They are back now! Click on image for best view.

 

American White Pelican, Sunset Bay area of White Rock Lake, Dallas. TX. We are fortunate to have these big birds migrate to this lake every year! They are back now and will be at this lake through March-April.

 

Migratory big white beautiful bird! They remain at White Rock Lake's Sunset Bay (Dallas, TX) until March or April.

 

One of the largest North American birds, the American White Pelican is majestic in the air. The birds soar with incredible steadiness on broad, white-and-black wings. Their large heads and huge, heavy bills give them a prehistoric look. On the water they dip their pouched bills to scoop up fish, or tip-up like an oversized dabbling duck. Sometimes, groups of pelicans work together to herd fish into the shallows for easy feeding. Look for them on inland lakes in summer and near coastlines in winter.

 

Size & Shape

 

A huge waterbird with very broad wings, a long neck, and a massive bill that gives the head a unique, long shape. They have thick bodies, short legs, and short, square tails. During the breeding season, adults grow an unusual projection or horn on the upper mandible near the tip of the bill.

 

Color Pattern

 

Adult American White Pelicans are snowy white with black flight feathers visible only when the wings are spread. A small patch of ornamental feathers on the chest can become yellow in spring. The bill and legs are yellow-orange. Immatures are mostly white as well, but the head, neck, and back are variably dusky.

 

Behavior

 

American White Pelicans feed from the water’s surface, dipping their beaks into the water to catch fish and other aquatic organisms. They often upend, like a very large dabbling duck, in this process. They do not plunge-dive the way Brown Pelicans do. They are superb soarers (they are among the heaviest flying birds in the world) and often travel long distances in large flocks by soaring. When flapping, their wingbeats are slow and methodical.

 

Habitat

 

American White Pelicans typically breed on islands in shallow wetlands in the interior of the continent. They spend winters mainly on coastal waters, bays, and estuaries, or a little distance inland.

 

allaboutbirds.org

   

 

When I first started getting more serious about my photography I used to be in awe of those photographers that could go out and reel off a few hundred shots in a day. In fact I used to be so in awe that I would try and emulate them.

 

Truth is though it was a struggle. Even when I tried I still couldn't match their shot counts and in trying to do so I usually came away unsatisfied with the results. In the end I was focusing on getting x amount of shots instead of focusing on getting shots I was happy with.

 

And so it was that I went back to just doing what I do. I still envied those that could reel off a whole bunch of shots quickly but I came to realise that my process, the one that got me results, was to be slow and methodical about what, where and how I shoot.

 

Whether a professional or amateur I'm convinced you've got to find a process that works for you and the type of person you are. Going against your nature and instincts will only degrade the quality of your work.

 

Cheers, Chris

Australian magpie (Gymnorhina tibicen)

 

The Australian magpie (Gymnorhina tibicen) is a medium-sized black and white passerine bird native to Australia and southern New Guinea. Although once considered to be three separate species, it is now considered to be one, with nine recognised subspecies. A member of the Artamidae, the Australian magpie is placed in its own genus Gymnorhina and is most closely related to the black butcherbird (Melloria quoyi). It is not, however, closely related to the European magpie, which is a corvid.

 

The adult Australian magpie is a fairly robust bird ranging from 37 to 43 cm (14.5 to 17 in) in length, with distinctive black and white plumage, gold brown eyes and a solid wedge-shaped bluish-white and black bill. The male and female are similar in appearance, and can be distinguished by differences in back markings. The male has pure white feathers on the back of the head and the female has white blending to grey feathers on the back of the head. With its long legs, the Australian magpie walks rather than waddles or hops and spends much time on the ground.

 

Described as one of Australia's most accomplished songbirds, the Australian magpie has an array of complex vocalisations. It is omnivorous, with the bulk of its varied diet made up of invertebrates. It is generally sedentary and territorial throughout its range. Common and widespread, it has adapted well to human habitation and is a familiar bird of parks, gardens and farmland in Australia and New Guinea. This species is commonly fed by households around the country, but in spring a small minority of breeding magpies (almost always males) become aggressive and swoop and attack those who approach their nests.

Over 1000 Australian magpies were introduced into New Zealand from 1864 to 1874 but have subsequently been accused of displacing native birds and are now treated as a pest species. Introductions also occurred in the Solomon Islands and Fiji, where the birds are not considered an invasive species. The Australian magpie is the mascot of several Australian sporting teams, most notably the Collingwood Magpies, the Western Suburbs Magpies and Port Adelaide Magpies.

  

Taxonomy

 

The Australian magpie was first described by English ornithologist John Latham in 1801 as Coracias tibicen, the type collected in the Port Jackson region. Its specific epithet derived from the Latintibicen "flute-player" or "piper" in reference to the bird's melodious call. An early recorded vernacular name is piping poller, written on a painting by Thomas Watling, one of a group known collectively as the Port Jackson Painter, sometime between 1788 and 1792. Tarra-won-nang, or djarrawunang, wibung, and marriyang were names used by the local Eora and Darug inhabitants of the Sydney Basin. Booroogong and garoogong were Wiradjuri words, and carrak was a Jardwadjali term from Victoria. Among the Kamilaroi, it is burrugaabu, galalu, or guluu. It was known as Warndurla among the Yindjibarndi people of the central and western Pilbara. Other names used include piping crow-shrike, piper, maggie, flute-bird and organ-bird. The term bell-magpie was proposed to help distinguish it from the European magpie but failed to gain wide acceptance.

 

The bird was named for its similarity in colouration to the European magpie; it was a common practice for early settlers to name plants and animals after European counterparts. However, the European magpie is a member of the Corvidae, while its Australian counterpart is placed in the family Artamidae (although both are members of a broad corvid lineage). The Australian magpie's affinities with butcherbirds and currawongs were recognised early on and the three genera were placed in the family Cracticidae in 1914 by John Albert Leach after he had studied their musculature. American ornithologists Charles Sibley and Jon Ahlquist recognised the close relationship between woodswallows and the butcherbirds in 1985, and combined them into a Cracticini clade, in the Artamidae. The Australian magpie is placed in its own monotypic genus Gymnorhina which was introduced by the English zoologist George Robert Gray in 1840. The name of the genus is from the Ancient Greek gumnos for "naked" or "bare" and rhis, rhinos "nostrils". Some authorities such as Glen Storr in 1952 and Leslie Christidis and Walter Boles in their 2008 checklist, have placed the Australian magpie in the butcherbird genus Cracticus, arguing that its adaptation to ground-living is not enough to consider it a separate genus. A molecular genetic study published in a 2013 showed that the Australian magpie is a sister taxon to the black butcherbird (Melloria quoyi) and that the two species are in turn sister to a clade that includes the other butcherbirds in the genus Cracticus. The ancestor to the two species is thought to have split from the other butcherbirds between 8.3 and 4.2 million years ago, during the late Miocene to early Pliocene, while the two species themselves diverged sometime during the Pliocene (5.8–3.0 million years ago).

The Australian magpie was subdivided into three species in the literature for much of the twentieth century—the black-backed magpie (G. tibicen), the white-backed magpie (G. hypoleuca), and the western magpie (G. dorsalis). They were later noted to hybridise readily where their territories crossed, with hybrid grey or striped-backed magpies being quite common. This resulted in them being reclassified as one species by Julian Ford in 1969, with most recent authors following suit.

  

Subspecies

 

There are currently thought to be nine subspecies of the Australian magpie, although there are large zones of overlap with intermediate forms between the taxa. There is a tendency for birds to become larger with increasing latitude, the southern subspecies being larger than those further north, except the Tasmanian form which is small.[26] The original form, known as the black-backed magpie and classified as Gymnorhina tibicen, has been split into four black-backed races:

•G. tibicen tibicen, the nominate form, is a large subspecies found in southeastern Queensland, from the vicinity of Moreton Bay through eastern New South Wales to Moruya, New South Wales almost to the Victorian border. It is coastal or near-coastal and is restricted to east of the Great Dividing Range.

 

•G. tibicen terraereginae, found from Cape York and the Gulf Country southwards across Queenslandto the coast between Halifax Bay in the north and south to the Mary River, and central and western New South Wales and into northern South Australia, is a small to medium-sized subspecies. The plumage is the same as that of subspecies tibicen, although the female has a shorter black tip to the tail. The wings and tarsus are shorter and the bill proportionally longer. It was originally described by Gregory Mathews in 1912, its subspecies name a Latin translation, terra "land" reginae "queen's" of "Queensland". Hybridisation with the large white-backed subspecies tyrannica occurs in northern Victoria and southeastern New South Wales; intermediate forms have black bands of varying sizes in white-backed area. Three-way hybridisation occurs between Bega and Batemans Bay on the New South Wales south coast.

 

•G. tibicen eylandtensis, the Top End magpie, is found from the Kimberley in northern Western Australia, across the Northern Territory through Arnhem Land and Groote Eylandt and into the Gulf Country. It is a small subspecies with a long and thinner bill, with birds of Groote Eylandt possibly even smaller than mainland birds. It has a narrow black terminal tailband, and a narrow black band; the male has a large white nape, the female pale grey. This form was initially described by H. L. White in 1922. It intergrades with subspecies terraereginae southeast of the Gulf of Carpentaria.

 

•G. tibicen longirostris, the long-billed magpie, is found across northern Western Australia, from Shark Bay into the Pilbara. Named in 1903 by Alex Milligan, it is a medium-sized subspecies with a long thin bill. Milligan speculated the bill may have been adapted for the local conditions, slim fare meaning the birds had to pick at dangerous scorpions and spiders. There is a broad area of hybridisation with the western dorsalis in southern central Western Australia from Shark Bay south to the Murchison River and east to the Great Victoria Desert.

  

The white-backed magpie, originally described as Gymnorhina hypoleuca by John Gould in 1837, has also been split into races:

 

•G. tibicen tyrannica, a very large white-backed form found from Twofold Bay on the New South Wales far south coast, across southern Victoria south of the Great Dividing Range through to the Coorong in southeastern South Australia. It was first described by Schodde and Mason in 1999. It has a broad black tail band.

 

•G. tibicen telonocua, found from Cowell south into the Eyre and Yorke Peninsulas in southern South Australia, as well as the southwestern Gawler Ranges. Described by Schodde and Mason in 1999, its subspecific name is an anagram of leuconota "white-backed". It is very similar to tyrannica, differing in having a shorter wing and being lighter and smaller overall. The bill is relatively short compared with other magpie subspecies. Intermediate forms are found in the Mount Lofty Ranges and on Kangaroo Island.

  

•G. tibicen hypoleuca now refers to a small white-backed subspecies with a short compact bill and short wings, found on King and Flinders Islands, as well as Tasmania.

 

•The western magpie, G. tibicen dorsalis was originally described as a separate species by A. J. Campbell in 1895 and is found in the fertile south-west corner of Western Australia. The adult male has a white back and most closely resembles subspecies telonocua, though it is a little larger with a longer bill and the black tip of its tail plumage is narrower. The female is unusual in that it has a scalloped black or brownish-black mantle and back; the dark feathers there are edged with white. This area appears a more uniform black as the plumage ages and the edges are worn away. Both sexes have black thighs.

 

•The New Guinean magpie, G. tibicen papuana, is a little-known subspecies found in southern New Guinea. The adult male has a mostly white back with a narrow black stripe, and the female a blackish back; the black feathers here are tipped with white similar to subspecies dorsalis. It has a long deep bill resembling that of subspecies longirostris. Genetically it is closely related to a western lineage of Australian magpies comprising subspecies dorsalis, longirostris and eylandtensis, suggesting their ancestors occupied in savannah country that was a land bridge between New Guinea and Australia and was submerged around 16,500 years ago.

  

Description

 

The adult magpie is a fairly solid, sturdy bird ranging from 37 to 43 cm (14.5 to 17 in) in length with a 65–85 cm (25.5–33.5 in) wingspan, and weighing 220–350 g (7.8–12.3 oz). Its robust wedge-shaped bill is bluish-white bordered with black, with a small hook at the tip. The black legs are long and strong. The plumage is pure glossy black and white; both sexes of all subspecies have black heads, wings and underparts with white shoulders. The tail has a black terminal band. The nape is white in the male and light greyish-white in the female. Mature magpies have dull red eyes, in contrast to the yellow eyes of currawongs and white eyes of Australian ravens and crows. The main difference between the subspecies lies in the "saddle" markings on the back below the nape. Black-backed subspecies have a black saddle and white nape. White-backed subspecies have a wholly white nape and saddle. The male Western Australian subspecies dorsalis is also white-backed, but the equivalent area in the female is scalloped black.

Juveniles have lighter greys and browns amidst the starker blacks and whites of their plumage; two- or three-year-old birds of both sexes closely resemble and are difficult to distinguish from adult females. Immature birds have dark brownish eyes until around two years of age. Australian magpies generally live to around 25 years of age, though ages of up to 30 years have been recorded. The reported age of first breeding has varied according to area, but the average is between the ages of three and five years.

Well-known and easily recognisable, the Australian magpie is unlikely to be confused with any other species. The pied butcherbird has a similar build and plumage, but has white underparts unlike the former species' black underparts. The magpie-lark is a much smaller and more delicate bird with complex and very different banded black and white plumage. Currawong species have predominantly dark plumage and heavier bills.

 

Vocalisation

 

One of Australia's most highly regarded songbirds, the Australian magpie has a wide variety of calls, many of which are complex. Pitch may vary as much as four octaves, and the bird can mimic over 35 species of native and introduced bird species, as well as dogs and horses. Magpies have even been noted to mimic human speech when living in close proximity to humans. Its complex, musical, warbling call is one of the most familiar Australian bird sounds. In Denis Glover's poem "The Magpies", the mature magpie's call is described as quardle oodle ardle wardle doodle, one of the most famous lines in New Zealand poetry, and as waddle giggle gargle paddle poodle, in the children's book Waddle Giggle Gargle by Pamela Allen.

 

When alone, a magpie may make a quiet musical warbling; these complex melodious warbles or subsongs are pitched at 2–4 KHz and do not carry for long distances. These songs have been recorded up to 70 minutes in duration and are more frequent after the end of the breeding season. Pairs of magpies often take up a loud musical calling known as carolling to advertise or defend their territory; one bird initiates the call with the second (and sometimes more) joining in. Often preceded by warbling, carolling is pitched between 6 and 8 kHz and has 4–5 elements with slurring indistinct noise in between. Birds will adopt a specific posture by tilting their heads back, expanding their chests, and moving their wings backwards. A group of magpies will sing a short repetitive version of carolling just before dawn (dawn song), and at twilight after sundown (dusk song), in winter and spring.

 

Fledgling and juvenile magpies emit a repeated short and loud (80 dB), high-pitched (8 kHz) begging call. Magpies may indulge in beak-clapping to warn other species of birds.They employ several high pitched (8–10 kHz) alarm or rallying calls when intruders or threats are spotted. Distinct calls have been recorded for the approach of eagles and monitor lizards.

 

Distribution and habitat

 

The Australian magpie is found in the Trans-Fly region of southern New Guinea, between the Oriomo River and Muli Strait, and across most of Australia, bar the tip of Cape York, the Gibson and Great Sandy Deserts, and southwest of Tasmania. Birds taken mainly from Tasmania and Victoria were introduced into New Zealand by local Acclimatisation Societies of Otago and Canterbury in the 1860s, with the Wellington Acclimatisation Society releasing 260 birds in 1874. White-backed forms are spread on both the North and eastern South Island, while black-backed forms are found in the Hawke's Bay region. Magpies were introduced into New Zealand to control agricultural pests, and were therefore a protected species until 1951. They are thought to affect native New Zealand bird populations such as the tui and kereru, sometimes raiding nests for eggs and nestlings, although studies by Waikato University have cast doubt on this, and much blame on the magpie as a predator in the past has been anecdotal only. Introductions also occurred in the Solomon Islands and Sri Lanka, although the species has failed to become established. It has become established in western Taveuni in Fiji, however.

 

The Australian magpie prefers open areas such as grassland, fields and residential areas such as parks, gardens, golf courses, and streets, with scattered trees or forest nearby. Birds nest and shelter in trees but forage mainly on the ground in these open areas. It has also been recorded in mature pine plantations; birds only occupy rainforest and wet sclerophyll forest in the vicinity of cleared areas. In general, evidence suggests the range and population of the Australian magpie has increased with land-clearing, although local declines in Queensland due to a 1902 drought, and in Tasmania in the 1930s have been noted; the cause for the latter is unclear but rabbit baiting, pine tree removal, and spread of the masked lapwing (Vanellus miles) have been implicated.

 

Behaviour

 

The Australian magpie is almost exclusively diurnal, although it may call into the night, like some other members of the Artamidae. Natural predators of magpies include various species of monitor lizard and the barking owl. Birds are often killed on roads or electrocuted by powerlines, or poisoned after killing and eating house sparrows or mice, rats or rabbits targeted with baiting. The Australian raven may take nestlings left unattended.

 

On the ground, the Australian magpie moves around by walking, and is the only member of the Artamidae to do so; woodswallows, butcherbirds and currawongs all tend to hop with legs parallel. The magpie has a short femur (thigh bone), and long lower leg below the knee, suited to walking rather than running, although birds can run in short bursts when hunting prey.

 

The magpie is generally sedentary and territorial throughout its range, living in groups occupying a territory, or in flocks or fringe groups. A group may occupy and defend the same territory for many years. Much energy is spent defending a territory from intruders, particularly other magpies, and different behaviours are seen with different opponents. The sight of a raptor results in a rallying call by sentinel birds and subsequent coordinated mobbing of the intruder. Magpies place themselves either side of the bird of prey so that it will be attacked from behind should it strike a defender, and harass and drive the raptor to some distance beyond the territory. A group will use carolling as a signal to advertise ownership and warn off other magpies. In the negotiating display, the one or two dominant magpies parade along the border of the defended territory while the rest of the group stand back a little and look on. The leaders may fluff their feathers or caroll repeatedly. In a group strength display, employed if both the opposing and defending groups are of roughly equal numbers, all magpies will fly and form a row at the border of the territory. The defending group may also resort to an aerial display where the dominant magpies, or sometimes the whole group, swoop and dive while calling to warn an intruding magpie's group.

 

A wide variety of displays are seen, with aggressive behaviours outnumbering pro-social ones. Crouching low and uttering quiet begging calls are common signs of submission. The manus flutter is a submissive display where a magpie will flutter its primary feathers in its wings. A magpie, particularly a juvenile, may also fall, roll over on its back and expose its underparts. Birds may fluff up their flank feathers as an aggressive display or preceding an attack. Young birds display various forms of play behaviour, either by themselves or in groups, with older birds often initiating the proceedings with juveniles. These may involve picking up, manipulating or tugging at various objects such as sticks, rocks or bits of wire, and handing them to other birds. A bird may pick up a feather or leaf and flying off with it, with other birds pursuing and attempting to bring down the leader by latching onto its tail feathers. Birds may jump on each other and even engage in mock fighting. Play may even take place with other species such as blue-faced honeyeaters and Australasian pipits.

 

Breeding

 

Magpies have a long breeding season which varies in different parts of the country; in northern parts of Australia they will breed between June and September, but not commence until August or September in cooler regions, and may continue until January in some alpine areas. The nest is a bowl-shaped structure made of sticks and lined with softer material such as grass and bark. Near human habitation, synthetic material may be incorporated. Nests are built exclusively by females and generally placed high up in a tree fork, often in an exposed position. The trees used are most commonly eucalypts, although a variety of other native trees as well as introduced pine, Crataegus, and elm have been recorded. Other bird species, such as the yellow-rumped thornbill (Acanthiza chrysorrhoa), willie wagtail(Rhipidura leucophrys), southern whiteface (Aphelocephala leucopsis), and (less commonly) noisy miner (Manorina melanocephala), often nest in the same tree as the magpie. The first two species may even locate their nest directly beneath a magpie nest, while the diminutive striated pardalote (Pardalotus striatus) has been known to make a burrow for breeding into the base of the magpie nest itself. These incursions are all tolerated by the magpies. The channel-billed cuckoo (Scythrops novaehollandiae) is a notable brood parasite in eastern Australia; magpies will raise cuckoo young, which eventually outcompete the magpie nestlings.

 

The Australian magpie produces a clutch of two to five light blue or greenish eggs, which are oval in shape and about 30 by 40 mm (1.2 by 1.6 in). The chicks hatch synchronously around 20 days after incubation begins; like all passerines, the chicks are altricial—they are born pink, naked, and blind with large feet, a short broad beak and a bright red throat. Their eyes are fully open at around 10 days. Chicks develop fine downy feathers on their head, back and wings in the first week, and pinfeathers in the second week. The black and white colouration is noticeable from an early stage. Nestlings are fed exclusively by the female, though the male magpie will feed his partner. The Australian magpie is known to engage in cooperative breeding, and helper birds will assist in feeding and raising young. This does vary from region to region, and with the size of the group—the behaviour is rare or nonexistent in pairs or small groups.

 

Juvenile magpies begin foraging on their own three weeks after leaving the nest, and mostly feeding themselves by six months old. Some birds continue begging for food until eight or nine months of age, but are usually ignored. Birds reach adult size by their first year. The age at which young birds disperse varies across the country, and depends on the aggressiveness of the dominant adult of the corresponding sex; males are usually evicted at a younger age. Many leave at around a year old, but the age of departure may range from eight months to four years.

 

Feeding

 

The Australian magpie is omnivorous, eating various items located at or near ground level including invertebrates such as earthworms, millipedes, snails, spiders and scorpions as well as a wide variety of insects—cockroaches, ants, beetles, cicadas, moths and caterpillars and other larvae. Insects, including large adult grasshoppers, may be seized mid-flight. Skinks, frogs, mice and other small animals as well as grain, tubers, figs and walnuts have also been noted as components of their diet. It has even learnt to safely eat the poisonous cane toadby flipping it over and consuming the underparts. Predominantly a ground feeder, the Australian magpie paces open areas methodically searching for insects and their larvae. One study showed birds were able to find scarab beetle larvae by sound or vibration. Birds use their bills to probe into the earth or otherwise overturn debris in search of food. Smaller prey are swallowed whole, although magpies rub off the stingers of bees and wasps before swallowing.

 

Relationship with humans

 

Swooping

 

Magpies are ubiquitous in urban areas all over Australia, and have become accustomed to people. A small percentage of birds become highly aggressive during breeding season from late August to early - mid October, and will swoop and sometimes attack passersby. Attacks begin as the eggs hatch, increase in frequency and severity as the chicks grow, and tail off as the chicks leave the nest.

 

The percentage has been difficult to estimate but is significantly less than 9%. Almost all attacking birds (around 99%) are male, and they are generally known to attack pedestrians at around 50 m (160 ft) from their nest, and cyclists at around 100 m (330 ft). There appears to be some specificity in choice of attack targets, with the majority of individuals specializing on either pedestrians or cyclists.Smaller - especially younger - people, lone people, and people travelling quickly (i.e., runners and cyclists) appear to be targeted most often by swooping magpies. Anecdotal evidence suggests that if a magpie sees a human trying to rescue a chick that has fallen from its nest, the bird will view this help as predation, and will become more aggressive to humans from then on.

 

Magpies may engage in an escalating series of behaviours to drive off intruders. Least threatening are alarm calls and distant swoops, where birds fly within several metres from behind and perch nearby. Next in intensity are close swoops, where a magpie will swoop in from behind or the side and audibly "snap" their beaks or even peck or bite at the face, neck, ears or eyes. More rarely, a bird may dive-bomb and strike the intruder's (usually a cyclist's) head with its chest. A magpie may rarely attack by landing on the ground in front of a person and lurching up and landing on the victim's chest and pecking at the face and eyes.

 

Magpie attacks can cause injuries, typically wounds to the head, and being unexpectedly swooped while cycling can result in loss of control of the bicycle, which may cause injury.

 

If it is necessary to walk near the nest, wearing a broad-brimmed or legionnaire's hat or using an umbrella will deter attacking birds, but beanies and bicycle helmets are of little value as birds attack the sides of the head and neck.

 

Magpies prefer to swoop at the back of the head; therefore, keeping the magpie in sight at all times can discourage the bird. A basic disguise such as sunglasses worn on the back of the head may fool the magpie as to where a person is looking. Eyes painted on hats or helmets will deter attacks on pedestrians but not cyclists.

 

Cyclists can deter attack by attaching a long pole with a flag to a bike, and the use of cable ties on helmets has become common and appears to be effective.

 

Magpies are a protected native species in Australia, so it is illegal to kill or harm them. However, this protection is removed in some Australian states if a magpie attacks a human, allowing for the bird to be killed if it is considered particularly aggressive (such a provision is made, for example, in section 54 of the South Australian National Parks and Wildlife Act).[ More commonly, an aggressive bird will be caught and relocated to an unpopulated area. Magpies have to be moved some distance as almost all are able to find their way home from distances of less than 25 km (16 mi). Removing the nest is of no use as birds will breed again and possibly be more aggressive the second time around.

 

Some claim that swooping can be prevented by hand-feeding magpies. Magpies will become accustomed to being fed by humans, and although they are wild, will return to the same place looking for handouts. The idea is that humans thereby appear less of a threat to the nesting birds. Although this has not been studied systematically, there are reports of its success.

  

Cultural references

 

The Australian magpie featured in aboriginal folklore around Australia. The Yindjibarndi people of the Pilbara in the northwest of the country used the bird as a signal for sunrise, frightening them awake with its call. They were also familiar with its highly territorial nature, and it features in a song in their Burndud, or songs of customs. It was a totem bird of the people of the Illawarra region south of Sydney.

 

Under the name piping shrike, the white-backed magpie was declared the official emblem of the Government of South Australia in 1901 by Governor Tennyson, and has featured on the South Australian flag since 1904. The magpie is a commonly used emblem of sporting teams in Australia, and its brash, cocky attitude has been likened to the Australian psyche. Such teams tend to wear uniforms with black and white stripes. The Collingwood Football Club adopted the magpie from a visiting South Australian representative team in 1892. The Port Adelaide Magpies would similarly adopt the black and white colours and Magpie name in 1902. Other examples include Brisbane's Souths Logan Magpies, and Sydney's Western Suburbs Magpies. Disputes over who has been the first club to adopt the magpie emblem have been heated at times. Another club, Glenorchy Football Club of Tasmania, was forced to change uniform design when placed in the same league as another club (Claremont Magpies) with the same emblem.

 

In New Zealand, the Hawke's Bay Rugby Union team, from Napier, New Zealand, is also known as the magpies. One of the best-known New Zealand poems is "The Magpies" by Denis Glover, with its refrain "Quardle oodle ardle wardle doodle", imitating the sound of the bird – and the popular New Zealand comic Footrot Flats features a magpie character by the name of Pew.

 

An online poll conducted by Guardian Australia and BirdLife Australia was held in late 2017 to choose the "Australian Bird of the Year". The Australian magpie won the contest with 19,926 votes (13.3%), narrowly ahead of the Australian white ibis.

 

[Credit: en.wikipedia.org]

Clouds Over The Pacific. © Copyright 2019 G Dan Mitchell - all rights reserved.

 

Clouds cast shadows on the Pacific Ocean, as seen from the mountains of Redwood National Park.

 

While this obviously doesn't look like the typical Redwood National and State Parks photograph... that is, indeed, where it comes from. We spent a week in the coastal areas of Northern California in early June, mostly in and around these parks and mostly looking for photographs of the redwood forests and the rhododendron bloom. We had headed up one road to a popular grove where we thought we might fine the flowers in bloom among the trees, but this road also leads to other interesting places, including some open, ridge top "prairie" lands and other locations providing distant views that are quite different from what you find inside the forest.

 

This photograph is an illustration of something that often surprises folks when they consider landscape, namely that a lot of it does not come from careful planning and slow, methodical work, but rather by being in the right place at the right moment and being ready to respond quickly to rapidly changing conditions. When we went up this road and even when we pulled over at this spot, I would be lying if I claimed that I pre-visualized this subject or this scene. But once I saw it — big, back-lit clouds floating past and casting shadows on the reflective surface of the sea beyond the undulating, tree-covered foreground ridge — I worked quickly to make a few photographs as the scene evolved. And did it evolved quickly! Only moments later these clouds had almost entirely dissipated.

 

G Dan Mitchell is a California photographer and visual opportunist. His book, "California's Fall Color: A Photographer's Guide to Autumn in the Sierra" is available from Heyday Books and Amazon.

 

Blog | About | Flickr | Facebook | Email

 

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Gandhara is the name given to an ancient region or province invaded in 326 B.C. by Alexander the Great, who took Charsadda (ancient Puskalavati) near present-day Peshawar (ancient Purusapura) and then marched eastward across the Indus into the Punjab as far as the Beas river (ancient Vipasa). Gandhara constituted the undulating plains, irrigated by the Kabul River from the Khyber Pass area, the contemporary boundary between Pakistan and Afganistan, down to the Indus River and southward towards the Murree hills and Taxila (ancient Taksasila), near Pakistan"s present capital, Islamabad. Its art, however, during the first centuries of the Christian era, had adopted a substantially larger area, together with the upper stretches of the Kabul River, the valley of Kabul itself, and ancient Kapisa, as well as Swat and Buner towards the north.

   

A great deal of Gandhara sculptures has survived dating from the first to probably as late as the sixth or even the seventh century but in a remarkably homogeneous style. Most of the arts were almost always in a blue-gray mica schist, though sometimes in a green phyllite or in stucco, or very rarely in terracotta. Because of the appeal of its Western classical aesthetic for the British rulers of India, schooled to admire all things Greek and Roman, a great deal found its way into private hands or the shelter of museums.

  

Gandhara sculpture primarily comprised Buddhist monastic establishments. These monasteries provided a never-ending gallery for sculptured reliefs of the Buddha and Bodhisattvas. The Gandhara stupas were comparatively magnified and more intricate, but the most remarkable feature, which distinguished the Gandhara stupas from the pervious styles were hugely tiered umbrellas at its peak, almost soaring over the total structure. The abundance of Gandharan sculpture was an art, which originated with foreign artisans.

  

In the excavation among the varied miscellany of small bronze figures, though not often like Alexandrian imports, four or five Buddhist bronzes are very late in date. These further illustrate the aura of the Gandhara art. Relics of mural paintings though have been discovered, yet the only substantial body of painting, in Bamiyan, is moderately late, and much of it belongs to an Iranian or central Asian rather than an Indian context. Non-narrative themes and architectural ornament were omnipresent at that time. Mythical figures and animals such as atlantes, tritons, dragons, and sea serpents derive from the same source, although there is the occasional high-backed, stylized creature associated with the Central Asian animal style. Moldings and cornices are decorated mostly with acanthus, laurel, and vine, though sometimes with motifs of Indian, and occasionally ultimately western Asian, origin: stepped merlons, lion heads, vedikas, and lotus petals. It is worth noting that architectural elements such as pillars, gable ends, and domes as represented in the reliefs tend to follow the Indian forms

.

