with three dates in the inscription (the last one corresponding to 1369 A.D.), is one of the earliest known Thanka / Thangka with inscriptions. The "Mandalaof Vishnu " dated 1420 A.D., is another fine example of the painting of this period. Early Nepalese Thangkas are simple in design and composition. The main deity, a large figure, occupies the central position while surrounded by smaller figures of lesser divinities.
Thanka / Thangka painting is one of the major science out the five major and five minor fields of knowledge. Its origin can be traced all the way back to the time of Lord Buddha. The main themes of Thanka / Thangka paintings are religious. During the reign of Tibetan Dharma King Trisong Duetsen the Tibetan masters refined their already well-developed arts through research and studies of different country's tradition. Thanka painting's lining and measurement, costumes, implementations and ornaments are mostly based on Indian styles. The drawing of figures is based on Nepalese style and the background sceneries are based on Chinese style. Thus, the Thanka / Thangka paintings became a unique and distinctive art. Although the practice of thanka painting was originally done as a way of gaining merit it has nowadays only evolved into a money making business and the noble intentions it once carried has been diluted. Tibetans do not sell Thangkas on a large scale as the selling of religious artifacts such as thangkas and idols is frowned upon in the Tibetan community and thus non Tibetan groups have been able to monopolize on its (thangka's) popularity among Buddhist and art enthusiasts from the west.
Thanka / Thangka have developed in the northern Himalayan regions among the Lamas. Besides Lamas, Gurung and Tamang communities are also producing Tankas, which provide substantial employment opportunities for many people in the hills. Newari Thankas (Also known as Paubha) has been the hidden art work in Kathmandu valley from 13th century. We have preserved this art and are exclusively creating this with some particular painter family who have inherited their art from their forefathers. Some of the artistic religious and historical paintings are also done by the Newars of Kathmandu Valley.
TYPES
Based on technique and material, thangkas can be grouped by types. Generally, they are divided into two broad categories: those that are painted (Tib.) bris-tan—and those made of silk, either by appliqué or embroidery.
Thangkas are further divided into these more specific categories:
- Painted in colors (Tib.) tson-tang—the most common type
- Appliqué (Tib.) go-tang
- Black Background—meaning gold line on a black background (Tib.) nagtang
- Blockprints—paper or cloth outlined renderings, by woodcut/woodblock printing
- Embroidery (Tib.) tsem-thang
- Gold Background—an auspicious treatment, used judiciously for peaceful, long-life deities and fully enlightened buddhas
- Red Background—literally gold line, but referring to gold line on a vermillion (Tib.) mar-tang
Whereas typical thangkas are fairly small, between about 18 and 30 inches tall or wide, there are also giant festival thangkas, usually Appliqué, and designed to be unrolled against a wall in a monastery for particular religious occasions. These are likely to be wider than they are tall, and may be sixty or more feet across and perhaps twenty or more high.
Somewhat related are Tibetan tsakli, which look like miniature thangkas, but are usually used as initiation cards or offerings.
Because Thangkas can be quite expensive, people nowadays use posters of Thangkas as an alternative to the real thangkas for religious purposes.
PROCESS
Thangkas are painted on cotton or silk. The most common is a loosely woven cotton produced in widths from 40 to 58 centimeters. While some variations do exist, thangkas wider than 45 centimeters frequently have seams in the support. The paint consists of pigments in a water soluble medium. Both mineral and organic pigments are used, tempered with a herb and glue solution. In Western terminology, this is a distemper technique.
The composition of a thangka, as with the majority of Buddhist art, is highly geometric. Arms, legs, eyes, nostrils, ears, and various ritual implements are all laid out on a systematic grid of angles and intersecting lines. A skilled thangka artist will generally select from a variety of predesigned items to include in the composition, ranging from alms bowls and animals, to the shape, size, and angle of a figure's eyes, nose, and lips. The process seems very methodical, but often requires deep understanding of the symbolism involved to capture the spirit of it.
Thangka often overflow with symbolism and allusion. Because the art is explicitly religious, all symbols and allusions must be in accordance with strict guidelines laid out in Buddhist scripture. The artist must be properly trained and have sufficient religious understanding, knowledge, and background to create an accurate and appropriate thangka. Lipton and Ragnubs clarify this in Treasures of Tibetan Art:
“Tibetan art exemplifies the nirmanakaya, the physical body of Buddha, and also the qualities of the Buddha, perhaps in the form of a deity. Art objects, therefore, must follow rules specified in the Buddhist scriptures regarding proportions, shape, color, stance, hand positions, and attributes in order to personify correctly the Buddha or Deities.”
A thangka, also known as tangka, thanka or tanka (Nepali pronunciation: [ˈt̪ʰaŋka]; Tibetan: ཐང་ཀ་; Nepal Bhasa: पौभा) is a painting on cotton, or silk appliqué, usually depicting a Buddhist deity, scene, or mandala of some sort. The thangka is not a flat creation like an oil painting or acrylic painting but consists of a picture panel which is painted or embroidered over which a textile is mounted and then over which is laid a cover, usually silk. Generally, thangkas last a very long time and retain much of their lustre, but because of their delicate nature, they have to be kept in dry places where moisture won't affect the quality of the silk. It is sometimes called a scroll-painting.
These thangka served as important teaching tools depicting the life of the Buddha, various influential lamas and other deities and bodhisattvas. One subject is The Wheel of Life, which is a visual representation of the Abhidharma teachings (Art of Enlightenment).
Thangka, when created properly, perform several different functions. Images of deities can be used as teaching tools when depicting the life (or lives) of the Buddha, describing historical events concerning important Lamas, or retelling myths associated with other deities. Devotional images act as the centerpiece during a ritual or ceremony and are often used as mediums through which one can offer prayers or make requests. Overall, and perhaps most importantly, religious art is used as a meditation tool to help bring one further down the path to enlightenment. The Buddhist Vajrayana practitioner uses a thanga image of their yidam, or meditation deity, as a guide, by visualizing “themselves as being that deity, thereby internalizing the Buddha qualities (Lipton, Ragnubs).”
Historians note that Chinese painting had a profound influence on Tibetan painting in general. Starting from the 14th and 15th century, Tibetan painting had incorporated many elements from the Chinese, and during the 18th century, Chinese painting had a deep and far-stretched impact on Tibetan visual art. According to Giuseppe Tucci, by the time of the Qing Dynasty, "a new Tibetan art was then developed, which in a certain sense was a provincial echo of the Chinese 18th century's smooth ornate preciosity."
HISTORY
Thangka is a Nepalese art form exported to Tibet after Princess Bhrikuti of Nepal, daughter of King Lichchavi, married Songtsän Gampo, the ruler of Tibet imported the images of Aryawalokirteshwar and other Nepalese deities to Tibet.[4] History of thangka Paintings in Nepal began in 11th century A.D. when Buddhists and Hindus began to make illustration of the deities and natural scenes. Historically, Tibetan and Chinese influence in Nepalese paintings is quite evident in Paubhas (Thangkas). Paubhas are of two types, the Palas which are illustrative paintings of the deities and the Mandala, which are mystic diagrams paintings of complex test prescribed patterns of circles an square each having specific significance. It was through Nepal that Mahayana Buddhism was introduced into Tibet during reign of Angshuvarma in the seventh century A.D. There was therefore a great demand for religious icons and Buddhist manuscripts for newly built monasteries throughout Tibet. A number of Buddhist manuscripts, including Prajnaparamita, were copied in Kathmandu Valley for these monasteries. Astasahas rika Prajnaparamita for example, was copied in Patan in the year 999 A.D., during the reign of Narendra Dev and Udaya Deva, for the Sa-Shakya monastery in Tibet. For the Nor monastery in Tibet, two copies were made in Nepal-one of Astasahasrika Prajnaparamita in 1069 A.D. and the other of Kavyadarsha in 1111 A.D. The influence of Nepalese art extended till Tibet and even beyond in China in regular order during the thirteenth century. Nepalese artisans were dispatched to the courts of Chinese emperors at their request to perform their workmanship and impart expert knowledge. The exemplary contribution made by the artisans of Nepal, specially by the Nepalese innovator and architect Balbahu, known by his popular name Araniko bear testimony to this fact even today. After the introduction of paper, palm leaf became less popular, however, it continued to be used until the eighteenth century. Paper manuscripts imitated the oblong shape but were wider than the palm leaves.
From the fifteenth century onwards, brighter colours gradually began to appear in Nepalese.Thanka / Thangka. Because of the growing importance of the Tantric cult, various aspects of Shiva and Shakti were painted in conventional poses. Mahakala, Manjushri, Lokeshwara and other deities were equally popular and so were also frequently represented in Thanka / Thangka paintings of later dates. As Tantrism embodies the ideas of esoteric power, magic forces, and a great variety of symbols, strong emphasis is laid on the female element and sexuality in the paintings of that period.
Religious paintings worshipped as icons are known as Paubha in Newari and Thanka / Thangka in Tibetan. The origin of Paubha or Thanka / Thangka paintings may be attributed to the Nepalese artists responsible for creating a number of special metal works and wall- paintings as well as illuminated manuscripts in Tibet. Realizing the great demand for religious icons in Tibet, these artists, along with monks and traders, took with them from Nepal not only metal sculptures but also a number of Buddhist manuscripts. To better fulfil the ever - increasing demand Nepalese artists initiated a new type of religious painting on cloth that could be easily rolled up and carried along with them. This type of painting became very popular both in Nepal and Tibet and so a new school of Thanka / Thangka painting evolved as early as the ninth or tenth century and has remained popular to this day. One of the earliest specimens of Nepalese Thanka / Thangka painting dates from the thirteenth /fourteenth century and shows Amitabha surrounded by Bodhisattva. Another Nepalese Thanka / Thangka with three dates in the inscription (the last one corresponding to 1369 A.D.), is one of the earliest known Thanka / Thangka with inscriptions. The "Mandalaof Vishnu " dated 1420 A.D., is another fine example of the painting of this period. Early Nepalese Thangkas are simple in design and composition. The main deity, a large figure, occupies the central position while surrounded by smaller figures of lesser divinities.
