View allAll Photos Tagged metaphysics

Visual artifact

Architectural certainty

Paradigm shift

  

The spolight platform on the facade of the Palazzo dei Congressi in the EUR district in Rome.

 

La piattaforma dei riflettori sulla facciata del Palazzo dei Congressi nel quartiere EUR, a Roma.

Flotsam Locked into a Groove

A very special stand of pines against clearing storm clouds. A bright and revalatory day in Vermont.

I can say one thing with near certainty. There are many images I have shot in the swamps that I will not be able to recreate because chances are I can't find the same subject and place again. And even if I did go to the exact location, the conditions might be vastly different than what I encountered before for me to recognize it. Hence, I often take in the scene and try to ponder the slightly spiritual nature of what I am seeing and experiencing. I took this picture at one moment that I knew meant something exceptional.

 

Have a great weekend!

Tresigallo-metaphysical city

 

Street metaphysics 'Karluv Most' , Praha 2017

  

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Gerald Arzt · FineArt Photography

  

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My Images Do Not Belong To The Public Domain - All images are copyright by silvano franzi ©all rights reserved©

Andy Marvell, What a Marvel

 

Andrew Marvell (1621-1678) was a British born Metaphysical Poet, satirist and politician. The Garden is one of his most celebrated works. I heard it again while listening to an audio book while in the bath the other day. Not as such a metaphysical experience but it was jolly nice.

  

These portraits of plants, have been made for many different reasons but always for the JOY of it. All of my photographs are daytime, made in city parks and gardens and virtually straight out of the camera with the absolute minimum of post processing.

 

This on going photographic odyssey that I call TERRA INCOGNITA has helped me notice what is always present in my life if I can make the time to look.

Metaphysical undercurrent

Pulsates beneath

The surface

In some mysterious way woods have never seemed to me to be

static things. In physical terms, I move through them; yet in

metaphysical ones, they seem to move through me.

 

John Fowles

Another Perspective

 

LM: maps.secondlife.com/secondlife/LEA24/126/129/23

 

Metaphysics of frequencies

 

A return to nature as a fluctuating cosmic vision, resonating vibrations where matter is in continuous movement and space does not exist. It is the unifying force of subtle body and energy fields.

I study myself more than any other subject; it is my metaphysic, and my physic.

 

You will ask: ‘And where are the lilacs?

And the metaphysics covered with poppies?

And the rain that often beat down

filling its words

with holes and birds.’

 

To you I am going to tell all that happened to me.

 

I lived in a quarter

in Madrid, with bells

with clocks, with trees.

 

From there could be seen

the dry face of Castille

like a sea of leather.

My house was named

the house of the flowers, because everywhere

geraniums exploded: it was

a beautiful house

with dogs and little children.

Raúl, you agree?

You agree, Rafael?

Federico, you agree

beneath the earth,

you agree about my house with balconies where

the light of June drowned flowers in your mouth?

 

Pablo Neruda

 

Whimberly www.flickr.com/groups/3216736@N25/, Whimberly (149, 50, 26) - Adulto

maps.secondlife.com/secondlife/Whimberly/150/51/27

Metaphysical street photography. Dawn on the Piazzetta San Marco, Venice.

Architectural residues of the old railway station of Siena (1935 Arch. Angiolo Mazzoni)

HEAD Technologies Inc. V1.01

a collage of 7 different snaps

infused wit one of my fractal collages to recreate da layout

colleges wit 3D Incendia Fractal Objects

a photo n digital visual

Questions métaphysiques. Pourquoi ici plutôt qu'ailleurs? Combien de temps faut-il pour changer une ampoule? Combien d'anges peuvent danser sur la tête d'une épingle?

Combien de temps vivent les volutes de fumée?

Pas très longtemps, assurément. Sauf lorsqu'on les maintient captives.

Je suis en panne d'inspiration.

.....

Livorno (Italy): the "I Bagni della Regina" by the sea

 

Scoglio della Regina (Queen’s Rock), Livorno

Scoglio Della Regina, otherwise known as Queen's Rock, is a historical spot in Livorno. It was named for Queen Maria Luisa of Etruria who enjoyed this area as a reprieve from the public eye. The queen had a natural pool created, which was fed by sea water.

 

A beach resort was built in this spot during the 19th century. It was one of the first bathing establishments in Livorno, built in 1846. The resort was named Bagno Squarci after the builder. It was later renamed Scoglio Della Regina, as it is known today.

 

The building now holds the Saint Anna School Sea Technologies and Marine Robotics Research Centre. The building sometimes opens its doors to visitors, but those visiting the city will find no shortage of things to do and see in this location even if they don't go inside. The square on which Queen's Rock stands offers a spectacular view of the Ligurian Sea. There is also a lively statue representing the queen of the rock, which was crafted by Sandro Chia in 2017.

FOR MORE INFORMATIONS:

www.gpsmycity.com/attractions/scoglio-della-regina-

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“It is an illusion that photos are made with the camera…

they are made with the eye, heart and head.”

[Henry Cartier Bresson]

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Please don't use any of my images on websites, blogs or other media without my explicit written permission.

  

© All rights reserved

 

On the Grandfather's Bridge in Helsinki.

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"There are necessarily two principles of beings; the one containing the series of beings organized, and finished, the other, of unordered and unfinished beings. That one which is susceptible of being expressed, by speech, and which can be explained, both embraces beings, and determines and organises the non-being.

 

For every time that it approaches the things of becoming, it orders them, and measures them, and makes them participate in the essence and form of the universal. On the contrary, the series of beings which escape speech and reason, injures ordered things and destroys those which aspire to essence and becoming; whenever it approaches them, it assimilates them to its own nature.

 

But since there are two principles of things of an opposite character, the one the principle of good, and the other the principle of evil, there are therefore also two reasons, the one of beneficent nature, the other of maleficent nature.

 

That is why the things that owe their existence to art, and also those which owe it to nature, must above all participate in these two principles; form and substance.

 

The form is the cause of essence; substance is the substrate which [it] receives the form. Neither can substance alone participate in form, by itself; nor can form by itself apply itself to substance; there must therefore exist another cause which moves the substance of things; and forms them. This cause is primary, as regards substance, and the most excellent of all."

  

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A lot of great things has happened lately that i suddenly realized i haven't been shooting and posting here at flickr.

I am undergoing a certain kind of hibernation state that compels me to discipline my self and suspend everything else for the sake of some other tremendous things in anticipation. I know this is a difficult stage and somehow the only strength i have is the passion that empowers my will to carry on...

"To the pure finite spirit, Liberty is what it is to the wind and elements -- a power to obey the imperious laws of its nature; a power to act on conditions, emotions and desires would arise, and be preceded, followed, or co-exist with perceptions and judgments in a necessary succession, and with a rapidity which would preclude all comparison, consideration, and determination.

This power is liberty, and is the basis of responsibility. It is simple. The mind on the condition of a body learns the laws of its nature, its activity, their conditions and objects, and thus acquires a power over itself. This is Liberty. Hence there are degrees of liberty. Hence there may be minds that possess no more freedom than the brutes that perish."

I covered the cone and the cube with aluminum foil. The balls are made of steel. LED light

A second glimpse (see also previous photo) of the Borgoricco Town Hall, a work built in the 1980s by the architect Aldo Rossi. The essential, geometric lines seem to have come out of a metaphysical painting.

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