 

Gandhara became roughly a Holy Land of Buddhism and excluding a handful of Hindu images, sculpture took the form either of Buddhist sect objects, Buddha and Bodhisattvas, or of architectural embellishment for Buddhist monasteries. The more metaphorical kinds are demonstrated by small votive stupas, and bases teeming with stucco images and figurines that have lasted at Jaulian and Mora Moradu, outpost monasteries in the hills around Taxila. Hadda, near the present town of Jalalabad, has created some groups in stucco of an almost rococo while more latest works of art in baked clay, with strong Hellenistic influence, have been revealed there, in what sums up as tiny chapels. It is not known exactly why stucco, an imported Alexandrian modus operandi, was used. It is true that grey schist is not found near Taxila, however other stones are available, and in opposition to the ease of operating with stucco, predominantly the artistic effects which can be achieved, must be set with its impermanence- fresh deposits frequently had to be applied. Excluding possibly at Taxila, its use emerges to have been a late expansion.

  

Architectural fundamentals of the Gandhara art, like pillars, gable ends and domes as showcased in the reliefs, were inclined to follow Indian outlines, but the pilaster with capital of Corinthian type, abounds and in one-palace scene Persepolitan columns go along with Roman coffered ceilings. The so-called Shrine of the Double-Headed Eagle at Sirkap, in actuality a stupa pedestal, well demonstrates this enlightening eclecticism- the double-headed bird on top of the chaitya arch is an insignia of Scythian origin, which appears as a Byzantine motif and materialises much later in South India as the ga1J.qa-bheru1J.qa in addition to atop European armorial bearings.

 

In Gandhara art the descriptive friezes were all but invariably Buddhist, and hence Indian in substance- one depicted a horse on wheels nearing a doorway, which might have represented the Trojan horse affair, but this is under scan. The Dioscuri, Castor and Pollux, familiar from the previous Greek-based coinage of the region, appeared once or twice as standing figurines, presumably because as a pair, they tallied an Indian mithuna couple. There were also female statuettes, corresponding to city goddesses. Though figures from Butkara, near Saidan Sharif in Swat, were noticeably more Indian in physical type, and Indian motifs were in abundance there. Sculpture was, in the main, Hellenistic or Roman, and the art of Gandhara was indeed "the easternmost appearance of the art of the Roman Empire, especially in its late and provincial manifestations". Furthermore, naturalistic portrait heads, one of the high-points of Roman sculpture, were all but missing in Gandhara, in spite of the episodic separated head, probably that of a donor, with a discernible feeling of uniqueness. Some constitutions and poses matched those from western Asia and the Roman world; like the manner in which a figure in a recurrently instanced scene from the Dipankara jataka had prostrated himself before the future Buddha, is reverberated in the pose of the defeated before the defeater on a Trojanic frieze on the Arch of Constantine and in later illustrations of the admiration of the divinised emperor. One singular recurrently occurring muscular male figure, hand on sword, witnessed in three-quarters view from the backside, has been adopted from western classical sculpture. On occasions standing figures, even the Buddha, deceived the elusive stylistic actions of the Roman sculptor, seeking to express majestas. The drapery was fundamentally Western- the folds and volume of dangling garments were carved with realness and gusto- but it was mainly the persistent endeavours at illusionism, though frequently obscured by unrefined carving, which earmarked the Gandhara sculpture as based on a western classical visual impact.

  

The distinguishing Gandhara sculpture, of which hundreds if not thousands of instances have outlived, is the standing or seated Buddha. This flawlessly reproduces the necessary nature of Gandhara art, in which a religious and an artistic constituent, drawn from widely varied cultures have been bonded. The iconography is purely Indian. The seated Buddha is mostly cross-legged in the established Indian manner. However, forthcoming generations, habituated to think of the Buddha as a monk, and unable to picture him ever possessing long hair or donning a turban, came to deduce the chigon as a "cranial protuberance", singular to Buddha. But Buddha is never depicted with a shaved head, as are the Sangha, the monks; his short hair is clothed either in waves or in taut curls over his whole head. The extended ears are merely due to the downward thrust of the heavy ear-rings worn by a prince or magnate; the distortion of the ear-lobes is especially visible in Buddha, who, in Gandhara, never wore ear-rings or ornaments of any kind. As Foucher puts it, the Gandhara Buddha is at a time a monk without shaving and a prince stripped off jewellery.

  

The western classical factor rests in the style, in the handling of the robe, and in the physiognomy of Buddha. The cloak, which covers all but the appendages (though the right shoulder is often bared), is dealt like in Greek and Roman sculptures; the heavy folds are given a plastic flair of their own, and only in poorer or later works do they deteriorate into indented lines, fairly a return to standard Indian practice. The "western" treatment has caused Buddha"s garment to be misidentified for a toga; but a toga is semicircular, while, Buddha wore a basic, rectangular piece of cloth, i.e., the samghiifi, a monk"s upper garment. The head gradually swerves towards a hieratic stylisation, but at its best, it is naturalistic and almost positively based on the Greek Apollo, undoubtedly in Hellenistic or Roman copies.

 

Gandhara art also had developed at least two species of image, i.e. not part of the frieze, in which Buddha is the fundamental figure of an event in his life, distinguished by accompanying figures and a detailed mise-en-scene. Perhaps the most remarkable amongst these is the Visit to the Indrasala Cave, of which the supreme example is dated in the year 89, almost unquestionably of the Kanishka period. Indra and his harpist are depicted on their visit in it. The small statuettes of the visitors emerge below, an elephant describing Indra. The more general among these detailed images, of which approximately 30 instances are known, is presumably related with the Great Miracle of Sravasti. In one such example, one of the adjoining Bodhisattvas is distinguished as Avalokiteshwara by the tiny seated Buddha in his headgear. Other features of these images include the unreal species of tree above Buddha, the spiky lotus upon which he sits, and the effortlessly identifiable figurines of Indra and Brahma on both sides.

  

Another important aspect of the Gandhara art was the coins of the Graeco-Bactrians. The coins of the Graeco-Bactrians - on the Greek metrological standard, equals the finest Attic examples and of the Indo-Greek kings, which have until lately served as the only instances of Greek art found in the subcontinent. The legendary silver double decadrachmas of Amyntas, possibly a remembrance issue, are the biggest "Greek" coins ever minted, the largest cast in gold, is the exceptional decadrachma of the same king in the Bibliotheque Nationale, with the Dioscuri on the inverse. Otherwise, there was scanty evidence until recently of Greek or Hellenistic influences in Gandhara. A manifestation of Greek metropolitan planning is furnished by the rectilinear layouts of two cities of the 1st centuries B.C./A.D.--Sirkap at Taxila and Shaikhan Pheri at Charsadda. Remains of the temple at Jandial, also at Taxila and presumably dating back to 1st century B.C., also includes Greek characteristics- remarkably the huge base mouldings and the Ionic capitals of the colossal portico and antechamber columns. In contrast, the columns or pilasters on the immeasurable Gandhara friezes (when they are not in a Indian style), are consistently coronated by Indo-Corinthian capitals, the local version of the Corinthian capital- a certain sign of a comparatively later date.

 

The notable Begram hoard confirms articulately to the number and multiplicity of origin of the foreign artefacts imported into Gandhara. This further illustrates the foreign influence in the Gandhara art. Parallel hoards have been found in peninsular India, especially in Kolhapur in Maharashtra, but the imported wares are sternly from the Roman world. At Begram the ancient Kapisa, near Kabul, there are bronzes, possibly of Alexandrian manufacture, in close proximity with emblemata (plaster discs, certainly meant as moulds for local silversmiths), bearing reliefs in the purest classical vein, Chinese lacquers and Roman glass. The hoard was possibly sealed in mid-3rd century, when some of the subjects may have been approximately 200 years old "antiques", frequently themselves replicates of classical Greek objects. The plentiful ivories, consisting in the central of chest and throne facings, engraved in a number of varied relief techniques, were credibly developed somewhere between Mathura and coastal Andhra. Some are of unrivalled beauty. Even though a few secluded instances of early Indian ivory carving have outlived, including the legendary mirror handle from Pompeii, the Begram ivories are the only substantial collection known until moderately in present times of what must always have been a widespread craft. Other sites, particularly Taxila, have generated great many instances of such imports, some from India, some, like the appealing tiny bronze figure of Harpocrates, undoubtedly from Alexandria. Further cultural influences are authenticated by the Scytho Sarmatian jewellery, with its characteristic high-backed carnivores, and by a statue of St. Peter. But all this should not cloud the all-important truth that the immediately identifiable Gandhara style was the prevailing form of artistic manifestation throughout the expanse for several centuries, and the magnitude of its influence on the art of central Asia and China and as far as Japan, allows no doubt about its integrity and vitality.

 

In the Gandhara art early Buddhist iconography drew heavily on traditional sources, incorporating Hindu gods and goddesses into a Buddhist pantheon and adapting old folk tales to Buddhist religious purposes. Kubera and Harm are probably the best-known examples of this process.

  

Five dated idols from Gandhara art though exist, however the hitch remains that the era is never distinguished. The dates are in figures under 100 or else in 300s. Moreover one of the higher numbers are debatable, besides, the image upon which it is engraved is not in the conventional Andhra style. The two low-number-dated idols are the most sophisticated and the least injured. Their pattern is classical Gandhara. The most undemanding rendition of their dates relates them to Kanishka and 78 A.D. is assumed as the commencement of his era. They both fall in the second half of the 2nd century A.D. and equally later, if a later date is necessitated for the beginning of Kanishka`s time. This calculation nearly parallels numismatics and archaeological evidences. The application of other eras, like the Vikrama (base date- 58 B.C.) and the Saka (base date- 78 A.D.), would place them much later. The badly battered figurines portray standing Buddhas, without a head of its own, but both on original figured plinths. They come to view as depicting the classical Gandhara style; decision regarding where to place these two dated Buddhas, both standing, must remain knotty till more evidence comes out as to how late the classical Gandhara panache had continued.

   

Methodical study of the Gandhara art, and specifically about its origins and expansion, is befuddled with numerous problems, not at least of which is the inordinately complex history and culture of the province. It is one of the great ethnical crossroads of the world simultaneously being in the path of all the intrusions of India for over three millennia. Bussagli has rightly remarked, `More than any other Indian region, Gandhara was a participant in the political and cultural events that concerned the rest of the Asian continent`.

   

However, Systematic study of the art of Gandhara, and particularly of its origins and development, is bedeviled by many problems, not the least of which is the extraordinarily complex history and culture of the region.

   

In spite of the labours of many scholars over the past hundred and fifty years, the answers to some of the most important questions, such as the number of centuries spanned by the art of Gandhara, still await, fresh archaeological, inscriptional, or numismatic evidence.

 

en.wikipedia.org/wiki/Gandhara

 

en.wikipedia.org/wiki/Gautama_Buddha

“your ticket, please.”

 

i look up from my glass of Hiram Walker whiskey

& see the conductor. i am sitting in the bar car

on the Hiram Bingham train that runs through

the Sacred Valley of the Incas. a tale of two hirams.

 

“i’m afraid i don’t have one,” i say. “there was no one

in the booth back at the station when I got on.”

 

“we’ll have to take this up

with the Railway Commissioner,” says the conductor.

 

“can’t i just pay you?” i ask.

 

“is that a bribe?”

 

“no, no, i was just saying, … well,

do i get some kind of a trial?”

 

“you are quite right … a trial. you may object

that the entire procedure is not a trial at all,” says

the conductor. “for it is only a trial if i recognize

it as such,” he continues. “but for the moment,

i do recognize it, on grounds of compassion, as it were,

if one is to regard it at all.”

 

“your procedures are contemptible,” i say.

 

“the right of understanding any procedure

and a misunderstanding of the same procedure

do not wholly exclude each other,” he replies.

 

“so when do i get see the Railway Commissioner?”

 

“i am the Railway Commissioner.”

 

“so you’re both prosecutor and executioner?” i ask.

 

“well, you know, what with the recession and all,

we’ve had to cut back on staff and double up on duties.”

 

“not guilty,” i say.

 

“we’ve met before, haven’t we?” asks the conductor,

ignoring my plea.

 

“i don’t think so … why … what’s your name?” i ask.

 

“call me K”

 

“okay,” i reply.

 

“not OK, just K.”

 

“okay.”

 

“it’s just K, got it?

 

“right … er … just K,” i say.

 

“okay,” says K.

 

“so it is OK?” i ask.

 

“no, i was just saying okay,” answers K.

 

“well, … K … , maybe i should just get off the train.”

 

“it’s possible. but not at the moment.”

 

“why?” i ask.

 

“because from a certain point onward there is no return.

that is the point that must be reached,” K tells me.

 

“look, i’m getting impatient here.

how far is it to the point of no return?”

 

“all human errors are impatience,

the premature breaking off of what is methodical,

an apparent fencing in of the apparent thing.

and besides, this is only Urubamba.”

   

Hildr.

Christina DC.

NikonD60.

Repost por tagged da nj-metamorfoses (E que saudades do México :x)

 

Recebi o desafio da Jo, Pedaços de Cor, Akira_sp e jrsloboda.

Obrigada! É sempre um desafio escrever sobre mim :D Cá vai para quem conseguir chegar ao fim :x

I've been tagged! It's always hard to write about me, but here it goes, if you can make it to the end :)

 

#1- Rute, 27 anos e muitos sonhos

Rute, 27, lots of dreams

 

#2 - Eterna gulosa, adoro chocolates e doces de um modo geral. Com fome impreterivelmente de 3 em 3h (ou menos), a menos que esteja a dormir (obviamente acordo sempre esfomeada).

I'm a bit of a glutton, just love chocolates and sweet in general. I'm hungry every three hours (or less), unless I'm sleeping (obviously waking up starving)

 

#3 - Definitivamente não sou uma pessoa matinal... Não funciono de manhã, não falo até 1h depois de acordar, e por favor não falem comigo nesse período, estou de péssimo humor. A boa notícia é que ele melhora ao longo do dia, e de noite está no pico :) Muito facilmente os meus horários avançam para me deitar tarde, por isso passo muitas semanas em privação de sono...

Definitely not a morning person... Just won't work in the morning, I won't talk until about 1h after waking up and pleeeeease... don't talk to me during that time, I'm in such a bad mood! Good news is, it gets better as the day goes by :D So I'm a night person, doesn't take much to be up late, so I'm usually on sleep deprivation during the week...

 

#4 - Sou naturalmente uma pessoa com tendência a ser ordenada e metódica. No entanto, quando mais stressada, frustrada ou irritada estou, mais o espaço à minha volta fica desarrumado, em proporção.

I tend to be a methodical person. Nonetheless, the more I get anxious, frutrated or irritated, the more the space around me gets messep up (in proportion)

 

#5 - Perfeccionista, até onde acaba a paciência (essa tem dias...).

A perfectionist as long as my patience will allow me (depends on the days...)

 

#6 - Exigente comigo e com os outros.

Pretty demanding, both with myself and the others.

 

#7 - Adoro animais (especialmente mamíferos), e os meus são literalmente parte da família.

I love animals (mammals especially), and mine are literally part of the familly.

 

#8 - Odeio oportunismo, mentiras, crueldade e injustiças.

I hate opportunism, lies, cruelty and injustices.

 

#9 - Extremamente protectora dos que me são caros, até mais do que de mim mesma, por vezes.

Over protective of the ones I hold dear, even more than of myself, sometimes.

 

#10 - Não gosto de conduzir na cidade, com excepção do período nocturno, mas gosto muito de estrada aberta. Não sei como nunca tive um acidente ou me matei no meu velhinho AX enquanto o tive.

I don't like driving in the city, expect for night time, but love open road. Somehow, I managed never to have an accident or kill myself on my old car.

 

#11 - Tenho sérios problemas em deitar coisas fora, especialmente cartas, bilhetes, fotos, ou objectos com valor sentimental.

I have serious issues getting rid of letters, notes, or any kind of object that has some sort of sentimental value.

 

#12 - Adoro cadernos, blocos, canetas... Tenho sempre mais do que consigo usar.

I love notebooks, pens, papers... Always have more than I can use.

 

#13 - Não passo sem livros. Adoro ler, praticamente todo o tipo de livros, de preferência em versão original se estiver dentro dos idiomas que domino. Idealmente, um ou dois por mês. Compro normalmente mais que isto por mês, pelo que posso vê-los acumularem-se enquanto aguardam vez... Nunca sei o que vou ler a seguir.

Books are part of my life. I love to read, almost any kind of book, preferably original version, if I can read it. Ideally, one or two each month, although I usually buy more than that. So I get to see the pile grow until i read them. Never know what I'll read next.

 

#14 - Tenho o privilégio de adorar a minha profissão.

I'm privileged to love my career.

 

#15 - Gosto muito de imagem, tudo o que seja bonito ou expressivo ou emotivo ou de alguma forma equilibrado. Bastante abrangente, portanto :) Só não ando com a câmera para todo o lado porque pesa :D

I love image, all that is beautiful or expressive or emotive or somehow balanced. I won't carry my camera around everyday because it's too heavy :D

 

#16 - Adoro viajar, e espero ter muitos anos para poder conhecer muitos e muitos sítios diferentes.

Love traveling, and hope to have lots of years to go to so many different places!

 

Foto . Photo by Tak

The Eurasian Spoonbill or Common Spoonbill (Platalea leucorodia) is unmistakable due to its long and flattened bill which expands into a flat spoon at the tip.

The Eurasian Spoonbill, a wading bird of the ibis and spoonbill family Threskiornithidae, is the only spoonbill to be found regularly in Europe. They are breeding in western Europe and central Europe to in India, China, Japan and in north Africa.

In Europe, only The Netherlands, Spain, Austria, Hungary and Greece have sizeable populations. About half of the European population, around 2300 pairs, were breeding in the Netherlands, with the majority found on the Wadden Islands. Most birds migrate south in the winter, but numerous individuals remain and winter in western Europe. The Eurasian Spoonbill frequents extensive wet areas such as flooded lands, rivers, marshes and large water bodies.

With its spoon-shaped black bill with yellowish tip, brilliant white plumage and long black legs, the spoonbill is an elegant bird to spot. The sexes are similar in overall appearance but the male is somewhat larger than the female, with a longer bill and longer legs.

The length is 70-95 cm, the wingspan is 115-135 cm and weight is 1150-2000 gr.

The Eurasian spoonbill forages alone or in small groups, wading methodically through shallow water whilst sweeping its distinctive bill from side to side in search of prey. Small fish, aquatic insects, shrimp and other invertebrates comprise the bulk of its diet, but it will also take algae and fragments of aquatic plants, although these may just be accidentally ingested. Foraging activity generally peaks around morning and evening, except in coastal areas, where it is governed by the timing of low tide.

This picture was taken in Burgers Zoo in Arnhem, the Netherlands.

________________________________________________

 

De lepelaar (Platalea leucorodia), de nationale vogel van Nederland, is een witte vogel ter grootte van een reiger of ooievaar. Door de lepelachtige snavel is de lepelaar van dichtbij met geen enkele andere vogel te verwarren. Op grote afstand en in de vlucht lijkt de vogel wat op een zilverreiger.

De Nederlandse populatie is behoorlijk uniek in Europa. De soort broedt behalve in Nederland namelijk vooral in Spanje, Hongarije, Oekraïne en Griekenland. In andere West Europese landen broeden slechts kleine aantallen lepelaars. In Nederland alleen al circa 2300 paartjes, ongeveer de helft van de totale Europese populatie, op enkele Waddeneilanden, in Zeeland en in moerasachtige natuurgebieden in het westen van het land. Door het verdwijnen van veel geschikte leefgebieden en door het droogmalen van moerassen en andere vochtige gebieden was de Nederlandse populatie lepelaars rond 1970 bijna uitgestorven. Door verschillende beschermingsmaatregelen en door vergroting van geschikte broedgebieden, zijn ze weer terug in Nederland.

In België is dit een zeldzame vogel. Het totale verspreidingsgebied is overigens enorm groot, van West Europa via Midden Europa, Noordelijk Afrika en de Oekraïne tot in China, Japan en India.

Het merendeel van de hier broedende lepelaars overwintert in West-Afrika. Een klein aantal blijft hier ook tijdens de wintermaanden.

De lepalaar is een grote witte vogel met lange zwarte poten. De volwassen vogels hebben in de zomer een okergele vlek op hun borst en kin. Kenmerkend is de lange zwarte lepelvormige snavel met een gele punt, waaraan de vogel zijn naam te danken heeft.

De langte is 70 à 95 cm, de vleugelspanwijdte 115 à 135 cm en het gewicht 1150 à 2000 gram.

De lepelaar filtert met zijn lepelvormige snavel het voedsel uit het water door zijn snavel heen en weer te bewegen. Het dieet bestaat uit insecten en de larven ervan, amfibieën, waterslakken en kleine visjes, waaronder stekelbaarzen.

Deze opname is gemaakt in Burgers Zoo in Arnhem.

________________________________________________

 

All rights reserved. Copyright © Martien Uiterweerd (Foto Martien).

All my images are protected under international authors copyright laws and may not be downloaded, reproduced, copied, transmitted or manipulated without my written explicit permission.

________________________________________________

.

.

The water buffalo or domestic Asian water buffalo (Bubalus bubalis) is a large bovid originating in South Asia, Southeast Asia, and China. Today, it is also found in Europe, Australia, and some American countries. The wild water buffalo (Bubalus arnee) native to Southeast Asia is considered a different species, but most likely represents the ancestor of the domestic water buffalo.

 

Two extant types of water buffalo are recognized based on morphological and behavioural criteria – the river buffalo of South Asia and further west to the Balkans, Egypt, and Italy, and the swamp buffalo, found from Assam in the west through Southeast Asia to the Yangtze valley of China in the east. The origins of the domestic water buffalo types are debated, although results of a phylogenetic study indicate that the swamp type may have originated in China and was domesticated about 4,000 years ago, while the river type may have originated from India and was domesticated about 5,000 years ago. Water buffalo were traded from the Indus Valley Civilisation to Mesopotamia, in modern Iraq, 2500 BC by the Meluhhas. The seal of a scribe employed by an Akkadian king shows the sacrifice of water buffalo.

 

At least 130 million domestic water buffalo exist, and more human beings depend on them than on any other domestic animal. They are especially suitable for tilling rice fields, and their milk is richer in fat and protein than that of dairy cattle. The large feral population of northern Australia became established in the late 19th century, and smaller feral herds are in New Guinea, Tunisia, and northeastern Argentina. Feral herds are also present in New Britain, New Ireland, Irian Jaya, Papua New Guinea, Colombia, Guyana, Suriname, Brazil, and Uruguay.

 

CHARACTERISTICS

The skin of river buffalo is black, but some specimens may have dark, slate-coloured skin. Swamp buffalo have a grey skin at birth, but become slate blue later. Albinoids are present in some populations. River buffalo have comparatively longer faces, smaller girths, and bigger limbs than swamp buffalo. Their dorsal ridges extend further back and taper off more gradually. Their horns grow downward and backward, then curve upward in a spiral. Swamp buffalo are heavy-bodied and stockily built; the body is short and the belly large. The forehead is flat, the eyes prominent, the face short, and the muzzle wide. The neck is comparatively long, and the withers and croup are prominent. A dorsal ridge extends backward and ends abruptly just before the end of the chest. Their horns grow outward, and curve in a semicircle, but always remain more or less on the plane of the forehead. The tail is short, reaching only to the hocks. Height at withers is 129–133 cm for males, and 120–127 cm for females. They range in weight from 300–550 kg, but weights of over 1,000 kg have also been observed.

 

Tedong bonga is a black pied buffalo featuring a unique black and white colouration that is favoured by the Toraja of Sulawesi.

 

The swamp buffalo has 48 chromosomes; the river buffalo has 50 chromosomes. The two types do not readily interbreed, but fertile offspring can occur. Buffalo-cattle hybrids have not been observed to occur, and the embryos of such hybrids do not reach maturity in laboratory experiments.

 

The rumen of the water buffalo has important differences from that of other ruminants. It contains a larger population of bacteria, particularly the cellulolytic bacteria, lower protozoa, and higher fungi zoospores. In addition, higher rumen ammonia nitrogen (NH4-N) and higher pH have been found as compared to those in cattle

 

ECOLOGY AND BEHAVIOR

River buffalo prefer deep water. Swamp buffalo prefer to wallow in mudholes which they make with their horns. During wallowing, they acquire a thick coating of mud. Both are well adapted to a hot and humid climate with temperatures ranging from 0 °C in the winter to 30 °C and greater in the summer. Water availability is important in hot climates, since they need wallows, rivers, or splashing water to assist in thermoregulation. Some breeds are adapted to saline seaside shores and saline sandy terrain.

 

DIET

Water buffalo thrive on many aquatic plants and during floods, will graze submerged, raising their heads above the water and carrying quantities of edible plants. They eat reeds (quassab), a giant reed (birdi), a kind of bulrush (kaulan), water hyacinth, and marsh grasses. Some of these plants are of great value to local peoples. Others, such as water hyacinth, are a major problem in some tropical valleys, and water buffalo may help to keep waterways clear.

 

Green fodders are used widely for intensive milk production and for fattening. Many fodder crops are conserved as hay, chaffed, or pulped. Fodders include alfalfa, berseem and bancheri, the leaves, stems or trimmings of banana, cassava, fodder beet, halfa, ipil-ipil and kenaf, maize, oats, pandarus, peanut, sorghum, soybean, sugarcane, bagasse, and turnips. Citrus pulp and pineapple wastes have been fed safely to buffalo. In Egypt, whole sun-dried dates are fed to milk-buffalo up to 25% of the standard feed mixture.

 

REPRODUCTION

Swamp buffalo generally become reproductive at an older age than river breeds. Young males in Egypt, India, and Pakistan are first mated at about 3.0–3.5 years of age, but in Italy

 

they may be used as early as 2 years of age. Successful mating behaviour may continue until the animal is 12 years or even older. A good river male can impregnate 100 females in a year. A strong seasonal influence on mating occurs. Heat stress reduces libido

 

Although buffalo are polyoestrous, their reproductive efficiency shows wide variation throughout the year. Buffalo cows exhibit a distinct seasonal change in displaying oestrus, conception rate, and calving rate. The age at first oestrus of heifers varies between breeds from 13–33 months, but mating at the first oestrus is often infertile and usually deferred until they are 3 years old. Gestation lasts from 281–334 days, but most reports give a range between 300 and 320 days. Swamp buffalo carry their calves for one or two weeks longer than river buffalo. It is not rare to find buffalo that continue to work well at the age of 30, and instances of a working life of 40 years are recorded.

 

TAXONOMIC HISTORY

Carl Linnaeus first described the genus Bos and the water buffalo under the binomial Bubalis bubalus in 1758; the latter was known to occur in Asia and as a domestic form in Italy. Ellerman and Morrison-Scott treated the wild and domestic forms of the water buffalo as conspecifics whereas others treated them as different species. The nomenclatorial treatment of wild and domestic forms has been inconsistent and varies between authors and even within the works of single authors.

 

In March 2003, the International Commission on Zoological Nomenclature achieved consistency in the naming of wild and domestic water buffalo by ruling that the scientific name Bubalus arnee is valid for the wild form. B. bubalis continues to be valid for the domestic form and applies also to feral populations.

 

DOMESTICATION AND BREEDING

Water buffalo were domesticated in India about 5000 years ago, and in China about 4000 years ago. Two types are recognized, based on morphological and behavioural criteria – the river buffalo of the Indian subcontinent and further west to the Balkans and Italy, and the swamp buffalo, found from Assam in the west through Southeast Asia to the Yangtze valley of China in the east. The present-day river buffalo is the result of complex domestication processes involving more than one maternal lineage and a significant maternal gene flow from wild populations after the initial domestication events. Twenty-two breeds of the river type water buffalo are known, including Murrah, Nili-Ravi, Surti, Jafarabadi, Anatolian, Mediterranean, and Egyptian buffalo. China has a huge variety of buffalo genetic resources, comprising 16 local swamp buffalo breeds in various regions.

 

Results of mitochondrial DNA analyses indicate that the two types were domesticated independently. Sequencing of cytochrome b genes of Bubalus species implies that the domestic buffalo originated from at least two populations, and that the river and the swamp types have differentiated at the full species level. The genetic distance between the two types is so large that a divergence time of about 1.7 million years has been suggested. The swamp type was noticed to have the closest relationship with the tamaraw.

 

DISTRIBUTION OF POPULATIONS

The water buffalo population in the world is about 172 million.

 

IN ASIA

More than 95.8% of the world population of water buffalo are found in Asia including both river and swamp types. The water buffalo population in India numbered over 97.9 million head in 2003, representing 56.5% of the world population. They are primarily of the river type, with 10 well-defined breeds comprising Badhawari, Murrah, Nili-Ravi, Jafarabadi, Marathwada, Mehsana, Nagpuri, Pandharpuri, Toda, and Surti. Swamp buffalo occur only in small areas in the north-eastern part of the country and are not distinguished into breeds.

 

In 2003, the second-largest population lived in China, with 22.759 million head, all of the swamp type with breeds kept only in the lowlands, and other breeds kept only in the mountains; as of 2003, 3.2 million swamp-type carabao buffalo were in the Philippines, nearly three million swamp buffalo were in Vietnam, and 772,764 buffalo were in Bangladesh. About 750,000 head were estimated in Sri Lanka in 1997.

 

The water buffalo is the main dairy animal in Pakistan, with 23.47 million head in 2010. Of these, 76% are kept in the Punjab. The rest of them are mostly in the province of Sindh. Breeds used are Nili-Ravi, Kundi, and Azi Kheli. Karachi has the largest population of water buffalos for an area where fodder is not grown, consisting of 350,000 head kept mainly for milking.

 

In Thailand, the number of water buffalo dropped from more than 3 million head in 1996 to less than 1.24 million head in 2011. Slightly over 75% of them are kept in the country's northeastern region. The statistics also indicate that by the beginning of 2012, less than one million were in the country, partly as a result of illegal shipments to neighboring countries where sales prices are higher than in Thailand.

 

Water buffalo are also present in the southern region of Iraq, in the marshes. These marshes were drained by Saddam Hussein in 1991 in an attempt to punish the south for the uprisings of 1991. Following 2003, and the fall of the Saddam regime, these lands were reflooded and a 2007 report in the provinces of Maysan and Thi Qar shows a steady increase in the number of water buffalo. The report puts the number at 40,008 head in those two provinces.