Thanka / Thangka painting is one of the major science out the five major and five minor fields of knowledge. Its origin can be traced all the way back to the time of Lord Buddha. The main themes of Thanka / Thangka paintings are religious. During the reign of Tibetan Dharma King Trisong Duetsen the Tibetan masters refined their already well-developed arts through research and studies of different country's tradition. Thanka painting's lining and measurement, costumes, implementations and ornaments are mostly based on Indian styles. The drawing of figures is based on Nepalese style and the background sceneries are based on Chinese style. Thus, the Thanka / Thangka paintings became a unique and distinctive art. Although the practice of thanka painting was originally done as a way of gaining merit it has nowadays only evolved into a money making business and the noble intentions it once carried has been diluted. Tibetans do not sell Thangkas on a large scale as the selling of religious artifacts such as thangkas and idols is frowned upon in the Tibetan community and thus non Tibetan groups have been able to monopolize on its (thangka's) popularity among Buddhist and art enthusiasts from the west.
Thanka / Thangka have developed in the northern Himalayan regions among the Lamas. Besides Lamas, Gurung and Tamang communities are also producing Tankas, which provide substantial employment opportunities for many people in the hills. Newari Thankas (Also known as Paubha) has been the hidden art work in Kathmandu valley from 13th century. We have preserved this art and are exclusively creating this with some particular painter family who have inherited their art from their forefathers. Some of the artistic religious and historical paintings are also done by the Newars of Kathmandu Valley.
TYPES
Based on technique and material, thangkas can be grouped by types. Generally, they are divided into two broad categories: those that are painted (Tib.) bris-tan—and those made of silk, either by appliqué or embroidery.
Thangkas are further divided into these more specific categories:
- Painted in colors (Tib.) tson-tang—the most common type
- Appliqué (Tib.) go-tang
- Black Background—meaning gold line on a black background (Tib.) nagtang
- Blockprints—paper or cloth outlined renderings, by woodcut/woodblock printing
- Embroidery (Tib.) tsem-thang
- Gold Background—an auspicious treatment, used judiciously for peaceful, long-life deities and fully enlightened buddhas
- Red Background—literally gold line, but referring to gold line on a vermillion (Tib.) mar-tang
Whereas typical thangkas are fairly small, between about 18 and 30 inches tall or wide, there are also giant festival thangkas, usually Appliqué, and designed to be unrolled against a wall in a monastery for particular religious occasions. These are likely to be wider than they are tall, and may be sixty or more feet across and perhaps twenty or more high.
Somewhat related are Tibetan tsakli, which look like miniature thangkas, but are usually used as initiation cards or offerings.
Because Thangkas can be quite expensive, people nowadays use posters of Thangkas as an alternative to the real thangkas for religious purposes.
PROCESS
Thangkas are painted on cotton or silk. The most common is a loosely woven cotton produced in widths from 40 to 58 centimeters. While some variations do exist, thangkas wider than 45 centimeters frequently have seams in the support. The paint consists of pigments in a water soluble medium. Both mineral and organic pigments are used, tempered with a herb and glue solution. In Western terminology, this is a distemper technique.
The composition of a thangka, as with the majority of Buddhist art, is highly geometric. Arms, legs, eyes, nostrils, ears, and various ritual implements are all laid out on a systematic grid of angles and intersecting lines. A skilled thangka artist will generally select from a variety of predesigned items to include in the composition, ranging from alms bowls and animals, to the shape, size, and angle of a figure's eyes, nose, and lips. The process seems very methodical, but often requires deep understanding of the symbolism involved to capture the spirit of it.
Thangka often overflow with symbolism and allusion. Because the art is explicitly religious, all symbols and allusions must be in accordance with strict guidelines laid out in Buddhist scripture. The artist must be properly trained and have sufficient religious understanding, knowledge, and background to create an accurate and appropriate thangka. Lipton and Ragnubs clarify this in Treasures of Tibetan Art:
“Tibetan art exemplifies the nirmanakaya, the physical body of Buddha, and also the qualities of the Buddha, perhaps in the form of a deity. Art objects, therefore, must follow rules specified in the Buddhist scriptures regarding proportions, shape, color, stance, hand positions, and attributes in order to personify correctly the Buddha or Deities.”
WIKIPEDIA
Chuck Close at the Metropolitan Museum - "Associated with the Photo- or Super-Realist movement of the late-1960s and 1970s, the American artist Chuck Close initially became known for the minutely detailed portrait heads he painted on a monumental scale in black, white, and gray. These works, which were based on photographs, were factually rendered but magnified every pore and imperfection to unexpected and unnatural proportions. The subjects for all of Close's portraits are drawn from his wide circle of relatives and friends, many of whom are connected to the art world as artists, dealers, and collectors. Their identification in the titles by their first names only lends a casual informality to otherwise imposing images.
Paintings such as "Lucas," which depicts fellow artist Lucas Samaras, are representative of Close's later, more colorful and painterly style. They go beyond the hyper-reality of his earlier portraits and elaborate on his pictorial investigation of the act of perception, breaking down the visual information into component parts that describe the actual process of seeing, not just the end result. To create these portraits, Close begins by taking photographs of the sitter, then draws a grid over the photo, from which he methodically reproduces the contents of each tiny square on a magnified scale with small dashes, dots of pigment, thumbprints, or applied pieces of colored paper. Viewed close-up, the elements of the picture are seen as separate abstract markings; from a distance, they coalesce into an illusionistic portrait. In order to assimilate all of the multi-hued daubs of color on an eight-foot-plus canvas, the viewer is forced to stand quite a distance from the work. From this perspective, the subject stares coolly, anonymously, and unwaveringly at the viewer."
www.ebay.com/itm/Judo-seminar-Hiroshi-Katanishi-8-dan-201...
www.youtube.com/user/kallistafilm/
Hiroshi Katanishi is an expert of the European Judo Federation. Specialist of the highest class. Conducts seminars around the world in the framework of the project "Improve your club". Winner of the 8th dan. This is the most sought-after expert compared to 20 other specialists working on this project. It is easier to name the countries where he has not been yet than to list his seminars. It should be noted that the judo technique, which he demonstrates at the seminar, is completely based on the Japanese school of education. Date of birth March 11, 1952. At the time of the seminar in Canada (Vancouver), he was 65 years old, although it is difficult to believe in it.
Judo technique, which Katanishi analyzed at the seminar.
It should be noted that all technical actions were in the standing position from the NAGE WAZA section.
Disc 1 - the technique of the tricks okuri-ashi-barai, ko-uchi-gari, okuri-ashi-harai.
Disk 2 - the technique of o-uchi-gari tricks.
Disk 3 – the technique of ippon-seoi-nage tricks.
Disk 4 – the technique of okuri-ashi-barai, de-ashi-barai, ko-uchi-gari tricks.
Disk 5 – the technique of o-soto-gari tricks.
Disk 6 – the technique of o-soto-gari tricks.
In addition to these tricks, another technique was considered. Katanischi is a good demonstrator. He always supports all his explanations with a real throws. The seminar is designed for coaches working with children of 8 years and older.
Short biography of Hiroshi Katanishi.
8th dan is an expert at Tenri University (Japan).
Technical consultant of the Swiss Judo Federation, as well as technical consultant of the judo magazine "Lesprit-ju-judo". H. Katanishi teaches Judo in Lausanne, Switzerland.
03.11.1952 - Born in Kobe - Hero - Japan.
1970 - 1974 - Studied at the University of Tenri in Japan. 1974 - 1976 - coach of the French team.
Since 1976 - professional trainer and technical director of JKL.Since 1978 - an expert of Swiss dana in judo and jiu-jitsu.1979 - 1985 - National coach of the Swiss women's team.1992 - 1997 - coach of the Swiss national men's team.Since 1999 - Technical Advisor to the Swiss team.Currently he regularly holds seminars on judo techniques and methodics.
Look: Judo seminar
Time: 331 min. / 6 DVDs
Author: Pavlov D.
Language: French. English.
Format: PAL (DVD: 0/All)
Year: 2017
Shooting: Canada
"Mary Roberts Rinehart was born in Allegheny City (now the North Side of Pittsburgh), Pennsylvania in 1876. Early in her life her father held a relatively prosperous position as a sewing machine agent while her mother earned extra money for the household as a dressmaker. As a young woman she was an avid reader, borrowing Dumas, Balzac, Zola, and others from the Mayor’s office library. However, her passion for literature was, and remained to be, always for the stories themselves as opposed to their more critical implications. She entered high school opting for the English program in which she received mediocre grades reflecting the financial problems that plagued her household as her father had lost his sewing machine franchise and embarked on a series of unprofitable inventions of his brother’s and his design. Her gift for writing was clear even then with the publication of several short stories in Pittsburgh newspapers while in high school.
At the generosity of her uncle, Mary entered nursing school and began her training at the local hospital. There, she made the acquaintance of a young surgeon, Dr. Stanley Rinehart, and in a short time the two were engaged. Following her graduation they married in the spring of 1896 and moved to a home which also served as a private practice run by the couple. In her free time Rinehart wrote short stories and poems, sending them to various publication for which she was awarded small sums. A stock market crash of 1904, sending the Rineharts into $12,000 of debt, encouraged Mary to take on her writing more seriously in order to assist in the financial crisis.
In 1908, with the publication of The Circular Staircase, first as a serial in All-Story and then as her first novel, her career as a serious and successful writer began. Her income was now substantial, no longer simply a bit of extra money that afforded her household a few modest luxuries. In 1909 two more of her serials were published as books, The Man in the Lower 10 being the first American mystery novel to become a best seller, and the highly successful play Seven Days opened. Her profits allowed the Rineharts to move to and support a more substantial home in the winter of 1911 following a trip to Switzerland where her husband furthered his training as a surgeon.
The move is evidence of Mary’s epicurean tastes, a reaction to the genteel poverty of her youth. Often her fictions revolved around the wealthy, for instance the affluent spinster Rachel Innes of The Circular Staircase. Her tastes for homes, couture, jewelry, expensive vacations and other such indulgences followed her through her life and career, increasing proportionately with her ever growing popularity and fortune. Her luxury, however, never comprised her work ethic. In her 1939 essay Writing is Work, published in The Saturday Evening Post, she maintains that her writing represented a strong and often exhausting devotion to the craft requiring methodic routine and strong steadfast discipline.
Throughout her career, and financial prosperity, Mary possessed a marked spirit of adventure. In 1915, at 38 and with three children, she left for Europe to cover World War I for the Post. She toured Belgium and was received by King Albert, taking his first authorized statement regarding the war since its start. She interviewed Winston Churchill and Queen Mary in England, toured hospitals and the French and English lines. Her collected articles were published in the 1915 Kings, Queens and Pawns. Upon her return from the Front, Rinehart left for the American West, passing through Indian reservations and was initiated into the Blackfoot tribe. She found sympathy for the Native American’s cause and following the expedition met with the Secretary of the Interior to make a plea for aid. Her travels through the West are described in several pieces of writing, both of fiction and non-fiction. She made a second voyage to the battlefields of Europe in 1918 sponsored by the War Department.
