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Having experimented with merging faces together on Photoshop, I recreated this image using paint on cardboard. I was interested in how the effect might differ between the photographic and painted versions. The photographs seem to repulse viewers, perhaps because the use of media tricks them into expecting an exact reproduction of reality and what they see seems shocking in comparison. The painting has a more subtly unsettling effect, however. Its scale makes its presence unavoidable and uncomfortable. (piece of cardboard, larger than A1, acrylic paint)
People who are good at cameras, help!
Let's pretend we didn't have digital cameras (or that we have a fickle subject who won't sit still or we don't like post-processing) and we have to get the exposure right the first time. How would you have known to set the camera more like the second shot than the first shot?
I tend to shoot in program mode, sometimes with a fixed ISO based on where I am. In this case, I let all three float. I let it default to evaluative metering (the light difference didn't *seem* this stark to me) and multi-point focus.
Because everything is in one plane more or less, the camera picked a wide(ish) aperture (f/5). Probably because I had a focal length of around 200mm, it set the shutter speed to 1/80. So, then it set the ISO down to 100 and took the first shot. Man, are those blinds properly exposed!
After dealing with a cat who no longer wanted to be where she had been happily sitting for quite some time and re-inserting her there, I changed metering over to spot (warning in instruction manual: Advanced Users Only!), metered her face, locked the metering, composed the shot, and took the picture. f/5, 1/80, ISO 640
I guess I should've figured on the first shot that the camera was using full sun settings and pushed some buttons before actually trying to take the picture, because like I said, I was surprised that first shot came out so bad. It's one thing to know how the camera works, it's another to know how to actually read your scene...
Erica Hargreave of Ahimsa Media on Robert Hardy's CanCon Convergence Roulette at Merging+Media 2010, SFU Woodwards, Vancouver.
Photo by Liz Kearlsey.
SNOT nose kid
Merged from 8 shots, thers was no enough space in the the compartment to take a pic of the huge plot ...
A kiddy mermaid a drew with pencils and pens:)
For more or my work please visit my Deviantart page^^
La dupla compuesta por el austriaco Oliver Marach y el rumano Florin Mergea, resultaron ganadores en dobles en el Royal Guard Open Chile ATP Viña del Mar 2014. La pareja deportiva europea, superaron en el partido estelar de este sábado 8 de febrero, por dos sets de 6/3 y 6/4, al dúo colombiano conformado por Juan Sebastián Cabal y Robert Farah, quedándose así con el primer lugar en esta categoría de la competencia.
Hoy, se disputará la esperada final de singles, a la que llega el argentino Leonardo Mayer, luego de derrotar por 7/6(2) y 6/3 al colombiano Santiago Giraldo; y el italiano Fabio Fognini, que después de un intenso partido, dejó en competencia al español Nicolás Almagro en tres sets de 6/4, 1/6 y 7/6(5).
La final de singles del Royal Guard Open Chile ATP Viña del Mar 2014 entre Fabio Fognini y Leonardo Mayer, se disputará este domingo 9 de febrero desde las 17:30 hrs. en el Court Central del Club Naval de Campo Las Salinas en Viña del Mar.