 

IN EUROPE AND THE MEDITERRANEAN

Water buffalo likely were introduced to Europe from India or other Oriental countries. To Italy they were introduced about the year 600 in the reign of the Longobard King Agilulf. As they appear in the company of wild horses, they probably were a present from the Khan of the Avars, a Turkic nomadic tribe that dwelt near the Danube River at the time. Sir H. Johnston knew of a herd of water buffalo presented by a King of Naples to the Bey of Tunis in the mid-19th century that had resumed the feral state in northern Tunis.

 

European buffalo are all of the river type and considered to be of the same breed named Mediterranean buffalo. In Italy, the Mediterranean type was particularly selected and is called Mediterranean Italian breed to distinguish it from other European breeds, which differ genetically. Mediterranean buffalo are also found in Romania, Bulgaria, Greece, Albania, Kosovo, and the Republic of Macedonia, with a few hundred in the United Kingdom, Germany, the Netherlands, Switzerland, and Hungary. Little exchange of breeding buffalo has occurred among countries, so each population has its own phenotypic features and performances. In Bulgaria, they were crossbred with the Indian Murrah breed, and in Romania, some were crossbred with Bulgarian Murrah. Populations in Turkey are of the Anatolian buffalo breed.

 

IN AUSTRALIA

Between 1824 and 1849, water buffalo were introduced into the Northern Territory from Timor, Kisar, and probably other islands in the Indonesian archipelago. In 1886, a few milking types were brought from India to Darwin. They have been the main grazing animals on the subcoastal plains and river basins between Darwin and Arnhem Land since the 1880s. In the early 1960s, an estimated population of 150,000 to 200,000 buffalo were living in the plains and nearby areas.

 

They became feral and are causing significant environmental damage. Buffalo are also found in the Top End. As a result, they were hunted in the Top End from 1885 until 1980. The commencement of the brucellosis and tuberculosis campaign (BTEC) resulted in a huge culling program to reduce buffalo herds to a fraction of the numbers that were reached in the 1980s. The BTEC was finished when the Northern Territory was declared free of the disease in 1997. Numbers dropped dramatically as a result of the campaign, but have since recovered to an estimated 150,000 animals across northern Australia in 2008.

 

During the 1950s, buffalo were hunted for their skins and meat, which was exported and used in the local trade. In the late 1970s, live exports were made to Cuba and continued later into other countries. Buffalo are now crossed with riverine buffalo in artificial insemination programs, and may be found in many areas of Australia. Some of these crossbreds are used for milk production. Melville Island is a popular hunting location, where a steady population up to 4,000 individuals exists. Safari outfits are run from Darwin to Melville Island and other locations in the Top End, often with the use of bush pilots. The horns, which can measure up to a record of 3.1 m tip-to-tip, are prized hunting trophies.

 

The buffalo have developed a different appearance from the Indonesian buffalo from which they descend. They live mainly in freshwater marshes and billabongs, and their territory range can be quite expansive during the wet season. Their only natural predators in Australia are adult saltwater crocodiles, with whom they share the billabongs, and dingoes, which have been known to prey on buffalo calves and occasionally adult buffalo when the dingoes are in large packs.

 

Buffalo were exported live to Indonesia until 2011, at a rate of about 3000 per year. After the live export ban that year, the exports dropped to zero, and had not resumed as of June 2013.

 

IN SOUTH AMERICA

Water buffalo were introduced into the Amazon River basin in 1895. They are now extensively used there for meat and dairy production. In 2005, the buffalo herd in the Brazilian Amazon stood at roughly 1.6 million head, of which 460,000 were located in the lower Amazon floodplain. Breeds used include Mediterranean from Italy, Murrah and Jafarabadi from India, and Carabao from the Philippines.

 

During the 1970s, small herds were imported to Costa Rica, Ecuador, Cayenne, Panama, Surinam, Guyana, and Venezuela.

 

In Argentina, many game ranches raise water buffalo for commercial hunting

 

IN NORTH AMERICA

In 1974, four water buffalo were imported to the United States from Guam to be studied at the University of Florida. In February 1978, the first herd arrived for commercial farming. Until 2002, only one commercial breeder was in the United States. Water buffalo meat is imported from Australia. Until 2011, water buffalo were raised in Gainesville, Florida, from young obtained from zoo overflow. They were used primarily for meat production, frequently sold as hamburger.[38] Other US ranchers use them for production of high-quality mozzarella cheese.

 

HUSBANDRY

The husbandry system of water buffalo depends on the purpose for which they are bred and maintained. Most of them are kept by people who work on small farms in family units. Their buffalo live in very close association with them, and are often their greatest capital asset. The women and girls in India generally look after the milking buffalo while the men and boys are concerned with the working animals. Throughout Asia, they are commonly tended by children who are often seen leading or riding their charges to wallowing places. Water buffalo are the ideal animals for work in the deep mud of paddy fields because of their large hooves and flexible foot joints. They are often referred to as "the living tractor of the East". It probably is possible to plough deeper with buffalo than with either oxen or horses. They are the most efficient and economical means of cultivation of small fields. In most rice-producing countries, they are used for threshing and for transporting the sheaves during the rice harvest. They provide power for oilseed mills, sugarcane presses, and devices for raising water. They are widely used as pack animals, and in India and Pakistan also for heavy haulage. In their invasions of Europe, the Turks used buffalo for hauling heavy battering rams. Their dung is used as a fertilizer, and as a fuel when dried.

 

Buffalo contribute 72 million tones of milk and three million tones of meat annually to world food, much of it in areas that are prone to nutritional imbalances. In India, river-type buffalo are kept mainly for milk production and for transport, whereas swamp-type buffalo are kept mainly for work and a small amount of milk.

 

DAIRY PRODUCTS

Water buffalo milk presents physicochemical features different from that of other ruminant species, such as a higher content of fatty acids and proteins. The physical and chemical parameters of swamp and river type water buffalo milk differ. Water buffalo milk contains higher levels of total solids, crude protein, fat, calcium, and phosphorus, and slightly higher content of lactose compared with those of cow milk. The high level of total solids makes water buffalo milk ideal for processing into value-added dairy products such as cheese. The conjugated linoleic acid (CLA) content in milk ranged from 4.4 mg/g fat in September to 7.6 mg/g fat in June. Seasons and genetics may play a role in variation of CLA level and changes in gross composition of the water buffalo milk.

 

Water buffalo milk is processed into a large variety of dairy products:

 

- Cream churns much faster at higher fat levels and gives higher overrun than cow cream.

- Butter from water buffalo cream displays more stability than that from cow cream.

- Ghee from water buffalo milk has a different texture with a bigger grain size than ghee from cow milk.

- Heat-concentrated milk products in the Indian subcontinent include paneer, khoa, rabri, kheer and basundi.

- Fermented milk products include dahi, yogurt, and chakka.

- Whey is used for making ricotta and mascarpone in Italy, and alkarish in Syria and Egypt.

- Soft cheeses made include mozzarella in Italy, karish, mish, and domiati in Egypt, madhfor in Iraq, alghab in Syria, kesong puti in the Philippines, and vladeasa in Romania.

- The semihard cheese beyaz peynir is made in Turkey.

- Hard cheeses include braila in Romania, rahss in Egypt, white brine in Bulgaria, and akkawi in Syria.

- Watered-down buffalo milk is used as a cheaper alternative to regular milk.

 

MEAT AND SKIN PRODUCTS

Water buffalo meat, sometimes called "carabeef", is often passed off as beef in certain regions, and is also a major source of export revenue for India. In many Asian regions, buffalo meat is less preferred due to its toughness; however, recipes have evolved (rendang, for example) where the slow cooking process and spices not only make the meat palatable, but also preserve it, an important factor in hot climates where refrigeration is not always available.Their hides provide tough and useful leather, often used for shoes.

 

BONE AND HORN PRODUCTS

The bones and horns are often made into jewellery, especially earrings. Horns are used for the embouchure of musical instruments, such as ney and kaval.

 

ENVIRONMENTAL EFFECTS

Wildlife conservation scientists have started to recommend and use introduced populations of feral domestic water buffalo in far-away lands to manage uncontrolled vegetation growth in and around natural wetlands. Introduced water buffalo at home in such environs provide cheap service by regularly grazing the uncontrolled vegetation and opening up clogged water bodies for waterfowl, wetland birds, and other wildlife. Grazing water buffalo are sometimes used in Great Britain for conservation grazing, such as in Chippenham Fen National Nature Reserve. The buffalo can better adapt to wet conditions and poor-quality vegetation than cattle.

 

Currently, research is being conducted at the Lyle Center for Regenerative Studies to determine the levels of nutrients removed and returned to wetlands when water buffalo are used for wetland vegetation management.

 

However, in uncontrolled circumstances, water buffalo can cause environmental damage, such as trampling vegetation, disturbing bird and reptile nesting sites, and spreading exotic weeds.

 

RESEARCH

The world's first cloned buffalo was developed by Indian scientists from National Dairy Research Institute, Karnal. The buffalo calf was named Samrupa. The calf did not survive more than a week, and died due to some genetic disorders. So, the scientists created another cloned buffalo a few months later, and named it Garima.

 

On 15 September 2007, the Philippines announced its development of Southeast Asia's first cloned buffalo. The Philippine Council for Agriculture, Forestry and Natural Resources Research and Development (PCARRD), under the Department of Science and Technology in Los Baños, Laguna, approved this project. The Department of Agriculture's Philippine Carabao Center (PCC) will implement cloning through somatic cell nuclear transfer as a tool for genetic improvement in water buffalo. "Super buffalo calves" will be produced. There will be no modification or alteration of the genetic materials, as in genetically modified organisms.

 

On 1 January 2008, the Philippine Carabao Center in Nueva Ecija, per Filipino scientists, initiated a study to breed a super water buffalo that could produce 4 to 18 litres of milk per day using gene-based technology. Also, the first in vitro river buffalo was born there in 2004 from an in vitro-produced, vitrified embryo, named "Glory" after President Gloria Macapagal-Arroyo. Joseph Estrada's most successful project as an opposition senator, the PCC was created through Republic Act 3707, the Carabao Act of 1992.

 

IN CULTURE

Some ethnic groups, such as Batak and Toraja in Indonesia and the Derung in China, use water buffalo or kerbau (called horbo in Batak or tedong in Toraja) as sacrificial animals at several festivals.

 

- Legend has it that the Chinese philosophical sage Laozi left China through the Han Gu Pass riding a water buffalo.

- According to Hindu lore, the god of death Yama, rides on a male water buffalo.

- The carabao subspecies is considered a national symbol in the Philippines.

- In Vietnam, water buffalo are often the most valuable possession of poor farmers: "Con trâu là đầu cơ nghiệp". They are treated as a member of the family: "Chồng cày, vợ cấy, con trâu đi bừa" ("The husband ploughs, the wife sows, water buffalo draws the rake") and are friends of the children. Children talk to their water buffalo, "Bao giờ cây lúa còn bông. Thì còn ngọn cỏ ngoài đồng trâu ăn." (Vietnamese children are responsible for grazing water buffalo. They feed them grass if they work laboriously for men.) In the old days, West Lake, Hà Nội, was named Kim Ngưu - Golden Water Buffalo.

- The Yoruban Orisha Oya (goddess of change) takes the form of a water buffalo.

 

FIGHTING FESTIVALS

- Pasungay Festival is held annually in the town of San Joaquin, Iloilo in the Philippines.

- Moh juj Water Buffalo fighting, is held every year in Bhogali Bihu in Assam. Ahotguri in Nagaon is famous for it.

- Do Son Water Buffalo Fighting Festival of Vietnam, held each year on the ninth day of the eighth month of the lunar calendar at Do Son Township, Haiphong City in Vietnam, is one of the most popular Vietnam festivals and events in Haiphong City. The preparations for this buffalo fighting festival begin from the two to three months earlier. The competing buffalo are selected and methodically trained months in advance. It is a traditional festival of Vietnam attached to a Water God worshipping ceremony and the Hien Sinh custom to show martial spirit of the local people of Do Son, Haiphong.

- "Hai Luu" Water Buffalo Fighting Festival of Vietnam, According to ancient records, the buffalo fighting in Hai Luu Commune has existed from the 2nd century B.C. General Lu Gia at that time, had the buffalo slaughtered to give a feast to the local people and the warriors, and organized buffalo fighting for amusement. Eventually, all the fighting buffalo will be slaughtered as tributes to the deities.

- "Ko Samui" Water Buffalo Fighting Festival of Thailand, is a very popular event held on special occasions such as New Year's Day in January, and Songkran in mid-April, this festival features head-wrestling bouts in which two male Asian water buffalo are pitted against one another. Unlike in Spanish Bullfighting, wherein bulls get killed while fighting sword-wielding men, Buffalo Fighting Festival held at Ko Samui, Thailand is fairly harmless contest. The fighting season varies according to ancient customs & ceremonies. The first Buffalo to turn and run away is considered the loser, the winning buffalo becomes worth several million baht. Ko Samui is an island in the Gulf of Thailand in the South China Sea, it is 700 km from Bangkok and is connected to it by regular flights.

- "Ma'Pasilaga Tedong" Water Buffalo Fighting Festival, in Tana Toraja Regency of Sulawesi Island, Indonesia, is a very popular event where the Rambu Solo' or a Burial Festival took place in Tana Toraja.

 

RACING FESTIVALS

Carabao Carroza Festival is being held annually every May in the town of Pavia, Iloilo, Philippines.

Kambala races of Karnataka, India, take place between December and March. The races are conducted by having the water buffalo (he buffalo) run in long parallel slushy ditches, where they are driven by men standing on wooden planks drawn by the buffalo. The objectives of the race are to finish first and to raise the water to the greatest height and also a rural sport. Kambala races are arranged with competition, as well as without competition and as a part of thanks giving (to god) in about 50 villages of coastal Karnataka.

 

In the Chonburi Province of Thailand, and in Pakistan, there are annual water buffalo races.

 

Chon Buri Water buffalo racing festival, Thailand In downtown Chonburi, 70 km south of Bangkok, at the annual water buffalo festival held in mid-October. About 300 buffalo race in groups of five or six, spurred on by bareback jockeys wielding wooden sticks, as hundreds of spectators cheer. The water buffalo has always played an important role in agriculture in Thailand. For farmers of Chon Buri Province, near Bangkok, it is an important annual festival, beginning in mid-October. It is also a celebration among rice farmers before the rice harvest. At dawn, farmers walk their buffalo through surrounding rice fields, splashing them with water to keep them cool before leading them to the race field. This amazing festival started over a hundred years ago when two men arguing about whose buffalo was the fastest ended up having a race between them. That’s how it became a tradition and gradually a social event for farmers who gathered from around the country in Chonburi to trade their goods. The festival also helps a great deal in preserving the number of buffalo, which have been dwindling at quite an alarming rate in other regions. Modern machinery is rapidly replacing buffalo in Thai agriculture. With most of the farm work mechanized, the buffalo-racing tradition has continued. Racing buffalo are now raised just to race; they do not work at all. The few farm buffalo which still do work are much bigger than the racers because of the strenuous work they perform. Farm buffalo are in the "Buffalo Beauty Pageant", a Miss Farmer beauty contest and a comic buffalo costume contest etc.. This festival perfectly exemplifies a favored Thai attitude to life — "sanuk," meaning fun.

 

Babulang Water buffalo racing festival, Sarawak, Malaysia, is the largest or grandest of the many rituals, ceremonies and festivals of the traditional Bisaya (Borneo) community of Limbang, Sarawak. Highlights are the Ratu Babulang competition and the Water buffalo races which can only be found in this town in Sarawak, Malaysia.

Vihear Suor village Water buffalo racing festival, in Cambodia, each year, people visit Buddhist temples across the country to honor their deceased loved ones during a 15-day period commonly known as the Festival of the Dead but in Vihear Suor village, about 35 km northeast of Cambodia, citizens each year wrap up the festival with a water buffalo race to entertain visitors and honour a pledge made hundreds of years ago. There was a time when many village cattle which provide rural Cambodians with muscle power to plough their fields and transport agricultural products died from an unknown disease. The villagers prayed to a spirit to help save their animals from the disease and promised to show their gratitude by holding a buffalo race each year on the last day of "P'chum Ben" festival as it is known in Cambodian. The race draws hundreds of spectators who come to see riders and their animals charge down the racing field, the racers bouncing up and down on the backs of their buffalo, whose horns were draped with colorful cloth.

Pothu puttu matsaram, Kerala, South India, is similar to Kambala races.

 

WIKIPEDIA

The Great Egret also known as Common Egret, Large Egret or Great White Heron, is a large, widely distributed egret. Distributed across most of the tropical and warmer temperate regions of the world, in southern Europe it is rather localized. In North America it is more widely distributed, and it is ubiquitous across the Sun Belt of the United States and in the Neotropics. The Old World population is often referred to as the Great White Egret. This species is sometimes confused with the Great White Heron of the Caribbean which is a white morph of the closely related Great Blue Heron.

 

The Great Egret is a large heron with all-white plumage. Standing up to 3.3 ft tall it is only slightly smaller than the Great Blue or Grey Heron. Apart from size, the Great Egret can be distinguished from other white egrets by its yellow bill and black legs and feet, though the bill may become darker and the lower legs lighter in the breeding season. In breeding plumage, delicate ornamental feathers are borne on the back. Males and females are identical in appearance; juveniles look like non-breeding adults. It has a slow flight, with its neck retracted. This is characteristic of herons and bitterns and distinguishes them from storks, cranes, ibises and spoonbills, which extend their necks in flight.

 

The Great Egret is generally a very successful species with a large and expanding range. In North America large numbers of Great Egrets were killed around the end of the 19th century so that their plumes could be used to decorate hats. Numbers have since recovered as a result of conservation measures. Its range has expanded as far north as southern Canada. However, in some parts of the southern United States its numbers have declined due to habitat loss. Nevertheless, it adapts well to human habitation and can be readily seen near wetlands and bodies of water in urban and suburban areas. In 1953, the Great Egret in flight was chosen as the symbol of the National Audubon Society which was formed in part to prevent the killing of birds for their feathers ~ Delray Beach, Florida ~ Florida Wetlands

  

en.wikipedia.org/wiki/Great_Egret

 

John Lennon - "Free as a Bird!": www.youtube.com/watch?v=LZClS79egCM

 

“We were telling stories, trying to guess if the tale told was fact or fiction. M… came up with this story, chilling in the way it was so wretchedly confessed to us. Most of us thought it was fact, but didn’t really want to believe it.

 

(read fact or fiction? At the end of the background section)

 

BACKGROUND

  

“Algonquin Round Table writers, a group of town wits who had converged on New York in the late 1910s. From their positions as columnists, essayists, and drama critics, this "all-star literary vaudeville," as Edmund Wilson called them, nourished a light, sharp, mocking tone aimed at well-known personalities, among whom they counted themselves. Wartime friends Franklin P. Adams, Harold Ross, Heywood Broun, and Alexander Woollcott were among the bantering quipsters who began meeting for daily lunches at the Algonquin Hotel. With so many clever wordsmiths, this self-named "vicious circle" soon became famous for its ingenious puns, quips, and insults appearing immediately in print in someone's column.”

 

The Algonquin Round Table was a celebrated group of New York City writers, critics, actors and wits. Gathering initially as part of a practical joke, members of "The Vicious Circle", as they dubbed themselves, met for lunch each day at the Algonquin Hotel from 1919 until roughly 1929. At these luncheons they engaged in wisecracks, wordplay and witticisms that, through the newspaper columns of Round Table members, were disseminated across the country.

 

"Their form of social media was just that: social. Imagine having the time every day to break for a couple hours to have lunch with your funny, intelligent friends? They didn’t post witty replies on Facebook. They said them face-to-face, such as the time Dorothy Parker was asked to use the word “horticulture” in a sentence: “You can lead a horticulture but you can’t make her think.” Was her quick response.

  

Daily association with each other, both at the luncheons and outside of them, inspired members of the Circle to collaborate creatively. The entire group worked together successfully only once, however, to create a revue called No Sirree! which helped launch a Hollywood career for Round Tabler Robert Benchley.

  

In its ten years of association, the Round Table and a number of its members acquired national reputations both for their contributions to literature and for their sparkling wit. Although some of their contemporaries, and later in life even some of its members, disparaged the group, its reputation has endured long after its dissolution.

**************************************************************************************************************************************************************************

 

An elderly lady known to one of us was from the States, was visited with quite often before she passed on. She was a school chum of Tallulah and related this Roundtable tale told to her.

 

We would be quite interested to learn more of the story and possibly about the incident retold below. If anyone is aware of an occurrence similar to this one in or even outside of Pennsylvania please feel free to tell us about it.

 

Fact or Fiction?

 

As Related to Emily over afternoon Tea one spring day……..

 

“We were playing a game, telling each other stories, and then trying to guess if the story was fact or fiction. Darling Harpo had suggested playing it after the reaction he had received for mischievously calling out a distraught Bea on the facts for a bit of society gossip she had been relating….”

  

“ We gone midway round the circle, and When challenged, M… came up with this story, chilling in the way it was so wretchedly confessed to us. Most of us thought it was fact, but didn’t really want to believe it had occurred. “

  

“I give the story as best I can through memory, only ever hearing it the one time years ago now. I believe I have captured its’ essence, but I could never in words captured the tortured look, or trembling manner that was shown when it was told before the group. All I can say is, either way; it was a masterful performance….”

 

The Confession ( story):

 

M lit a cigarette, and after sending a few wisps of smoke up to dance upon the ceiling, began the tale…

 

“I have done may things in my life I have later regretted, but this one, in particular, I have never told a living soul until now….” Drawing a deep breath, the story was continued.

  

“I have always had a curious streak to observe people’s reactions when in various situations. To get a better grasp of how my characters should act. It greatly piqued me to watch, without being seen, a person’s true emotions coming into play. Ralph Waldo Emerson once famously quoted that “ People do not seem to realize that their opinion of the world is also a confession of character” ... and that intriguing thought was what originally sent me on my quest..

  

Sometimes I was the protagonist behind the scenes whom, unbeknownst to the victims, had set them up. Sometimes I just followed and watched their behavior. I never intended for anyone to get hurt, emotionally or physically. But sometimes they did! Then I would solace my conscience by telling it that I was only doing it to improve upon my craft. But, then this one time, I probably did go a little bit too far….”

^^^^^^^^^^^^^^^^^^^^^^^

 

Sends a few more puffs of his cigarette wafting in smoky curls upwards as if in thought on how to actually begin…

 

^^^^^^^^^^^^^^^^^^^^

“As a young man I would attend all different sorts of functions from all different levels of society to come up with ideas. I ran the gauntlet, from cock fights, hobo’s gathering around a campfire, to a wedding reception worthy of the Rockefellers. I noticed that I felt more at home with the hobos, than the fat cats. A condition, I am sure, caused by some flaw in my character. “

  

“But this instance, the function I encountered definitely belonged to the latter, Rockefeller fat cat , set.

  

The event, I soon learned, was the Homecoming of a small private College in a wealthy Pennsylvania community. Not my Alma Mater, but just a place I happened to be passing through which I had stopped whilst traveling home. “

  

“That there was a function going on in that little place was not hard to miss; the attendees were pouring out onto the streets from all sorts of establishments, and into others, including the bar I was holed up in. After a while I noticed a change in dress of the revelers costumes. School blazers and sensible dresses began to be replaced by tuxes and swishing satin gowns and colourful frocks. Their adornments also changed, from school ties to bow ties, Boaters (straw hats) to top hats for the men: Gold jewelry was replaced by sparkling necklaces and rings upon gloved hands for the ladies.”

  

“Another change was, that by then, the lot of them was pretty much plastered, but then, so was I!”

  

“ Finally I was flushed out of my hiding spot , and went for a walk outside to escape the noisy crowd.

  

I started to circle the upper portion of a large rural park that ran next to my late hiding spot. As I strolled, I noticed a man with a heavy coat and cap, rather sinisterly watching the crowd, standing against a tree just up ahead of me. When he saw me coming towards him, he turned down a path leading into the shadowy depths of the woods. I watched him go down for a minute, and observed that it led down to a small valley, where in the middle, surrounded by trees, stood a quite deserted football field. The path less traveled tonight, I thought to myself.

  

I kept to the path well-travelled however, and soon after turning a corner, came upon a young couple snogging on a bench. I stopped to watch, my mind racing with a mixture of drink inspired contemplations upon the little scene before me! “

  

“She was dolled up like a picture actress. Wearing a slithery glossy red gown that shined in the gas lamps pooling light, with matching gloves and a shimmering gold purse, she was a breathing Pygmalion . The jewels she was adorned with, rhinestones, I assumed, glittered happily as she moved. He was in a tux, an Errol Flynn moustache and gold watch chain and fob at his waist. They had no idea anyone was near them! Of course, Then, my cursed foot gave me away all too soon, as it stepped upon a twig, snapping it loudly, calling the couples attention to my peeping. Seeing me they got up and walked past me, snooty noses up in the air. She made a rude noise that would have better fitted an old mare in a barn. Well pardon my eyes I though, stinging from the obvious smite upon my character, which I always had held in high regard. Why dress in that manner and think no one deserves to take notice unless they meet with your approval? The princess was obviously not amused…”

  

“ I watched with disdain, and then , still transfixed, followed at a discreet distance as they walked back the way I had come. For some reason I was mesmerized by the pair of snobs, watching as they moved, her red gown swishing and swirling like a red waterfall upon the paved stones. They were holding closely onto one another, once again totally oblivious to their surroundings. There was a story there, if only…. “

  

“They stopped, and I went into the shadow of a tree. Looking back up the path they had come, I thought they may have seen my shadow. For they then looking again to each other, she murmured something and they turned down the very path, the path less travelled, that the heavy coated man had slinked away down. I felt maybe I should have run up and cautioned them against taking that path, but I was still stung by their rude reaction… Besides, I was rather curious to see if anything would happen.

  

In for pence, in for a pound I remember repeating to myself, as I discreetly continued my stalk.”

  

“I went into the shadows, seeing a large set of rocks beside the path I climbed up, getting a view of the path winding down into the small valley. I was just above a gas lamp that lit the path as it reached the valley floor below. The lamps lite effectively shadowed the rock whence I was perched. I could see the pair walking in and out of the shadows of the trees. Just as they reached the circle of light below me they stopped and embraced. I watched, totally unabashed.

  

Then, as I grew bored, or maybe my drink induced fog was started to clear my mind back to reality, I slowly started to make an exit stage right , when a shadow detached itself from a tree directly below me. I stayed mute and froze in my tracks, watching the event I knew was going to occur, began to unfold. The man’s shadowy figure approached the oblivious couple carefully, I could see his head jerking about making sure that the couple was alone, and unprotected. Picking up a chunk of wood he entered the circle of light, which now formed a small stage where a tragedy worthy of Shakespeare was most likely about to unfold!”

  

“I watched as the startled lovers became aware and tried to stare down the newcomer.

  

Now in the light, I could see He had shed his coat and gained a mask, but it was definitely the same sinister man I had seen earlier, obviously up to no good. The Errol Flynn wannabe put the girl behind him in defense, the masked man merely raised branch and whacked him on the side of his head, it broke with a sickening crunch, and her gallant defender went down like a sack of cement.

  

The sinister figure then turned his attention to the now helpless damsel in distress. Raising a cupped hand up he said something in a raspy voice that startled her. Apparently he was asking for her jewels, and the horror struck damsel had arrogantly not yet realized she was being mugged. The ladies long earrings shimmering as she shook her head no in response. The rings on her gloved fingers flashed as her hand went to her throat as she clearly cried out,” not my necklace”, in a hapless act of defiance. In my mind came a picture of a small kitten trying to defy a snarling wolf. She threw the gold purse at him, but he merely caught it, and placed it in his pocket. I remember feeling strangely detached, It may have been shock, but I found myself watching without one ounce of regret. The only thought I could remember was her glittering necklace, maybe they had not been rhinestones, which meant that she actually was wealthy and probably had been looking down her snooty nose upon me, like she probably did her own servants !!.

  

Well than she obviously did not desire my help, I decided, like she had quite rudely not desired my looking at her earlier… and after all , in her world, servants should be standing quietly in the background, seen but not heard. So, I decided that I wasn’t going to help unless absolutely life or death. Let the little lamb be trimmed of her rich wool I said to myself. She did show spunk, I will admit, but that’s all it was, a show. She went limp as he reached up, grabbing her hand away, than began pulling of the rings as she stood mute with disbelief. The diamond bracelet was wrenched unceremoniously from her wrist. Dropping her hand, he pocketed her rings and bracelet. Than he once again went for her necklace, and she backed up, shaking her head, earrings again shimmering as the pair innocently bounced away from her long hair. Then I saw a flash of silver in his hand, and she fainted dead away at the sight of his ugly blade…”.

  

“The masked man knelt over to her fallen body. The shiny red gown had spilled around her on the ground, Laying about her inert svelte figure like a pool of red lava. Reaching down and in he claimed her necklace, grasping it up and away from her throat. He looked at it for a few seconds, letting it sparkle in the moon’s light like slivery falling rain.

  

Then squatting beside her, he pulled away her hair, and yanked her taunting earrings free. He methodically felt along her figure, missing nothing. Then he again produced the knife, slicing off the brooch from her gown’s sash.

  

He pulled off her red high heels and threw tem deep into the woods.

  

Then he left her and went over to the unconscious escort, the bloody limb next to him” in quick, precise fashion, ‘Errol’s’, watch chain and fob were pulled free and pocketed. Then he reached in and pulled out the unlucky devils pocket book. Then pulling off ‘Errol’s’ shoes they soon joined the ladies high heels.

  

Arising calmly, he slowly looked around as he stowed the stolen articles and his knife away. He spent a split second longer on the area I was hidden, causing a shiver to make itself felt! Then, removing the mask he walked to where his long coat lay, and reclaiming it, he continued serenely on his way down the path. I watched in heavy silence as he disappeared in the woods, only to reappear by the football field. It was then that I stole away back up the path, careful not to be seen.”

  

“And no, I did not give any cry of alarm, did not involve myself by seeking or giving the hapless couple aid. I simply turned and left. I came away with nothing, no ideas, no new feelings for a character, just a sour taste in my mouth and an upset stomach, which I soon tried to relieve by stopping in at the next drinking establishment I came across. Beer didn’t help, so I switched to Scotch…!”

  

“ About an hour later I heard a siren and sensed commotion outside the confides of my prison. I did not go out to investigate.”