In December of 1940 The New York Times Book Review printed a long interview with Rinehart and next to it lays a piece on the importance of “escape literature,” that which allows readers to forget the troubles of their modern world. This placement is fitting because, if anything can be classified as escapist literature, it is Rinehart’s writing. Her immense popularity stemmed from its humor, warmth and often its descriptions of a lifestyle more extravagant than many of her readers. Mary was continually wary of the American Modernists, even at the height of the period, and often openly criticized them. Although her comments were poignant and articulate, they can seem obtuse. It was she, however, who was in touch with the majority of the American public throughout the sorrow brought on by the First World War and the Great Depression as they were transported into a world more exciting and ideal than their own.
Outliving her husband by 25 years, she divided her later years between her luxurious 18-room Park Avenue apartment and her home in Bar Harbor, Maine, continuing to write prolifically. Following her husband’s death, she and her sons formed a publishing form, Rinehart & Co., which she served as a director of and wrote under. By this time it was estimated that her novels sold over 10,000,000 copies in English and 13 translations. Rinehart passed away peacefully on September 22, 1958, in New York City." from pabook.libraries.psu.edu/palitmap/bios/Rinehart__Mary_Rob...
(Scroll down for the english version)
Gilles, un français marié à une locale et habitant le pays depuis 30 ans, nous annonce stoïquement que le Nicaragua, ou Nica comme ils disent partout, est surréaliste, "comme une peinture de Dali". Aussitôt, la phrase imagée se grave dans nos têtes. Intéressant.
Deux heures plus tard, nous embarquons sur le ferry de Granada-Altagracia, qui nous semble alors le plus ordinaire des ferrys. Deux étages, blanc et bleu, peinture écaillée, quelques guirlandes. Quatre heures de petite traversée peinarde nous attendent. Parfait. De la petite dentelle. Puis c'est alors que la musique commence, comme ça, sans crier quai : du trance intense et fort ! On n'en est encore qu'à la file d'entrée et les corps se mettent déjà à bouger discrètement, hypnotisés par cette musique d'outre-registre. On enjambe la passerelle, fixe les vélos sur le pont et on monte dans la cabine à l'étage supérieur où la musique devient alors incrustée dans toutes les particules de l'air, on peut presque la toucher des yeux et lui sentir l'haleine tellement elle emplit l'espace. Et je tiens à préciser ici qu'il n'est que 4h30 de l'après-midi. Juste devant les rangées de chaises, deux employés du ferry, en Big Bill bleu et dossard orange, sont recourbés devant un laptop et bizounent à tour de rôle sur un logiciel de musique. Ce sont eux, les DJ de cette grande fiesta qu'on n'attendait pas ! Wow ! Et la musique continue de garrocher ! Boom boom boom ! Avec des phrases-slogans crachés comme des hymnes. En espagnol, mais aussi en anglais. Je crois distinguer "Mister Trump ! Motherfucker !" répété robotiquement. Tellement fort, le vacarme musical ! Louuuud ! Et sur le petit écran, accroché sur le mur juste à côté, on nous impose en même temps le ronflant Rapide et Dangereux, en version télé carrée, avec Vince Diesel et feu Paul Walker s'entre-déchirant dans une bromance d'exhaust doublée en espagnol. Sais pas pourquoi, mais ça fitte encore plus en espagnol, leur petites amourettes de gros bras. Toute façon, pas grave, leurs chamaillades de dudes, mineures même derrière le gros beat trance qui, un peu diminué de volume, persiste à nous ravager les tympans.
Entre deux beats, ma foi, bien entrelacés, Dj numéro Uno se lève, replace sa calotte à palette douette de côté, et passe dans l'allée en me lançant un beau clin d'oeil de dude. J'ai soudain l'envie de starter une bromance avec lui, nous deux écumant les eaux du Nica avec chacun notre ferry full customisé et carburant aux shoots de nitro, moi Paul lui Vinsso, chacun de nous avec nos traumatismes d'enfance qui nous ont poussé inexorablement dans ce monde de drogues, de paris et de courses de ferrys, à déchirer les vagues à 30 noeuds au son du techno musak !
Et pis Ann me sort de ma transe en sortant le bol de guacamole et de frijoles qu'on s'étaient préparés pré-embarquement. Dès la plongée de ma troisième tortillas dans la succulente guaca, un Nica bien sapé, chemise rentrée et frange sur le côté, s'asseoit devant nous et nous dévisage. Il nous fait signe de tremper un tortillas dans notre dip. Il répète le geste, il insiste du mime. Il a le mime obsessif, j'me dis. Puis je catche qu'il est muet, le pauvre, et sourd, le chanceux : il ne connaitra jamais la souffrance du passager entendant du trance-ferry. On lui passe le reste de notre guac. Il l'engouffre méthodiquement, nous fait merci en langue muette et disparait comme il est arrivé. Nous laissant alors tout le devant de libre pour apprécier le beau et singulier duo d'une russe un peu rondelette en robe à pois et cheveux d'argent se minouchant tendrement avec un Nica sec et foncé aux angles du visage taillés au couteau. Dehors, le ciel brille de deux mille cinq cents étoiles, me dit Ann, et tous ensemble, rassemblés dans un ferry bleu et blanc, nous tanguons au son du trance music.
Et la phrase de Gilles nous revient. Une toile du grand Salvador Dali. Sous ce spot allumé par le Français, d'autres détails de notre traversée du pays m'apparaissent alors surréalistes. Comme ce trio de chevaux sauvages qui, en pleine partie sérieuse de baseball, suite à un coup sûr, traverse le terrain sans que le jeu ne soit arrêté ni même qu'aucun joueur ne les regarde. Ou cette rangée de lampadaires longeant le grand lac Cocibolca, à deux mètres de la rive, surgissant de l'eau pour éclairer... quoi !? Surréaliste. Ou encore, dans une fin d'après-midi, errant tous les deux dans une ruelle en quête de bouffe pour rassasier les ogres que nous sommes devenus, des chants religieux et austères provenant d'une vieille église orangée enterrés par la cacophonie d'une cinquantaine de perruches vertes picossant les murs de l'édifice. De la pure poésie dadaïste !
Ça nous tire l'oreille pour en voir plus, de ce Nicaragua aux accents oniriques, mais on a décidé de filer un peu plus rapidement. On prendra notre temps, mais ailleurs. Et de toutes manières, côté déstabilisation, ça ne manquera pas. La région latine est le berceau du réalisme magique. Faut s'attendre à tout.
......
Gilles, a Frenchman married to a local and living in the country for 30 years, stoically tells us that Nicaragua, or Nica as they say everywhere, is surreal, "like a Dali painting". Immediately, the sentence is engraved in our heads. Interesting.
Two hours later, we boarded the Granada-Altagracia ferry, which seemed to us the most ordinary of ferries. Two floors, white and blue, peeling paint, some garlands. Four hours of leisurely crossing await us. Perfect. A little rest. Then the music starts, just like that, without telling: intense and strong trance! We are still only at the entry line and the bodies already start to move discreetly, hypnotized by this music of beyond. We cross the footbridge, fixes the bicycles and we go up in the cabin on the upper floor where the music becomes then incrusted in all the particles of the air, one can almost touch it of the eyes and smell its breath so much it fills the space. And I want to point out here that it is only 4:30 in the afternoon. Just in front of the rows of chairs, two employees of the ferry, in blue Big Bill and orange bib, are bent in front of a laptop and take turns on a music software. They are the DJs of this great party that we did not expect! Wow! And the music continues to explode! Boom boom boom! With phrases-slogans spit like hymns. In Spanish, but also in English. I think I distinguish "Mister Trump! Motherfucker!" repeated robotically. So loud, the musical din! Louuuud! And on the small screen, hanging on the wall right next to it, we are forced at the same time to watch the snoring Fast and Furious, in a square TV version, with Vince Diesel and the Paul Walker tearing each other apart in an exhausting bromance dubbed in Spanish. I don't know why, but it's even more fun in Spanish, their little love affairs. Anyway, it doesn't matter, their dudes' bickering, minor even behind the big trance beat that, a little bit decreased in volume, persists to ravage our eardrums.
Between two beats, well intertwined, Dj number Uno gets up, puts back his cap on the side, and passes in the alley by throwing me a beautiful wink of dude. I suddenly feel like starting a bromance with him, the two of us skimming the waters of the Nica with each of us our customised full ferry and fuelled by nitro shots, me Paul him Vinsso, each of us with our childhood traumas that pushed us inexorably into this world of drugs, betting and ferry races, tearing up the waves at 30 knots to the sound of techno musak!
And Ann snaps me out of my trance by taking out the bowl of guacamole and frijoles that we had prepared before boarding. As soon as I dip my third tortilla into the succulent guacamole, a well-dressed Nica, shirt tucked in and bangs to the side, sits in front of us and stares at us. He gestures for us to dip a tortilla in our dip. He repeats the gesture, he insists on the mime. He has the obsessive mime, I think to myself. Then I catch that he is dumb, the poor, and deaf, the lucky: he will never know the suffering of the hearing passenger of the trance-ferry. We pass him the rest of our guac. He engulfs it methodically, makes us thank in silent language and disappears as he arrived. Leaving us then all the front free to appreciate the beautiful and singular duet of a Russian a little plump in dress with polka dots and hair of silver cuddling tenderly with a dry and dark Nica with angles of the face cut to the knife. Outside, the sky shines with two thousand five hundred stars, Ann tells me, and all together, gathered in a blue and white ferry, we sway to the sound of trance music.
And Gilles' sentence comes back to us. A painting by the great Salvador Dali. Under this spotlight lit by the Frenchman, other details of our crossing of the country appear to me surrealist. Like this trio of wild horses that, in the middle of a serious baseball game, after a hit, crosses the field without the game being stopped or any player looking at them. Or this row of lampposts along the great Cocibolca Lake, two meters from the shore, emerging from the water to light up... what!? Surreal. Or again, in a late afternoon, both of us wandering in an alley in search of food to satisfy the ogres we have become, religious and austere songs coming from an old orange church buried by the cacophony of fifty green parakeets pecking the walls of the building. Pure Dadaist poetry!
That pulls us the ear to see more, of this Nicaragua to the dreamy accents, but we decided to spin a little more quickly. We will take our time, but elsewhere. And in any case, as far as destabilization is concerned, there will be no lack of it. The Latin region is the cradle of magic realism. You can expect anything.
The Nutshell Studies of Unexplained Death are a series of nineteen (twenty were originally constructed) intricately designed dollhouse-style dioramas created by Frances Glessner Lee (1878–1962), a pioneer in forensic science. Glessner Lee used her inheritance to establish a department of legal medicine at Harvard Medical School in 1936, and donated the first of the Nutshell Studies in 1946 for use in lectures on the subject of crime scene investigation. In 1966, the department was dissolved, and the dioramas went to the Maryland Medical Examiner’s Office in Baltimore, Maryland, U.S. where they are on permanent loan and still used for forensic seminars.
The dioramas are detailed representations of death scenes that are composites of actual cases, created by Glessner Lee on a 1 inch to 1 foot (1:12) scale. She attended autopsies to ensure accuracy, and her attention to detail extended to having a wall calendar include the pages after the month of the incident, constructing openable windows, and wearing out-of-date clothing to obtain realistically worn fabric. The dioramas show tawdry and, in many cases, disheveled living spaces very different from Glessner Lee's own background. The dead include prostitutes and victims of domestic violence.
Glessner Lee called them the Nutshell Studies because the purpose of a forensic investigation is said to be to "convict the guilty, clear the innocent, and find the truth in a nutshell." Students were instructed to study the scenes methodically—Glessner Lee suggested moving the eyes in a clockwise spiral—and draw conclusions from the visual evidence. At conferences hosted by Glessner Lee, prominent crime-scene investigators were given 90 minutes to study each diorama.
Saturday, February 11, 2012.Recap: No. 15 C'Town 87, No. 19 WC 69.By Brendan Hall..CHARLESTOWN, Mass. -- At this time last year, Charlestown made the trek West, down Route 146, to deliver a haymaker to a Whitinsville Christian squad considered the state's tallest lineup. ..This afternoon, the Crusaders came East to Bunker Hill, with a different look for the Townies -- smaller, quicker, more surgical -- and the result was very nearly a different outcome. The Crusaders hung with Charlestown through three quarters, before the Townies pulled away in the fourth, outscoring Whitinsville 31-14 in the final frame en route to an 87-69 victory. .."That team's very good, I thought that was the best shooting team we saw," Charlestown head coach Edson Cardoso said. "They're very well balanced, with a real good point guard, big man, two-guard, so I knew coming into this game it was going to be a battle. I told the guys, 'You're going to see a team like this in the state tournament, eventually down the line." ..The Townies (14-3), played just seven due to health (Jawhari Dawan-Abdullah, stomach bug) and off the court issues (Gary Braham, suspension). But they saw all five of their regular starters reach double-figures, with senior point guard Rony Fernandez (26 points, four assists) leading the way. Senior forward Tyrik Jackson (12 points, 13 rebounds) came up big on the glass again, while Tyrese Hoxter (16 points, seven assists), Omar Orriols (13 points) and Iser Barnes (12) contributed some big shots from the perimeter to keep the defense stretched out. ..But early on, the Crusaders (12-2) gave them fits with the methodical way they broke through the Townie's 2-3 zone with some of the most disciplined and precise ball movement they'd seen in a while. Junior point guard Colin Richey (23 points) funneled the offense down to the baseline, finding a player planted right in the heart of the zone and kicking to either the baseline or either wing. ..Whitinsville shot nearly 40 percent from the field, getting good looks from the short side from Tyler VandenAkker (12 points, eight rebounds) and Jesse Dykstra. Grant Brown (10 points) came up with some big shots from the perimeter as well. .."We decided to extend a little bit more on the short corner, because they hit about four shots in a row from the short corner," Cardoso said. "We also decided to have the opposite guard extend even more on shooter No. 2 (Tim Dufficey). So we made some extensions in the second half, did a little better job -- not a great job, but it helped us get the victory." ..To start the fourth quarter, Barnes completed a 6-0 run by ripping the ball out of his defender's hands at midcourt and landing a breakaway layup. A few possessions later, Hoxter found Jackson underneath the rim for an easy tip-in and 68-59 advantage. ..Then with 1:37 to go, sophomore Taris Wilson hit the first of two monster breakaway slams, this one making it 76-63 to essentially put the game in hand. ..Hot from the field: The Townies outrebounded the Crusaders 16-7 in the final frame, giving way to many key transition points that helped ice the lead and the win. From the glass, WC still held a slim 35-33 advantage. ..But down at the other end, the Townies had a terrific night from the field, shooting nearly 58 percent overall. That was aided by a 7-for-17 effort from three-point range, including three 3's each from Fernandez and Orriols. ..Praise for Richey: Last season, New Mission head coach Cory McCarthy was throwing around high praise for the then-sophomore Richey, calling him "a suburban kid that plays urban". ..Consider Cardoso another Boston City League coach that's a fan. .."He's tough," Cardoso said. "He's one of the toughest guards coming out of his league, and I think he's going give a lot of teams problems in the state tournament, because how do you stop a kid like that?" ..Turning point? Following last season's loss to Charlestown in its home gym, WC coach Jeff Bajema greeted his players in the locker room and told them, "Guys, we can win states." ..Sure enough, the Crusaders never lost another game the rest of the way, picking up their first Division 3 state title since 2005 at the DCU Center in Worcester. After that game, Bajema spoke to reporters about how much the whitewashing by Charlestown seasoned them for what to expect in the state tournament. ..Given how much more competitive the Crusaders were this time around, could this be seen as another momentum shift? .."Hopefully, a game like this will lead us to better things," Bajema said. "But we've got a tough one Tuesday (against Holy Name), so we'll see."
Shot at ISO 1600, Aperture of 3.5, Shutter speed of 1/400 and Focal Length of 50.0 mm
Taken with a 24-70mm F2.8 ZA SSM lens and processed by Aperture 3.2.2 on Saturday February-11-2012 16:46 EST PM
Montréal, Arr. sud-ouest, Série 2 de 4
J'ai choisi quatre dernières images pour clore cette série sur l'épervier de cooper, observé du balcon de Michel Paquin. Un détail, qu'il me semble important de partager, c'est le rituel dans la manière de l'épervier d'attaquer son repas. Il a du respect pour sa proie, et une séquence rigoureuse dans l'apprêt de son repas. Lorsqu,il mange, il fait d'une manière posée, et non empressée comme certains oiseaux...
Il a terminé son repas, et il vient de nous remarquer! Un regard empreint de curiosité!
To wrap up this Cooper's Hawk series, taken at Michel Paquin's house, last week, I have chosen four images. I was amazed to notice that the Cooper had a kind of a ritual with its prey, a very respectful one. He was not in a rush to eat, he was eating very methodically. On this shot, he had just finished eating, and suddenly realized we had been watching him!
SEO (Search Engine Optimization) is a set of planned activities aimed towards improving the ranking and relevance of a particular site in the search results of major search engines. It is the act of using keywords and other related elements in a methodical way for the search engine crawlers to locate them and place them in high rank in all search results. This in turn generates more traffic to the site resulting in greater business and revenue for the companies. Designing and developing a great site with all the useful information is just not enough. Getting it viewed by maximum number of targeted users can actually get you business.
CANOGA PARK- The Los Angeles Fire Department battled a Major Emergency Structure Fire in the west San Fernando Valley on Monday, October 18, 2021.
The fire at 8423 Canoga Avenue in Canoga Park, was first noted at 12:18 PM by an LAFD Paramedic Ambulance crew returning from a nearby emergency. Within moments of their reporting the fire, flames were through the roof of the 125' x 125' one-story industrial building that also housed an adjoining but unrelated business at 8425 Canoga Avenue.
As that first-arriving LAFD Paramedic crew circled the structure to gain situational awareness and guide fellow responders, they encountered the first of three adult male civilians with severe burn injuries outside the burning building. Two proved to be in critical condition and the other in serious condition. All three were taken to area hospitals. Sadly, one of the critically injured men died later while undergoing hospital care.
The rapid spread of intense flames and multiple explosions heard within the building guided first-arriving firefighters to quickly commence defensive operations, applying multiple large diameter hose streams from the exterior, including two from atop extended aerial ladders, to prevent flames from extending beyond the well involved structure.
With the exception of a forty square-foot section of the roof at 8427 Canoga Avenue destroyed by surface fire, the tactics proved successful in holding the blaze to the pair of unrelated businesses under one roof at 8423 and 8425 Canoga Avenue.
It took 150 Los Angeles Firefighter just 75 minutes to extinguish the flames.
Firefighters remained active through the night extinguishing hotspots and minimizing hazards at the structurally compromised building with the help of LAFD's robotic firefighting vehicle and heavy equipment.
At daylight Tuesday, LAFD crews resumed a systematic search within the largely destroyed premises. During their methodical search among tons of burnt debris inside the structure, firefighters discovered the remains of an adult male, bringing the overall patient count to four, with a total of two deceased and two remaining hospitalized.
No other injuries were reported.
Scientific testing of materials inside the building of fire origin yielded positive results for hemp, and it appears that the operation inside involved the extraction from hemp, not dissimilar to that used in the Butane Honey Oil extraction process.
Though the business was a legal enterprise, the operation inside appeared to be illegal, as it did not adhere to established permitting processes and safety requirements.
Pursuant to protocol, the fire's cause remains the focus of a joint active investigation by the Los Angeles Fire Department, Los Angeles Police Department and the Los Angeles Interagency Metropolitan Police Apprehension Crime Task Force (L.A. Impact).
A positive identification of the dead men, as well as the cause, time and manner of their death will be determined by the Los Angeles County Department of Medical Examiner-Coroner.
© Photo by Brandon Taylor
LAFD Incident 101821-0791
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The Nutshell Studies of Unexplained Death are a series of nineteen (twenty were originally constructed) intricately designed dollhouse-style dioramas created by Frances Glessner Lee (1878–1962), a pioneer in forensic science. Glessner Lee used her inheritance to establish a department of legal medicine at Harvard Medical School in 1936, and donated the first of the Nutshell Studies in 1946 for use in lectures on the subject of crime scene investigation. In 1966, the department was dissolved, and the dioramas went to the Maryland Medical Examiner’s Office in Baltimore, Maryland, U.S. where they are on permanent loan and still used for forensic seminars.