  

“After a fit less night of unrestful sleep, I left the next morning, daring not to read a paper, or stop there for breakfast ( having a late tea later a few hours away , I put the place and its memories to my back. “

  

“Ashamedly I did not render any assistance those poor souls, and I admit what I what I did was criminal.. But then in my defense , they ………………….., ”

 

“Yes?”

  

“It was at this point that the confession was interrupted by the appearance of a messenger boy sent for M….. Who took his leave, with a wicked smile that seemed to convey relief that an outcome of the story would not have to be faced?

  

Obliviously loving the mystery it created by the timely appearance of the messenger.” He never could be persuaded to return to his story only smiling that wicked little smile.

  

So, the worse of it was we never knew… because of the messenger boy’s interruption, never to learn to our satisfaction if the story was true or not..”

  

“How we all did hate that!”

****************************************************

 

There is some question as to the identity of M…. There are six members with M in their initial. It could have been a non-regular or even a nickname. If anyone else has heard of this tale, or could place a finger for us as to who M… may have been, we would welcome the enlightenment.

 

Charter members of the Round Table included:

Franklin Pierce Adams, columnist

Robert Benchley, humorist and actor

Heywood Broun, columnist and sportswriter (married to Ruth Hale)

Marc Connelly, playwright

Ruth Hale, freelance writer who worked for women's rights

George S. Kaufman, playwright and director

Dorothy Parker

“The cure for boredom is curiosity. There is no cure for curiosity.”

“If you want to know what God thinks of money, just look at the people he gave it to.”

“What fresh hell is this?”

Robert E. Sherwood, author and playwright

John Peter Toohey, publicist

Alexander Woollcott, critic and journalist

"The English have an extraordinary ability for flying into a great calm."

 

Membership was not official or fixed for so many others who moved in and out of the Circle. Some of these included:

Tallulah Bankhead, actress

Edna Ferber, author and playwright

Margalo Gillmore, actress

Jane Grant, journalist and feminist (married to Ross)

Beatrice Kaufman, editor and playwright (married to George S. Kaufman)

Margaret Leech, writer and historian

Neysa McMein, magazine illustrator

Harpo Marx, comedian and film star

Alice Duer Miller, writer

Donald Ogden Stewart, playwright and screenwriter

Frank Sullivan, journalist and humorist

Deems Taylor, composer

Estelle Winwood, actress

Peggy Wood, actress

 

Courtesy of Chatwick University Archives

  

SUN VALLEY - The Los Angeles Fire Department successfully

rescued a trapped construction worker and provided medical care to he and two of his injured colleagues, when a large volume of concrete and soil toppled into a four foot deep trench with makeshift shoring the men were working in or near on the morning of February 5, 2022.

 

The first call to 9-1-1 at 10:13 AM, brought scores of LAFD rescuers to 9031 El Dorado Avenue, including firefighters uniquely trained and equipped to handle specialized Urban Search and Rescue (USAR) tasks.

 

The two men initially trapped were working on an unspecified purpose trenching project alongside the one story home, , when the poorly shored trench wall and portions of a concrete walkway on the property suddenly gave way, causing them both to sustain serious leg injuries. Though both men were initially trapped, one was able to free himself prior to LAFD arrival.

 

As rescuers focused on the still-trapped man, care and ambulance transportation to a local hospital was provided to the worker who escaped, as well as another man who came forward with unspecified back pain.

 

The LAFD USAR trained personnel worked methodically with specialty tools and the support of fellow firefighters for nearly 80 minutes to skillfully free the man, who was taken to a regional trauma center in serious but stable condition.

 

© Photo by Mike Meadows

 

LAFD Incident 020522-0575

 

Connect with us: LAFD.ORG | News | Facebook | Instagram | Reddit | Twitter: @LAFD @LAFDtalk

In my story about my bad fall where I couldn't get up for two hours, this is where I scooted to in order to have some leverage that might help me get up off the ground. This is where Rose thought it was play time on the ground, and the chickens thought I was lunch. I'll mark some notes on some of the things in the picture. I'll be adding a copy of my true story here in a short while. It is with each photo in this set; so no matter which picture you click on you can read the story.

 

A longer true story than my usual ones is below the row of asterisks.

*************************************************************************

FALL OCCURRED IN THE SPRING

 

That’s right; fall occurred in the spring of 2012. Not the kind of fall like a beautiful autumn, but the kind of fall like Humpty Dumpty. The “splat” type of fall, which must have been painful for him. Mine was surely painful for me.

 

Let me digress a bit. I already have severe arthritis in both of my knees. I was very close to having the Orthopedic Physician’s Assistant refer me to the Orthopedist for knee replacements. The assistant had already seen me for seven to nine visits or so, and a series of Orthovisc® shots, which did not help me. I understand they are a great help to some people, but I wasn‘t one of them. He told me something I was completely unaware of. He said my teeth were bad, which is true. I have upper dentures and only one real tooth in my mouth. The bottom teeth except the one I just mentioned are all rotted away. They didn’t rot completely away; there are still parts of them in and below the gum line. He said they would all have to be surgically extracted before I could have knee replacements done. I asked him, “What do my teeth have to do with my knees?” He said infection can easily set in the rotten teeth and go to the knee or cause problems with my heart, major problems like death. Thus the reader can understand how I arrived at the title for my photo set about my hospital stay…The Knee Bone’s Connected to the Jaw Bone, Huh?

 

I have been walking around with very painful knees for quite awhile now, and I cannot afford the $1,600 to $2,000 to have my teeth surgically extracted. I already paid a dentist $180 for an appointment and a Panaray® X-Ray, over a year ago, just thinking it would be nice to finally get some lower dentures too. I never did get them. He split town, taking or disposing of his equipment and his files and x-rays. That $180 is long gone for me. I cannot even recover that old x-ray. Even if I did recover it, some new dentist would probably say it was out of date.

 

Medicare, which I am on, will pay for the two knee replacements, but here is the rub. They will not pay for dental. I have been in a surgical limbo with all the free pain I can stand.

 

That is the background information probably needed for this little story to be understood. There will be some OMG moments and some laughter. If it were a TV show, they would probably advertise, “You’ll Laugh; You’ll Cry; You’ll Sell Your Chickens; You’ll Call Your Congressman, and You’ll No Doubt Charge Your Cell Phone!”

 

That brings us to Thursday the 15th of March, 2012. (Beware the Ides of March). My daughter called to see if I could and would watch Rose all day Friday the 16th , as she had forgotten that she had signed up to be chaperone for her daughter, Anna Leigh’s, school field trip. It was going to be quite a bit out of town, the other direction from where I live. It was to be a special day. I wanted to be their hero; so I said sure. Some of you have seen Rose, the Hungarian Vizsla puppy among my photos. Rose is beautiful and young, and strong, and undisciplined and should probably be named Wild Rose. I love her, but she is a major handful. I had already watched her for 8 days while they went on a trip out of state, got one day off and then volunteered to do Friday the 16th.

 

Rose isn’t housebroken yet; so I took her out several times to encourage her to go outside. I was alone as far as other humans, and my daughter and granddaughter were about 60 miles away, on a school bus and then museum field trip. I live about 60 miles the other way from their home. It had been raining off and on and the ground and grass and driveway and mud were all pretty wet. My other trips outside with Rose that morning had been fine. I only had a thin shirt on, no extra shirt or jacket. I did not think I would be out in the yard very long.

 

Rose pulled on the leash too exuberantly, as she does often (she is five and a half months old, and has had puppy obedience training, but is in dire need of more of it). I slipped on a muddy and grassy slope. My right leg went out in front of me, and I fell on my rear end. My left leg folded underneath my thigh and toward my rear, and my weight, which is a lot, crunched it. It was bent backward way further than a knee is supposed to bend. I screamed bloody murder. I was afraid to even try to get up, as I thought I had probably torn a ligament or two.

 

Rose thought it was play time and was all over me. There was not a thing in sight that would give me any leverage to hold me up or to help me get up. I sat and I pondered what to do. My daughter and Anna Leigh would not be home for nearly 6 more hours. I thought, well I’ll just call 911 (the emergency number where we live). Wrong! No cell phone with me. It was inside their house, being charged up; ironically so it would be ready when I needed it.

 

I tried yelling for help. Nothing! A neighbor about a half an acre away, was mowing, and every time the mower cut off, I tried screaming for help. He must have had headphones on or something. Cars would drive by on the road way down the driveway, and I would yell, but no one had their windows down on that day. Did you know that when you have upper dentures and no lower ones, and you yell really hard, that it blows the upper dentures right out of your mouth? When I tried to hang onto them to keep them in my mouth, I was unable to cry out very loudly. I just thought I would throw that little trivia in. I didn’t know until that day.

 

I knew I couldn’t make it back in the house. There were too many upward slopes and an exposed aggregate patio and a few stairs. The front of the house was even worse, as it had more stairs. I looked down the driveway and saw a vehicle which had some metal protrusions, on the order of spare tire holder or something like that. I decided to try to scoot on my rear down to that metal thing. I thought perhaps it would give me leverage to get up. Rose thought that it was great fun to romp on and around me.

 

I thought the four chickens would be afraid to come around Rose. No, they are not very intelligent. They came right up to me and Rose and started pecking on me. I had never been pecked on by chickens before, and there I was on the ground with no help and Rose alternating between trying to attack the chickens and trying to play with me. Rose’s playfulness sort of resembles an attack, anyway. I scooted faster, much faster.

 

There was a light rain, but it was getting a little heavier. There was also a dusting of snow mixed with the rain. I was wondering how long it would take to get Exposure. I was wondering about Shock also. Can a person who has Exposure or Shock know that they have it? Ominous looking clouds were blowing quickly toward me. It was 1:30 P. M. when I fell. I didn’t have my phone, but I had my watch.

 

I scooted methodically toward the vehicle closest to me. I think it was about 100 feet. I got to it, and thought if worse came to worse with the weather, I could roll under the back of it. I did not relish thought of cold dark ground and spiders, but thought it might be better to risk them than the weather. I saw some wide strapping tape on the spare tire, which was loose. I didn’t want to risk hoisting myself up on the spare and its frame, as it was quite loose. But I took the tape and wrapped it around the metal thing that was separate from the spare tire things, and made it softer for my arm to lean on. I tried to prop myself up. No use; I fell back down. Not enough leverage. I put Rose’s leash handle on the trailer hitch. I didn’t want to just let her run free and maybe get hit by a car.

 

I tried again to get up and made it to both knees. It hurt so badly I went back down again. I noticed the license plate on the vehicle renewed on the ninth month of 2011. That said 911. I thought, “Oh yeah right, you inanimate license plate. Go ahead and taunt me! You know I can’t call 911.” I got a chuckle out of my own joke, and gave myself a figurative pat on the back for being resourceful about trying to get up.

 

I tried again. I got on both knees but the right one was in gravel that really hurt. Then I thought which knee should I put forward and which one should I try to rise on. I tried one, and it didn’t seem as if it would work so I tried the other way. That wasn’t the right way either. Finally I tried the first way again. I told myself on the count of three I would stand up, even if it hurt excruciatingly, I would scream but I would still get up. False start! Down again! I tried again and got up. I was standing!

 

Now was the problem of how to go anywhere, not knowing if my left knee would buckle at any time. I thought I had to try. I spotted my own truck further down the driveway, and decided to try to make it to it. I walked between two vehicles very carefully and slowly and got to my truck. I unlocked it with the remote key which I had in my pocket. After 11 years of driving it, the seat is pretty well conformed to me; so I didn’t have to bend my knees to sit down in it. I just leaned into the seat and put my relatively good right leg in. It was painful to bend my left knee to get it in the truck, but I did. Rose was still tied to a trailer hitch further back in the yard, but she was safe.

 

I looked at my watch. It was 3:30 P. M. It took me two hours to stand up and to get to some degree of safety and warmth. I could drive, as my truck is automatic. I drove down the road to a house that Anna had pointed out was where a schoolmate lived. I thought I could ask them to go in my daughter’s house and get my cell phone for me. There was a very large barking dog in the driveway, and no sign of humans, and the mother of the schoolmate has never even met me. I decided to go back to Jennifer’s home.

 

I found a cane in my truck that a charity, a different one than the one later in my story, had given me a few months ago. It is not a very sturdy one, but better than nothing. I did not use it on a regular basis. I used the hook end of it to fetch a large stick lying near the driveway (larger than a normal hiking stick). I pulled it to me, and stood back up out of the truck and used the big stick and the cane and balanced against two vehicles, and decided to try to get back in the house. I did. I got in the recliner and pulled a blanket up over me and slept until they got home.

 

After they got home, we all decided to go to the nearest Emergency room. It was a Friday night by then, and no normal doctor’s hours. We went to one closest to them, but it was still about 27 miles or so. They checked me out and did an x-ray. I told the Physician’s assistant nurse type lady about my knee history. She was fun and nice and caring and a little bit of a comedienne. She said that my left knee was really “ratty” looking on the x-ray. I laughed, because I’m sure it was. I have just never, in all my doctor visits ever had a nurse refer to one of my body parts as “ratty”. I suspect it is not a medical term. They said I sprained my knee, and gave me some medical records to take up to the emergency room (or my doctor) closer to where I live, seventeen miles from my home, the other direction from Jen & Anna. I wanted to be closer to the doctors and hospital that I know. I was given a prescription similar to Vicodin. Someone kindly pointed out that Walgreen’s was visible about a block away and their drive-thru was open. At that point I was still getting around by hobbling and by leaning on Jennifer. So I sat in a chair and she and Anna and Rose drove over to Walgreen’s . It seems as if it took a long time for them get the prescription filled.

 

While I was sitting there waiting, a employee came out to the lobby with clipboard in hand and asked if I were the lady with an injured knee. I replied that I was. She said, OK, come with me and we’ll have you see a triage. I thought it odd that I had already been seen and now they wanted to start all over again. I told her I had already been seen and x-rayed and all. It turned out there was another lady in the waiting room with an injured knee. It probably would have blown the Physician’s Assistant’s mind if I had played dumb and gone through everything again, and then told her when she looked shocked, “I’m coming through again; and this time don’t call my knee “ratty! Funny to imagine, but not a good idea.

 

Finally, my daughter and granddaughter returned to the hospital waiting room. Jennifer had forgotten her checkbook. So back they went and then it turned out, Jennifer couldn’t sign for my prescription, and she didn‘t have my insurance information. Thus, we all drove back over there. I was in line ahead of Jen‘s car. I told the pharmacist that my window did not go down well on the driver’s side, and I could not reach the pills in the drawer. So I would give him paperwork and cards he needed, but to please leave the pills themselves in the slide-out drawer. I said my daughter was right behind me and her window worked; and she would pick them up with my permission. Walgreen’s closed at 10 P. M. and it was about 9:57 P. M. Finally she got the pain pills in the drawer, but when we got out of Walgreen’s I flagged her down to stop and be sure to give me the pills to have with me before we forgot. Jennifer got them and handed them over to me. We laughed about how, at that time of night, it looked for the entire world like some sort of illegal drug deal.

 

We tried to go out for dinner, and the restaurant we chose put the closed sign in their front window as we were approaching. That always makes one feel so welcome, not!

 

Saturday, I rested, and then Sunday they took me to Good Samaritan Regional Medical Center. I had called my normal doctor, and he was out of the country (probably on some Doctors without Borders type thing). He participates in many good will efforts. The doctor filling in for him said to go to the Emergency Room. So I did, and they did an MRI, and I had torn the meniscus in my left knee. I ended up in the hospital for 8 days. No surgery was done to repair anything, because of the dental situation. But I got a walker, and some really nice nurses and physical therapy. I saw all kinds of doctors, and Home Health care people, and Senior and Disabled specialists. They must have taken my blood pressure 100 times, it seems. They always seem surprised that it is very good.

 

Anna Leigh, who is seven years old, threw a coin in the Hospital Fountain and made good wishes for me. She is such a sweetie. My daughter helped to clean up my place so when I went home the walker would fit through the rooms. I don’t know what I do without Jen and Anna. The first few days out of the hospital, I taught Anna how to play Monopoly, and she and Jennifer and I also did puzzles. There were some quality family moments. At one point I was eating a chip or cracker of some kind with my right hand, and trying to place a puzzle piece with my left hand. I got absentminded and stuck the puzzle piece in my mouth. I realized what I had done because the food tasted like cardboard. I took it out of my mouth. Anna about went into hysterics over it. I was laughing too. Anna’s Daddy called Jen about that time, and wanted to know what the laughter was all about. Anna wrote a note to show her Mom so her Mom could tell her Dad what happened. She spelled it phonetically, as she is only in first grade. I think she does really well, but Jen and I cracked up over how much Anna was laughing and over what she wrote. She wrote, “My grandmuther ate a pussel pees.” It looked substantially nastier than it was. Jen and I were cracking up about the note. Anna thought we were still laughing about the event itself, not the note. In any case, we all had some great belly laughs. Since the belly bone is no doubt connected to the brain bone and the knee bone, I think it was very healthy for us.

 

At first a physical therapist helped me in the hospital with a walker and with some small steps. After a few days, I could roam around the hallways on my own with the walker. At that point I took my camera. As I was practicing with my walker I took a number of pictures. I tried very hard to only shoot artsy type things and nothing about any patients or doctors that would invade their privacy. I had a bulletin board in my room just about me. I wrote “Exemplary Patient Award” on the comments. I wanted to see if it would make the nurses laugh. I thought it was funny to give myself an award. I enjoy making people laugh. I was curious if they would erase it, but it was still there when I was discharged.

 

I graduated from the walker to a cane yesterday. A home health physical therapist came to see how I was doing, and brought me a very colorful cane. I like it. It suits me, and it is brand new. There is a charity in my area called Love, Inc. I don’t know if it is just local or nationwide. Anyway, they gave him the cane to bring to me. Really super! Of course, I need to take a photo of it, and add it to this set. I’ll probably do that in the daylight.

 

I am still in surgical limbo, but a charity is going to come out and install grab bars on my shower, and still another charity will build up my recliner (which I sleep in) with a platform so it will be easier to get in and out of. It was suggested that I donate enough to cover the cost of the supplies but not the labor. I will probably make a donation, but I haven’t decided how much yet. I’m going to call my Congressman to see if something can be done about covering some dental procedures. I know him personally. He collects vintage cars, and has at least one Dodge and well over 10 Buicks. When I had a hubcap store, he would drop by and buy hubcaps for some of them. We would chat about politics, and automobiles, and high rent, etc. He probably won‘t be able to help, but I feel I have to try. Not just for me, but for a multitude of people.

 

I’ll close with a quote, although I don’t know who said it, “Be True to your Teeth and they will Never be False to You.” and “That is the Tooth, the whole Tooth, and Nothing but the Tooth.”

  

(3746toyotalandcruiser1969qwhereitriedtogetupresaminit)

"Every day we change the world. But to change the world in a way that means anything that takes more time then most people have. It never happens all at once. Its slow, its methodical, its exhausting. We don't all have the stomach for it!"

"Sometimes we have to look at life like a camera. We have to constantly adjust our settings depending on the amount of light & shadow we want to take in to our lives. If we want to look at the brighter side of life, then all we need to do is open up the aperture of our minds. If we want to settle at the dark side and always feel negative about things, then just speed things up, and never mind the consequences. Sometimes, we can get it right through trial & error. Sometimes, we just want to give it a test shot and see if it works. For perfectionist who approaches life methodically and wants to get it right every click of the way, then a light meter is always at their side. And for some, they'll just spray and pray. There are people who look life in a different perspective. Some have a wide angle of view with every circumstances life throws at them, while some are just narrow & tight minded in some ways. However you want to look at life, a camera is always there as a tool ready to capture life's moments as it unfold."

 

~ Mark Bordeos

 

On the techy side of things...

 

Composition in mind: Selfie with Camera

Camera: Nikon D800

Lens: Nikkor 50mm f1.4G AFS

Props: Rolleiflex Zeiss Planar 80mm f2.8D circa 1956

Lighting Technique: Film Noir

Master: Nikon SU-800 Wireless Speedlight Commander

Main Lights: Nikon SB-600 x 2 as hair lights

Rembrandt Light: Nikon SB-900 camera right

Fill Light: Nikon SB-800 camera left

Powered by Nikon's Creative Lighting System

Schweiz / Berner Oberland - Jungfrau

 

seen on the way from Schynige Platte to First

 

gesehen auf dem Weg von der Schynige Platte zum First

 

High altitude hike Schynige Platte - First

 

Six pearls in six hours: The mountain hike from Schynige Platte to First (or vice versa) must be done once in a lifetime. The first two pearls stand out at the end of the Schynige Platte railway: The flora on the Matten is nearly as diverse as the flowers in the Alpine Garden. After the Loucherhorn, you will encounter pearl number three, the wild karstic landscape in the Güw area. Pearl four, the Sägistalsee, sparkles far below. The largest pearl, however, awaits on the Faulhorn. The view from up there offers everything: Lake Brienz on one side, the overwhelming backdrop of the Jungfrau massif on the other. And further down is pearl six, the Bachalpsee, the "blue jewel" of the Bernese Alps.

 

Approximate hike duration: 6 hours

 

(jungfraujoch.ch)

 

The Jungfrau (YOONG-frow[c], German pronunciation: [ˈjʊŋˌfʁaʊ̯], transl. "maiden, virgin"), at 4,158 meters (13,642 ft) is one of the main summits of the Bernese Alps, located between the northern canton of Bern and the southern canton of Valais, halfway between Interlaken and Fiesch. Together with the Eiger and Mönch, the Jungfrau forms a massive wall of mountains overlooking the Bernese Oberland and the Swiss Plateau, one of the most distinctive sights of the Swiss Alps.

 

The summit was first reached on August 3, 1811, by the Meyer brothers of Aarau and two chamois hunters from Valais. The ascent followed a long expedition over the glaciers and high passes of the Bernese Alps. It was not until 1865 that a more direct route on the northern side was opened.

 

The construction of the Jungfrau Railway in the early 20th century, which connects Kleine Scheidegg to the Jungfraujoch, the saddle between the Mönch and the Jungfrau, made the area one of the most-visited places in the Alps. Along with the Aletsch Glacier to the south, the Jungfrau is part of the Jungfrau-Aletsch area, which was declared a World Heritage Site in 2001.

 

Etymology

 

The name Jungfrau ("maiden, virgin"), which refers to the highest of the three prominent mountains overlooking the Interlaken region, along with the Mönch ("monk") and the Eiger ("ogre"), is most likely derived from the name Jungfrauenberg given to Wengernalp, the alpine meadow directly facing the huge northern side of the Jungfrau, across the Trummelbach gorge. Wengernalp was so named for the nuns of Interlaken Monastery, its historical owner. Contrary to popular belief, the name did not originate from the appearance of the snow-covered mountain, the latter looking like a veiled woman.

 

The "virgin" peak was heavily romanticized as "goddess" or "priestess" in late 18th to 19th century Romanticism. Its summit, considered inaccessible, remained untouched until the 19th century. After the first ascent in 1811 by Swiss alpinist Johann Rudolf Meyer, the peak was jokingly referred to as "Mme Meyer" (Mrs. Meyer).

 

Geographic setting

 

Politically, the Jungfrau (and its massif) is split between the municipalities of Lauterbrunnen (Bern) and Fieschertal (Valais). It is the third-highest mountain of the Bernese Alps after the nearby Finsteraarhorn and Aletschhorn, respectively 12 and 8 km (7.5 and 5 mi) away. But from Lake Thun, and the greater part of the canton of Bern, it is the most conspicuous and the nearest of the Bernese Oberland peaks; with a height difference of 3,600 m (11,800 ft) between the summit and the town of Interlaken. This, and the extreme steepness of the north face, secured for it an early reputation for inaccessibility.

 

The Jungfrau is the westernmost and highest point of a gigantic 10 km (6.2 mi) wall dominating the valleys of Lauterbrunnen and Grindelwald. The wall is formed by the alignment of some of the biggest north faces in the Alps, with the Mönch (4,107 m or 13,474 ft) and Eiger (3,967 m or 13,015 ft) to the east of the Jungfrau, and overlooks the valleys to its north by a height of up to 3 km (1.9 mi). The Jungfrau is approximately 6 km (3.7 mi) from the Eiger; with the summit of the Mönch between the two mountains, 3.5 km (2.2 mi) from the Jungfrau. The Jungfraujoch is the saddle between the Jungfrau and the Mönch and the Eigerjoch is the saddle between the Mönch and the Eiger. The wall is extended to the east by the Fiescherwand and to the west by the Lauterbrunnen Wall, although it follows different directions from the Jungfrau and the Eiger.

 

The difference of altitude between the deep valley of Lauterbrunnen (800 m or 2,600 ft) and the summit is particularly visible from the area of Mürren. From the valley floor, west of the massif, the altitude gain is more than 3 km (1.9 mi) for a horizontal distance of 4 km (2.5 mi).

 

The landscapes around the Jungfrau are extremely contrasted. In contrast to the vertiginous precipices of its northwest, the mountain's southeastern side emerges from the upper snows of the Jungfraufirn, one of the main feeders of the Aletsch Glacier, at around 3,500 meters (11,500 ft). The 20-kilometer-long (12 mi) valley of Aletsch on the southeast is completely uninhabited, and is surrounded by neighboring valleys with similar landscapes. The area as a whole constitutes the largest glaciated area not just in the Alps, but in Europe as well.

 

Climbing history

 

In 1811, the brothers Johann Rudolf (1768–1825) and Hieronymus Meyer, sons of Johann Rudolf Meyer (1739–1813), the head of a rich merchant family of Aarau, along with several servants and a porter picked up at Guttannen, first reached the Valais by way of the Grimsel, and crossed the Beich Pass, a glacier pass over the Oberaletsch Glacier, to the head of the Lötschen valley. There, they added two local chamois hunters, Alois Volken and Joseph Bortis, to their party and traversed the Lötschenlücke before reaching the Aletschfirn (the west branch of the Aletsch Glacier), where they established the base camp, north of the Aletschhorn. After the Guttannen porter was sent back alone over the Lötschenlücke, the party finally reached the summit of the Jungfrau by the Rottalsattel on August 3. They then recrossed the two passes named to their point of departure in Valais, and went home again over the Grimsel.

 

The journey was a most extraordinary one for the time, and some persons threw doubts at its complete success. To settle these, another expedition was undertaken in 1812. In this the two sons, Rudolf (1791–1833) and Gottlieb (1793–1829), of Johann Rudolf Meyer, played the chief parts. After an unsuccessful attempt, defeated by bad weather, in the course of which the Oberaarjoch was crossed twice (this route being much more direct than the long detour through the Lötschental), Rudolf, with the two Valais hunters (Alois Volker and Joseph Bortis), a Guttannen porter named Arnold Abbühl, and a Hasle man, bivouacked on a depression on the southeast ridge of the Finsteraarhorn. Next day (August 16) the whole party attempted the ascent of the Finsteraarhorn from the Studer névé on the east by way of the southeast ridge, but Meyer, exhausted, remained behind. The following day the party crossed the Grünhornlücke to the Aletsch Glacier, but bad weather then put an end to further projects. At a bivouac, probably just opposite the present Konkordia Hut, the rest of the party, having come over the Oberaarjoch and the Grünhornlücke, joined the Finsteraarhorn party. Gottlieb, Rudolf's younger brother, had more patience than the rest and remained longer at the huts near the Märjelensee, where the adventurers had taken refuge. He could make the second ascent (September 3) of the Jungfrau, the Rottalsattel being reached from the east side as is now usual, and his companions being the two Valais hunters.

 

The third ascent dates from 1828, when several men from Grindelwald, headed by Peter Baumann, planted their flag upon the summit. Next came the ascent by Louis Agassiz, James David Forbes, Heath, Desor, and Duchatelier in 1841, recounted by Desor in his Excursions et Séjours dans les Glaciers. Gottlieb Samuel Studer published an account of the next ascent made by himself and Bürki in 1842.

 

In 1863, a party consisting of three young Oxford University graduates and three Swiss guides successfully reached the summit and returned to the base camp of the Faulberg (located near the present position of the Konkordia Hut) in less than 11 hours (see the section below, The 1863 Ascent). In the same year Mrs Stephen Winkworth became the first woman to climb the Jungfrau. She also slept overnight in the Faulberg cave prior to the ascent as there was no hut at that time.

 

Before the construction of the Jungfraujoch railway tunnel, the approach from the glaciers on the south side was very long. The first direct route from the valley of Lauterbrunnen was opened in 1865 by Geoffrey Winthrop Young, H. Brooke George with the guide Christian Almer. They had to carry ladders with them in order to cross the many crevasses on the north flank. Having spent the night on the rocks of the Schneehorn (3,402 m or 11,161 ft) they gained next morning the Silberlücke, the depression between the Jungfrau and Silberhorn, and thence in little more than three hours reached the summit. Descending to the Aletsch Glacier they crossed the Mönchsjoch, and passed a second night on the rocks, reaching Grindelwald next day. This route became a usual until the opening of the Jungfraujoch.

 

The first winter ascent was made on 23 January 1874, by Meta Brevoort and W. A. B. Coolidge with guides Christian and Ulrich Almer. They used a sled to reach the upper Aletsch Glacier, and were accompanied by Miss Brevoort's favorite dog, Tschingel.

 

The Jungfrau was climbed via the west side for the first time in 1885 by Fritz and Heinrich von Allmen, Ulrich Brunner, Fritz Graf, Karl Schlunegger and Johann Stäger—all from Wengen. They ascended the Rottal ridge (Innere Rottalgrat) and reached the summit on 21 September. The more difficult and dangerous northeast ridge that connects the summit from the Jungfraujoch was first climbed on 30 July 1911 by Albert Weber and Hans Schlunegger.

 

In July 2007, six Swiss Army recruits, part of the Mountain Specialists Division 1, died in an accident on the normal route. Although the causes of the deaths was not immediately clear, a report by the Swiss Federal Institute for Snow and Avalanche Research concluded that the avalanche risk was unusually high due to recent snowfall, and that there was "no other reasonable explanation" other than an avalanche for the incident.

 

The 1863 Ascent

 

The Führerbuch of the Alpine guide Peter Baumann records an ascent of the Jungfrau made by himself with three men from England in July 1863. The foreign climbers were long thought to have been John Tyndall, J.J. Hornby and T.H. Philpott, until in 1958 the records were checked by the Alpine Club and the following conclusion was reached:

 

On July 23, 1963, Phillpotts, with James Robertson and H.J. Chaytor, climbed the Jungfrau (the entry shown in A.J. 32. 227 was wrongly transcribed by Montagnier, who says ‘T.H. Philpott’ for J.S. Phillpotts). The entry in Peter Baumann’s Führerbuch (facsimile in A.C. archives) says that the trio crossed the Strahlegg Pass and the Oberaarjoch, and then climbed the Jungfrau from the Eggishorn.