The dioramas are detailed representations of death scenes that are composites of actual cases, created by Glessner Lee on a 1 inch to 1 foot (1:12) scale. She attended autopsies to ensure accuracy, and her attention to detail extended to having a wall calendar include the pages after the month of the incident, constructing openable windows, and wearing out-of-date clothing to obtain realistically worn fabric. The dioramas show tawdry and, in many cases, disheveled living spaces very different from Glessner Lee's own background. The dead include prostitutes and victims of domestic violence.
Glessner Lee called them the Nutshell Studies because the purpose of a forensic investigation is said to be to "convict the guilty, clear the innocent, and find the truth in a nutshell." Students were instructed to study the scenes methodically—Glessner Lee suggested moving the eyes in a clockwise spiral—and draw conclusions from the visual evidence. At conferences hosted by Glessner Lee, prominent crime-scene investigators were given 90 minutes to study each diorama.
(Dallas, TX – July 24, 2014) A 57-year old Dallas man falsely convicted of sexual assault will be exonerated as a result of systematic DNA testing by a district attorney’s office, even though he was not actively proclaiming his innocence or requesting DNA testing. According to the National Registry of Exonerations, this is the first time in the United States an exoneration of this nature has occurred.
Mr. Michael Phillips, an African-American, served 12 years in prison after pleading guilty in 1990 for raping a 16-year-old Caucasian girl at a Dallas motel where both of them lived. Mr. Phillips says his defense attorney told him not to risk going to trial – fearing a jury would not side with a black man accused of raping a white girl who picked Mr. Phillips out of a photo line- up.
However, Dallas County District Attorney Craig Watkins’ ongoing project of reviewing untested rape kits without defendants initiating the request revealed Mr. Phillips was innocent. DA Watkins signed off on this proactive screening project, which tests DNA preserved by the Southwest Institute of Forensic Sciences. The Dallas area crime lab tested sexual assault kits from the year 1990 that met certain criteria, which paved the way for Mr. Phillips’ exoneration.
“Mr. Phillips is very lucky that we tested rape kits from the year in which the heinous crime took place,” said Craig Watkins. There was no DNA profile from Mr. Phillips to compare to the profile derived from the semen found in the rape kit, because in 1990 DNA samples were not routinely collected from sexual assault suspects as they are now. The semen found in the rape kit was put into the FBI’s Combined DNA Index System, which identified Lee Marvin Banks as the real perpetrator. Mr. Banks also lived at the same motel where the 1990 rape took place. “DNA tells the truth, so this was another case of eyewitness misidentification where one individual’s life was wrongfully snatched and a violent criminal was allowed to go free. We apologize to Michael Phillips for a criminal justice system that failed him,” said Mr. Watkins.
Michael Phillips’ case will become the 34th exoneration by the Dallas DA’s Conviction Integrity Unit. The exoneration hearing is scheduled on July 25, 2014 at 9 a.m. CST at the Frank Crowley Courts Building in Criminal District Court 3. Mr. Phillips is in a wheel chair due to his fight with sickle cell anemia, but he is looking forward to his day in court.
“I never imagined I would live to see my name cleared. Six of my siblings died from the same disease, so I thank God for sustaining me in prison. I always told everyone I was innocent and now people will finally believe me,” said Mr. Phillips.”
The exoneration would not have been possible without the assistance of Samuel Gross, Professor of Law at the University of Michigan Law School and Editor of the National Registry of Exonerations, and Professor Colin Starger of the University of Baltimore School of Law. Both professors worked without compensation under the supervision of the Dallas County Conviction Integrity Unit to test the untested sexual assault kits.
“On one hand this was like finding a needle in a haystack because Michael Phillips had given up on pressing his claim of innocence, but on the other hand this was a methodical approach that can be replicated nationwide. Untested rape kits should not just sit on a shelf and collect dust. The exoneration continues to expose the past weakness in our criminal justice system,” said Mr. Watkins.
Mr. Phillips was released from prison in 2002, but failure to register as a sex offender landed him back in jail for six months. It’s been one hurdle after another – not being able to find a place to live or get a job. He now lives in a nursing home, but that could soon change. The State of Texas awards an exoneree $80,000 for each year of wrongful conviction.
Saturday, February 11, 2012.Recap: No. 15 C'Town 87, No. 19 WC 69.By Brendan Hall..CHARLESTOWN, Mass. -- At this time last year, Charlestown made the trek West, down Route 146, to deliver a haymaker to a Whitinsville Christian squad considered the state's tallest lineup. ..This afternoon, the Crusaders came East to Bunker Hill, with a different look for the Townies -- smaller, quicker, more surgical -- and the result was very nearly a different outcome. The Crusaders hung with Charlestown through three quarters, before the Townies pulled away in the fourth, outscoring Whitinsville 31-14 in the final frame en route to an 87-69 victory. .."That team's very good, I thought that was the best shooting team we saw," Charlestown head coach Edson Cardoso said. "They're very well balanced, with a real good point guard, big man, two-guard, so I knew coming into this game it was going to be a battle. I told the guys, 'You're going to see a team like this in the state tournament, eventually down the line." ..The Townies (14-3), played just seven due to health (Jawhari Dawan-Abdullah, stomach bug) and off the court issues (Gary Braham, suspension). But they saw all five of their regular starters reach double-figures, with senior point guard Rony Fernandez (26 points, four assists) leading the way. Senior forward Tyrik Jackson (12 points, 13 rebounds) came up big on the glass again, while Tyrese Hoxter (16 points, seven assists), Omar Orriols (13 points) and Iser Barnes (12) contributed some big shots from the perimeter to keep the defense stretched out. ..But early on, the Crusaders (12-2) gave them fits with the methodical way they broke through the Townie's 2-3 zone with some of the most disciplined and precise ball movement they'd seen in a while. Junior point guard Colin Richey (23 points) funneled the offense down to the baseline, finding a player planted right in the heart of the zone and kicking to either the baseline or either wing. ..Whitinsville shot nearly 40 percent from the field, getting good looks from the short side from Tyler VandenAkker (12 points, eight rebounds) and Jesse Dykstra. Grant Brown (10 points) came up with some big shots from the perimeter as well. .."We decided to extend a little bit more on the short corner, because they hit about four shots in a row from the short corner," Cardoso said. "We also decided to have the opposite guard extend even more on shooter No. 2 (Tim Dufficey). So we made some extensions in the second half, did a little better job -- not a great job, but it helped us get the victory." ..To start the fourth quarter, Barnes completed a 6-0 run by ripping the ball out of his defender's hands at midcourt and landing a breakaway layup. A few possessions later, Hoxter found Jackson underneath the rim for an easy tip-in and 68-59 advantage. ..Then with 1:37 to go, sophomore Taris Wilson hit the first of two monster breakaway slams, this one making it 76-63 to essentially put the game in hand. ..Hot from the field: The Townies outrebounded the Crusaders 16-7 in the final frame, giving way to many key transition points that helped ice the lead and the win. From the glass, WC still held a slim 35-33 advantage. ..But down at the other end, the Townies had a terrific night from the field, shooting nearly 58 percent overall. That was aided by a 7-for-17 effort from three-point range, including three 3's each from Fernandez and Orriols. ..Praise for Richey: Last season, New Mission head coach Cory McCarthy was throwing around high praise for the then-sophomore Richey, calling him "a suburban kid that plays urban". ..Consider Cardoso another Boston City League coach that's a fan. .."He's tough," Cardoso said. "He's one of the toughest guards coming out of his league, and I think he's going give a lot of teams problems in the state tournament, because how do you stop a kid like that?" ..Turning point? Following last season's loss to Charlestown in its home gym, WC coach Jeff Bajema greeted his players in the locker room and told them, "Guys, we can win states." ..Sure enough, the Crusaders never lost another game the rest of the way, picking up their first Division 3 state title since 2005 at the DCU Center in Worcester. After that game, Bajema spoke to reporters about how much the whitewashing by Charlestown seasoned them for what to expect in the state tournament. ..Given how much more competitive the Crusaders were this time around, could this be seen as another momentum shift? .."Hopefully, a game like this will lead us to better things," Bajema said. "But we've got a tough one Tuesday (against Holy Name), so we'll see."
Shot at ISO 1600, Aperture of 3.2, Shutter speed of 1/800 and Focal Length of 24.0 mm
Taken with a 24-70mm F2.8 ZA SSM lens and processed by Aperture 3.2.2 on Saturday February-11-2012 17:10 EST PM
Saturday, February 11, 2012.Recap: No. 15 C'Town 87, No. 19 WC 69.By Brendan Hall..CHARLESTOWN, Mass. -- At this time last year, Charlestown made the trek West, down Route 146, to deliver a haymaker to a Whitinsville Christian squad considered the state's tallest lineup. ..This afternoon, the Crusaders came East to Bunker Hill, with a different look for the Townies -- smaller, quicker, more surgical -- and the result was very nearly a different outcome. The Crusaders hung with Charlestown through three quarters, before the Townies pulled away in the fourth, outscoring Whitinsville 31-14 in the final frame en route to an 87-69 victory. .."That team's very good, I thought that was the best shooting team we saw," Charlestown head coach Edson Cardoso said. "They're very well balanced, with a real good point guard, big man, two-guard, so I knew coming into this game it was going to be a battle. I told the guys, 'You're going to see a team like this in the state tournament, eventually down the line." ..The Townies (14-3), played just seven due to health (Jawhari Dawan-Abdullah, stomach bug) and off the court issues (Gary Braham, suspension). But they saw all five of their regular starters reach double-figures, with senior point guard Rony Fernandez (26 points, four assists) leading the way. Senior forward Tyrik Jackson (12 points, 13 rebounds) came up big on the glass again, while Tyrese Hoxter (16 points, seven assists), Omar Orriols (13 points) and Iser Barnes (12) contributed some big shots from the perimeter to keep the defense stretched out. ..But early on, the Crusaders (12-2) gave them fits with the methodical way they broke through the Townie's 2-3 zone with some of the most disciplined and precise ball movement they'd seen in a while. Junior point guard Colin Richey (23 points) funneled the offense down to the baseline, finding a player planted right in the heart of the zone and kicking to either the baseline or either wing. ..Whitinsville shot nearly 40 percent from the field, getting good looks from the short side from Tyler VandenAkker (12 points, eight rebounds) and Jesse Dykstra. Grant Brown (10 points) came up with some big shots from the perimeter as well. .."We decided to extend a little bit more on the short corner, because they hit about four shots in a row from the short corner," Cardoso said. "We also decided to have the opposite guard extend even more on shooter No. 2 (Tim Dufficey). So we made some extensions in the second half, did a little better job -- not a great job, but it helped us get the victory." ..To start the fourth quarter, Barnes completed a 6-0 run by ripping the ball out of his defender's hands at midcourt and landing a breakaway layup. A few possessions later, Hoxter found Jackson underneath the rim for an easy tip-in and 68-59 advantage. ..Then with 1:37 to go, sophomore Taris Wilson hit the first of two monster breakaway slams, this one making it 76-63 to essentially put the game in hand. ..Hot from the field: The Townies outrebounded the Crusaders 16-7 in the final frame, giving way to many key transition points that helped ice the lead and the win. From the glass, WC still held a slim 35-33 advantage. ..But down at the other end, the Townies had a terrific night from the field, shooting nearly 58 percent overall. That was aided by a 7-for-17 effort from three-point range, including three 3's each from Fernandez and Orriols. ..Praise for Richey: Last season, New Mission head coach Cory McCarthy was throwing around high praise for the then-sophomore Richey, calling him "a suburban kid that plays urban". ..Consider Cardoso another Boston City League coach that's a fan. .."He's tough," Cardoso said. "He's one of the toughest guards coming out of his league, and I think he's going give a lot of teams problems in the state tournament, because how do you stop a kid like that?" ..Turning point? Following last season's loss to Charlestown in its home gym, WC coach Jeff Bajema greeted his players in the locker room and told them, "Guys, we can win states." ..Sure enough, the Crusaders never lost another game the rest of the way, picking up their first Division 3 state title since 2005 at the DCU Center in Worcester. After that game, Bajema spoke to reporters about how much the whitewashing by Charlestown seasoned them for what to expect in the state tournament. ..Given how much more competitive the Crusaders were this time around, could this be seen as another momentum shift? .."Hopefully, a game like this will lead us to better things," Bajema said. "But we've got a tough one Tuesday (against Holy Name), so we'll see."
Shot at ISO 1600, Aperture of 3.5, Shutter speed of 1/320 and Focal Length of 55.0 mm
Taken with a 24-70mm F2.8 ZA SSM lens and processed by Aperture 3.2.2 on Saturday February-11-2012 16:41 EST PM
Folklore Museum
Object ID: 32947 Abbey Lane 16
Hauerhaus from the 16th/17th Century with ethnological collection
de.wikipedia.org/wiki/Liste_der_denkmalgesch%C3%BCtzten_O...
(further information you can get by clicking on the link at the end of page!)
History
Plaque to the founder of the Hyrtl'schen orphanage Joseph Hyrtl and Joseph Schöffel
© IMAREAL / E. Vavra
The Biedermeier-influenced city on the edge of the Vienna Woods is the capital of the district Mödling in the south of Vienna. The town has experienced in its 1100-year history since the first mention very different phases: in the Middle Ages briefly Babenberg residence, for centuries an economically potent wine market, from the 19th Century summer resort and industrial center, since 1875 town, in the 20th Century for almost two decades XXIVth district of Vienna, since 1954 again an independent municipality of Lower Austria and as a school and garden city popular residential area in the vicinity of Vienna.
Mödling has partnerships with cities in France, Belgium, Luxembourg, Germany, Hungary, Czech Republic, Serbia, Bulgaria and Italy.
The historical tradition of Mödling goes back far beyond the first written mention, how settlement finds from the Neolithic Age, Hallstatt period (eg calendar mountain) and Roman times as well as the great Avar burial ground "at the Golden Staircase" from the 7/8th Century BCE prove. In the year 903 Mödling is first mentioned (Medilihha). The later settlement was probably made in the 11th Century beneath an early castle building on the church mountain (Kirchenberg), where later a Romanesque predecessor of Othmar church was built.
In the late 12th century Mödling was for a few decades the residence of a Babenberg branch line. Henry the Elder, a brother of Duke Leopold V., had since the 1170 century belongings in and around Mödling. He and his son Henry the Younger, calling himself "Duke of Mödling", resided on the castle probably built around 1150 in the Klausen, among whose most famous visitors was Walther von der Vogelweide. With the death of Henry the Younger in 1236 extinguished the Mödlinger line of the Babenberg and the reign became princely domain. The time of the Babenberg commemorates the in late 12th Century built Romanesque ossuary at Othmar church - a circular building with an apse - as well as the denomination "Babenberg".
In the late Middle Ages, Medlich developed into a major wine market (1343 mention of market town) which in the 15th Century as one of the four princely spell markets was also represented in the Parliament - in addition to Gumpoldskirchen, Langenlois and Perchtoldsdorf. For centuries shaped the wine-growing the economy and social structure. The Mödlinger wine was good and helped the market particularly in the 15th and 16th Century to its prosperity. The settlement reached at the end of the Middle Ages that extent, which until the 19th Century should remain essentially unchanged. The center formed the area around the Schrannenplatz with a dense stand of late medieval and early modern town houses that bear evidence of the wealth and self-confidence of the citizens of the market town. From the late medieval Schrannen building, the official residence of the market judge, was created in 1548 the representative Renaissance town hall with loggia.
The elevated lying Othmar church became in the 15th Century by transferring the rights of the church of St. Martin parish church of Mödling. The massive late Gothic church was built in a nearly 70-year construction period from 1454 to 1523 on the walls of six predecessors and able to resist fortified. As Mödling was destroyed in 1529 by the Ottomans, the just completed church lost its roof and remained for over a century till the restoration in 1660/70 a ruin. On the Merian engraving from 1649 the uncovered Othmar church on the left side is clearly visible. As a temporary parish church served the about 1450 built late-Gothic hospital church.
The internal conditions at this time were mainly marked of the clashes of the market with the princely rule Burg Mödling - since 1558 combined with the rule of Liechtenstein - which reached its climax in 1600 under the energetic administrator Georg Wiesing (1593-1611). During the Reformation, the market largely became Protestant. In the course of recatholicization a Capuchin monastery was founded in 1631, which served as a factory after the repeal under Joseph II and was then bought by the Thonet family (so-called Thonet Schlössel, today Bezirksmuseum).
In Türkenjahr 1683 (besiegement of the Turks) took place in the Othmar church a horrific bloodbath, in which hundreds of people who had sought refuge there were killed. The church was destroyed again, but this time built up rapidly with the market judge Wolfgang Ignaz Viechtl in a few years.
End of the 18th Century occurred in Mödling the settlement of industrial enterprises, especially textile mills that took advantage of the cheaper production possibilities and also its proximity to Vienna. Was decisively shaped the character of the place but by the rise to a summer resort, initiated by Prince Johann I of Liechtenstein beginning of the 19th Century, which acquired in 1807 the rule of Liechtenstein-Mödling with the former family ancestral home. He had the area under enormous cost reforested (Schirmföhren/pinus mugo, acacia, etc.) and transformed to a public park in Romantic style with promenade paths, steep paths and artificial constructions (Black tower, amphitheater, Husarentempel). The ruined castles Mödling and Liechtenstein were restored. The former Liechtenstein'sche landscape park is considered a remarkable example of the garden culture in 1800 and is now a popular tourist destination (1974 Natural Preserve Föhrenberge).
Since the Biedermeier Mödling in the summer was an extremely popular artist hangout. Among the most famous artists of the 19th Century who were inspired by the romantic nature here, were Franz Schubert, Franz Grillparzer, Ferdinand Waldmüller, Ferdinand Raimund and Ludwig van Beethoven, who here worked on one of his major works, the "Missa Solemnis". In the 20th Century settled inter alia Arnold Schönberg, Anton von Webern, Anton Wildgans, Franz Theodor Csokor and Albert Drach temporarily or permanently down. To Beethoven, Schönberg and Wildgans memorials have been established (Beethoven House, Schönberg House, Wildgans archive).
In the second half of the 19th Century Mödling became administrative center (District Court, District administration) and an industrial site and educational location with high schools and colleges (eg educational establishment Francisco-Josephinum). The good traffic situation at the southern railway, the progressive industrialization and the expansion of health facilities (park, Kursalon) led to a rapid expansion of the hitherto for centuries unchanged market. Under mayor Joseph Schöffel (1873-1882), who became famous because of his successful engagement against the deforestation of the Vienna Woods as the "savior of the Vienna Woods", followed the methodical installation of the so-called Schoeffel(before) city - Schöffelvorstadt (New Mödling) east of the Southern Railway and the establishment of workers' settlements. Later followed the exclusive residential areas of the turn of the century with their representative residential buildings. Probably the most important building of the late 19th Century is the Hyrtl'sche orphanage (1886-1889), founded by the Viennese anatomist, Joseph Hyrtl and Joseph Schöffel. The Orphanage church St. Joseph was built on the in 1787 demolished Martin Church.
On 18th November 1875 the emerging market town was raised to the status of a city, two years later the incorporation of Klausen and Vorderbrühl took place. Through the establishment of Great-Vienna under the Nazi regime on 15th October 1938 the young city for 16 years lost its municipal autonomy; 1954 it became again a part of Lower Austria.
Symbol for the characteristic environment of Mödling was the "width pine" on the Anninger whose age goes back to the 16th Century (around 1550). It was a well-known natural landmark and has become the symbol of the city. 1988 died the tree and it had to be removed in 1997 for safety reasons. The remains are now in the Lower Austrian Provincial Museum.
geschichte.landesmuseum.net/index.asp?contenturl=http://g...
Lack of activity destroys the good condition of every human being, while movement and methodical physical exercise save it and preserve it. ~Plato
Another baseball all-time great has joined Tom Seaver, Lou Brock and Bob Gibson in the Great Beyond—wherever that might be. He was born Edward Charles Ford but because of his pale blonde head of hair all of us in the knothole gang knew him as Whitey.
I hated the New York Yankees. By the time I was 15 the Yankees had won ten of the World Series played during my decade and a half on the planet. Year after year it seemed that a Yankee championship was inevitable. I rooted for underdogs, chiefly the Boston Red Sox, but my guys never won. Whitey Ford was a big reason why. He pitched 3,170 innings of major league baseball over 16 seasons between 1950 and 1967—every one of them as a New York Yankee.
Over his long career Ford recorded 236 regular-season victories—against just 106 losses. His ERA—-earned run average—was a measly 2.75. Three times he led the American League in victories; twice he led the way in innings pitched. In 1961, with 25 victories against just four losses, he won the AL Cy Young Award as the league's best pitcher.
I never managed to hate Whitey Ford as I did so many of his teammates. He was not a loudmouth, a showoff or a strutter. He went about his work quietly, methodically, brilliantly. Whenever Ford took to the mound New York fans justifiably felt that a win was in the bag. I understood: I felt the same way.