 

Tyndall, Hornby and Philpott were well-known Alpinists, but there is no record of their having attempted the Jungfrau in 1863. Robertson, Chaytor and Phillpotts were novices; they had recently graduated from Oxford University where they had all been keen members of the Oxford University Boat Club.

 

William Robertson (1839–1892), the leader of the expedition (wrongly called ‘James’ in the Note quoted above), was an Australian by birth, and the first non-British national to take part in the Oxford and Cambridge Boat Race. He later became a barrister and member of parliament in Australia. He and H.J. Chaytor (possibly the father of the medievalist Henry John Chaytor) were both members of the victorious Oxford team in the 1861 Boat Race. James Surtees Phillpotts (1839–1930) was the third member of the team; he would later become headmaster of Bedford School. The trio had three Swiss guides, Peter Baumann, Peter Kaufmann ("Grabipeter", father of Peter Kaufmann the younger) and Rubi.

 

A description of the ascent of the Jungfrau is contained in a letter dated Sunday 26 July which Phillpotts wrote to his friend Alexander Potts (later to become the first headmaster of Fettes College). The letter is now in the possession of the Alpine Club. The following extracts are from that letter.

 

The Virgin certainly did not smile on the poor "fools who rushed in" on her sacred heights, i.e. in plain British, we had the treadmill slog, the biting wind, the half frost-bitten feet and the flayed faces that generally attend an Alpine ascent.

 

We got to the Faulberg hole about dark, and enjoyed the coffee the longman (Kauffmann) made, as one would in a hole in a rock in a cold evening. The "Faulberg Nachtlager" consists of two holes and a vestibule to the upper hole. The Upper Hole in which we lodged just contained Chay[tor], the Guv [Robertson] and myself, stretched at full length on a little hay over a hard rock mattress, convex instead of concave at the point where one likes to rest one's weight. Chaytor was in the middle, and as we were very close was warm and slept. The Guv and I courted Nature's soft nurse in vain. At two we got up and methodically put our feet into the stocks, i.e. our boots, breakfasted and shivered, then started (unwashed of course, as the cold gave us malignant hydrophobia) a little after 3:30.

 

The hole was about 150 feet [46 m] up one of the loose stone cliffs one now knows so well. So we groped our way down it and over the moraine – the stars still lingering, as day was just dawning. We could not start at 1:30, the proper time, as there was no moon and we wanted light as we had to tramp the glacier at once. Rubi led, and off we went, roped and in Indian file, in the old treadmill way over the slippery plowed-field-like snow that lay on the upper glacier, for a pull without a check of one or two hours.

 

At last we came to the region of bergschrunds and crevasses. They seemed to form at first an impassable labyrinth, but gradually the guides wound in and out between the large rifts, which were exquisitely lovely with their overhanging banks of snow and glittering icicles, and then trod as on pins and needles over a snowbridge here and there, or had to take a jump over the more feasible ones – and we found ourselves at the foot of the mountain; trudged up on the snow which ought to have been crisp but was even then more or less fresh fallen and sloppy; had to creep over about three crevasses, and after a tiresome pull, dragging one leg after another out of ankle or knee deep snow, we got on a crest of snow at right angles to the slope we had just come up. That slope with its crevasses on one side, and on the other a shorter and much steeper one which led in a few steps to a precipice.

 

All along this crest went a snakelike long crevasse, for which we had continually to sound, and go first one side and then the other; then we got to the foot of the saddle. Some twenty or thirty steps, some cut, some uncut, soon took us up a kind of hollow, and we got on a little sloping plateau of some six feet [1.8 m] large, where we left the grub and the knapsack, keeping my small flask of cognac only. Then up a steep ice slope, very steep I should say, down which the bits of ice cut out of the steps hopped and jumped at full gallop and then bounded over to some bottomless place which we could not see down. Their pace gave one an unpleasant idea of the possible consequence of a slip.

 

Here we encountered a biting bitter wind. Peter Baumann cut magnificent steps, at least he and Rubi did between them, the one improving on the other's first rough blows. After Rubi came Chaytor with Kauffmann behind him, then the Guv, and then myself, the tail of the string. Each step was a long lift from the last one, and as the snow was shallow they had to be cut in the ice which was like rock on this last slope.

 

Suddenly there burst upon us, on lifting our heads over the ridge, the green and cheerful valleys of Lauterbrunnen and Interlaken, of Grindelwald and a distant view of others equally beautiful stretching on for ever in one vast panorama. On the other side in grim contrast there was a wild and even awful scene. One gazed about one and tried in vain to see to the bottom of dark yawning abysses and sheer cliffs of ice or rock.

 

Tourism

 

Named after the Jungfrau, the Jungfrau Region of the Bernese Oberland is a major tourist destination in the Alps and includes a large number of railways and other facilities. While the mountain peak was once difficult to access, the Jungfrau Railway, a rack railway, now goes to the Jungfraujoch railway station at 3,454 m (11,332 ft), therefore providing an easy access to the upper Aletsch Glacier and a relatively short access to the Jungfrau itself, the height difference between the station and the summit being only 704 metres and the horizontal distance being slightly less than 2 kilometres. As a result, in the popular mind, the Jungfrau has become a mountain associated with the Bernese Oberland and Interlaken, rather than with Upper Valais and Fiesch.

 

In 1893, Adolf Guyer-Zeller conceived of the idea of a railway tunnel to the Jungfraujoch to make the glaciated areas on its south side more accessible. The building of the tunnel took 16 years and the summit station was not opened before 1912. The goal was in fact to reach the summit of the Jungfrau with an elevator from the highest railway station, located inside the mountain. The complete project was not realized because of the outbreak of the World War I. Nevertheless, it was at the time one of the highest railways in the world and remains today the highest in Europe and the only (non-cable) railway on Earth going well past the perennial snow-line.

 

The Jungfrau Railway leaves from Kleine Scheidegg, which can be reached from both sides by trains from Grindelwald, and Lauterbrunnen via Wengen. The train enters the Jungfrau Tunnel running eastward through the Eiger just above Eigergletscher, which is, since 2020, also accessible by aerial tramway from Grindelwald. Before arriving at the Jungfraujoch, it stops for a few minutes at two other stations, Eigerwand (on the north face of the Eiger) and Eismeer (on the south side), where passengers can see through the holes excavated from the mountain. The journey from Kleine Scheidegg to Jungfraujoch takes approximately 50 minutes including the stops; the downhill return journey taking only 35 minutes.

 

A large complex of tunnels and buildings has been constructed at the Jungfraujoch, referred to as the "Top of Europe". There are several restaurants and bars, shops, multimedia exhibitions, a post office, and a research station with dedicated accommodation facilities. An elevator enables access to the top of the Sphinx and its observatory, at 3,571 m (11,716 ft), the highest viewing platform of the area. Outside, at the level of the Jungfraujoch, there is a ski school, and the "Ice Palace", a collection of elaborate ice sculptures displayed inside the Aletsch Glacier. Another tunnel leads to the east side of the Sphinx, where one can walk on the glacier up to the Mönchsjoch Hut, the only hotel infrastructure in the area.

 

Apart from the Jungfraujoch, many facilities have been built in the Jungfrau Region, including numerous mountain railways. In 1908, the first public cable car in the world, the Wetterhorn Elevator, opened at the foot of the Wetterhorn, but was closed seven years later. The Schilthorn above Mürren, the Männlichen above Wengen, and the Schynige Platte above Wilderswil, offer good views of the Jungfrau and the Lauterbrunnen valley. On the south side, the Eggishorn above Fiesch also offers views of the Jungfrau, across the Aletsch Glacier.

 

Climbing routes

 

The normal route follows the traces of the first climbers, but the long approach on the Aletsch Glacier is no longer necessary. From the area of the Jungfraujoch the route to the summit takes only a few hours. Most climbers start from the Mönchsjoch Hut. After a traverse of the Jungfraufirn the route heads to the Rottalsattel (3,885 m or 12,746 ft), from where the southern ridge leads to the Jungfrau. It is not considered a very difficult climb but it can be dangerous on the upper section above the Rottalsattel, where most accidents happen. The use of the Jungfrau Railway instead of the much more gradual approach from Fiesch (or Fieschertal), via the Konkordia Hut, can cause some acclimatization troubles as the difference of altitude between the railway stations of Interlaken and Jungfraujoch is almost 3 km (1.9 mi).

 

(Wikipedia)

 

Höhenwanderung Schynige Platte – First

 

Sechs Perlen in sechs Stunden: Die Höhenwanderung von der Schynige Platte nach First (oder umgekehrt) muss man einmal im Leben gemacht haben. Die ersten zwei Perlen glänzen gleich bei der Endstation der Schynige Platte Bahn: Die Flora auf den Matten ist beinahe so vielfältig wie die Blumen im Alpengarten. Nach dem Loucherhorn trifft man auf Perle drei, die wilde Karstlandschaft im Gebiet Güw. Perle vier, der Sägistalsee, funkelt tief unten. Die grösste Perle wartet jedoch auf dem Faulhorn. Die Sicht von dort oben schlägt alles: der Brienzersee auf der einen Seite, die überwältigende Kulisse des Jungfraumassivs auf der anderen. Und weiter unten kündigt sich bereits Perle sechs an, der Bachalpsee, der als «blaues Juwel» der Berner Alpen jeden begeistert.

 

Ungefähre Wanderzeit: 6 Stunden

 

(jungfraujoch.ch)

 

Die Jungfrau ist ein Berg in der Schweiz. Sie ist mit 4158 m ü. M. der dritthöchste Berg der Berner Alpen und bildet zusammen mit Eiger und Mönch eine markante Dreiergruppe, ein sogenanntes «Dreigestirn».

 

Am 13. Dezember 2001 wurde die Jungfrau zusammen mit südlich angrenzenden Gebieten als Schweizer Alpen Jungfrau-Aletsch in die Liste als UNESCO-Weltnaturerbe aufgenommen.

 

Lage und Umgebung

 

Über den Jungfrau-Gipfel verläuft die Grenze zwischen den Kantonen Bern und Wallis. Der Berg ist ausserordentlich vielgestaltig. Im Norden und Nordwesten, auf ihrer „weiblichen“ Schauseite (vgl. Foto) sind ihr Wengen-Jungfrau, Schneehorn, das Silberhorn, das Chly Silberhoren und der „Schwarzmönch“ vorgelagert sowie die zerrissenen Kühlauenen- und Giessengletscher. Im Westen erhebt sie sich fast eisfrei volle 3250 Meter über dem hinteren Lauterbrunnental. Es ist dies (nach dem Mont Blanc) der zweithöchste direkte Abhang in den Alpen. Ihre Südwand erhebt sich über dem versteckten Rottalgletscher und ihre Ostwand über den Firnen am Jungfraujoch.

 

Die Pläne, auf die Jungfrau eine Bergbahn zu bauen, wurden aufgrund finanzieller Schwierigkeiten nicht realisiert. Die ursprünglich bis unter den Gipfel geplante Jungfraubahn wurde bis 1912 mit Endstation Jungfraujoch fertiggestellt.

 

Auf dem untersten Absatz des Nordostgrats haben die PTT einen Funk-Umsetzer auf 3777 m ü. M. installiert.

 

Geologie

 

Die Jungfrau liegt im nördlichen Randbereich des Aarmassivs, eines der sogenannten Zentralmassive der Schweizer Alpen. Ihre höheren Lagen (Silberhorn, Wengen-Jungfrau und Hauptgipfel) sowie ihre Westflanke bis hinunter zum oberen Ende des Lauterbrunnentals sind weit überwiegend aus kristallinem Grundgebirge (prä-triassische Gneise, Glimmerschiefer u. ä.) der Helvetischen Zone aufgebaut. Die Nordwestflanke hingegen, der ganze «Vorbau» (Schwarzmönch, Rotbrett und Schneehorn) besteht aus sedimentärem, überwiegend jurassischem und kretazischem Deckgebirge des Helvetikums. Eine Besonderheit der Jungfrau ist, dass dort zwischen dem prinzipiell autochthonen Gipfel-Kristallin und dessen Deckschichten ein Überschiebungs-kontakt besteht; somit ist das Grundgebirge geringfügig auf sein Deckgebirge überschoben worden.

 

Name

 

Der Name Jungfrau dürfte sich von der Wengernalp am Fusse des Berges ableiten, die – nach den Besitzerinnen, den Nonnen vom Kloster Interlaken – früher Jungfrauenberg genannt wurde. Einer anderen Quelle zufolge leitet sich der Name vom Aussehen des Nordhanges des Berges ab, der aus der Ferne dem Schleier eines Mädchens ähneln soll.

 

Nach dem Berg ist die Jungfrau-Region benannt, die Tourismusorganisation der Orte Grindelwald, Wengen, Mürren und Lauterbrunnen, ausserdem die Jungfraubahn Holding AG, die neben der Jungfraubahn selbst auch die anderen Bergbahnen in der Region betreibt.

 

Besteigungsgeschichte

 

Bergsteiger auf dem Gipfel im Jahr 1878

Erstbesteiger waren Johann Rudolf Meyer und sein Bruder Hieronymus mit den Führern Joseph Bortis und Alois Volken, die am 3. August 1811 vom Lötschental her den Berg von Süden erklommen hatten. Sie folgten ungefähr der heutigen Normalroute. Der Volksmund taufte daraufhin die bis dahin unberührte Jungfrau «Madame Meyer».

 

1874 erfolgte die Winter-Erstbesteigung durch die Alpinistin Margaret Claudia Brevoort.

 

Die Jungfrau gilt, obwohl leicht erreichbar, als unfallträchtiger Berg. Bei einem der schwersten Unglücke stürzten am 12. Juli 2007 sechs Rekruten der Gebirgsspezialisten-Rekrutenschule Andermatt vom Rottalsattel 1000 Meter auf den darunterliegenden Rottalgletscher in den Tod, nachdem sie eine Lawine ausgelöst hatten. Das urteilende Militärgericht ging von einem falsch eingeschätzten, heimtückischen Lawinenrisiko aus und sprach in der Folge die verantwortlichen Bergführer frei.

 

Routen

 

Rottalsattel und Südostgrat (Normalroute)

 

Schwierigkeit: ZS-

Zeitaufwand: 4–5 Std. von der Mönchsjochhütte, 3½–4½ Std. vom Jungfraujoch

Ausgangspunkt: Mönchsjochhütte (3657 m)

Talort: Grindelwald (1034 m)

 

Innere Rottalgrat

 

Schwierigkeit: ZS

Zeitaufwand: 6–7 Stunden

Ausgangspunkt: Rottalhütte (2755 m)

Talort: Stechelberg (919 m)

 

Nordwestgrat oder „Rotbrettgrat“

 

Schwierigkeit: S

Zeitaufwand: 8–12 Stunden

Ausgangspunkt: Silberhornhütte (2663 m)

Talort: Stechelberg (919 m)

 

Nordostgrat

 

Schwierigkeit: S+, mit IV. UIAA-Grad Felskletterei

Zeitaufwand: 8–10 Stunden

Ausgangspunkt: Jungfraujoch (3454 m)

Talort: Grindelwald (1034 m)

 

Kunst

 

Erwähnt ist die Jungfrau unter anderem bei Friedrich Schiller, Wilhelm Tell, Vers 628 (1804). Lord Byrons Drama Manfred (1817) spielt am Fuss und auf dem Gipfel des Massivs. Ferdinand Hodler hat die Jungfrau mehrfach gemalt, darunter die perspektivisch verfremdete «Jungfrau über dem Nebelmeer». Alex Diggelmann gab 1958 eine Lithographienmappe unter dem Titel Die Jungfrau, mein Berg heraus. Stephan Bundi gestaltete 2005 eine Schweizer Gedenkmünze mit dem Bergmotiv.

 

Im Januar 2012 wurde zum 100-jährigen bestehen der Jungfraubahn eine übergrosse Schweizer Flagge vom Lichtkünstler Gerry Hofstetter an den Gipfel projiziert. Zeitweise waren neben dem Schweizer Kreuz auch ein Porträt des Zürcher Unternehmers Adolf Guyer-Zeller sowie ein Bild von einem der Züge zu sehen.

 

(Wikipedia)

Yup, I had to do the cheesy pose with your new camera shot! This is Veronica. My Toyo 45A view camera.

 

This camera is ridiculously cool. She's kinda huge, too. At 6lbs, this is not really a camera that you hold in your hands and take snapshots with.

 

There are 2 things I love about this camera: First, It is completely boiled down to the basics of camera technology. Everything is manual. There's no battery. There's no meter. There's no auto-focus. The film comes in sheets.

 

Second, the whole process of shooting with it has to be slow and methodical. Setting up the camera takes time. Composing and focusing takes time. Its good to slow down. That's been my motto over these past few months...

 

Me and Veronica are going to have a lovely time in Glacier National Park in a couple weeks. :-)

The more I railfan, the more I've adopted a "catch and release" policy. Catch the train at an ideal location, get the shot, and let it go. I've saved my chases for trains that are worth following (contains a unique locomotive, special unit train, passenger special). I've found this policy makes me more methodical and careful with selecting locations to catch trains and for composing the image.

 

In this instance, UP 8339 leads the QFRNP through the Sierra Nevada Foothill community of Dutch Flat, CA. I had spotted this train while chasing a westbound containing an ex SP AC4400CW in DPU service. I had time to run to the Sacramento St crossing to see the 8339 pass. Although this train was beautiful, was struggling up the grade, and easy to chase, I got my shot here, let her go, and caught up with my SP DPU. It's all about catching and releasing. :-)

 

© 2013 Patrick Dirden Photography

All Rights Reserved

I love these little dudes so much!!! This is a single frame extracted from one of several videos I shot of Tardigrades which were isolated from moss. The samples were collected from the logs of a pear tree from a neighbour's garden that they cut down last year. The lower portions of the tree are completely covered in moss and every time I've taken samples from it, I've found tardigrades. This is the first time I've caught a clear shot of their little snout!

 

The moss was collected into a petri dish, then rain water was added to it. It was left for 24 hours initially, but then over the following 3 days I transferred small amount of the sample onto microscope slides and methodically worked my way around the slide looking for organisms. As always there were plenty of paramecia and a few Rotifera Bdelloidea (look for a separate video of the Rotifers). In addition, there were a number of tardigrades visible in the sample. Mostly they were playing hide and seek amongst the bits of moss and bark, and I didn't want to risk harming them by trying to separate them! I'm sure there were plenty more in the sample but I have been really unwell with a nasty 'flu virus and pleurasy, so after 3 days of studying the sample, it was returned to where it was found.

 

The microscope used is a C. Baker London vintage binocular histology microscope. The in-built light source wasn't bright enough so additional lighting came from a clip-on LED reading light. Camera was a Canon 1100D attached to the microscope with a T-ring and 10mm extension tube which sits in the eye piece holder. The 10x magnification was used on the turret. All the focusing was done on the microscope, with the live view on the back of the camera as a guide. These organisms are tiny when viewed on the live view screen so it was difficult to keep perfect focus on a small moving object. Next time I try this I want to have a go with Backyard EOS so I can view everything on screen because that will make life easier.

 

I shot lots of short videos and then extracted the still frames using PIPP. I chose my favourite and processed it in Lightroom, Fast Stone Image Viewer and Focus Magic.

Just how does an 85 year-old machine that has over 340,000 miles on it...since it was "retired"...survive to become the envy of the entire tourist railroad industry? It's Tender, Loving Care, pure and simple. To a man, the crews at Strasburg all speak fondly of Great Western #90 and they treat her like the grand old lady that she is...with great care and respect. Here, the fading sunlight highlights one of Strasburg's finest as he methodically checks the temperature of each axle and bearing the way a parent would check a child's temperature...with his bare hand. They all do it...at every stop...it is religion. It is because these folks care so much that we still have machines like #90 and will likely have them for generations to come. Thanks for all you do guys!

Laxpressions is an experiment that taps the creative pulse of the inhabitants of Los Angeles County, and tests the artistic will of one man and his briefcase, as he stalks all the walks of all the lives and times of days and nights, methodically and photographically, documenting the results.

 

"I take pictures of people in Los Angeles County, with a par of sunglasses, and a copy of the LA.... Xpress. It doesn't cost a thing to try your creative hand and mind only three simple rules: the image must feature 1) you in LA county, with 2) a pair of sunglasses and 3) a copy of the LA...Xpress. It can be done anytime, anyplace, and anywhere, because in Los Angeles County you can always find a pair of sunglasses and a copy of the LA....Xpress." -Barry Boen

 

Laxpressions, Volume I: read the pictures. ©Twentyeleven, Print is Dead Publishing Co. The initial hardcover, 1st ed. press available late Summer 2011 from Print Is Dead Publishing on the shelves of your local bookstores or mail-order online.

Written by my sister:

This pair took about fifteen years to unite--but it was well worth the wait! Hermione is a teenhood doll who I bought brand new in the store. Funnily enough, she seemed almost "too new" to me when I got her and, while she's well-preserved after years of play and display, she does not seem so "new" next to Harry, who I bought off ebay and deboxed in 2021. While I believe my initial intent had been to buy Harry right from the start, these dolls weren't well stocked in our area. In fact, had I not been already collecting Harry Potter dolls and doll shopping heavily when these were released, I may have thought these as mythical as Hogwarts Heroes. I only remember seeing this line at one Target--the day I got Hermione. I'm not sure why it took about fifteen years to buy Harry. For a solid decade, I had a very beat up, very incomplete Hogsmeade Harry standing in--but it was always our intention to upgrade. Shelly used his missing original outfit as inspiration when she made these stands a whole year before I bought this magnificent Harry. Honestly, buying Harry was almost an afterthought. I went on a Mattel Harry Potter frenzy in spring/summer 2021 and was methodically picking off missing dolls from the 2018-2020 lines, aided and abetted by Shelly. After buying everyone I "needed," I remembered that my collection would never truly be "complete" until I had a complete Harry to pair with this Hermione. Honestly, a big motivating factor was taking this photo--though I had not counted on enjoying the candy store tray from his box so much that it would make the photo. For one thing, I loved Hermione's cardboard candy so much that I played with it all the time in my teens. So, I wanted to have Harry too and do a candy themed photo. Also, my dad bought me a Harry Potter calendar every Christmas from 2004 (the 2005 calendar) up until he passed away in 2012. The backdrop here is made up of my first, and very favorite calendar. I knew this calendar would look beautiful behind these dolls, especially with the stands Shelly made in 2020. I like the 2005/2006 calendars best because of the artwork. I'm not an art expert, but I can tell that part of it isn't just screenshots from the film, but actually art blended in somehow. I always thought it was special/beautiful. I think these dolls are special and beautiful as well. I'm sure anyone who has read any of my Harry Potter photo write-ups is tired of hearing it, but, even though my father has been gone for nine years, he is still so much a part of this photo. He bought me Hermione and, if he'd had the chance at any point, he'd have bought me Harry too (and he actually did buy me a Hogsmeade Harry--my very battered, incomplete one). I wish he could see this pair, united at last, standing in front of a calendar he bought me my junior year of high school! They are truly a vision together, everything I imagined and more, and they bring me back to the days when the Azkaban merch was in stores! They also make me want to eat candy...not sure why.

When Big Spike wants treats and doesn't get them he starts methodically knocking everything off the table

I have posted images of this man maybe twice before. In short, through the cold of Winter and the burn of Summer, this man s on this corner, selling umbrellas and hats.

 

He is quite the subject for a portrait, though I will likely never ask him for one. Instead, he and I engage in an unspoken game of cat and mouse each day. He sees me with my camera and I see him, looking like the most iconic of street candid material daily, each of us knowing that I want to take his image when he least expects it. Somedays he just stares me down, others, he methodically ducks out of the frame.

 

On this particular day, I saw my man resting (he seemingly sleeps with one eye open), so I crossed the street instead of walking by him. I then noticed the light was ideal for the shot I wanted and decided to cross the street behind him, and take this. When I framed him for this I noticed the dollar bill by the back leg of his chair…I'm convinced it was a trap.

 

After snapping the image, I had to pass by him, at which point I think I heard a baritone chuckle bellowing from under the brim of his hat.

© Brian E Kushner

  

Chickadeelike

Typical Voice

 

*

Size & Shape

 

Tufted Titmice look large among the small birds that come to feeders, an impression that comes from their large head and eye, thick neck, and full bodies. The pointed crest and stout bill help identify titmice even in silhouette.

*

Color Pattern

 

Soft silvery gray above and white below, with a rusty or peach-colored wash down the flanks. A black patch just above the bill makes the bird look snub-nosed.

*

Behavior

 

Tufted Titmice are acrobatic foragers, if a bit slower and more methodical than chickadees. They often flock with chickadees, nuthatches, and woodpeckers and are regular visitors to feeders, where they are assertive over smaller birds. Their flight tends to be fluttery but level rather than undulating.

*

Habitat

 

You’ll find Tufted Titmice in most eastern woodlands below 2,000 feet elevation, including deciduous and evergreen forests. Tufted Titmice are also common visitors at feeders and can be found in backyards, parks, and orchards.

 

Measurements

Both Sexes

 

Length

5.5–6.3 in

14–16 cm

Wingspan

7.9–10.2 in

20–26 cm

Weight

0.6–0.9 oz

18–26 g

 

Relative Size

 

Noticeably larger than a chickadee

 

Other Names

 

* Mésange bicolor (French)

* Paro, Copetoncito norteño (Spanish)

Introduction

 

The doctrine of the ‘Body of Light’ is replete throughout Western esoteric literature. Unfortunately, while many references are made to the concept, little information is supplied regarding its origin (or formation), stages of growth, and applications. The purpose of this document is to supply qabalistic and alchemical students with a workable esoteric theory, and practical technique, regarding this often obscure subject.

 

Theoretical and Historical Background

 

The origin of the “body of light” is seen in gnostic literature as early as the first century. However, extensive documentation and theory exist in Chinese, Mongolian, Tibetan, and Indian literature and practices of an earlier date. Under the general heading of chi kung, or Chinese internal alchemy, these practices are designed to create and mature a body of subtle astral and etheric energy that is capable of existence independent of material consciousness. This body is also thought to be capable of infusing the material body with sufficient energy to allow it to become more subtle and ‘etherial’. This ‘etherialization’ is said to make the physical body, under the direction of the adept, capable of de-materialization at the time of death. Enoch, Ezekiel, the ascension of Jesus, his mother Mary, and even Mohammed with his horse, are often given as examples of this form of dematerialization in Western spiritual literature.

 

Unfortunately, while Eastern systems have maintained a working technical tradition of the theory and its application needed to achieve this goal, little information remains in the West of a similar nature. The idea of the ‘simulacrum’ is the closest we have, and may very well be the starting point of such experimentation. It can be seen from the Eastern literature available, that the idea of the “Body of Light” often called the “Rainbow” or “Diamond Body” is the perfection of a vehicle for the exteriorization (projection), and continuation of consciousness beyond material reality. This paper will attempt to show how the development of this body can be achieved through existing qabalistic practices, and that the stages of its growth corresponds to total realization on the Lunar (Yetzirah), Solar (Briah), and Saturnian (Daath) planes of consciousness.

It is important to realize what is meant by these ‘planes’ however, as they can be confusing when first encountered as an esoteric teaching. When the Cosmic created the universe, humanity, or the ‘human seed’, that aspect of consciousness which was to grow into realization of godhood, descended from primal unity. This unity is symbolized by the Divine World of Atzilooth, and the Holy Upper Trinity in the Tree of Life.

 

When consciousness experiences increasing levels of density as matter is created, duality forms and continues to the material world. This first descent from unity to duality is the so-called “Fall” and to prevent a premature return to Unity, that is before all of creation could be encountered, a barrier was placed called in qabalistic literature, the Abyss. This is the “First Day of Creation” or appearance of time/space. As the descent continued, the human seed experienced progressive levels of sexual polarization as well as being further removed from its memory of Divine consciousness. After the level of Divine Harmony in creation, or Tiphareth, the center of humanity's sense of self, an additional barrier was created, the Veil, or Paroketh. This is the appearance of individuality free of the Divine spark. Finally, a third barrier of Veil is encountered, and that is what separates material creation from the psychic and spiritual worlds. Here, humanity has no memory of its Divine origin, and has complete free will to seek what it desires.

Dolores Ashcroft-Nowicki, states, “When working in this way [Pathworking] you are using the astral body, and you know already about your Magical Personality1) which has been quietly growing in strength with each month’s work. But there is another form used by some magicians, the Body of Light. Some think that it is the same as the astral body, but it is in fact quite different. The astral is an etheric form common to everyone, a Magical Personality is acquired through practice and concentration. The Body of Light is deliberately built for a purpose, another term for it is ‘cowan’. It is not easily formed, some people never manage it, or at least not fully, and once it is formed it can be troublesome, and requires firm handling.” P. 153, The Ritual Magic Workbook Ms. Ashcroft-Nowicki further states that the Body of Light can acquire a kind of ‘self consciousness’ after a period of development. This idea is also stated in Tibetan and Chinese literature. The small ‘child of light’ is often compared to a fetus in the astral womb of the practitioner’s aura and temple. It must be matured, fed, educated, and grown to proper strength so that is can be a help to the magician and not a hindrance, or even potential danger. However, like in all occult activity, dangers come more often from rushing through preliminary work instead of allowing it to proceed in a healthy and natural pace, than from the exercises themselves actually being psychically dangerous. She also goes on to say that few Western magicians have ever been able to master the technique fully, although no reasons are given. When we attempt esoteric exercises and a return to Primal Unity, we must pierce the first Veil, or that of the Gate of Life and Death. So called, because few people pierce it except during near-death-experiences (NDE’s), Out-of-Body experiences (OOBE’s), or physical death itself. The astral body has access to three levels of consciousness, and then must be shed, encountering the ‘Second Death” in order to penetrate the Veil, or Paroketh, to the next three levels. However, precautions must be undertaken to avoid the destruction of the astral body if the Second Death is to be avoided. If this is not done, then it must be reconstructed with a new birth. Above the Solar World, the Resurrection Body is established, and it is the ‘body’ or expression of consciousness used for Reintergration to Unity.2)

It is possible, as this paper will attempt to show, that just as there is confusion among some students regarding the Body of Light as being the astral body, there may also be confusion regarding its actual purpose — that of extended consciousness, or ‘surviving the Second Death’. When its function is clearly understood, then greater attempts can be made to realize its full potential. Mead and the Subtle Body: GRS Mead wrote a booklet around the turn of the century titled, The Doctrine of the Subtle Body in the Western Tradition. It very well may be one of the few books dedicated to this subject available, and while it is full of scholarly research regarding the theories and beliefs regarding the subtle body, it lacks any description of the techniques used to experience it. The material quoted is almost exclusively Gnostic-Christian in origin: Mead states that the doctrine of the subtle body achieved its highest expression in India, although he may have been unaware of other oriental teachings, and that notions of the subtle body develop along with those of alchemy and astrology. This is both true in East and West, and is seen in the techniques often suggested for use by the student. This astrology has nothing to do with “..vulgar horoscopy, philosophic astral theory set up a ladder of ascent from the earth to the light world.” (p.9) Mead also states: “But even as there was a deeper, more vital, side of astrology, a subtler phase intimately bound up with the highest themes of sidereal religion, so there was a supra-physical, vital and psychic side to alchemy — a scale of ascent leading finally to man’s perfection in spiritual reality.” (p.13)

Mead also states that Zosimus states catagorecally that the Rites of Mithras were identical in purpose to the practices of alchemy, and is the only complete ritual of the Mithrian cult that has survived to present time, and its theurgical practices are similar to Indian yoga. (p.30) The ritual also states clearly that it is the method whereby spiritual perfection and birth of the subtle body are attained. As in the Sepher Yetzirah and the Golem, the body of Light is often suggested.