Ford was ushered into the Baseball Hall of Fame in 1974 together with his fellow-great Yankee teammate Mickey Mantle.
Whitey was born to be a Yankee: he took his first breath in the Queens borough of New York City and played his high school baseball at Aviation Tech HS in Manhattan. He had moved a little bit east by the end of his time. Whitey Ford passed out of this vale of tears at Lake Success NY on Long Island, twelve days short of his 92nd birthday.
From 'If on a winters night a traveller' by Italo Calvino. Great little book.
[The kitchen is the part of the house that can tell the most things about you : whether you cook or not (one would say yes, if not everyday, at least fairly regularly), whether only for yourself or also for others (often only for yourself, but with care, as if you were cooking also for others; and sometimes also for others, but nonchalantly, as if you were cooking only for yourself), whether you tend toward the bare minimum or toward gastronomy (your purchases and gadgets suggest elaborate and fanciful recipes, at least in your intentions; you may not necessarily be greedy, but the idea of a couple of fried eggs for supper would probably depress you), whether standing over the stove represents for you a painful necessity or also a pleasure (the tiny kitchen is equipped and arranged in such a way that you can move practically and without too much effort, trying not to linger there too long but also being able to stay there without reluctance). The appliances are in their place, useful animals whose merits must be remembered, though without devoting special worship to them. Among the utensils a certain aesthetic tendency is noticeable (a panoply of half-moon choppers,in decreasing sizes, when one would be enough), but in general the decorative elements are also serviceable objects, with few concessions to prettiness. The provisions can tell us something about you: an assortment of herbs, some naturally in regular use, others that seem to be there to complete a collection; the same can be said of the mustards; but it is especially the ropes of garlic hung within reach that suggest a relationship with food not careless or generic. A glance into the refrigerator allows other valuable data to be gathered: in the egg slots only one egg remains; of lemons there is only a half and that half-dried; in other words, in basic supplies a certain neglect is noted. On the other hand, there is chestnut purée, black olives, a little jar of salsify or horseradish: it is clear that when shopping you succumb to the lure of the goods on display and don't bear in mind what is lacking at home Observing your kitchen, therefore, can create a picture of you as an extroverted, clearsighted woman, sensual and methodical; you make your practical sense serve your imagination. Could a man fall in love with you just seeing your kitchen? Who knows?]
Saturday, February 11, 2012.Recap: No. 15 C'Town 87, No. 19 WC 69.By Brendan Hall..CHARLESTOWN, Mass. -- At this time last year, Charlestown made the trek West, down Route 146, to deliver a haymaker to a Whitinsville Christian squad considered the state's tallest lineup. ..This afternoon, the Crusaders came East to Bunker Hill, with a different look for the Townies -- smaller, quicker, more surgical -- and the result was very nearly a different outcome. The Crusaders hung with Charlestown through three quarters, before the Townies pulled away in the fourth, outscoring Whitinsville 31-14 in the final frame en route to an 87-69 victory. .."That team's very good, I thought that was the best shooting team we saw," Charlestown head coach Edson Cardoso said. "They're very well balanced, with a real good point guard, big man, two-guard, so I knew coming into this game it was going to be a battle. I told the guys, 'You're going to see a team like this in the state tournament, eventually down the line." ..The Townies (14-3), played just seven due to health (Jawhari Dawan-Abdullah, stomach bug) and off the court issues (Gary Braham, suspension). But they saw all five of their regular starters reach double-figures, with senior point guard Rony Fernandez (26 points, four assists) leading the way. Senior forward Tyrik Jackson (12 points, 13 rebounds) came up big on the glass again, while Tyrese Hoxter (16 points, seven assists), Omar Orriols (13 points) and Iser Barnes (12) contributed some big shots from the perimeter to keep the defense stretched out. ..But early on, the Crusaders (12-2) gave them fits with the methodical way they broke through the Townie's 2-3 zone with some of the most disciplined and precise ball movement they'd seen in a while. Junior point guard Colin Richey (23 points) funneled the offense down to the baseline, finding a player planted right in the heart of the zone and kicking to either the baseline or either wing. ..Whitinsville shot nearly 40 percent from the field, getting good looks from the short side from Tyler VandenAkker (12 points, eight rebounds) and Jesse Dykstra. Grant Brown (10 points) came up with some big shots from the perimeter as well. .."We decided to extend a little bit more on the short corner, because they hit about four shots in a row from the short corner," Cardoso said. "We also decided to have the opposite guard extend even more on shooter No. 2 (Tim Dufficey). So we made some extensions in the second half, did a little better job -- not a great job, but it helped us get the victory." ..To start the fourth quarter, Barnes completed a 6-0 run by ripping the ball out of his defender's hands at midcourt and landing a breakaway layup. A few possessions later, Hoxter found Jackson underneath the rim for an easy tip-in and 68-59 advantage. ..Then with 1:37 to go, sophomore Taris Wilson hit the first of two monster breakaway slams, this one making it 76-63 to essentially put the game in hand. ..Hot from the field: The Townies outrebounded the Crusaders 16-7 in the final frame, giving way to many key transition points that helped ice the lead and the win. From the glass, WC still held a slim 35-33 advantage. ..But down at the other end, the Townies had a terrific night from the field, shooting nearly 58 percent overall. That was aided by a 7-for-17 effort from three-point range, including three 3's each from Fernandez and Orriols. ..Praise for Richey: Last season, New Mission head coach Cory McCarthy was throwing around high praise for the then-sophomore Richey, calling him "a suburban kid that plays urban". ..Consider Cardoso another Boston City League coach that's a fan. .."He's tough," Cardoso said. "He's one of the toughest guards coming out of his league, and I think he's going give a lot of teams problems in the state tournament, because how do you stop a kid like that?" ..Turning point? Following last season's loss to Charlestown in its home gym, WC coach Jeff Bajema greeted his players in the locker room and told them, "Guys, we can win states." ..Sure enough, the Crusaders never lost another game the rest of the way, picking up their first Division 3 state title since 2005 at the DCU Center in Worcester. After that game, Bajema spoke to reporters about how much the whitewashing by Charlestown seasoned them for what to expect in the state tournament. ..Given how much more competitive the Crusaders were this time around, could this be seen as another momentum shift? .."Hopefully, a game like this will lead us to better things," Bajema said. "But we've got a tough one Tuesday (against Holy Name), so we'll see."
Shot at ISO 1600, Aperture of 3.2, Shutter speed of 1/400 and Focal Length of 70.0 mm
Taken with a 24-70mm F2.8 ZA SSM lens and processed by Aperture 3.2.2 on Saturday February-11-2012 16:25 EST PM
Here is the story of why this image is named "Broken Jaw..."
This is a story of a photographer named Dan who was very new to photography but has always respected and loved nature. Dan had never really had any kind of photography training what so ever, but always saw the beauty the world had to offer, but never really knew how to capture it. Dan then met a really nice guy who Dan later grew to considered a friend. This friend had influence Dan to pick up a camera and start shooting which he did and very quickly fell in love with. Well, after a few months he was learning more and more about photography but was still considered very "green" in the photography world, but Dan understood it would take a looooong time until he could build up the skills it takes to become a great photographer. In the mean time he started having people offer to purchase his images. So he gladly started selling them. Then more and more people started to purchase images and Dan started thinking , "Hey, maybe I'm on to something here." So he started up a website and spread the word of his work through social media and people started to take notice. Dan started getting orders in from around the world and was able to make enough to pay for his mortgage every month. Even Dan's wife was very supportive and even told him to, "save some of the money and buy yourself some better equipment. That way as you grow as a photographer you can gain familiarity with your camera as well as the skills of photography and really dial in the use of your tools to capture such images." Dan was overly joyed with such support and in just 3 months he had sold enough of his work and saved enough money to purchase all new equipment which he knew was going to take a lot of work to learn to use but would well be worth it in the long run. Dan did not feel his new equipment would make a better photographer by any means, but he did want to be familiar with better equipment as his knowledge and experience became better as well. Dan knew he had worked hard to earn the money and was proud of his accomplishment.
Now that Dan had new equipment, he was very excited because his old equipment was 7 years old and very "entry level" as far as photography goes and he wanted to learn as much as he could, but do it with the best equipment he could. And with Dan's new camera he was learning and adjusting and trying to figure things out as all photographers do with their new equipment...so needless to say things were not dialed in precisely as he would have liked, but he was making a great effort to try and learn. He was also starting to learn more and more about post production work for his images, but was not a computer savvy guy so this was very difficult for him to learn all on his own. Now in this time in Dan's life he knew he was a "work in progress". So he got out in the world and pounded the pavement and started getting jobs as a wedding photographer, shooting for local magazines, shooting models, shooting for business promotions and even got a job shooting for a government run landscaping company and received $500 every 3 hours of shooting they needed to use him for his skills. Dan was now taking every opportunity he could to hone in his skills and learn with every experience he was offered. At this time Dan was frequently being told by many people, for as little as he had been shooting he was doing a great job, and for the most part people were positive and encouraging and helpful with their "tip"s and "pointers" to help Dan become a better photographer. He had great social skills and found he had a way with people and they enjoyed that. And for someone who had only picked up a camera merely a short time ago Dan was making a small living while doing what he loved that only started out as a hobby.
Well at this time in our story there is another photographer who comes along and enters into Dan's life. He is very whinny, obviously not real smart, small minded, and just a real sloppy excuse for a human. He very much has the mentality of a 14 year old boy in a mans body with awkward social skills who really couldn't hold a conversation or fit in with anyone except other photographers, and even then others could only stand to be around him for a little while. He didn't know it but other photographers openly behind his back said they "put up with him" because he knew of many great photography spots and they too wanted in on these places. BUT....this is not saying this photographer did not have any skills... this photographer had years and years of photography education and experience under his belt which was undeniable. He had been shooting since he was a 14 year old boy and this made sense why he probably acted like such an adolescent as a man. He was a "photography nerd" so to say who openly said he could not sell a single image of his and just couldn't figure it out. But at the same time had an elitist mentality who openly and publicly spoke poorly of other photographers work.
Well, this photographer started making public remarks of Dan's photography. And not the helpful kind of remarks, but those kind of remarks that a 14 year old boy would make... poking fun and snickering at Dan for Dan's inexperience and images Dan had worked on. Well Dan found this to be quite tasteless, especially since the comments made were to Dan's friend who had originally got him started in photography. Now let me say Dan was a pretty happy and fun guy, lived life big and loved being a "class clown". But little did a lot of people know, Dan got picked on quite a bit when he was a kid and had grown into a very athletic, very tough, and was overly strong for his size. Dan also had years and years of experience as a competitive fighter which many people forgot about because he always cared more about being outdoors and being a class clown than fighting, but this did not mean he wasn't still a really tough dude.
Well one day when Dan was out in the middle of the desert shooting some photography, he ran into the photographer who had been making snotty elitist remarks about his work and was snickering behind his back to other people. So without questions or any words being said, Dan approached the snotty photographer as to casually walk up to him and say hello. The photographer knew who Dan was, but with his overly elitist attitude he did not say anything. At this point he knew he and Dan were alone out in the desert and there was nobody around except the two of them. Dan looked at the other photographer for about a minute without saying a word, and when the other photographer didn't grab his equipment and leave the area... Dan punched the photographer right in the chest. The photographer gasped for air and fell to the ground wheezing. At this point the snotty photographer knew he never should have picked on Dan or poked fun at his work. Dan proceeded to methodically sit on top of the snotty and elitist photographer and beat the photographers face to a disgusting pulp making him scream and cry like the little 14 year old boy he acted like. The snotty photographer proceeded to pull out a knife to use on Dan, only to have Dan over power him, take the knife away and leave him laying there in the middle of nowhere with a broken jaw.
The color of this image with the purple hue to it, looks like the same color of the photographers broken jaw as it was wired shut for the next 6 months. The photographer learned to choose his words wisely and mostly to keep his mouth shut in regards to publicly making negative comments regarding other photographers work. Now when this photographer is out in the middle of nowhere, he's always on the look out for Dan, who has no problems reminding him of what happens to people when they open their mouths to speak poorly of others.
© Bill Brooks 2018
This guy was driving methodically up and down the beach this afternoon. From the photo, you can see that his buggy is carrying a sign saying "Coastal Surveying" - maybe looking at the drift of shingle along the coast?
💡HOW 🔽
🔥ACTION ONE (3✔️) (👨🔧Toaster) Heat your toaster. Then light your cigarette :
👣Step 1 (1✔️) 0:07
👣Step 2 (2✔️) 0:21
✅Finish 0:39
➕3 ✔️Experience Point in Trick
👩🔬eXplanation : Plug your toaster into an electricity source. Then turn on your toaster at a relatively high power. Afterwards, take your cigarette and rub it on the hot, red surface while making circles. Until you see smoke coming out of your cigarette. Repeat the operation until your cigarette is fully lit. Do not hesitate to smoke your cigarette to light your cigarette more easily, you can repeat that too.
ℹ️Electric source for the toaster. Difficult in an outdoor environment ...
⚠️Check before if your toaster is not faulty.
⚠️Pay attention to electricity.
⚠️Do not use any liquid or metal objects if you can not reach the hot surface of your toaster with your hand ... Drop it. Your toaster just does not adaper.
⏳ Trick In Less Than 1 Minute : www.youtube.com/playlist?list=PLCnt1yP-rsmnHfa303pV2rX5nC...
🏆Difficulty :Very Easy (Level 1)
🎓Skills : No skills required
️Senses : 👀Vision 👆To Touch 💃Proprioception Equilibrioception ♨️Thermoception
👩🏫Intelligences : Kinesthetic Body Intelligence
🔢Intelligence Logic Mathematics
💡Imagination
🙇State of Mind : 😶Focus
😵Methodical
😉Organize
😷Careful
💞Context (Example) : 🔥No Lighter
️Tools (🔨2)
🔨Toaster
🔨Cigarette
📋WHAT 🔽
💡How To Be Astute {1} Step by Step
🌟Light a Cigarette with a Toaster
💫Cigarette/Toaster World
🌌Light Up/Smoke Galaxy
✨Trick Universe (💡)
📝Type : Light a cigarette without a lighter (⚡Electricity & 🚬Cigarette)
🎨Style : Light a cigarette with a toaster.
️Language : International (🇬🇧 description and steps in English, but comprehensible by the whole world)
️You can use your playlists as filters, to find what you're looking for exactly : www.youtube.com/channel/UCb1N-vNT8Y1-qx0PdlvLRpg/playlists
📖HOW MUCH 🔽
👣2 Steps
🔥1 Action
✔️3 Experience Points
️2 tools
⏱️Preparation Time : 5 Secondes Minimum - 2 Minutes Maximum
⏰Waiting Time : 30 Secondes Minimum - 5 Minutes Maximum
🎬Action Time : 5 Secondes Minimum - 3 Minutes Maximum
️5 Senses
👩🏫3 Intelligences
🙇4 State of Mind
WHO 🔽
👍Tip by LG
🎥Filmed by LG : Go Pro Hero 5
📡Posted by LG
️Video made by LG (Windows Movie Maker 2017)
©Etoile Copyright (Cooking)
©Ikson (Music)
🎵Music Used Ikson - Reflect
Support Ikson :
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🎼Music promoted 📂 by eMotion
️Video Link : youtu.be/vO0dExuqfsk
❓WHY 🔽
Learn How To Light a Cigarette with a Toaster
📍WHERE 🔽
Pontault Combault (🇫🇷 France)
🇸🇪Sweden Music
🕓WHEN 🔽
📅23 December 2017
⌚Duration : 40 Secondes Minimum ~ 10 Minutes Maximum
⚠️The duration depends on the performance and tools used by the author. That is why this is indicated from the minimum to the maximum
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#HowToBeAstute
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v.2.003
This photo is of the Potočari genocide memorial near Srebrenica, Bosnia. Although many atrocities were executed throughout the 90's in Yugoslavia, some of the events in Bosnia were particularly disturbing. Probably the single-most infamous event was the massacre at Srebrenica; included is a small bit of background information on the culmination of the Serbs' plans there.
Although Serb forces had long been blamed for the massacre, it was not until June 2004—following the Srebrenica commission's preliminary report—that Serb officials acknowledged that their security forces planned and carried out the mass killing. A Serb commission's final report on the 1995 Srebrenica massacre acknowledged that the mass murder of the men and boys was planned. The commission found that more than 7,800 were killed after it compiled thirty-four lists of victims. A concerted effort was made to capture all Bosniak men of military age. In fact, those captured included many boys well below that age and elderly men several years above that age that remained in the enclave following the take-over of Srebrenica . These men and boys were targeted regardless of whether they chose to flee to Potočari or to join the Bosnian Muslim column. The operation to capture and detain the Bosnian Muslim men was well organised and comprehensive. The buses which transported the women and children were systematically searched for men. The question of why the executions took place at all is not easy to answer. During Radislav Krstić's trial before the ICTY, the prosecution's military advisor, Richard Butler, pointed out in taking this course of action, the Serb Army deprived themselves of an extremely valuable bargaining counter. Butler suggested that they would have had far more to gain had they taken the men in Potočari as prisoners of war, under the supervision of the International Red Cross (ICRC) and the UN troops still in the area. It might then have been possible to enter into some sort of exchange deal or they might have been able to force political concessions. Based on this reasoning, the ensuing mass murder defied military explanation. The vast amount of planning and high-level coordination invested in killing thousands of men in a few days is apparent from the scale and the methodical nature in which the executions were carried out. A concerted effort was made to capture all Bosniak males. In fact, those captured included many boys and elderly men that remained in the enclave following the take-over of Srebrenica. These men and boys were targeted regardless of whether they chose to flee to Potočari or to join the column. The operation to capture and detain the Bosniak men was well organised and comprehensive. The Army of Republika Srpska took the largest number of prisoners on 13 July, along the Bratunac-Konjević Polje road. It remains impossible to cite a precise figure, but witness statements describe the assembly points such as the field at Sandići, the agricultural warehouses in Kravica, the school in Konjević Polje, the football field in Nova Kasaba, the village of Lolići and the village school of Luke. Several thousands of people were herded together in the field near Sandići and on the Nova Kasaba football pitch, where they were searched and put into smaller groups. In a video tape made by journalist Zoran Petrović, a Serb soldier states that at least 3,000 to 4,000 men had given themselves up on the road. By the late afternoon of 13 July, the total had risen to some 6,000, according to the intercepted radio communication; the following day, Major Franken of Dutchbat was given the same figure by Colonel Radislav Janković of the Serb army. Many of the prisoners had been seen in the locations described by passing convoys taking the women and children to Kladanj by bus, while various aerial photographs have since provided evidence to confirm this version of events. One hour after the evacuation of the women from Potočari was completed, the Drina Corps staff diverted the buses to the areas in which the men were being held. Colonel Krsmanović, who on 12 July had arranged the buses for the evacuation, ordered the 700 men in Sandići to be collected, and the soldiers guarding them made them throw their possessions on a large heap and hand over anything of value. During the afternoon, the group in Sandići was visited by Mladić who told them that they would come to no harm, that they would be treated as prisoners of war, that they would be exchanged for other prisoners and that their families had been escorted to Tuzla in safety. Some of these men were placed on the transport to Bratunac and other locations, while some were marched on foot to the warehouses in Kravica. The men gathered on the football ground at Nova Kasaba were forced to hand over their personal belongings. They too received a personal visit from Mladić during the afternoon of 13 July; on this occasion, he announced that the Bosnian authorities in Tuzla did not want the men and that they were therefore to be taken to other locations. The men in Nova Kasaba were loaded onto buses and trucks and were taken to Bratunac or the other locations. The Bosniak men who had been separated from the women, children and elderly in Potočari numbering approximately 1,000, were transported to Bratunac and subsequently joined by Bosniak men captured from the column. Almost to a man, the thousands of Bosniak prisoners captured, following the take-over of Srebrenica, were executed. Some were killed individually or in small groups by the soldiers who captured them and some were killed in the places where they were temporarily detained. Most, however, were killed in carefully orchestrated mass executions, commencing on 13 July 1995, in the region just north of Srebrenica. The mass executions followed a well-established pattern. The men were first taken to empty schools or warehouses. After being detained there for some hours, they were loaded onto buses or trucks and taken to another site for execution. Usually, the execution fields were in isolated locations. The prisoners were unarmed and, in many cases, steps had been taken to minimise resistance, such as blindfolding them, binding their wrists behind their backs with ligatures or removing their shoes. Once at the killing fields, the men were taken off the trucks in small groups, lined up and shot. Those who survived the initial round of gunfire were individually shot with an extra round, though sometimes only after they had been left to suffer for a time. The process of finding victim bodies in the Srebrenica region, often in mass graves, exhuming them and finally identifying them was relatively slow. - enWikipedia
Photograph was taken by Michael Büker