 

Three Levels of Light: The three basic ideas around the subtle body are that it progresses though the levels of the spheres, increases in power and purity, and is made of light and/or fire. It is described as : the spirit-body, the radiant body, and the resurrection body, depending on its degree of purity. Mead points out that there is the possibility of extreme confusion when reading the ancient literature and the vocabulary used to describe the spiritual body. Despite appearances to the contrary, Mead asserts that the spiritual body is essentially one, and that the sidereal body, has nothing to do with today’s (1919) astral body. The Spirit-Body, orsoma pheumatikon, is the force closely aligned to the physical body. Similar to the nephesch, or vegetative-animal soul, in Jewish Qabalah. The Radiant Body, allows us to experience the Vision of Beauty Triumphant as referred to in modern qabalistic schools: “Tiphareth translates to Beauty. It is located on the Pillar of Balance which is the Pillar of consciousness and corresponds, we are told, to the highest state in which a man incarnate on this earth can live, that is, a man “of flesh and blood.” This does not mean that he cannot receive the influences of the higher sepheroth (higher according to the Tree), perceive or live something of their nature and mode of action. This means that a man capable of remaining in Tiphareth has “spiritualized” his matter, has formed his glorious body and has obtained the power to go beyond incarnation.” “There was a time when we they could behold Beauty in all its brilliance, when, together with the rest of the Blessed Company — we [philosophers] in the train of Zeus, and other [ranks of souls] in the train of the Gods — they both beheld the beatific spectacle and [divine] vision, and where initiated into that mystery, which may be called the holiest of all, in which we joyed in mystic ecstasy.” (p. 58) Proclus states,

“Moreover, the radiant vehicle (augoeides ochema) [corresponds] with heaven, and this mortal [frame] with the sublunary [region]”. While the Christian doctrine of the resurrection of the flesh was hotly contested during its developmental stages, with the ‘flesh lovers as they were called, winning out over those believing in a purely spiritual resurrection. Mead points out that the belief in physical resurrection was not universally accepted by the Jews of Jesus’ day, yet, there was a strong Biblical and midrashic tradition of increasing in grades of purity of the individual allowing for ascension and resurrection to take place. The descriptions of these accounts, Elijah and Jesus, suggest that the bodies they inhabited were the same, and yet not the same. They were tangible, yet could overcome material limitations, such as Jesus’ passing through the locked door. Elijah, unlike Jesus however, did not die, but was taken into heaven bodily in a chariot of fire. These ‘bodies’ in fact, are not really separate bodies, but increasingly purified expressions of the personality, the individual and unique expression of God we all carry within us. As one ‘body’ or expression is purified and ‘dies’ another takes its place. What makes the resurrection body different is that while it can and does exist within the material world, it is free from material constraints. This perfect body was, or is, essentially a quintessence. It is differentiated into subtle and simple elements, where as the physical body is contaminated by the grosser elements. The Mithraic initiation states:“O Primal Origin of my origination; Thou Primal Substance of my substance; First Breath of breath, the breath that is in me; First Fire, God-given for the Blending of the blendings in me; First Fire of fire in me; First Water of my water, the water in me; Primal Earth-essence of the earthly essence in me; Thou Perfect Body of me!..” (p. 102, and A Mithraic Ritual, London 1907)

 

The technique suggested by Ashcroft-Nowicki is the simplest and most direct. However, while no specific rituals are employed, as in A.S. method, it is suggested that the ritual be performed in a consecrated temple to prevent the simulacrum from wondering. She also states that when the B.O.L. is sufficiently developed to begin to desire acting on its own, that it should be given firm disciplining.“With the constant implanting of consciousness, even the tiny amount used here, the cowan [Body of Light] will eventually gain a half conscious mind of its own. You will in fact have partially ensouled it. At this point, it will almost certainly make a bid for freedom. Something you cannot allow for it has no protection against the darker forces who will take it over and use it against you and even against those with whom you are involved. They will think it is you and trust the appearance. Therefore the moment you feel as if the cowan is getting above itself, give it a good psychic shake, and in no uncertain terms remind it who is boss.” She then suggests withdrawing all contact with the cowan for a lunar month, and to feel no sympathy for this self-created and projected aspect of ourselves. To do otherwise, she warns, is to court disaster. This would in fact, be tantamount to “the Fall” in our own personal microcosm. Yet despite these warnings, and problems, the creation of the BOL, even partially, can be a very rewarding psychic and spiritual experience. It offers many avenues for psychological cleansing, as we shall see, and psychic enhancement. These four directives: going slow, performing in a sacred space or enclosure, preventing it from wondering, and reminding the BOL who is boss, are common to Eastern and Western methods of creating the BOL. What is missing in the modern accounts, but clearly stated in the Oriental ones, is that the BOL is a superior being to physical world, and can be directed to have effects on the physical body, if they are desired. It is these effects which allow for the etherialization of the physical body, increased health, longevity, and possibly even a kind of ‘psychic mutation’ that allows for increased psychic activity along family lines. The Western schools are silent about what the implications of the Hermetic axiom, “The subtle rules the dense” and how it might apply here. Despite the projective imagery, the genuine sense of the simulacrum being ‘other’, and unconscious, often violent imagery that can be dredged up from a nephesch (subconscious) that doesn’t want to be integrated into the workings of the ruach (Mental-Spiritual functions), the BOL is still a part of us. By disciplining it, giving it function and purpose, and guiding it with a firm hand, we are in reality giving those things to our self. The simulacrum however, shows us in no uncertain terms, that these forces and ideas within us, left unregenerated and when given the opportunity, will seek to manifest, and to take on self-consciousness. In magical work we see this clearly in the creation of the BOL; in psychology in neurotic and schizophrenic behavior; and even in severe forms of psychosis. Esoteric work allows us to address these diverse aspects of our being, to integrate them, and in doing so, to prevent psychic ruptures that might otherwise manifest in modern terms as mental illness. The following method can be performed by anyone regardless of their level of experience. Ideally however, it would be best if it is done during the third or fourth year of qabalistic study. The reasons for this are simple: the more experience you have in psychic and occult matters, the easier it will be to achieve noticeable success. In addition, the required skills of concentration, visualization, and creating a strong working environment for psychic activity will have become second nature. In relation to what has been said previously, by the third or fourth year of study, the aspiring qabalistic magician will hopefully have worked through some of their more obvious psychological issues, as seen and experienced through the multi-colored glasses of the Lesser Pentagram and Hexagram Rituals. Previous experience with planetary invocations will make some of the following instructions easier. Within the Hermetic Order of the Golden Dawn, the first 3-3 ½ years is spent learning very basic magical procedures, coupled with the memorization and intellectual comprehension of a vast amount of qabalistic, alchemical, and astrological knowledge. The techniques given by Regardie in The Golden Dawn, such as the Supreme Rituals of the Pentagram and Hexagram, and the Rose+Cross Ritual, are not generally taught until the 5=5 Grade, or Adeptus Minor. On occasion, they may be given in the preliminary section, known as the Portal Grade. All magical tools are also constructed after being received into the Second Order, or Adeptus Minor grade. Only after this period are planetary rituals, talismans, and related techniques as seen in Regardie’s work undertaken.4) For those who do not belong to any formal course of study, it is generally suggested that the first year of activity be spent learning Elemental and Pentagram work. The second year doing planetary work; with the third year being spent integrating the two. The fourth year often focuses on zodiacal magic and the completion of any Pathworking. Pathworking can be started anywhere from the first year on and requires about 1 1/2 years to fully do all of the 32 Paths of the Tree of Life. Since each Path is often done more than once, it is best to allow two to three years for this additional aspect of magical training. Pathworking, particularly Paths 32 through 24 are critical for psychological health and should be done two or three times before doing the second set of Paths, or 23 through 19.5) Of course, the speed at which one works is not important. It is better to go slowly and diligently and make real progress, than to rush through and simply do the work haphazardly. The most complete method available for creating the Body of Light is in the ritual called “The Magician” in Mysteria Magica, vol 3 of The Magical Philosophy by Melita Denning and Osborne Phillips.6) The material belongs to the curriculum of the Aurlem Solis Sacra Verbum. The ritual is divided into five main sections, composed of fourteen distinct parts in total. A note belonging to the title suggests that the ritual is considered most effective when performed at the beginning of the day. Presumably, during the first planetary hour of the day.

Among the most important points in gnostic and Platonic literature is the need to separate the subtle body from the physical body for its purification. This imagined, and eventually real separation, forms the core of the technique. Only by freeing the psychic self from the constraints of material life can we experience the full degree of good and evil in our psyche. The methodical and militant purification of our psyche and integration of its diverse aspects constitutes the most difficult, and rewarding, psycho-spiritual practices known.

 

Preliminaries: The temple area should be set as usual, with alter in the middle, or slightly East of center. If possible, wear a consecrated Rose+Cross present, and place the Pentacle of Earth on the altar.7). Establishing the Temple: Perform the Banishing Ritual of the Lesser or Greater Pentagram.8)

Higher Self: Place your left hand, the hand of Mercy, upon the Earth Pantacle. Invoke the presence of your Higher Self. Imagine in brilliant phosphorescence a flaming sphere, or flaming yod, touching your crown and uniting you with the cosmos. Stand in the posture of the Adeptus Minor. (Tau Cross, arms outstretched).

Lower arms and meditate on the significance of your Higher Self, this flame of Creation within you. This cosmic seed. Perform the Middle Pillar exercise.: Affirm your intentions for performing this exercise, and appreciation for consciousness and the opportunity to develop in awareness and Service. Ask that Light, Life, and Love be expressed in every cell, thought, and action of your being. The Lower Self: Turning clockwise, face the West of the Temple. Pause and imagine the great streams of energy circulating through your physical and psychic bodies. Energize your heart center, feeling a stream of energy running from your crown to your heart, and feet, and back up again. Affirm your position of authority over your lower self and physical body in a loving, but firm manner. Be thankful that they are present to serve you, but that they are at the service of the development of Self, and not as independent beings. Assume the position of the Adeptus Minor, and imagine yourself growing to a vast and immense size. Maintain or reformulate your Flaming Crown center. Feeling most of your consciousness operating from inside of it. Send thoughts of blessing, love, good health, and well being to your lower self and guph. Pause for a few moments as the feeling of vastness disappears and you return to normal awareness of the temple. Turn to the East and ask that the Powers of the Higher Self be present and fully utilized for this operation and at all times forward. Move to the eastern Quarter and Face the West again. Perform the Middle Pillar a second time if needed. Project the simulacrum from the solar plexus, upper abdomen region. Have it facing East, or toward the operator, with the silvery-bluish cord visible between the simulacrum and the operator’s abdomen or solar plexus.

Exhortation and Instruction: In the Name of your Higher Self, address the image before you firmly and lovingly that it is to give your full assistance in the Great Work. If any particular instruction, assistance, or additional work is needed, it is to be interjected here. Give blessing to your Nephesh, in the Name of the Most High, and thank it for its participation in this ritual.

Energize and imagine the simulacrum attaining a high degree of integration. Completion: Re-absorb the simulacrum and the silver cord by imaging it return to a cloud or mist of bright bluish-gray or silver psychic protoplasm and collapsing backward along the cord (bring the cord with it) into your body at the level it was projected from. Close down firmly. Feel the energy move throughout your body and sink deep into your muscles, bones, marrow, and envelope you in a body of light, just below the surface of the skin. Rejoice in the successful operation.

Instructing the Simulacrum: After a two or three weeks of successful projection and reabsorbing of the simulacrum, you can begin projecting specific ideas into it. This can be done in several ways depending on your personal preference. First, use a general plan of associating the simulacrum with the planets, by imagining them along the spinal column from Saturn at the base, to Luna and Sol at the head. Imagine them in bright white light, or the Queens Color Scale. Using the colors, symbols, and sounds of the planets, the simulacrum can be tincted with particular qualities and virtues. Or imagine counterparts of physical organs inside the simulacrum and them having the colors and sounds of their planetary counterparts, filling the whole image with the light and sense and virtues of that planet.

This is the Lunar, or Astral purification of the simulacrum so that it can be rightly called a Silver Body, as it will be influenced and influential upon the Lunar and Astral worlds as a whole. At some point you can then begin to educate it further, that it might become a Solar, or Golden, Radiant Body, influenced by the Briactic Worlds. Beyond this, it would find perfection in the Diamond, or Resurrection Body, under the influence of the Sphere of Saturn. Also, practice performing the Middle Pillar inside the simulacrum, after it has been projected. Always reabsorb the energy, either as a mist, or a shadow image fusing itself into your earthly body. When venturing into the Quarters, use the simulacrum and tune it to the Element you seek to explore, making it a body of Fire, Air, Water, or Earth. When generally projected, it should be thought of as a body of Quintessence, or Spirit, of dynamic electric and magnetic qualities containing within it the balanced potential for all bodies of the four Elements. The simulacrum can also be projected and modified to a deific image or godform. The effects of this are different than the usual methods for Assumption of the Godform. In this instance it is helpful to grow the image in size and stature to a larger than normal appearance after it has been created. It is important that your consciousness be projected firmly into the simulacrum during any working, and that the energy be completely reabsorbed after it is over. The simulacrum can be charged with Hebrew letters. Engraving them according to there location and association with the physical organs as outlined in the Sepher Yetzirah. This can be done to the physical body as well, prior to projection of the simulacrum, and will assist in its creation and projection.9) The letters can be done in blazing white, or according to the Queen’s Scale. It can also be charged with the Tetragrammaton, in the normal Y (Head) Heh (Shoulders) Vau (Spine) Heh (Hips Feet) fashion. As with the alphabet, they should be seen as existing inside the figure, glowing and strong, and not carved on the surface, or projected onto it from elsewhere. The purpose of the simulacrum is to create a vehicle for the purification and expression of astral (Yetziric) and mental (Briah) energies. As such, it also acts as a bridge between not just our objective and subjective worlds, but also between our emotional and physical realities. As stated, we can in effect, alter our physical appearance and health through proper and loving purification of our astral matrix. The Nephesch, which constitutes the bulk of the ‘self’ that we are refining in this work, overlaps and connects the worlds of matter (forming our Salt) and mind (forming our Mercury). When we address it from the perspective of our Kether, we are adding the third Essential, or the overlap of Mind and Spirit (forming our Sulfur). These Four Qabalstic Worlds and their overlapping, forming the Three Essentials, form the basis for inner and outer alchemy. The 27th Path is also a sort of Kundalini Yoga exercise, whereas the 24th Path is the arousal of Kundalini. Where the 27th connects Natural Energy to the Intellectual World, the 24th Path converts Solar (soul) energy into Natural (psychic) energy. Both are under the influence of Mars, or Will, as they reverse the flow of Mezla, and clear out psychic blockages on the Path of Return. This exercise will have secondary effects on the 24th Path, and some effects on the 28th Path (Net-Yes) as this Path governs the flow of Psychic energy through our Psychic centers. All of the Paths of Yetzirah will be effected to some degree by this exercise. We cannot ascend and take our mistaken ideas with us, or our passions and lusts. Both are eradicated, disciplined, or redirected by the Sword of Geburah, or an Enlightened Will. The Lightning Bolt on the tarot card the Tower, sometimes called the House of God (Deu) or Fire (Feu) shows us that the ever flowing lightning bolt of Mezla will destroy any imperfections that it comes in contact with. 1) The Magical Personality is defined as a self-created image of one’s self that allows for greater power and presence when doing esoteric work. 2) See: Fundamentals of Esoteric Knowledge, Lesson 1-3. The Philosopher’s of Nature (PON), Wheaton, Ill. ©1988. 3) See: Qabala Course, Lesson 17. The Philosophers of Nature (PON), Wheaton, Ill. © 1995.

4) See: Self-Initiation into the Golden Dawn Tradition by Chic and Sandra Tabatha Cicero. Llewellyn Publications. Saint Paul, MN. Copyright 1995 5) For more information on Pathworking see: PON Qabala Course, Lessons through . Highways of the Mind by Dolores Ashcroft-Nowicki, and Magical States of Consciousness by Melita Denning and Osborne Phillips. 6) P. 359-362.

7) As mentioned, in the Hermetic Order of the Golden Dawn, the Hermetic Rose+Cross and the Pantacle of Earth are ‘adept level’ tools. In The Philosopher’s of Nature (PON) Qabala Course, they are not constructed until the very end of the six year course. However, the Supreme Pentagram and Hexagram rituals are presented in the second year. 8) Use of the ‘Elemental Grade Signs’ or the ‘Rending of the Veil’ is at the performers discretion.

9) One student who did this noted that the simulacrum was more vital, but also slightly more difficult to control. They also noted, they when they imagined the letters within their physical body when falling asleep, that astral projection occurred rapidly, often before the fifth or sixth letter was reached.

 

hermetic.com/stavish/essays/bodylight

 

The Advanced Middle Pillar Ritual: The Middle Pillar ritual seems to be a ritual that one can progressively build upon. Visualization of the 5 central spheres and reciting the corresponding God-names is obviously the foundation. From there on, I have begun incorporating the remainder of the spheres - and also reciting the Angelic correspondences too (Metatron - Raphael - Gabriel - Sandalphon). Upon adding these to the ritual - it has become considerably more powerful (in terms of how strongly it alters my consciousness) and immersive. I am looking to further energize and advance the ritual. From those of you who have developed their own Middle Pillar Ritual - what have you specifically done, and what has been in the effect? Also, do you supplement the process by topping it off with another ritual (Bornless Ritual, LIRP, etc...) This practice is based on the symbolism of the Middle Pillar of the qabalistic Tree of Life. Alternately, this pillar is known by the titles Equilibrium, Balance, or Mildness. The Middle Pillar Exercise imagines bright spiritual light descending and flowing through the central axis of the body, marked by a series of energy centers (circles 1, 6, 9, 10, and the unmarked throat center in the diagram). Visualizing certain colors and using intense vocalization, called vibration, of the associated name of G-d activates these centers. Then the light is circulated, or directed into a certain pattern of flow, throughout the whole energy field. This practice connects us to the Divine, clears and recharges our personal energy field, and increases our capacity to channel spiritual energy. Additionally, it brings us a sense of peace and harmonious balance. Many teachers recommend performing a clearing ritual prior to practicing the Middle Pillar Exercise. The Lesser Banishing Ritual of the Pentagram (LBRP) is frequently used. I have used the Middle Pillar Exercise with students for many years without a prefatory clearing ritual and with no ill effects. However, if you feel your energy is disproportionately out-of-balance, please consider using the LBRP or otherwise setting sacred space before beginning this meditation.The name of the exercise is taken from the position of the central Sephiroth on the diagrammatic Tree of Life.

As has been said... "The Secret of Wisdom can be discerned only from the place of balanced power" - that is, from between the pillars of Severity and Mercy. The Middle Pillar positions us at a balanced point, neutralizing to some extent the swing of the psychic pendulum from one extreme to the other.

In this exercise we will visualize the sephiroth of the middle pillar as part of our bodies, illuminating them in descending order while vibrating the sephiroth's divine name. This establishes balance and fills us with energy.Once the middle pillar is 'lit' we will circle the energy around and through our bodies, to cleanse and fortify. Think of the names as vibratory rates.

The exercise can be performed standing, sitting, or lying down. Names can be vibrated aloud or internally.Kether

After a few minutes of relaxation, imagine a sphere of white light just above your head. Vibrate the name Eheieh (pronounced Eh-hey-yay, meaning I am). Keep vibrating this word until it is the only thought in your conscious mind. Then imagine a shaft of light descending from your Kether center to your Daath center at the nape of the neck.

Daath: Form a sphere of light at the Daath center. Vibrate the name YHVH Elohim (pronounced Yode-heh-vav-heh El-oh-heem, meaning Lord of Hosts).

Tiphareth: Bring a shaft of light down from the Daath center to the Tiphareth center around your heart. Form a sphere of light there. Vibrate the name YHVH Eloah ve-Daath (pronounced Yode-heh-vav-heh El-oh-ah v’-Dah-ath, meaning Lord of Knowledge).

Yesod: See the shaft of light descending from Tiphareth into the Yesod center in the genital region. Imagine a sphere of light formed there. Intone the name Shaddai El Chai (pronounced Shah-dye El-Chai meaning Almighty Living God.

Malkuth: Visualize the shaft of light descending from Yesod into your Malkuth center at the feet and ankles. Vibrate the name Adonai ha-Aretz (pronounced Ah-doe-nye ha-Ah-retz, meaning Lord of Earth). Visualize the Middle Pillar complete.

 

Circulating the light: Then circulate the light you have brought down through the Middle Pillar around the outside of your body to strengthen your aura (Perform each circulation a number of times.): Circulation One: Side to Side. Using the cycles of rhythmic breathing, bring the light down one side of the body and up the other, from Kether to Malkuth and back to Kether. Exhale and visualize the light descending the left side of the body. Inhale and imagine the light ascending the right side of the body back to Kether.. Circulation Two: Front to Back:

After performing this for a short space of time, imagine the ribbon of light descending from Kether down the front of your body to Malkuth and rising up your back, returning again to Kether. Circulation Three: The Shower of Light Still employing rhythmic breathing, visualize the sphere of Malkuth, then see the shaft of light rising up the Middle Pillar in the center of your body. When it reaches Kether, imagine a shower of light cascading down the outside of your body as it descends to Malkuth again. Circulate the light in this manner for some time. Circulation Four: The Ascending Spiral Then see the light rise again in a ribbon that spirals around the outside of your body from Malkuth to Kether. Closing Finally focus some of the energy back into your Tiphareth center, the seat of equilibrium and balance.

Often, the Middle Pillar is combined with the Lesser Banishing Ritual of the Pentagram (see also Site "Rituals") To do this:

Perform the opening Kabalistic Cross .Formulate the Pentagrams

Call the Archangels: Perform the Middle Pillar exercise

Perform the closing Kabalistic Cross. The Lesser Banishing Ritual of the Pentagram. The Kabalistic Cross: Face east. Perform the Kabalistic Cross as follows:. Imagine a sphere of light just above the crown of your head. Touch the forehead and vibrate Ateh (Thou Art, or, Unto Thee) Bring hand down the body. At about the level of the genitals, indicate the feet and vibrate Malkuth (The Kingdom) Imagine a shaft of light descending from the Crown Sphere to the feet where another sphere expands just under your feet. Touch the right shoulder and vibrate Ve-Geburah (and The Power) Imagine a 6 inch sphere of brilliant white light appear just next to the right shoulder.

Touch the left shoulder and vibrate Ve-Gedulah (and The Glory)

Imagine a shaft of light emerge from the right Sphere and cross your breast to expand and form another Sphere at your left shoulder. Clasp the hands before you and vibrate Le-Olam (For Ever) Imagine clearly the cross of light as it extends through your body.

Amen.

 

The Pentagrams

Draw, in the air facing east, a banishing Earth Pentagram (Begin at the lower left corner and trace clockwise). Bringing your hand to the center of the Pentagram, vibrate the Name Y H V H (pronounced Yahd Hey Vau Hey)

Trace a semicircle before you as you turn toward the south. Again trace the Pentagram, bring your hand to the center of it, and vibrate the Name Adonai, (pronounced Ah-Do-Neye)

Again, trace the semicircle with the dagger to the west, trace the Pentagram, bring your hand to the center, and vibrate the Name Eheieh, (pronounced Eh-Hey-Yay)

Then, turn towards the north, trace the circle, trace the Pentagram, bring your hand to the center and vibrate the Name AGLA, (pronounced either Ah-Gah-Lah or Atah Gibor Le-Olahm Adonai) Return to the EAST, completing tracing the circle of Light, bringing your hand to the center of the east Pentagram.

 

The Archangels

Extend the arms in the form of a cross, say:

Before me (then vibrate) Raphael

Behind me (then vibrate) Gabriel

At my right hand (then vibrate) Michael

At my left hand (then vibrate) Ariel

About me flames the pentagrams, and in the column shines the six-rayed star.

 

At this point, perform the Middle Pillar exercise

 

Repeat the Kabalistic Cross

 

Adding Color

Once the ritual becomes familiar, try adding color to the spheres. While white light contains all colors within it, visualizing the spheres in color can strengthen the individual energy of each.

 

Colors in the Middle Pillar

Kether – White

Daath – Lavender or grey

Tiphareth - Yellow

Yesod – Violet

Malkuth – Traditionally a swirl of russet, olive, citrine and black. Or simply brown.

 

Colors in the LBR

Ateh – White

Malkuth – Brown, or russet – olive - citrine – black

Ve-Geburah – Red

Ve – Gedula – Blue

Le-Olam – Yellow

Visualize the complete cross in white.

 

East - a yellow pentagram

South – a red pentagram

West – a blue pentagram

North – a green pentagram

 

aethyrea.blogspot.com/p/middle-pillar.html

 

Our Daily Challenge - caught in the act

47/365

 

1. The whole thing all at once.

2. One bite at a time

3. Slow and methodical nibbles examining the results of each bite afterwards.

4. In little feverous nibbles.

5. Dunked in some liquid (milk, coffee...).

6. Twisted apart, the inside, then the cookie.

7. Twisted apart, the inside, and toss the cookie.

8. Just the cookie, not the inside.

9. I just like to lick them, not eat them.

10. I don't have a favorite way because I don't like Oreos.

 

Test results: here

PS the left side of this was taken today, the right side is an archive image that I couldn't resist adding.

   

Built in 1911 for the Counts of Wertheim.

 

"Karlstadt is a town in the Main-Spessart in the Regierungsbezirk of Lower Franconia (Unterfranken) in Bavaria, Germany. It is the administrative centre of Main-Spessart (Kreisstadt), and has a population of around 15,000.

 

Karlstadt lies on the River Main in the district (Landkreis) of Main-Spessart, roughly 25 km north of the city of Würzburg. It belongs to the Main-Franconian wine-growing region. The town itself is located on the right bank of the river, but the municipal territory extends to the left bank.

 

Since the amalgamations in 1978, Karlstadt's Stadtteile have been Gambach, Heßlar, Karlburg, Karlstadt, Laudenbach, Mühlbach, Rohrbach, Stadelhofen, Stetten, and Wiesenfeld.

 

From the late 6th to the mid-13th century, the settlement of Karlburg with its monastery and harbor was located on the west bank of the Main. It grew up around the Karlsburg, a castle perched high over the community, that was destroyed in the German Peasants' War in 1525.

 

In 1202, Karlstadt itself was founded by Konrad von Querfurt, Bishop of Würzburg. The town was methodically laid out with a nearly rectangular plan to defend Würzburg territory against the Counts of Rieneck. The plan is still well preserved today. The streets in the old town are laid out much like a chessboard, but for military reasons they are not quite straight.

 

In 1225, Karlstadt had its first documentary mention. In 1236, the castle and the village of Karlburg were destroyed in the Rieneck Feud. In 1244, winegrowing in Karlstadt was mentioned for the first time. From 1277 comes the earliest evidence of the town seal. In 1304, the town fortifications were finished. The parish of Karlstadt was first named in 1339. In 1369 a hospital was founded. Between 1370 and 1515, remodelling work was being done on the first, Romanesque parish church to turn it into a Gothic hall church. About 1400, Karlstadt became for a short time the seat of an episcopal mint. The former Oberamt of the Princely Electorate (Hochstift) of Würzburg was, after Secularization, in Bavaria's favour, passed in 1805 to Grand Duke Ferdinando III of Tuscany to form the Grand Duchy of Würzburg, and passed with this to the Kingdom of Bavaria.

 

The Jewish residents of the town had a synagogue as early as the Middle Ages. The town's synagogue was destroyed on Kristallnacht (the Night of Broken Glass, 9 November 1938) by Nazi SA men, SS, and Hitler Youth, as well as other local residents. Its destruction is recalled by a plaque at the synagogue's former site. The homes of Jewish residents were attacked as well, the possessions therein were looted or brought to the square in front of the town hall where they were burned, and the Jews living in the town were beaten.

 

Lower Franconia (German: Unterfranken) is one of seven districts of Bavaria, Germany. The districts of Lower, Middle and Upper Franconia make up the region of Franconia. It consists of nine districts and 308 municipalities (including three cities).

 

After the founding of the Kingdom of Bavaria the state was totally reorganised and, in 1808, divided into 15 administrative government regions (German: Regierungsbezirke, singular Regierungsbezirk), in Bavaria called Kreise (singular: Kreis). They were created in the fashion of the French departements, quite even in size and population, and named after their main rivers.

 

In the following years, due to territorial changes (e. g. loss of Tyrol, addition of the Palatinate), the number of Kreise was reduced to 8. One of these was the Untermainkreis (Lower Main District). In 1837 king Ludwig I of Bavaria renamed the Kreise after historical territorial names and tribes of the area. This also involved some border changes or territorial swaps. Thus the name Untermainkreis changed to Lower Franconia and Aschaffenburg, but the city name was dropped in the middle of the 20th century, leaving just Lower Franconia.

 

From 1933, the regional Nazi Gauleiter, Otto Hellmuth, (who had renamed his party Gau "Mainfranken") insisted on renaming the government district Mainfranken as well. He encountered resistance from Bavarian state authorities but finally succeeded in having the name of the district changed, effective 1 June 1938. After 1945 the name Unterfranken was restored.

 

Franconia (German: Franken, pronounced [ˈfʁaŋkŋ̍]; Franconian: Franggn [ˈfrɑŋɡŋ̍]; Bavarian: Frankn) is a region of Germany, characterised by its culture and Franconian dialect (German: Fränkisch).

 

Franconia is made up of the three Regierungsbezirke of Lower, Middle and Upper Franconia in Bavaria, the adjacent, Franconian-speaking, South Thuringia, south of the Thuringian Forest—which constitutes the language boundary between Franconian and Thuringian— and the eastern parts of Heilbronn-Franconia in Baden-Württemberg.

 

Those parts of the Vogtland lying in Saxony (largest city: Plauen) are sometimes regarded as Franconian as well, because the Vogtlandian dialects are mostly East Franconian. The inhabitants of Saxon Vogtland, however, mostly do not consider themselves as Franconian. On the other hand, the inhabitants of the Hessian-speaking parts of Lower Franconia west of the Spessart (largest city: Aschaffenburg) do consider themselves as Franconian, although not speaking the dialect. Heilbronn-Franconia's largest city of Heilbronn and its surrounding areas are South Franconian-speaking, and therefore only sometimes regarded as Franconian. In Hesse, the east of the Fulda District is Franconian-speaking, and parts of the Oden Forest District are sometimes regarded as Franconian for historical reasons, but a Franconian identity did not develop there.

 

Franconia's largest city and unofficial capital is Nuremberg, which is contiguous with Erlangen and Fürth, with which it forms the Franconian conurbation with around 1.3 million inhabitants. Other important Franconian cities are Würzburg, Bamberg, Bayreuth, Ansbach and Coburg in Bavaria, Suhl and Meiningen in Thuringia, and Schwäbisch Hall in Baden-Württemberg.

 

The German word Franken—Franconians—also refers to the ethnic group, which is mainly to be found in this region. They are to be distinguished from the Germanic people of the Franks, and historically formed their easternmost settlement area. The origins of Franconia lie in the settlement of the Franks from the 6th century in the area probably populated until then mainly by the Elbe Germanic people in the Main river area, known from the 9th century as East Francia (Francia Orientalis). In the Middle Ages the region formed much of the eastern part of the Duchy of Franconia and, from 1500, the Franconian Circle. The restructuring of the south German states by Napoleon, after the demise of the Holy Roman Empire, saw most of Franconia awarded to Bavaria." - info from Wikipedia.

 

Summer 2019 I did a solo cycling tour across Europe through 12 countries over the course of 3 months. I began my adventure in Edinburgh, Scotland and finished in Florence, Italy cycling 8,816 km. During my trip I took 47,000 photos.

 

Now on Instagram.

 

Become a patron to my photography on Patreon or donate.

thegoldensieve.com

 

A good thing continues

 

Some six months ago, I posted almost 100 images and a few thoughts I felt were missing from the many existing RX1 reviews. The outpouring of support and interest in that article was very gratifying. When I published, I had used the camera for six full months, enough time to come to a view of its strengths and weaknesses and to produce a small portfolio of good images, but not enough time to see the full picture (pun intended). In the following six months, I have used the camera at least as frequently as in the first six and have produced another small set of good images. It should be noted that my usage of the RX1 in the last six (and especially in the last 3) months has involved less travel and more time with the family and around the house; I will share relatively few of these images but will spend some time sharing my impressions of its functionality for family snapshots as I am sure there is some interest. And let it be said here: one of the primary motivations to purchase the camera was to take more photos with the family, and after one full year I can confidently say: money well spent.

The A7/r game-changer?

 

In the past six months, Sony have announced and released two full-frame, interchangeable lens cameras that clearly take design cues from the RX1: the A7 and the A7r. These cameras are innovative and highly capable and, as such, are in the midst of taking the photography world by storm. I think they are compelling enough cameras that I wonder whether Sony is wasting its energy continuing to develop further A-mount cameras. Sony deserve credit for a bold strategy—many companies would have been content to allow the success of the the RX1 (and RX1R) generate further sales before pushing further into the white space left unexplored by camera makers with less ambition.This is not the place to detail the relative advantages and disadvantages of the RX1 versus the A7/r except to make the following point. I currently use a Nikon D800 and an RX1: were I to sell both and purchase the A7r + 35mm f/2.8 I would in many ways lose nothing by way of imaging capability or lens compatibility but would pocket the surplus $1250-1750. Indeed this loyal Nikon owner thought long and hard about doing so, which speaks to the strategic importance of these cameras for a company trying to make inroads into a highly concentrated market.Ultimately, I opted to hang onto the two cameras I have (although this decision is one that I revisit time and time again) and continue to use them as I have for the past year. Let me give you a quick flavor of why.

The RX1 is smaller and more discrete

 

This is a small a point, but my gut reaction to the A7/r was: much smaller than the D800, not as small as the RX1. The EVF atop the A7/r and the larger profile of interchangeable mount lenses means that I would not be able to slip the A7/r into a pocket the way I can the RX1. Further, by virtue of using the EVF and its loud mechanical shutter, the A7/r just isn’t as stealthy as the RX1. Finally, f/2 beats the pants off of f/2.8 at the same or smaller size.At this point, some of you may be saying, “Future Sony releases will allow you to get a body without an EVF and get an f/2 lens that has a slimmer profile, etc, etc.” And that’s just the point: to oversimplify things, the reason I am keeping my RX1 is that Sony currently offers something close to an A7 body without a built-in EVF and with a slimmer profile 35mm f/2.

The D800 has important functional advantages

 

On the other side of the spectrum, the AF speed of the A7/r just isn’t going to match the D800, especially when the former is equipped with a Nikon lens and F-mount adapter. EVFs cannot yet match the experience of looking through the prism and the lens (I expect they will match soon, but aren’t there yet). What’s more, I have made such an investment in Nikon glass that I can’t yet justify purchasing an adapter for a Sony mount or selling them all for Sony’s offerings (many of which aren’t to market yet).Now, all of these are minor points and I think all of them disappear with an A8r, but they add up to something major: I have two cameras very well suited to two different types of shooting, and I ask myself if I gain or lose by getting something in between—something that wasn’t quite a pocket shooter and something that was quite a DSLR? You can imagine, however, that if I were coming to the market without a D800 and an RX1, that my decision would be far different: dollar for dollar, the A7/r would be a no-brainer.During the moments when I consider selling to grab an A7r, I keep coming back to a thought I had a month or so before the RX1 was announced. At that time I was considering something like the NEX cameras with a ZM 21mm f/2.8 and I said in my head, “I wish someone would make a carry-around camera with a full frame sensor and a fixed 35mm f/2.8 or f/2.” Now you understand how attractive the RX1 is to me and what a ridiculously high bar exists for another camera system to reach.

Okay, so what is different from the last review?

 

For one, I had an issue with the camera’s AF motor failing to engage and giving me an E61:00 error. I had to send it out to Sony for repairs (via extended warranty and service plan). I detailed my experience with Sony Service here [insert link] and I write to you as a very satisfied customer. That is to say, I have 3 years left on a 4 year + accidental damage warranty and I feel confident enough in that coverage to say that I will have this beauty in working order for at least another 3 years.For two, I’ve spent significantly less time thinking of this camera as a DSLR replacement and have instead started to develop a very different way of shooting with it. The activation barrier to taking a shot with my D800 is quite high. Beyond having to bring a large camera wherever you go and have it in hand, a proper camera takes two hands and full attention to produce an image. I shoot slowly and methodically and often from a tripod with the D800. In contrast, I can pull the RX1 out, pop off the lens cap, line up and take a shot with one hand (often with a toddler in the other). This fosters a totally different type of photography.

My “be-there” camera

 

The have-everywhere camera that gives DSLR type controls to one-handed shooting lets me pursue images that happen very quickly or images that might not normally meet the standards of “drag-the-DSLR-out-of-the-bag.” Many of those images you’ll see on this post. A full year of shooting and I can say this with great confidence: the RX1 is a terrific mash-up of point-and-shoot and DSLR not just in image quality and features, but primarily in the product it helps me create. To take this thinking a bit further: I find myself even processing images from the RX1 differently than I would from my DSLR. So much so that I have strongly considered starting a tumblr and posting JPEGs directly from the RX1 via my phone or an iPad rather than running the bulk of them through Lightroom, onto Flickr and then on the blog (really this is just a matter of time, stay tuned, and those readers who have experience with tumblr, cloud image storage and editing, etc, etc, please contact me, I want to pick your brain).Put simply, I capture more spontaneous and beautiful “moments” than I might have otherwise. Photography is very much an exercise in “f/8 and be there,” and the RX1 is my go-to “be there” camera.

The family camera

 

I mentioned earlier that I justified the purchase of the RX1 partly as a camera to be used to document the family moments into which a DSLR doesn’t neatly fit. Over the past year I’ve collected thousands and thousands of family images with the RX1. The cold hard truth is that many of those photos could be better if I’d taken a full DSLR kit with me to the park or the beach or the grocery store each time. The RX1 is a difficult camera to use on a toddler (or any moving subject for that matter); autofocus isn’t as fast as a professional DSLR, it’s difficult to perfectly compose via an LCD (especially in bright sunlight), but despite these shortcomings, it’s been an incredibly useful family camera. There are simply so many beautiful moments where I had the RX1 over my shoulder, ready to go that whatever difficulties exist relative to a DSLR, those pale in comparison to the power of it’s convenience. The best camera is the one in your hand.

Where to go from here.

 

So what is the value of these RX1 going forward, especially in a world of the A7/r and it’s yet-to-be-born siblings without an EVF and a pancake lens? Frankly, at its current price (which is quite fair when you consider the value of the the body and the lens) I see precious little room for an independent offering versus a mirrorless, interchangeable lens system with the same image quality in a package just as small. That doesn’t mean Sony won’t make an RX2 or an RX1 Mark II (have a look at it’s other product lines to see how many SKUs are maintained despite low demand). Instead, I see the RX1 as a bridge that needed to exist for engineers, managers, and the market to make it to the A7/r and it’s descendants.A Facebook friend recently paid me a great compliment; he said something like, “Justin, via your blog, you’ve sold a ton of RX1 cameras.” Indeed, despite my efforts not to be a salesman, I think he’s right: I have and would continue to recommend this camera.The true value of the RX1 going forward is for those of us who have the thing on our shoulders; and yes, if you have an investment in and a love for a DSLR system, there’s still tremendous value in getting one, slinging it over your shoulder, and heading out into the wide, bright world; A7/r or no, this is just an unbelievably capable camera.

With so few flowers in bloom at this time, I had to really be on the lookout for Hummers. The foraging Hummers also have to be on the lookout for any blooming plant.This lady was methodically sampling all of these red blooms on an ornamental shrub in my daughter's back yard. I saw only a few flying Hummer species (mostly female Anna's and Costa's). These ladies are segregated from each other for IDs mainly on their bill shapes. This bill is said to be more curved... but there is overlap. The throat of this lady also has a dark central spot.

 

IMG_9910; Anna's Hummingbird

Great Egret ~ #454 in Explore 3/15/14

 

The Great Egret also known as Common Egret, Large Egret or Great White Heron, is a large, widely distributed egret. Distributed across most of the tropical and warmer temperate regions of the world, in southern Europe it is rather localized. In North America it is more widely distributed, and it is ubiquitous across the Sun Belt of the United States and in the Neotropics. The Old World population is often referred to as the Great White Egret. This species is sometimes confused with the Great White Heron of the Caribbean which is a white morph of the closely related Great Blue Heron.

 

The Great Egret is a large heron with all-white plumage. Standing up to 3.3 ft tall it is only slightly smaller than the Great Blue or Grey Heron. Apart from size, the Great Egret can be distinguished from other white egrets by its yellow bill and black legs and feet, though the bill may become darker and the lower legs lighter in the breeding season. In breeding plumage, delicate ornamental feathers are borne on the back. Males and females are identical in appearance; juveniles look like non-breeding adults. It has a slow flight, with its neck retracted. This is characteristic of herons and bitterns and distinguishes them from storks, cranes, ibises and spoonbills, which extend their necks in flight.

 

The Great Egret is generally a very successful species with a large and expanding range. In North America large numbers of Great Egrets were killed around the end of the 19th century so that their plumes could be used to decorate hats. Numbers have since recovered as a result of conservation measures. Its range has expanded as far north as southern Canada. However, in some parts of the southern United States its numbers have declined due to habitat loss. Nevertheless, it adapts well to human habitation and can be readily seen near wetlands and bodies of water in urban and suburban areas. In 1953, the Great Egret in flight was chosen as the symbol of the National Audubon Society which was formed in part to prevent the killing of birds for their feathers ~ Saint Augustine, Florida

  

en.wikipedia.org/wiki/Great_Egret

   

Hi......

Been very, very hectic past two days

Saw Oncologist. Wonderful Indian Doctor. Very thorough. Very intelligent. Very caring. Always late..........

Have waited 3 hours when l first saw him.

 

First time l waited an hour and half...... Was furious...... Was going to rip his head off.

Then he came in apologizing and apologizing. He had surgery that day. And wanted to make sure everything was alright before leaving.

And then he started the visit. I must have been with him 45 minutes.

Going through everything. Methodical is an understatement.

 

He just loves every patient. And gives everything to.......

 

Joke now with nurses when l go in.

Favorite question is should l read a book or newspaper.

 

Had blood work again. X-rays. Ultrasound. And have CT scan.scheduled for Monday. See him again Tuesday.

I kind of have a feeling where this is going...

 

See favorite Doctor today Doctor E. Won't give her full name. She is a very private Lady. She is my Endocrinologist. She has assisted me in becoming the girl l am ..

 

When l first saw her right after cancer. My body was a mess.

She brought everything back into sinc.

 

When l first met. Thought we would clash personality ways.

She is a very religious Muslim Lady. I am extremely Christian.

I was involved in caring for homeless at time. On my parish council. Reading Scriptures at Church.

 

I complemented her head scarf when she walked in . A gorgeous floral silk scarf. She thanked me.

Once again. Got lucky. Extremely efficient and caring. We discussed everything. Basically she loved my energy.

We came around and although we were of different faiths. We were very similar in life.

One visit she actually gave me one of her scarfs. Told me l wasn't Muslim so l could wear it anyway l wished

Asked her to show me the way she did.

Love seeing her everytime.

 

So anyways. Babbling........ Babble. Babble. Babble.

 

Getting bone density today......

 

Have a feeling where all this eventually is going to go.

Been down this road before.

Bad year l believe just got a little worse.

Broken hip and femor at least took my mind off of cancer for a while.

Think cancer got jealous about attention.

 

If what l think what is going to happen. Will be around for next few weeks. Then l will be checking in sporadically.

 

I'm writing this just to say thank you all for listening to me. Love all who messaged, faved, and commented

 

Will be around for a while. And keep you updated....

 

Peace, love and happiness to all.

 

Carrie Lynn 💋❤️🌹

CANOGA PARK- The Los Angeles Fire Department battled a Major Emergency Structure Fire in the west San Fernando Valley on Monday, October 18, 2021.

 

The fire at 8423 Canoga Avenue in Canoga Park, was first noted at 12:18 PM by an LAFD Paramedic Ambulance crew returning from a nearby emergency. Within moments of their reporting the fire, flames were through the roof of the 125' x 125' one-story industrial building that also housed an adjoining but unrelated business at 8425 Canoga Avenue.

 

As that first-arriving LAFD Paramedic crew circled the structure to gain situational awareness and guide fellow responders, they encountered the first of three adult male civilians with severe burn injuries outside the burning building. Two proved to be in critical condition and the other in serious condition. All three were taken to area hospitals. Sadly, one of the critically injured men died later while undergoing hospital care.

 

The rapid spread of intense flames and multiple explosions heard within the building guided first-arriving firefighters to quickly commence defensive operations, applying multiple large diameter hose streams from the exterior, including two from atop extended aerial ladders, to prevent flames from extending beyond the well involved structure.

 

With the exception of a forty square-foot section of the roof at 8427 Canoga Avenue destroyed by surface fire, the tactics proved successful in holding the blaze to the pair of unrelated businesses under one roof at 8423 and 8425 Canoga Avenue.

 

It took 150 Los Angeles Firefighter just 75 minutes to extinguish the flames.

 

Firefighters remained active through the night extinguishing hotspots and minimizing hazards at the structurally compromised building with the help of LAFD's robotic firefighting vehicle and heavy equipment.

 

At daylight Tuesday, LAFD crews resumed a systematic search within the largely destroyed premises. During their methodical search among tons of burnt debris inside the structure, firefighters discovered the remains of an adult male, bringing the overall patient count to four, with a total of two deceased and two remaining hospitalized.

 

No other injuries were reported.

 

Scientific testing of materials inside the building of fire origin yielded positive results for hemp, and it appears that the operation inside involved the extraction from hemp, not dissimilar to that used in the Butane Honey Oil extraction process.

 

Though the business was a legal enterprise, the operation inside appeared to be illegal, as it did not adhere to established permitting processes and safety requirements.

 

Pursuant to protocol, the fire's cause remains the focus of a joint active investigation by the Los Angeles Fire Department, Los Angeles Police Department and the Los Angeles Interagency Metropolitan Police Apprehension Crime Task Force (L.A. Impact).

 

A positive identification of the dead men, as well as the cause, time and manner of their death will be determined by the Los Angeles County Department of Medical Examiner-Coroner.

 

© Photo by Austin Gebhardt

 

LAFD Incident 101821-0791

 

Connect with us: LAFD.ORG | News | Facebook | Instagram | Reddit | Twitter: @LAFD @LAFDtalk

Laxpressions is an experiment that taps the creative pulse of the inhabitants of Los Angeles County, and tests the artistic will of one man and his briefcase, as he stalks all the walks of all the lives and times of days and nights, methodically and photographically, documenting the results.

 

"I take pictures of people in Los Angeles County, with a par of sunglasses, and a copy of the LA.... Xpress. It doesn't cost a thing to try your creative hand and mind only three simple rules: the image must feature 1) you in LA county, with 2) a pair of sunglasses and 3) a copy of the LA...Xpress. It can be done anytime, anyplace, and anywhere, because in Los Angeles County you can always find a pair of sunglasses and a copy of the LA....Xpress." -Barry Boen

 

Laxpressions, Volume I: read the pictures. ©Twentyeleven, Print is Dead Publishing Co. The initial hardcover, 1st ed. press available late Summer 2011 from Print Is Dead Publishing on the shelves of your local bookstores or mail-order online.

It was an early cold fall morning when I noticed the Carolina Wren at a distance perched in a tree. I slowly and methodically approached the tree, and at about 15 feet started to pop-off a few shots. I began to work my way closer in to about 10 feet, and a few more shots. The bird was not moving and not concerned by my presence. I then slowly worked my way in to about 5 feet, very close to the minimum focusing distance of the lens and tele-converter. All the while I am saying in my mind, “please don’t fly away”, “please don’t fly away”, as most songbirds will not allow a human to approach this close. Well the wren did fidget a little, but remained perched in the same spot! I worked the bird at this close distance for about 30 shots, changing angles and perspectives. I came away with what I consider to be 10 shots that are very, very good, and few that may have even a bit more detail. I consider this one to be the best of the bunch as it has the detail and the background.

 

Why did that wren let me get so close? It could be luck, but I believe that the bird was cold and not very active. It was perched in that spot in the tree to warm itself in the direct rays of the sun. Bird photography can have as much to do with timing and luck, as anything else.

 

If you like this photo, please leave a comment.

 

It's the weekend!

 

Laxpressions is an experiment that taps the creative pulse of the inhabitants of Los Angeles County, and tests the artistic will of one man and his briefcase, as he stalks all the walks of all the lives and times of days and nights, methodically and photographically, documenting the results.

 

"I take pictures of people in Los Angeles County, with a par of sunglasses, and a copy of the LA.... Xpress. It doesn't cost a thing to try your creative hand and mind only three simple rules: the image must feature 1) you in LA county, with 2) a pair of sunglasses and 3) a copy of the LA...Xpress. It can be done anytime, anyplace, and anywhere, because in Los Angeles County you can always find a pair of sunglasses and a copy of the LA....Xpress." -Barry Boen

 

Laxpressions, Volume I: read the pictures. ©Twentyeleven, Print is Dead Publishing Co. The initial hardcover, 1st ed. press available late Summer 2011 from Print Is Dead Publishing on the shelves of your local bookstores or mail-order online.

"Karlstadt is a town in the Main-Spessart in the Regierungsbezirk of Lower Franconia (Unterfranken) in Bavaria, Germany. It is the administrative centre of Main-Spessart (Kreisstadt), and has a population of around 15,000.

 

Karlstadt lies on the River Main in the district (Landkreis) of Main-Spessart, roughly 25 km north of the city of Würzburg. It belongs to the Main-Franconian wine-growing region. The town itself is located on the right bank of the river, but the municipal territory extends to the left bank.

 

Since the amalgamations in 1978, Karlstadt's Stadtteile have been Gambach, Heßlar, Karlburg, Karlstadt, Laudenbach, Mühlbach, Rohrbach, Stadelhofen, Stetten, and Wiesenfeld.

 

From the late 6th to the mid-13th century, the settlement of Karlburg with its monastery and harbor was located on the west bank of the Main. It grew up around the Karlsburg, a castle perched high over the community, that was destroyed in the German Peasants' War in 1525.

 

In 1202, Karlstadt itself was founded by Konrad von Querfurt, Bishop of Würzburg. The town was methodically laid out with a nearly rectangular plan to defend Würzburg territory against the Counts of Rieneck. The plan is still well preserved today. The streets in the old town are laid out much like a chessboard, but for military reasons they are not quite straight.

 

In 1225, Karlstadt had its first documentary mention. In 1236, the castle and the village of Karlburg were destroyed in the Rieneck Feud. In 1244, winegrowing in Karlstadt was mentioned for the first time. From 1277 comes the earliest evidence of the town seal. In 1304, the town fortifications were finished. The parish of Karlstadt was first named in 1339. In 1369 a hospital was founded. Between 1370 and 1515, remodelling work was being done on the first, Romanesque parish church to turn it into a Gothic hall church. About 1400, Karlstadt became for a short time the seat of an episcopal mint. The former Oberamt of the Princely Electorate (Hochstift) of Würzburg was, after Secularization, in Bavaria's favour, passed in 1805 to Grand Duke Ferdinando III of Tuscany to form the Grand Duchy of Würzburg, and passed with this to the Kingdom of Bavaria.

 

The Jewish residents of the town had a synagogue as early as the Middle Ages. The town's synagogue was destroyed on Kristallnacht (the Night of Broken Glass, 9 November 1938) by Nazi SA men, SS, and Hitler Youth, as well as other local residents. Its destruction is recalled by a plaque at the synagogue's former site. The homes of Jewish residents were attacked as well, the possessions therein were looted or brought to the square in front of the town hall where they were burned, and the Jews living in the town were beaten.

 

Lower Franconia (German: Unterfranken) is one of seven districts of Bavaria, Germany. The districts of Lower, Middle and Upper Franconia make up the region of Franconia. It consists of nine districts and 308 municipalities (including three cities).

 

After the founding of the Kingdom of Bavaria the state was totally reorganised and, in 1808, divided into 15 administrative government regions (German: Regierungsbezirke, singular Regierungsbezirk), in Bavaria called Kreise (singular: Kreis). They were created in the fashion of the French departements, quite even in size and population, and named after their main rivers.

 

In the following years, due to territorial changes (e. g. loss of Tyrol, addition of the Palatinate), the number of Kreise was reduced to 8. One of these was the Untermainkreis (Lower Main District). In 1837 king Ludwig I of Bavaria renamed the Kreise after historical territorial names and tribes of the area. This also involved some border changes or territorial swaps. Thus the name Untermainkreis changed to Lower Franconia and Aschaffenburg, but the city name was dropped in the middle of the 20th century, leaving just Lower Franconia.

 

From 1933, the regional Nazi Gauleiter, Otto Hellmuth, (who had renamed his party Gau "Mainfranken") insisted on renaming the government district Mainfranken as well. He encountered resistance from Bavarian state authorities but finally succeeded in having the name of the district changed, effective 1 June 1938. After 1945 the name Unterfranken was restored.

 

Franconia (German: Franken, pronounced [ˈfʁaŋkŋ̍]; Franconian: Franggn [ˈfrɑŋɡŋ̍]; Bavarian: Frankn) is a region of Germany, characterised by its culture and Franconian dialect (German: Fränkisch).

 

Franconia is made up of the three Regierungsbezirke of Lower, Middle and Upper Franconia in Bavaria, the adjacent, Franconian-speaking, South Thuringia, south of the Thuringian Forest—which constitutes the language boundary between Franconian and Thuringian— and the eastern parts of Heilbronn-Franconia in Baden-Württemberg.

 

Those parts of the Vogtland lying in Saxony (largest city: Plauen) are sometimes regarded as Franconian as well, because the Vogtlandian dialects are mostly East Franconian. The inhabitants of Saxon Vogtland, however, mostly do not consider themselves as Franconian. On the other hand, the inhabitants of the Hessian-speaking parts of Lower Franconia west of the Spessart (largest city: Aschaffenburg) do consider themselves as Franconian, although not speaking the dialect. Heilbronn-Franconia's largest city of Heilbronn and its surrounding areas are South Franconian-speaking, and therefore only sometimes regarded as Franconian. In Hesse, the east of the Fulda District is Franconian-speaking, and parts of the Oden Forest District are sometimes regarded as Franconian for historical reasons, but a Franconian identity did not develop there.

 

Franconia's largest city and unofficial capital is Nuremberg, which is contiguous with Erlangen and Fürth, with which it forms the Franconian conurbation with around 1.3 million inhabitants. Other important Franconian cities are Würzburg, Bamberg, Bayreuth, Ansbach and Coburg in Bavaria, Suhl and Meiningen in Thuringia, and Schwäbisch Hall in Baden-Württemberg.

 

The German word Franken—Franconians—also refers to the ethnic group, which is mainly to be found in this region. They are to be distinguished from the Germanic people of the Franks, and historically formed their easternmost settlement area. The origins of Franconia lie in the settlement of the Franks from the 6th century in the area probably populated until then mainly by the Elbe Germanic people in the Main river area, known from the 9th century as East Francia (Francia Orientalis). In the Middle Ages the region formed much of the eastern part of the Duchy of Franconia and, from 1500, the Franconian Circle. The restructuring of the south German states by Napoleon, after the demise of the Holy Roman Empire, saw most of Franconia awarded to Bavaria." - info from Wikipedia.

 

Summer 2019 I did a solo cycling tour across Europe through 12 countries over the course of 3 months. I began my adventure in Edinburgh, Scotland and finished in Florence, Italy cycling 8,816 km. During my trip I took 47,000 photos.

 

Now on Instagram.

 

Become a patron to my photography on Patreon or donate.

Moving slowly and methodically, the Oystercatcher probes the mud and in between rocks for food. Today's lighting captured the brown-black body that at times is difficult to see in the field.

Niccy and I just got back from a transatlantic cruise so I've finally got some shots to post!

 

Being a Nurse in the last few years has been extremely stressful to say the least which is one reason why Niccy enjoys cruising so much. It's a chance to escape the "real world" for a bit and have some really relaxing me time.

 

One of the things that Niccy has taught herself is called English Paper Piercing which is a method of hand sewing quilts:

www.allpeoplequilt.com/how-to-quilt/piecing/how-to-englis...

 

Since you do the sewing by hand you're forced to slow down and take your time with the pieces, something that you don't always have the luxury of when you're dealing with sick and ill folks.

 

Being on a ship in the middle of the ocean gives her a chance to work on her patience instead of working on patients!

Danish postcard by Forlaget "Holger Danske", no. 609. Daniel Day-Lewis in My Beautiful Laundrette (Stephen Frears, 1985).

 

Irish actor Daniel Day-Lewis (1957) won the Best Actor Oscar for My Left Foot (1990), There Will Be Blood (2007) and Lincoln (2013). Day-Lewis has also received more than 90 other acting awards fort these films and for his roles in My Beautiful Laundrette (1985), A Room with a View (1985), Gangs of New York (2002) and Nine (2009).

 

Sir Daniel Michael Blake Day-Lewis was born in Kensington, London, in 1957. His father was the British Poet Laureate Cecil Day-Lewis. His mother, actress Jill Bacon, came from a Jewish family and was the daughter of Sir Michael Balcon, former head of Ealing Studios. Cecil Day-Lewis was already 53 when his son was born, and it seemed that he had little interest in his children. Cecil died when Daniel was 15. Day-Lewis later said that he regretted never having had a good relationship with his father. At his school in Greenwich, Day-Lewis was often bullied by children, often because of his Jewish heritage and the luxurious way of life at home. Day-Lewis later said that he behaved badly in his younger years. He got into trouble several times for shoplifting and other illegal activities. In 1968, he went to a boarding school in Kent because his parents thought he was behaving too freely. Although he disliked the school, it was there that he was first introduced to two of his main interests, acting and woodworking. Day-Lewis made his debut in Sunday Bloody Sunday (John Schlesinger, 1971). He was 14 years old at the time and played a vandal. His role is not mentioned in the credits. According to Day-Lewis, he received two dollars for that role to wreck some expensive cars and he later said that this wrecking felt like "heaven". After two years at boarding school, he attended Bedalas School in Petersfield. He left the school in 1975. His behaviour had improved somewhat by then. Day-Lewis arrived at a time when he had to choose in which direction he wanted to go, acting or woodworking. He decided for acting, but he was not accepted because he had too little experience. That is why he chose acting. He followed a three-year course at the Bristol Old Vic theatre school. He then acted on stage with the Bristol Old Vic and Royal Shakespeare Companies. He made his West End stage debut in 1982, starring for several months in the play 'Another Country'.

 

In 1982, Daniel Day-Lewis had another small role in a major film, this time as the bully in Gandhi (Richard Attenborough, 1982). Later, he also starred in a 'Romeo and Juliet' play and had a supporting role in the film The Bounty (Roger Donaldson, 1984), starring Mel Gibson and Anthony Hopkins. His next theatre role was in 'The Count', a play about Dracula. In My Beautiful Laundrette (Stephen Frears, 1985), he played a lower-class, gay ex-skinhead in love with an ambitious Pakistani businessman (Gordon Warnecke) in Margaret Thatcher's London. His next film A Room with a View (James Ivory, 1985) was again very well received. In that film, he played the fiancée of the main character played by Helena Bonham Carter. My Beautiful Laundrette and A Room With a View opened on the same day in New York. Day-Lewis astonished critics and audiences with his chameleon-like versatility. The New York Film Critics Circle took particular note of his talent, naming him the year's Best Supporting Actor for his work in both films. In 1987, Day-Lewis starred in Milan Kundera's The Unbearable Lightness of Being (Philip Kaufman, 1987), along with Lena Olin and Juliette Binoche. Day-Lewis played the role of a philandering surgeon from Prague, who gets an emotional relationship with a woman for the first time. In 1989, Day-Lewis did a brilliant performance as the disabled Irish writer Christy Brown in the film My Left Foot (Jim Sheridan, 1989). He won several awards for this role, including an Academy Award for Best Actor. During filming, Day-Lewis broke two ribs after an accident with the wheelchair in which his character always sat. After several films, Daniel Day-Lewis returned to the stage for Shakespeare's play 'Hamlet'. He collapsed on stage, however, when (supposedly) the ghost of Hamlet's father came on stage. Day-Lewis later said that he mistook him for his father's ghost. After this incident, Day-Lewis never returned to the stage. In 1992, three years after he won an Oscar, Day-Lewis starred in The Last of the Mohicans (Michael Mann, 1992), a film that met with mixed reviews but was a great success at the box office. He played a turn-of-the-century New York society man in Martin Scorsese's lavish adaptation of Edith Wharton's The Age of Innocence (Martin Scorsese, 1993) opposite Michelle Pfeiffer and Winona Ryder. Another success was In the Name of the Father (Jim Sheridan, 1993). For his role as an innocent convict of an IRA bombing, he lost a lot of weight and had to act with an Irish accent. According to Day-Lewis, he frequently urged crew members to throw cold water on him and use verbal abuse against him so that his anger, which his character must have in circumstances such as the film, would become more realistic. Day-Lewis was again nominated for an Oscar for Best Actor for his role. He was also nominated for a BAFTA for the third time and a Golden Globe for the second time. Next, he starred as the tragically adulterous John Proctor alongside Winona Ryder in The Crucible (Nicholas Hytner, 1996). The film was based on a script by Arthur Miller, who would become Day-Lewis' father-in-law. He then had a role in Jim Sheridan's The Boxer (1997), as a former boxer trying to make a new life for himself after being imprisoned for fourteen years for his work with the IRA. He had to prepare for that role as well, training for six months in boxing with former world boxing champion Barry McGuigan.

 

Daniel Day-Lewis took a break for several years. He decided to focus on his old passion: woodworking. He moved to Florence in Italy. It was not until 2002 that another of his films premiered, Gangs of New York (Martin Scorsese, 2002) with Leonardo DiCaprio and Cameron Diaz. Day-Lewis' decidedly methodic approach to creating convincing screen characters would ultimately pay off as many cited his Oscar nominated performance as one of the most convincing of the talented actor's career. Day-Lewis typically disappeared from sight yet again after Gangs, waiting two years before appearing again in a film. In 2005, The Ballad of Jack and Rose premiered. This film was directed by his own wife, Rebecca Miller. Day-Lewis played the role of an old man who is dying and reflects on his life. During filming, he lived apart from his wife to make his role as a lonely old man even more believable. His next film was based on Upton Sinclair's novel 'Oil!'. The film was renamed There Will Be Blood (Paul Thomas Anderson, 2007) and Day Lewis won the Best Actor Oscar for his role in that film. In 2009, Day-Lewis starred in Rob Marshall's musical adaptation Nine (2009) as film director Guido Contini. In 2013, he won his third Oscar for his portrayal of Abraham Lincoln in Lincoln (Steven Spielberg, 2013) with Sally Field. Daniel Day-Lewis is the only person in film history to have won the Oscar for best male lead three times. In 2014, he received a knighthood for his services to drama. Following the filming of Phantom Thread (Paul Thomas Anderson, 2017 ), for which he was again nominated for an Oscar for best male lead, Day-Lewis announced that he was quitting acting. Day-Lewis is very protective of his privacy. He rarely reveals his private life in public. Day-Lewis first had a relationship with the French actress Isabelle Adjani. They had a son together, Gabriel-Kane Day-Lewis (in 1995), but by then the relationship had already ended. In 1996, while working on the film The Crucible, he went to visit the writer of the script, Arthur Miller. During that visit, he fell in love with Miller's daughter, Rebecca Miller. They were married two weeks before the premiere of The Crucible. They have two sons together, Ronan (born in 1998) and Cashel (2002). They spend their time together in their homes in the United States and Ireland. Daniel Day Lewis was in a relationship with Isabelle Adjani from 1989 to 1994. They have one son together, Gabriel-Kane Day Lewis (born 1995). With Rebecca Miller, he has two sons, Ronan Cal Day-Lewis (born 1998) and Cashel Blake Day-Lewis (born 2002). Daniel Day-Lewis has dual citizenship between the United Kingdom and Ireland.

 

Sources: Rebecca Flint Marx (AllMovie), Pedro Borges (IMDb), Wikipedia (Dutch) and IMDb.

 

And, please check out our blog European Film Star Postcards.

Water splashed gently against the side of the Argo. The methodical sound of the oars cutting through the sea pounded in Jason’s ears. The men behind him, some of the greatest warriors in the world, were talking quietly amongst themselves. Yet, a spirit of restlessness hung over them. They were sailing into the unknown, into…adventure!

--------------------------------------------------------------------------

 

This is my entry for Category C of the Wrath of the Titans contest over in the Greco-Roman LEGO group. It was a very, very fun build, especially the shaping of the boat. I wish I could build the whole thing, but I ran out of pieces...

As Obi-Wan would say, "at least they're still sailing half a ship." ;)

This is also a chance to showcase my water technique, using the trans-black. I'm really curious to know what y'all think about it. :)

 

Soli Deo Gloria! :)

Spanish postcard in the Colección Estrellas cinematográficas by Cacitel, no. 77.

 

Irish actor Daniel Day-Lewis (1957) won the Best Actor Oscar for My Left Foot (1990), There Will Be Blood (2007) and Lincoln (2013). Day-Lewis has also received more than 90 other acting awards fort these films and for his roles in My Beautiful Laundrette (1985), A Room with a View (1985), Gangs of New York (2002) and Nine (2009).

 

Sir Daniel Michael Blake Day-Lewis was born in Kensington, London, in 1957. His father was the British Poet Laureate Cecil Day-Lewis. His mother, actress Jill Bacon, came from a Jewish family and was the daughter of Sir Michael Balcon, former head of Ealing Studios. Cecil Day-Lewis was already 53 when his son was born, and it seemed that he had little interest in his children. Cecil died when Daniel was 15. Day-Lewis later said that he regretted never having had a good relationship with his father. At his school in Greenwich, Day-Lewis was often bullied by children, often because of his Jewish heritage and the luxurious way of life at home. Day-Lewis later said that he behaved badly in his younger years. He got into trouble several times for shoplifting and other illegal activities. In 1968, he went to a boarding school in Kent because his parents thought he was behaving too freely. Although he disliked the school, it was there that he was first introduced to two of his main interests, acting and woodworking. Day-Lewis made his debut in Sunday Bloody Sunday (John Schlesinger, 1971). He was 14 years old at the time and played a vandal. His role is not mentioned in the credits. According to Day-Lewis, he received two dollars for that role to wreck some expensive cars and he later said that this wrecking felt like "heaven". After two years at boarding school, he attended Bedalas School in Petersfield. He left the school in 1975. His behaviour had improved somewhat by then. Day-Lewis arrived at a time when he had to choose in which direction he wanted to go, acting or woodworking. He decided for acting, but he was not accepted because he had too little experience. That is why he chose acting. He followed a three-year course at the Bristol Old Vic theatre school. He then acted on stage with the Bristol Old Vic and Royal Shakespeare Companies. He made his West End stage debut in 1982, starring for several months in the play 'Another Country'.

 

In 1982, Daniel Day-Lewis had another small role in a major film, this time as the bully in Gandhi (Richard Attenborough, 1982). Later, he also starred in a 'Romeo and Juliet' play and had a supporting role in the film The Bounty (Roger Donaldson, 1984), starring Mel Gibson and Anthony Hopkins. His next theatre role was in 'The Count', a play about Dracula. In My Beautiful Laundrette (Stephen Frears,1985), he played a lower-class, gay ex-skinhead in love with an ambitious Pakistani businessman (Gordon Warnecke) in Margaret Thatcher's London. His next film A Room with a View (James Ivory, 1985) was again very well received. In that film, he played the fiancée of the main character played by Helena Bonham Carter. My Beautiful Laundrette and A Room With a View opened on the same day in New York. Day-Lewis astonished critics and audiences with his chameleon-like versatility. The New York Film Critics Circle took particular note of his talent, naming him the year's Best Supporting Actor for his work in both films. In 1987, Day-Lewis starred in Milan Kundera's The Unbearable Lightness of Being (Philip Kaufman, 1987), along with Lena Olin and Juliette Binoche. Day-Lewis played the role of a philandering surgeon from Prague, who gets an emotional relationship with a woman for the first time. In 1989, Day-Lewis did a brilliant performance as the disabled Irish writer Christy Brown in the film My Left Foot (Jim Sheridan, 1989). He won several awards for this role, including an Academy Award for Best Actor. During filming, Day-Lewis broke two ribs after an accident with the wheelchair in which his character always sat. After several films, Daniel Day-Lewis returned to the stage for Shakespeare's play 'Hamlet'. He collapsed on stage, however, when (supposedly) the ghost of Hamlet's father came on stage. Day-Lewis later said that he mistook him for his father's ghost. After this incident, Day-Lewis never returned to the stage. In 1992, three years after he won an Oscar, Day-Lewis starred in The Last of the Mohicans (Michael Mann, 1992), a film that met with mixed reviews but was a great success at the box office. He played a turn-of-the-century New York society man in Martin Scorsese's lavish adaptation of Edith Wharton's The Age of Innocence (Martin Scorsese, 1993) opposite Michelle Pfeiffer and Winona Ryder. Another success was In the Name of the Father (Jim Sheridan, 1993). For his role as an innocent convict of an IRA bombing, he lost a lot of weight and had to act with an Irish accent. According to Day-Lewis, he frequently urged crew members to throw cold water on him and use verbal abuse against him so that his anger, which his character must have in circumstances such as the film, would become more realistic. Day-Lewis was again nominated for an Oscar for Best Actor for his role. He was also nominated for a BAFTA for the third time and a Golden Globe for the second time. Next, he starred as the tragically adulterous John Proctor alongside Winona Ryder in The Crucible (Nicholas Hytner, 1996). The film was based on a script by Arthur Miller, who would become Day-Lewis' father-in-law. He then had a role in Jim Sheridan's The Boxer (1997), as a former boxer trying to make a new life for himself after being imprisoned for fourteen years for his work with the IRA. He had to prepare for that role as well, training for six months in boxing with former world boxing champion Barry McGuigan.

 

Daniel Day-Lewis took a break for several years. He decided to focus on his old passion: woodworking. He moved to Florence in Italy. It was not until 2002 that another of his films premiered, Gangs of New York (Martin Scorsese, 2002) with Leonardo DiCaprio and Cameron Diaz. Day-Lewis' decidedly methodic approach to creating convincing screen characters would ultimately pay off as many cited his Oscar nominated performance as one of the most convincing of the talented actor's career. Day-Lewis typically disappeared from sight yet again after Gangs, waiting two years before appearing again in a film. In 2005, The Ballad of Jack and Rose premiered. This film was directed by his own wife, Rebecca Miller. Day-Lewis played the role of an old man who is dying and reflects on his life. During filming, he lived apart from his wife to make his role as a lonely old man even more believable. His next film was based on Upton Sinclair's novel 'Oil!'. The film was renamed There Will Be Blood (Paul Thomas Anderson, 2007) and Day Lewis won the Best Actor Oscar for his role in that film. In 2009, Day-Lewis starred in Rob Marshall's musical adaptation Nine (2009) as film director Guido Contini. In 2013, he won his third Oscar for his portrayal of Abraham Lincoln in Lincoln (Steven Spielberg, 2013) with Sally Field. Daniel Day-Lewis is the only person in film history to have won the Oscar for best male lead three times. In 2014, he received a knighthood for his services to drama. Following the filming of Phantom Thread (Paul Thomas Anderson, 2017 ), for which he was again nominated for an Oscar for best male lead, Day-Lewis announced that he was quitting acting. Day-Lewis is very protective of his privacy. He rarely reveals his private life in public. Day-Lewis first had a relationship with the French actress Isabelle Adjani. They had a son together, Gabriel-Kane Day-Lewis (in 1995), but by then the relationship had already ended. In 1996, while working on the film The Crucible, he went to visit the writer of the script, Arthur Miller. During that visit, he fell in love with Miller's daughter, Rebecca Miller. They were married two weeks before the premiere of The Crucible. They have two sons together, Ronan (born in 1998) and Cashel (2002). They spend their time together in their homes in the United States and Ireland. Daniel Day Lewis was in a relationship with Isabelle Adjani from 1989 to 1994. They have one son together, Gabriel-Kane Day Lewis (born 1995). With Rebecca Miller, he has two sons, Ronan Cal Day-Lewis (born 1998) and Cashel Blake Day-Lewis (born 2002). Daniel Day-Lewis has dual citizenship between the United Kingdom and Ireland.

 

Sources: Rebecca Flint Marx (AllMovie), Pedro Borges (IMDb), Wikipedia (Dutch) and IMDb.

 

And, please check out our blog European Film Star Postcards.

www.phaselis.org/en/about/about-project

Phaselis Research

 

Phaselis

 

When compared with the previous period of research on the history of the city over the past quarter century it has undergone radical changes. While modern scientists follow the path of their predecessors in collecting data through systematic processes and methodically analysing them, they change the route whereby they approach the city as a context- and a process-oriented structure, having economic, social, cultural, political and environmental dimensions which come together at different levels.

 

This considerably more inclusive definition expands the discipline concerning the city’s historical research, which consists of archaeology, epigraphy, ancient history and the other ancillary sciences and it encourages scientists from the natural and health sciences to participate within these studies. This is because in the course of the exploration of an ancient settlement the study of both the environment and the ecological setting which make human life possible; together with health issues, such as diet and epidemics, form the context within which human beings live, and which are thereby as important as the human actors.

 

Within the context of the planned Phaselis Research, even certain knowledge such as the settlement’s appearing on the stage of history as a favorite break-point with its three natural harbours, it being famous for its roses, the frequent seismic upheavals at sea and on its shores and its citizens leaving their homes because of a devastating malaria epidemic suggest the necessity of the application of this multi-dimensional research methodology in order to understand more fully the historical adventure of this city.

 

By presenting this research project, we aim to implement and realize this multi-dimensional research method, which as yet lacks widespread application in the field in our country, however conceptually and practically with a multi-disciplinary research team consisting of both national and international scientists, we intend to register systematically every kind of data/information regarding all contexts of the city employing modern methods and to present the results to the scientific world in the form of regular reports and monographic studies, thus forming a strong tie between past and future research.

 

Phaselis Territorium

 

The boundaries of the ancient city of Phaselis’ territorium are today within the administrative borders of the township of Tekirova, in Kemer District, determined from the archaeological, epigraphic and historical-geographical evidence, reaching the Gökdere valley to the north, continue on a line drawn from Üç Adalar to Mount Tahtalı to the south and extend along the Çandır valley to the west.

 

Phaselis was discovered in 1811-1812 by Captain F. Beaufort during his work of charting the southern coastline of Asia Minor for the British Royal Navy. Beaufort drew Phaselis’ plan and in the course of conducting his cartographic studies, he saw the word Φασηλίτης ethnikon on the inscriptions and consequently identified these ruins with Phaselis. C. R. Cockerell, the English architect, archaeologist and author came to Phaselis by ship and met Beaufort there. Then in 1838 C. Fellows, the English archaeologist visited the city. He found the fragments of the dedicatory inscription over the monumental gate built in honour of the Emperor Hadrianus and mistakenly thought the Imperial Period main street was the stadion due to the seats-steps on either side of the street. In 1842 Lt. T. A. B. Spratt, the English hydrographer and geographer, and the Rev. E. Forbes, the naturalist came to Phaselis via the Olympos and Khimaira routes. Due to the fact that they all came by sea and they only stayed for a short time, their descriptions of the topography inland are without detailed and there are serious errors in orientation.

 

PhaselisThose researchers who visited Phaselis between the late 19th and the early 20th centuries concentrated primarily upon the discovery of inscriptions. In 1881-1882 while the Austrian archaeologist and the epigraphist O. Benndorf, the founder of the Austrian Archaeological Institute, and his team were conducting research in southwestern Asia Minor, they examined Phaselis. In the winter of 1883 and 1884 F. von Luschan from the Austrian team took the first photographs which provide information concerning the regional features of Phaselis’ shoreline. In the same year the French scientist V. Bérard also visited Phaselis. In 1892 the members of the Austrian research team, O. Benndorf, E. Kalinka and their colleagues continued their architectural, archaeological and epigraphical studies in Phaselis. In 1904 they were followed by D. G. Hogarth, R. Norton and A. W. van Buren from the British research team. In 1908 the Austrian classical philologist E. Kalinka visited the settlement again, collected epigraphic documents and conducted research on the history of city (published in TAM II in 1944). The Italian researchers R. Paribeni and P. Romanelli visited Phaselis in1913 and C. Anti in 1921. Anti returned to Antalya overland and in consequence discovered several epigraphs and the ruins of structures within the territorium of Phaselis.

 

Further archaeological, epigraphical and historical-geographical studies of Phaselis were conducted by the English researchers F. M. Stark and G. Bean, who came to the region after World War II. In 1968 H. Schläger, the German architect and underwater archaeologist began exploring the topographical and architectural structures of Phaselis’s harbours. After Schläger’s death in 1969, the research was conducted under the leadership of the archaeologist J. Schäfer in 1970. H. Schläger, J. Schäfer and their colleagues obtained important data concerning the architecture and history of Phaselis through the surface exploration of the city and its periphery. Following the excavations conducted along the main axial street of the city, in 1980 under the direction of Kayhan Dörtlük, the then Director of the Antalya Museum and between 1981-1985 under the leadership of the archaeologist Cevdet Bayburtluoğlu; underwater exploration was carried out in the South Harbour under the direction of Metin Pehlivaner, the then Director of the Antalya Museum.

  

en.wikipedia.org/wiki/Phaselis

 

Copyright - All Rights Reserved - Black Diamond Images

 

River Red Gums (Eucalyptus camaldulensis) line the shores of these inland rivers and were important sources of fuel for the paddle steamers that plied these waters in the last century when wool and wheat reigned supreme.

River Red gum was also a durable timber and was used for construction of the large wharf infastucture which was needed to support the paddle steamer business.

Paddle steamers were finally made redundant when the railways arrived along the rivers and that was timely as the River Red Gum resource was being heavily targeted and many parts of the rivers ecosystem have never fully recovered from the plundering of this timber resource during this era. The loss of trees along the river also led to river bank erosion.

Paddle Steamers required river free of snags so they were methodically cleared from the river without any thought as to the impact on marine life in the river. Snags offered a home to many fish and other marine life and once removed marine life was seriously impacted.

 

There were 3 of these parakeets among the blossom - and I could see why they are such a pest in orchards. This one was methodically picking off flowers and dropping them to the ground.

www.laxpressions.com

 

Laxpressions is an experiment that taps the creative pulse of the inhabitants of Los Angeles County, and tests the artistic will of one man and his briefcase, as he stalks all the walks of all the lives and times of days and nights, methodically and photographically, documenting the results.

 

"I take pictures of people in Los Angeles County, with a par of sunglasses, and a copy of the LA.... Xpress. It doesn't cost a thing to try your creative hand and mind only three simple rules: the image must feature 1) you in LA county, with 2) a pair of sunglasses and 3) a copy of the LA...Xpress. It can be done anytime, anyplace, and anywhere, because in Los Angeles County you can always find a pair of sunglasses and a copy of the LA....Xpress." -Barry Boen

 

Laxpressions, Volume I: read the pictures. ©Twentyeleven, Print is Dead Publishing Co. The initial hardcover, 1st ed. press available late Summer 2011 from Print Is Dead Publishing on the shelves of your local bookstores or mail-order online.

I read a science fiction short story years ago about fog and parallel universes. In the story, fog happened when alternate dimensions overlapped, where reality began to blur. And going out into the fog was dangerous, because you could end up in a world that wasn't your own. It was scary.

 

The world changes so fast now that much of the stuff of the science fiction of my youth is either realized or surpassed. Who got Apple right? Who predicted iPhones and digital cameras and Skype? Not Asimov, not Heinlein.

 

Alien technology and alternate worlds! Well pardon me if Photoshop isn't something right out of science fiction. And like the robots in Westworld, sometimes the renderings go a bit funny. Like right here. The young lady has stepped into the fog. She's coming in from another dimension. She's exiting into a different world. And she's here. The software, by accident, is showing us more than expected. For all that, we don't know where she's come from, we don't know where she is going.

 

There's no photo that tells the whole story. We only ever get part of it. We have to chose where to point our cameras, which little rectangular window we will expose. Having good composition skills means you can work in that little rectangle, in that little cage. That's fine, but it is not reality. It's a stylized art form. It has as much to do with the visual world as a haiku has to do with all of human speech, of all of sound.

 

No pixel jockey moi, I play with Photoshop. I wield that mighty tool crudely. I stack my bee shots as prettily as anyone can. But once I am out of doors, I attack the landscape with scattershot frenzy. I could slow down, take a deep breath, and be methodical. I could be tidy. But I don't. I push in to the space with my camera, pressing into it, capturing it as a move through it. The results are bizarre. I've cropped this one to fit the standard rectangular format, but I often leave them ragged. Those ragged edges are another form of visual information for the viewer. But even then, even left whole, they are only part of the story, part of the picture.

 

Same as every photograph that was ever taken this is a slice of time, a fragment of the space, a piece of a whole, a part of the full picture.

 

ODC part of the full picture

 

100 Pictures: 3. fog

 

1. Words: Coffee at JoJo's with Cliff

2. feathered: saddle feathers with chicken-wire shadow

3. fog: Beware the Fog

4. critter

5. butterflys/bees

6. curve(s)

7. eyes

8. fireworks/fire

9. culture

10. hidden

11. architecture

12. light

13. dark

14. perspective

15. roadscapes (road/streets)

16. landscape

17. season

18. still life

19. ungulates (hooved animal)

20. water

21. window(s)

22. sun

23. movement

24. food

25. equipment

26. sport

27. sky

28. bench

29. machinary

30. flag

31. flight

32. celebration

33. color

34. fence

35. love

36. collection

37. flower/rose(s)

38. b&w

39. close up/macro

40. expression

41. pet

42. youth

43. symmetry

44. book(s)

45. happiness

46. vintage

47. bokeh

48. depth of field

49. out of place

50. camera

51. weird

52. shadow

53. broken

54. fave thing/place

55. hair

56. instrument

57. apple

58. shape(s)

59. amphibian

60. sweets

61. cold

62. hot

63. lock/keyhole

64. high

65. empty

66. time

67. distance

68. smell

69. rock(y)

70. portrait

71. vacation/travel

72. candid

73. hand

74. feet

75. sepia

76. artsy

77. public place

78. steps/stairs

79. bridge

80. horizon

81. gate

82. vine(s)

83. beauty

84. balloons

85. forms in nature

86. column(s)

87. doors/doorknob(s)

88. neon sign

89. porch

90. reflection

91. swing(s)

92. barn(s)

93. looking up

94. looking down

95. railroad anything

96. entropy

97. stranger

98. park/campground

99. around my yard

100. hobby

By way of immediate action, a stand must first be made against thought, against mental processes. "I do not know" - it is said - "anything which, when unbridled, uncontrolled, unwatched, untamed, brings such ruin as thought, and I do not know anything which, when bridled, controlled, watched, tamed, brings such benefits as thought."

 

Thought, which everyone lightly says is "mine," is, in reality, only to a very small degree in our power. In the majority of cases, instead of "to think" it would be correct to say "we are thought" or "thought takes place in me." In the normal way, the characteristic of thought is its instability. "Incorporeal" - it is said - "it walks by itself": it "runs hither and thither like an untamed bull." Hard to check, unstable, it runs where it pleases. In general, it is said that, while this body may persist one year, two years, three years or even up to a hundred years and more in its present form, "what we call thought, what we call mind, what we call consciousness arises in one manner, ceases in another; incessantly, night and day"; "it is like a monkey who goes through the forest, and who progresses by seizing one branch, letting go of it, taking hold of another, and so on."

 

The task is to "arrest" thought: to master it and to strengthen the attention; to be able then to say: "Once this thought wandered at its fancy, at its pleasure, as it liked: I today shall hold it completely bridled, as a mahout holds a rut-elephant with his goad."

 

A few explanations.

 

If one day normal conditions were to return, few civilizations would seem as odd as the present one, in which every form of power and dominion over material things is sought, while mastery over one's own mind, one's own emotions and psychic life in general is entirely overlooked. For this reason, many of our contemporaries - particularly our so-called "men of action" - really resemble those crustaceans that are as hard-shelled outside with scabrous incrustations as they are soft and spineless within. It is true that many achievements of modern civilization have been made possible by methodically applied and rigorously controlled thought. This, however, does not alter the fact that most of the "private" mental life of every average and more-than-average man develops today in that passive manner of thought that, as the Buddhist text we have just quoted strikingly puts it, "walks by itself," while, half-unconscious, we look on. Anyone can convince himself of this by trying to observe what goes on in his mind, for example, when leaving his house: he thinks of why he is going out but, at the door, his thoughts turn to the postman and thence to a certain friend from whom news is awaited, to the news itself, to the foreign country where his friend lives and which, in turn, makes him remember that he must do something about his own passport: but his eye notices a passing woman and starts a fresh train of thought, which again changes when he sees an advertisement, and these thoughts are replaced by the various feelings and associations that chase each other during a ride through the town. His thought has moved exactly like a monkey that jumps from branch to branch, without even keep-ing a fixed direction. Let us try, after a quarter of an hour, to remember what we have thought - or, rather, what has been thought in us - and we shall see how diffi¬cult it is. This means that in all these processes and disordered associations our consciousness has been dazed or "absent." Having seen this, let us undertake to follow, without disturbing them, the various mental associations. After only a minute or two we shall find ourselves distracted by a flood of thoughts that have invaded us and that are quite out of control. Thought does not like being watched, does not like being seen. Now this irrational and parasitical development of thought takes up a large part of our normal psychic life, and produces corresponding areas of reduced activity and of reduced self-presence. The state of passivity is accentuated when our thought is no longer merely "spontaneous" and when the mind is agitated by some emotion, some worry, hope, or fear. The degree of consciousness is certainly greater in these cases - but so, at the same time, is that of our passivity.

These considerations may throw some light on the task that is set when one "ceases to go"; one reacts, one aims at being the master in the world of one's own mind. It now seems quite incomprehensible that nearly all men have long since been accustomed to consider as normal and natural this state of irrationality and passivity, where thought goes where it will - instead of being an instrument that enters into action only when necessary and in the required direction, just as we can speak when we wish to, and with a purpose, and otherwise remain silent. In comprehending this "according to reality," we must each decide whether we will continue to put up with this state of affairs.

 

In its fluid, changeable and inconsistent character, normal thought reflects, moreover, the general law of samsāric consciousness. This is why mental control is consid¬ered as the first urgent measure to be taken by one who opposes the "current." In un¬dertaking this task, however, we must not be under any illusions. The dynamis, the subtle force that determines and carries our trains of thought, works from the subconscious. For this reason, to attempt to dominate the thought completely by means of the will, which is bound to thought itself, would almost be like trying to cut air with a sword or to drown an echo by raising the voice. The doctrine, which declares that thought is located in the "cavern of the heart," refers, among other things, to thought considered "organically" and not to its mental and psychological offshoots. Mastery of thought cannot, therefore, be merely the object of a form of mental gymnastics: rather, one must, simultaneously, proceed to an act of conversion of the will and of the spirit; inte¬rior calm must be created, and one must be pervaded by intimate, sincere earnestness.

 

The "fluttering" of thought mentioned in our text is more than a mere simile: it is related to the primordial anguish, to the dark substratum of samsāric life that comes out and reacts since, as soon as it feels that it is seen, it becomes aware of the danger; the condition of passivity and unconsciousness is essential for the development of samsāric being and for the establishment of its existence. This simile illustrates an experience that, in one form or another, is even encountered on the ascetic path.

 

The discipline of constant control of the thought, with the elimination of its automatic forms, gradually achieves what in the texts is called appamada, a term variously translated as "attention," "earnestness," "vigilance," "diligence," or "reflection." It is, in point of fact, the opposite state to that of "letting oneself think," it is the first form of entry into oneself, of an earnestness and of a fervid, austere concentration. When it is understood in this sense, appamāda constitutes the base of every virtue. It is also said: "This intensive earnestness is the path that leads toward the deathless, in the same way that unreflective thought leads, instead, to death. He who possesses that earnestness does not die, while those who have unstable thought are as if already dead." An ascetic "who delights in appamāda - in this austere concentration - and who guards against mental laxity, will advance like a fire, burning every bond, both great and small." He "cannot err." And when, thanks to this energy, all negligence is gone and he is calm, from his heights of wisdom he will look down on vain and agitated beings, "as one who lives on a mountaintop looks down on those who live in the plains."

 

--------

 

excerpt from The Doctrine of Awakening by Julius Evola

A visit to the stacks of stored crab pots in Ilwaco, Washington, revealed the source of two types of beach finds. (A crab pot is another name for a crab trap.) Crabs are not yet in season, so hundreds of crab pots are being stored on a parking lot near the docks.

 

Since November I have found 14 perforated plastic lids, ten of them white and two each in red and blue. I knew from experience they were from jars of crab bait. The holes in the lid allow the bait flavor to permeate the surrounding waters, luring crabs into the trap.

 

Interestingly, the bait jars do not come with perforated lids. Instead, it is up to the fisherman to make holes in them. As a result, no two perforation patterns are alike. Some fishermen strive for symmetry and neatness; others just seem to stab at random until the number of holes suits them. I'm convinced that, like snowflakes, no two hole patterns are alike unless a methodically minded fisherman stacks several lids and pierces them at the same time, One of these days I'll photograph them all in order to display the variations.

 

On the left is a lost lid as it looked when I came across it on the beach. Above it is a photo of the interior of a crab trap that shows the location of the bait jar and its lid inside a crab trap. The bottoms of the bait jars also have holes.

 

Though I've found four crab-trap tags that identify the vessel to which the trap belong, it wasn't until yesterday that I discovered where and how crab fishermen attach the tags to traps.

 

On the bottom right is a crab-pot ID tag resting on the sands right where the waves left it. Above it is a tag in place on a crab trap. It surprised me that the ID faced the interior of the trap, making it somewhat difficult to read. Then Frank pointed out that the tag's placement reduced the risk that the tag would be knocked off during the process of being lowered to the seabed and retrieved.

 

The fact I have any ID tags in my collection shows the method of attachment is not foolproof. It is still possible to dislodge the tag by hitting the ends of the clips that protrude through the wire.